Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.
Heralding the digital era of cinema as a return to its roots as a crossroads of other media and cultural practices, André Gaudreault and Philippe Marion challenge the prognosis that cinema is dying, arguing that cinema has always been more an "evolving patchwork of federated cultural series" than a static form with a fixed identity. In a discussion ranging from early cinema, of which today's media landscape a century later is an eerie reflection, to opera films in local movie theatres to the "return of cinema's repressed" - animation, and now performance capture - The Kinematic Turn: Film in the Digital Era and its Ten Problems lays out a roadmap for negotiating the issues that will confront cinema in the years ahead as it increasingly mingles with other media. In the process the authors coin another neologism in their extensive repertoire, the "kinematic," or the shift from the medium cinema to a convergence of moving image media, one that will engender a major "turn" in study of the field. This expanded second edition includes a lengthy interview with the authors on the developments in their thinking since this volume was first published.
Chemical biology utilizes chemical principles to modulate systems to either investigate the underlying biology or create new function. Over recent years, chemical biology has received particular attention of many scientists in the life sciences from botany to medicine. This book contains an overview focusing on the research area of protein purification, enzymology, vitamins, antioxidants, biotransformation, gene delivery, signaling, regulation and organization. Particular emphasis is devoted to both theoretical and experimental aspects. The textbook is written by international scientists with expertise in synthetic chemistry, protein biochemistry, enzymology, molecular biology, drug discovery and genetics many of which are active chemical, biochemical and biomedical research. The textbook is expected to enhance the knowledge of scientists in the complexities of chemical and biological approaches and stimulate both professionals and students to dedicate part of their future research in understanding relevant mechanisms and applications of chemical biology.
Ludovic Dumouriez n’apprécie guère d’être dérangé dans sa sieste dominicale, encore moins lorsque l’importun n’est autre que sa supérieure. Toutefois, il lui faut bien admettre que la découverte d’un cadavre près d’une chapelle, allongé nu sur le ventre, les bras en croix, avec l’inscription « PORC » écrite en rouge mérite qu’on s’y intéresse. La liste des potentiels coupables est longue : le mari, des membres de groupuscules homophobes, des membres d’une secte, des personnalités importantes de la région... Les policiers piétinent et les recherches n’avancent pas. Alors, quand trois suspects sont retrouvés morts recouverts des inscriptions « PORCS », « LA BANDE » et « DES TROIS », l’enquête prend un nouveau tournant. Il semblerait que quelqu’un s’en prenne aux « animaux » du coin... Dans ce polar breton, Philippe Harant fait reprendre du service à son capitaine aussi rustre qu’entêté, resserrant l’étau autour des personnages et des lecteurs qui retiennent leur souffle jusqu’à la dernière ligne.
As Christopher Dantes recovers in hospital following his brutal attack in the Ebony Coast, Marion Tagher is left to run his company, Pharaoh, in his absence. With the life of its founder in peril, the multinational's value plummets... leaving it wide open to a hostile takeover. Meanwhile, Isaac Doucouré and Lucie Mondran are still in Africa, determined to find the young man who has the murdered journalist Jean-Paul Beauchamp's notebook, convinced it will be the key to exposing the corrupt government and bringing Dantes's attacker to justice...
Framed for murder, betrayed by his colleagues, abandoned by his family: for Alexandre, the world of finance is more merciless than ever. Following his trial, Alex is charged with embezzlement and voluntary homicide, and is handed a long jail sentence. The former trader tries to keep his head down, but after being pushed too far one time too many, he befriends a computer genius and begins to plan his escape... and his revenge...
Alexandre, the victim of a financial conspiracy, has taken on a new identity, and now living as the wealthy Dantès continues on his path for revenge. However, new events threaten both his plans and his life: not only are the Russian mafia prepared to do anything to recover their money, but his real identity is no longer a secret to the Machiavellian Jean Saint-Hubert, the man behind his downfall. And with the extreme-right party "French Nation" seemingly financed by this plot that ruined him, he and his loved ones find themselves under attack from all sides...
Alexandre's relentless quest for revenge reaches its climax, finally providing answers to a number of questions... Who abducted Lucie and Sarah, and why? Will Salers succeed in his scheme and become the new President of France? Will Dantès finally be able to take down Saint-Hubert, the former banker who ruined his life? What is Isaac's real role in all this? And will Alexandre also have to face justice for his own crimes?
Several years after the scandal that rocked the Parisian financial and political world, Alexandre, continuing to live as the mysterious businessman Dantes, has been cleared and is running his company Pharaoh. But he will soon discover that one of his subsidiaries, specializing in waste processing and energy recovery, requires his immediate attention. Could another scandal be on the horizon? Determined to find out the truth, Dantes will have to travel to the Ebony Coast, where he will meet up with an old friend... but the corruption awaiting him will be beyond anything he could imagine.
Following his successful facial reconstructive surgery, Alexandre, now living as the enigmatic businessman Christopher Dantès, hopes to bring his plans for revenge to fruition. The key players in the conspiracy that ruined his former life fall one by one into his trap, but in spite of all his best-laid plans, the actions of others are beyond his control, and Dantès slowly begins to realize that the final act may be more difficult than anticipated...
