Few individuals made such an impact on nineteenth-century French politics as Louis-Auguste Blanqui (1805-1881). Political organiser, leader, propagandist and prisoner, Blanqui was arguably the foremost proponent of popular power to emerge after the French Revolution. Practical engagement in all the major uprisings that spanned the course of his life – 1830, 1848, 1870-71 – was accompanied by theoretical reflections on a broad range of issues, from free will and fatalism to public education and individual development. Since his death, however, Blanqui has not been simply overlooked or neglected; his name has widely become synonymous with theoretical misconception and practical misadventure. Auguste Blanqui and the Politics of Popular Empowerment offers a major re-evaluation of one the most controversial figures in the history of revolutionary politics. The book draws extensively on Blanqui's manuscripts and published works, as well as writings only recently translated into English for the first time. Through a detailed reconstruction and critical analysis of Blanqui's political thought, it challenges the prevailing image of an unthinking insurrectionist and rediscovers a forceful and compelling theory of collective political action and radical social change. It suggests that some of Blanqui's fundamental assumptions – from the insistence on the primacy of subjective determination to the rejection of historical necessity – are still relevant to politics today.
In academia, the traditional role of the humanities is being questioned by the “posts”—postmodernism, poststructuralism, and postfeminism—which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography. Carrard’s work here is expansive—examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences.
Few thinkers have made such significant contribution to social and political thinking over the last three decades as Axel Honneth. His theory of recognition has rejuvenated the political vocabulary and allowed Critical Theory to move beyond Habermas. Beyond Communication is the first full-scale study of Honneth’s work, covering the whole range of his writings, from his first sociological articles to the latest publications. By relocating the theory of recognition within the tradition of European social theory, the book exposes the full depth and breadth of Honneth’s philosophical intervention. The book will be an indispensable resource for anyone interested in contemporary philosophy and the social sciences.
Few individuals made such an impact on nineteenth-century French politics as Louis-Auguste Blanqui (1805-1881). Political organiser, leader, propagandist and prisoner, Blanqui was arguably the foremost proponent of popular power to emerge after the French Revolution. Practical engagement in all the major uprisings that spanned the course of his life – 1830, 1848, 1870-71 – was accompanied by theoretical reflections on a broad range of issues, from free will and fatalism to public education and individual development. Since his death, however, Blanqui has not been simply overlooked or neglected; his name has widely become synonymous with theoretical misconception and practical misadventure. Auguste Blanqui and the Politics of Popular Empowerment offers a major re-evaluation of one the most controversial figures in the history of revolutionary politics. The book draws extensively on Blanqui's manuscripts and published works, as well as writings only recently translated into English for the first time. Through a detailed reconstruction and critical analysis of Blanqui's political thought, it challenges the prevailing image of an unthinking insurrectionist and rediscovers a forceful and compelling theory of collective political action and radical social change. It suggests that some of Blanqui's fundamental assumptions – from the insistence on the primacy of subjective determination to the rejection of historical necessity – are still relevant to politics today.
The Case for Europe sets out the basic rationales and characteristics of the process of European integration that we have been witnessing for half a century. Philippe de Schoutheete, for ten years Belgium's permanent representative to the European Union, demystifies the structures of the EU, the basic forces and reasons that make it work, and the strengths and weaknesses of what has been achieved. He also points to the difficult questions the Union now faces: When to act? How best (and whether) to project power? How to respect diversity and reconcile competition and solidarity?
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
An “absolutely magnificent” book (The New Republic)—the fruit of almost two decades of study—that traces the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature. Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Ariès identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Ariès shows why death has become such an unendurable truth in our own century—how it has been nearly banished from our daily lives—and points out what may be done to “re-tame” this secret terror. The richness of Ariès's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. As he sorts out the tangled mysteries of our accumulated terrors and beliefs, we come to understand the history—indeed the pathology—of our intellectual and psychological tensions in the face of death.
