The 11th Hour Series of revision guides have been designed for quick reference. The organisation of these books will involve students actively in the learning process and reinforcement of concepts. At the end of each chapter there will be a test including multiple choice questions, true/false questions and short answer questions, every answer will involve an explanation. Each book will contain icons in the text indicating additional support on a dedicated web-page. Students having difficulties with their courses will find this an excellent way to raise their grades. Clinical correlations or everyday applications include examples from the real world to help students understand key concepts more readily. Dedicated web page, there 24 hours a day, will give extra help, tips, warnings of trouble spots, extra visuals and more. A quick check on what background students will need to apply helps equip them to conquer a topic. The most important information is highlighted and explained, showing the big picture and eliminating the guesswork. After every topic and every chapter, lots of opportunity for drill is provided in every format, multiple choice, true/false, short answer, essay. An easy trouble spot identifier demonstrates which areas need to be reinforced and where to find information on them. Practice midterms and finals prep them for the real thing.
Made in 1951, High Noon rapidly became one of the most celebrated and controversial Hollywood dramas of the post-war period. A grave, taut western about community and violence, High Noon collected a clutch of Oscars, helped to re-establish the dwindling fortunes of its star, Gary Cooper, and confirmed the stature of director Fred Zinnemann and producer Stanley Kramer. The film was also a flashpoint for the conflict between the US film industry and McCarthyite anti-communism: writer and associate producer Carl Foreman was hounded off the production and blacklisted. Phillip Drummond offers a detailed account of High Noon's troubled production context and its early public reception, along with career-summaries of the key participants. He analyzes the dramatic organization of the film with close reference to the original short story and Carl Foreman's script, and concludes with an invaluable overview of the long history of critical debates, focusing on questions of social identity and gender. The result is a fresh and nuanced reading of a major classic. Phillip Drummond is Lecturer in Film and Media Studies at the Institute of Education, University of London, UK.
Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate’s selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling—and sometimes disappointing or frustrating—through his keen eyes. In an essayist’s sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu’s Late Spring, David Lynch’s Mulholland Drive, and Andrei Tarkovsky’s Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman’s rigorous honesty, Ingmar Bergman’s intimacy, Abbas Kiarostami’s playfulness, Kenji Mizoguchi’s visual style, and Frederick Wiseman’s vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate’s passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture.
In Private Affairs, Phillip Brian Harper explores the social and cultural significance of the private, proposing that, far from a universal right, privacy is limited by one's racial-and sexual-minority status. Ranging across cinema, literature, sculpture, and lived encounters-from Rodin's The Kiss to Jenny Livingston's Paris is Burning-Private Affairs demonstrates how the very concept of privacy creates personal and sociopolitical hierarchies in contemporary America.
Comprehensive text with enough background material to reinforce earlier courses in corporate finance and enough advanced material to stimulate the most advanced student. The predominant strengths of clarity, current coverage, and friendliness to students and instructors continues in this new edition. Some of the areas where coverage has been expanded include corporate valuation, value based management, cash flow, and newly updated material on real options. The instructor's resources enable outstanding classroom presentations and learning.
This books provides a critical perspective on entrepreneurialism in the creative industries. Split into three sections, the book first asks the contextual question; why, at this point in time, did we arrive at such a focus on entrepreneurship in the creative industries? Examining the historical, social, cultural, economic and political background, the book places the creative industries and entrepreneurship firmly within a systemic approach to creativity and cultural production. Given this emphasis on entrepreneurship in the creative system, the second part of the book asks, what do those who want to work in the creative industries need to do to pragmatically gain an income? The practices, skills, business models and plans necessary to master in order to successfully run a business are explored in this section. The final section contains detailed case studies that reveal the lives of those who found a way to successfully gain an income in the creative industries. It highlights the practical knowledge they gathered, how they negotiated their field of endeavour, and the decisions they made in the real world. Fundamentally the book answers three questions: How and why did we get here? Given that we are here at this point in time, how do we go about being entrepreneurial? And who has managed to do this in the creative industries and how did they do it? Covering both theoretical debates in detail, and practical case studies in key sub-sectors of creative industries, this truly integrative and far-reaching volume will be of interest to students, researchers and practitioners alike.
Now you can trust the only text specifically written for your Intermediate or Advanced Corporate Finance course--Brigham/Daves’ INTERMEDIATE FINANCIAL MANAGEMENT, Tenth Edition--to keep your students first in finance with a full understanding of the conceptual theories and practical skills that lead to stronger financial decisions. This comprehensive text from the renowned author team Brigham/Daves reinforces coverage from earlier courses in corporate finance for a clear presentation, while providing new advanced material to challenge even your most advanced learners. A strong presentation of corporate valuation as a unifying theme emphasizes the theoretic groundwork for value maximization and the practical skills to analyze business decisions. You will find in-depth coverage of core issues as well as the most current coverage of developing issues reshaping finance today. The book’s leading, reader-friendly approach incorporates timely actual business examples and integrated cases as well as Excel spreadsheet models to demonstrate how financial theory in practice leads to solid financial decisions. The latest financial innovations continue throughout a comprehensive support package that reduces your preparation time and offers your students practice using THOMSON ONE-BUSINESS SCHOOL EDITION, the same financial online database Wall Street professionals trust every day. Rely on Brigham/Daves’ INTERMEDIATE FINANCIAL MANAGEMENT, Tenth Edition, to keep you and your students first in finance throughout your intermediate or advanced corporate finance course. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Why aren't you using the ONLY book expressly written for your Intermediate/Advanced Corporate Finance course? This comprehensive text contains enough background material to refresh and reinforce earlier courses in corporate finance while still providing enough advanced material to stimulate the most advanced learner. The predominant strengths of clarity, current coverage, and friendliness to learner and instructors continue in this new edition. The instructor's resources enable outstanding easy prep and presentations. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
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