« Quelques années passèrent au cours desquelles, contre toute attente, un événement majeur majeur se produisit et fi t basculer la vie de la famille dans l’extase : Marion tomba enceinte et mit au monde une petite fille qu’ils appelèrent Madeleine, Cécile. Née un deux janvier dans une clinique de Sannois avec trois semaines de retard, sans doute peu pressée de passer le bout de son petit nez, elle était Capricorne ascendant Cancer, ce qui la prédisposait, selon les calculs élaborés d’une astrologue consultée par téléphone le jour même de sa naissance, à une sensibilité handicapante. » C’est avec ces mots qu’on s’engage dans Adam, tome conclusif de la trilogie gay entamée voilà vingt-cinq ans avec Sang-Mêlés. Dans ce troisième opus, Jean-Philippe Fresnoy nous emporte vers la fi n des aventures des familles Beauregard, Potter et Lioret... Avec son habituel ton mordant, l’auteur déroule pour nous une fresque toujours aussi vivace et époustouflante, qui plaira sans aucun doute au lecteur, plein d’une impatience dévorante. Cet ouvrage, dans toute sa richesse et sa complexité, ne manquera pas de faire échos aux grandes chroniques familiales naturalistes qui l’ont précédé...
The hero, Monsieur, is a successful young executive in Paris whose daily life is examined with precision. He is nothing if not unremarkable. Here, he muses on everything from the night sky to a Rotring pen. And he is very funny.
The year is 1998. In the merciless world of the stock exchange, Alexandre, a brilliant young trader, finds himself caught in the middle of a game of scheming and manipulation. An employee of the BGCI, he is duped into covering up several risky transactions by his colleague and so-called friend. The losses begin to snowball, becoming ever harder to hide. Facing an audit and with a journalist hovering around, Alexandre's fall from grace takes a deadly turn. This first volume brings us forward 12 years in the future, when Christopher Dantes, a businessman as rich as he is mysterious, makes his first public appearance at the Millennium Financial Ball, coming face to face with the people involved in the plot of that sordid drama of the past.
As Christopher Dantes recovers in hospital following his brutal attack in the Ebony Coast, Marion Tagher is left to run his company, Pharaoh, in his absence. With the life of its founder in peril, the multinational's value plummets... leaving it wide open to a hostile takeover. Meanwhile, Isaac Doucouré and Lucie Mondran are still in Africa, determined to find the young man who has the murdered journalist Jean-Paul Beauchamp's notebook, convinced it will be the key to exposing the corrupt government and bringing Dantes's attacker to justice...
Why was the mission to the Moon named after the God of the Sun, and not after a Moon Goddess or God? In this unconventional work, Philippe Sibaud explores the symbolism behind the 1969 landing on the Moon. More than fifty years after this seminal event, and whilst the Moon is attracting renewed interest, the author offers a bold new interpretation of the iconic Apollo mission. Was the Apollo landing the ultimate triumph of solar consciousness over the ancient lunar ways, a concrete enactment of the god Apollo mythically slaying the mother dragon at Delphi, or can the whole venture be seen as the sacred union of Sun and Moon, birthing a new vision at a time of great need? By weaving his own personal story with a greater cultural and symbolic narrative, Philippe Sibaud invites us to reflect on the importance of myths and the power of the Imagination to unlock the deeper meaning of our individual and collective experiences. You will never look at the Moon with the same eyes again.
Alexandre, the victim of a financial conspiracy, has taken on a new identity, and now living as the wealthy Dantès continues on his path for revenge. However, new events threaten both his plans and his life: not only are the Russian mafia prepared to do anything to recover their money, but his real identity is no longer a secret to the Machiavellian Jean Saint-Hubert, the man behind his downfall. And with the extreme-right party "French Nation" seemingly financed by this plot that ruined him, he and his loved ones find themselves under attack from all sides...
We found so much to say, to share, to learn.... For it wasn't just the Marquis de Sade profile and the sporty thighs-and-calves that seduced me. It was even more, perhaps, or certainly just as much, the speed at which you used to read, and still do."—Julia Kristeva "We're married, Julia and I, that's a fact, but we each have our own personalities, our own name, activities, and freedom. Love is the full recognition of the other in their otherness. If this other is very close to you, as in this case, it seems to me that what's at stake is harmony within difference. The difference between men and women is irreducible; there's no possibility of fusion."—Philippe Sollers Marriage as a Fine Art is an enchanting series of exchanges in which Julia Kristeva and Philippe Sollers, married for fifty years, speak candidly about their love. Though they live separately, Kristeva and Sollers are fully committed to each other. Their bond is intellectual and psychological, passionate and mundane. They share everything when together, and lose themselves in their interests when apart. Their marriage is art, rich with history and meaning, idiosyncratic, and dynamic in its expression. Yet it is also as common as they come. Kristeva and Sollers have lived through the same challenges, peaks, and lulls as all married couples do. With humor and honesty, they elaborate on these moments, turning marriage's familiar aspects into exceptional examples of relating, struggling, transcending, and being. Marriage as a Fine Art is a rare chance to know these intellectuals—and marriage—more intimately.
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