This book, in its second edition, continues to present the main models of Sociology that have been conceptualised to apprehend the world of organisations. From the theories of bureaucracy and human relations to contemporary approaches, this book focuses on all the key aspects of Sociology of an organisation. The concepts defined are marked by the consideration of modes of rationality, types of cooperation, of networks and power games, of systems of decision-making and logics of action. The book cites the contributions made and the definitions given by the great Sociologists like Max Weber, Talcott Parsons, Michel Crozier, Renaud Sainsanlieu, to help the students understand the topics more clearly. This second edition is enriched with studies of discussed cases, charts, and of extracts of texts pertinent to the productive system, to the public sphere and the associative fact. The book is intended for the undergraduate students of sociology. It will also be of interest to those who, on a personal or professional level, wish to understand better how companies, administrations, etc. function.
Holy War, Martyrdom, and Terror examines the ways Christian theology has shaped centuries of violence from Christianity's first centuries up to our own day, through the crusades, the French Revolution, and more recent American wars.
What does "America" mean to French intellectuals? Is it a postmodern ideal situated beyond history and metaphysics? A source of spiritual decadence that threatens the European tradition? Or is it "Extrême-Occident," the Far Western site that gives historical reality to the utopias of the Renaissance and the Enlightenment? Jean-Philippe Mathy offers the first systematic examination of French texts that address the question of America. He shows how prominent French intellectuals have represented America as myth and metaphor, covering the entire ideological spectrum from Maurras to Duhamel, and from Sartre to Aron. The texts themselves range from novels and poems to travel narratives and philosophical essays by Claudel, Sartre, de Beauvoir, Lyotard, Baudrillard, Kristeva, and many others. Mathy deftly situates these discourses on America against the background of French intellectual and political history since 1789. The judgments on American culture that originate in France, he contends, are also statements about France itself. Widespread condemnation of American materialism and pragmatism cuts across deep ideological and political divides in France, primarily because French intellectuals still operate within a framework of critical and aesthetic models born in the late Middle Ages and the Renaissance and elaborated in the age of French classicism. Mathy engages issues central to interpreting the American experience, such as the current controversies over multiculturalism and Eurocentrism. Although Mathy deals mainly with French authors, he does not limit himself to them. Rather, he uses a comparative, cross-cultural approach that also takes in accounts of America by Nietzsche, Heidegger, Junger, Gramsci, and other Europeans, as well as American self-interpretations from Emerson and Dewey to Cornel West and Christopher Lasch. Because debates on American modernity have played a crucial intellectual role in France, Extrême-Occident is a major contribution to modern French cultural history. It will be essential reading for anyone wishing to understand the main currents of twentieth-century French thought.
The oceans cover over 70% of our planet. They are host to a biodiversity of tremendous wealth. Its preservation is now a global priority featuring in several international conventions and a confirmed objective of European policies and national strategies. Understanding the dynamics and the uses of the marine biodiversity is a genuine scientific challenge. Fourteen international experts have got together and identified five priority research themes to address the problem, based on analysing the state of knowledge.
This book addresses the application of Raman spectroscopic techniques to a range of diverse problems which arise in the study, conservation and restoration of artefacts and sites closely related to our cultural heritage as well as in authentication. These themes are naturally wider than what at first might be considered as artworks and archaeological artefacts and the topics include pigments, paintings, ceramics, glass, sculpture and patination / corrosion, textiles, industrial archaeology, the degradation and preservation of biomaterials, mummies and human skeletal remains. An interesting feature is the inclusion of modern case studies which describe specific problems and approaches to the Raman spectral analysis of items important to our cultural heritage. The text is prefaced with an introduction to the important parameters used in nondestructive Raman measurements and also highlights some future applications based upon novel miniaturised instrumentation for in-field studies and potential screening work which will identify specimens which would repay further studies in the laboratory. An attempt is made to give a snapshot of the state-of-the-art evolution since the beginning of the technique (1970s) and to point out potential further development. The book is co-edited by three international experts with many years' experience in the application of Raman spectroscopy to artworks, archaeological artefacts and in the investigation of materials and sites for cultural heritage preservation and each editor has undertaken to write individual chapters and different topics personally. The adopted approach is designed to convey the sort of information which has become available from the adoption of analytical Raman spectroscopy to different problems in the field of cultural heritage preservation through the spectral interrogation of artefacts and how the interpretation of the spectral data can assist museum curators, archaeologists and cultural heritage historians in the preservation and conservation of ancient materials and sites : a particular advantage in this respect is the ability of Raman spectroscopy to determine –generally in a strictly noninvasive procedure - at the laboratory or on-site with mobile instruments, the presence of both organic and inorganic components in a particular specimen together nondestructively without any chemical and mechanical pretreatment being undertaken, which is an essential requirement for rare and valuable samples . An important aside from this work is the means of spectral identification of ongoing biodeterioration and biological colonisation in specimens in storage and the effects of environmental deterioration such as humidity and temperature upon their integrity.
