Catalog of an exhibition held at the Nevada Museum of Art, Reno, November 2, 2013-January 19, 2014; Columbus Museum of Art, Ohio, February 8-May 18, 2014; Foothills Art Center, Golden, Colorado, June 7-August 17, 2014; Art Gallery of Alberta, Edmonton, Canada, September 6-November 16, 2014; Society of the Four Arts, Palm Beach, Florida, December 5, 2014-January 11, 2015; and Crocker Art Museum, Sacramento, California, January 31-April 26, 2015.
Published...on the occasion of the exhibition Impressionists on the Water on view at the Legion of Honor Museum, San Francisco, from June 1 to October 6, 2013 and at the Peabody Essex Museum, Salem Massachusetts, from November 9, 2013 to February 9, 2014."--Colophon.
A stunning collection of reproductions of some of the artist's major works sets the paintings of Henri de Toulouse-Lautrec within the context of the art scene of Montmartre, from 1885 to 1901, featuring a selection of paintings, drawings, prints, and posters capturing Montmartre subjects, as well as incisive essays on the artist, his work, the members of his circle, and his influence.
Scholarship and programs related to collections of the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, July 2004-June 2005.
Childhood illness and injuries steered Henri de Toulouse-Lautrec (1864-1901) away from customary rural aristocratic avocations and toward a profession as an artist. He became a painter, draftsman, and lithographer whose work was immersed in famously hedonistic, fin-de-siècle Paris. In his hands, advertising posters were raised to a high art; he portrayed the nightlife of Montmartre-circuses, cafés, dance halls, and brothels-with clear, bold color and a certain seamy panache that is instantly recognizable as his. His much mythologized life has found its way into many biographies and into two feature-length movies called Moulin Rouge. Lavishly illustrated with 370 color plates, Toulouse-Lautrec and Montmartre is the first major work to present the artist's oeuvre in the context of Montmartre's lively art scene from roughly 1885 to 1901. Accompanying an exhibition of the same name at the National Gallery of Art and The Art Institute of Chicago, the book features the important paintings, drawings, prints, and posters Toulouse-Lautrec made on Montmartre subjects. It also includes masterpieces by contemporaries he inspired or who inspired him-Degas, Van Gogh, Picasso, and others-as well as rarely seen illustrations, lithographs, photographs, and ephemera of the era. And it discusses the artists, writers, actors, singers, and dancers who formed Toulouse-Lautrec's circle. The book's gracefully written essays by Richard Thomson, Phillip Dennis Cate, and Mary Weaver Chapin, with Florence E. Coman, address these themes in light of the rise of the color poster, the proliferation of new forms of entertainment, and the emergence of a celebrity-oriented popular culture. Toulouse-Lautrec and Montmartre evokes a colorful, chaotic era, and adds a new dimension to our understanding of the art of Toulouse-Lautrec.
Scholarship and programs related to collections at the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, July 2002-June 2003.
Scholarship and programs related to collections at the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, July 2003-June 2004.
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