Carrard's sensitive readings of the New History substantially refine our understanding of how a number of the Annalistes write. In the process, he makes them far more accessible--and interesting."--Poetics Today. Parallax: Re-visions of Culture and Society.
This book presents a summary of the important outcomes of the SIGMA project related to all aspects of Probabilistic Seismic Hazard Assessment: source characterization, rock motion characterization, site response characterization, and hazard calculations, with for all of them emphasis on the treatment of uncertainties. In recent years, attempts have been made to identify and quantify uncertainties in seismic hazard estimations for regions with moderate seismicity. These uncertainties, for which no estimation standards exist, create major difficulties and can lead to different interpretations and divergent opinions among experts. To address this matter, an international research project was launched in January 2011, by an industrial consortium composed of French and Italian organizations. This program, named SIGMA (Seismic Ground Motion Assessment) lasted for five years and involved a large number of international institutions. This book is intended for instructors running courses on engineering seismology, graduate students in the same field and practicing engineers involved in Probabilistic Seismic Hazard Analyses.
Central to current understandings of medieval history is the concept of political ritual, encompassing events from coronations to funerals, entries into cities, civic games, banquets, hunting, acts of submission or commendation, and more. ''Ritual?'' asks Philippe Buc. In The Dangers of Ritual he boldly argues that the concept shouldn't be so central after all. Modern-day scholars, gently seduced by twentieth-century theories of ritual, often misinterpret medieval documents that ostensibly describe such events, in part because they fail to appreciate the intentions behind them. The book begins with four case studies whose arrangement--backward from texts on tenth-century kingship to fourth-century representations of Christian martyrdom--allows for the line of development to be peeled back layer by layer. It then turns to an analysis of the formation of the intellectual traditions that contemporary historians have employed to interpret medieval documents. Tracing the emergence of the concept of ritual from the Reformation to the mid-twentieth century, Buc highlights the continuities yet also the profound transformations between the early medieval understandings and our own, social-scientific models. Medieval historians will find this book an indispensable resource for its insights into methodological issues crucial to their discipline. As Buc demonstrates, only rigorous attention to the contexts within which authors worked can allow us to reconstruct from medieval documents how ''rituals'' might have functioned. Ultimately, he argues, too swift an application of contemporary models to highly complex textual artifacts blinds us to the specificities of early medieval European political culture.
This book challenges the widespread view that Islam is a reactionary religion that defends tradition against modernity and individual freedom. Jean-Philippe Platteau shows how Islam is vulnerable to political manipulation and how the threat of religious extremism is especially high because Islam is not organized as a centralized church.
A historico-critical study of the whole of the Book of Judges, based on the latest developments in the history and archaeology of Israel. A six stages scenario is presented for the growth of Judges: from a Retterbuch in Assyrian Bethel, Jerusalem under Kings Manasseh and Josiah, Babylonian Mizpah and its fight with Persian Jerusalem until the insertion of the book in the Historical Books, each editorial stage is set into a precise historical context. Richter's Retterbuch is confirmed (excepted for the date), Noth's Deuteronomistic History is discarded while a new proposal for the canonization of the Former Prophets is offered.
This six-month journey is dotted with eleven stops, eleven letters from cities in nine European countries, from Russia to Sweden, Portugal to Bulgaria. They give rise to eleven debates on major issues such as defence, youth, the wounds of the past and sol
“Gives to anthropological reflection a new starting point and will become the compulsory reference for all our debates in the years to come.” —Claude Lévi-Strauss, on the French edition Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005. Here, finally, it is brought to English-language readers. At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture? Culture—as a collective human making, of art, language, and so forth—is often seen as essentially different from nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces. Philippe Descola shows this essential difference to be not only a Western notion, but also a very recent one. Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the “four ontologies” —animism, totemism, naturalism, and analogism—to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers a fundamental reformulation by which anthropologists and philosophers can see the world afresh. “A compelling and original account of where the nature-culture binary has come from, where it might go—and what we might imagine in its place.” —Somatosphere “The most important book coming from French anthropology since Claude Lévi-Strauss’s Anthropologie Structurale.” —Bruno Latour, author of An Inquiry into Modes of Existence “Descola’s challenging new worldview should be of special interest to a wide range of scientific and academic disciplines from anthropology to zoology . . . Highly recommended.” —Choice
We heartily recommend this book to all readers who wish to gain a better understanding of nanostructured carbon materials surface properties and used in catalysis." An-Hui Lu, ChemCatChem There is great interest in using nanostructured carbon materials in catalysis, either as supports for immobilizing active species or as metal-free catalysts due to their unique structural, thermal, chemical, electronic and mechanical properties, and tailorable surface chemistry. This book looks at the structure and properties of different doped and undoped nanocarbons including graphene; fullerenes; nanodiamonds; carbon nanotubes and nanofibers; their synthesis and modification to produce catalysts. Special attention is paid to adsorption, as it impacts the application of these materials in various industrially relevant catalytic reactions discussed herein, in addition to photocatalysis and electrocatalysis. Written by leading experts in the area, this is the first book to provide a comprehensive view of the subject for the catalysis community.
This richly illustrated book provides a comprehensive account of the imaging of scalp and calvarial lesions. It discusses essential facts such as the anatomy and pathology of the scalp and calvarium, imaging findings in CT and MRI, differential diagnosis, and selected references. The author presents the key information on the left and illustrations on the right side of the book. While the book shows the most common radiological examples, it also includes less typical cases. The uniform design and easy-to-use structure make the book a valuable reference guide for (neuro)radiology, neurosurgery, and dermatology specialists.
If resort life is what you crave, the long ramble in the Charlevoix region of Quebec offered by Philippe Dubé's book provides the desired change of scene. Using many photographs and illustrations of the elegant resort homes of the area, the people who built and inhabited them, and the tourists who flocked there during the summer, Dubé captures both the untamed beauty and the unique history of this remote resort region. From the introduction: Charlevoix sits on the north shore of the St Lawrence River in a fertile valley first colonized by the merchanys of Québec. Its early development under the French Régime was sporadic, but in due course the commercial climate improved. In 1762 Messrs John Nairne and Malcolm Fraser, officers of the Regiment of Fraser Highlanders, began work on their respective properties of Murray Bay and Mount Murray, granted by Governor James Murray. In their time the area was already renowned for its scenery and picturesque way of life, and vistitors would come from countirs far off as Scotland to stay for several months. Ever since, Charlevoix has fascinated travellers and charmed summer vacationers searching for peace and quiet. The locals, for their part, have welcomed outsiders. For over two centuries, then, Charlevoix has been a meeting place for the rural culture of the French and the urban culture that is by tradition predominantly Anglo-Saxon.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Globalization is an extraordinary phenomenon affecting virtually everything in our lives. And it is imperative that we understand the operation of economic power in a globalized world if we are to address the most challenging issues our world is facing today, from climate change to world hunger and poverty. This revolutionary work rethinks globalization as a power system feeding from, and in competition with, the state system. Cutting across disciplines of law, politics and economics, it explores how multinational enterprises morphed into world political organisations with global reach and power, but without the corresponding responsibilities. In illuminating how the concentration of property rights within corporations has led to the rejection of democracy as an ineffective system of government and to the rise in inequality, Robé offers a clear pathway to a fairer and more sustainable power system.
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