One more website about cooking? Good! Okay ! But Visions Gourmandes has a specific vocation ... Art in the presentation and dressing of a beautiful plate! We all admire the beautiful presentations that make us great Chefs of the French gastronomy. We all would like to impress our guests with superb dishes artistically decorated. We all want our guests to feast first watching our plates before serving . This is what offers to make this site! The art and techniques of dressing a plate in the manner of artists and Chefs of the world wide gastronomy. Learn to master the tools , techniques, and basic graphic rules for staging your favorite culinary delights. Tell us your ideas, your achievements, your tips, your technology, your photos, your infos. Together, we will gather and share our experiences for the same page to help us bluff our guests! So enjoy this page and bon appétit !...
The first major exhibition catalogue to focus on Jacques Louis David's drawings and their pivotal role in the creation of his iconic history paintings The paintings of Jacques Louis David (1748–1825) are among the most iconic in the history of Western art, but comparatively little is known about his nearly two thousand drawings that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman accompanies the first major exhibition to focus on the artist's often yearslong process of trial and experimentation, from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this volume provides a new perspective on the celebrated master. Essays by international experts explore what David's preparatory works on paper reveal about his creative process and how they bear witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history in the making.
The first book of a three-volume set, Three-Dimensional Elasticity covers the modeling and mathematical analysis of nonlinear three-dimensional elasticity. It includes the known existence theorems, either via the implicit function theorem or via the minimization of the energy (John Ball’s theory). An extended preface and extensive bibliography have been added to highlight the progress that has been made since the volume’s original publication. While each one of the three volumes is self-contained, together the Mathematical Elasticity set provides the only modern treatise on elasticity; introduces contemporary research on three-dimensional elasticity, the theory of plates, and the theory of shells; and contains proofs, detailed surveys of all mathematical prerequisites, and many problems for teaching and self-study. These classic textbooks are for advanced undergraduates, first-year graduate students, and researchers in pure or applied mathematics or continuum mechanics. They are appropriate for courses in mathematical elasticity, theory of plates and shells, continuum mechanics, computational mechanics, and applied mathematics in general.
By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
The Ancients passed on their love of mysteries... Today, we are surrounded by many enigms, but we miss the keys... language was central in the ancient mentality...not the written language, but only phonectics and its meanings, this is why the XXth century man had no understanding of this problematics. All the current surnames come from the Antiquity (and before... but without written traces !). Through away your old books ! you will see how childish they are... The former etymologists have limited their researches to the medieval names, without taking account of the ancient names ! while they are quite well-known in Gaul. See the British names in a true light... A lineage, an offspring, can be expressed by many words (not inevitably in the current sense, but in the etymological meaning !): away, blood, cast, child, heir, fax, father, flower, forth, fry, freight, gene, go, crew, aim, ahead, last, line, link, maker, may, pitch, ray, pull, rely, ridge, ride, save, send, set, shall, show, ship, son, step, street, attend, wait, weather, way, will, win, for the most explicit. These elements compose many British surnames, as you will see in this book.
“Offers a fascinating look at the French Navy during the years leading up to World War I . . . an excellent addition to any naval library.” —Naval Historical Foundation Of all the threats faced by the Royal Navy during the first years of the twentieth century, the one which stood out was the risk to Britain’s sea lines of communication posed by France’s armoured cruisers. Fast, well-armed and well-protected, these ships could have evaded any attempted blockade of the French ports and, supported by a worldwide network of overseas bases, could potentially have caused havoc on the trade routes. Between 1898 and 1901 the French laid down thirteen ships, and completed nine in 1903–4 alone. This book has as its subject the French armoured cruisers built from the late 1880s until shortly before the outbreak of the Great War, beginning with the revolutionary Dupuy-de-Lôme, the world’s first modern armoured cruiser, and ending with the impressive six-funnelled Edgar Quinet and Waldeck-Rousseau. The primary focus of the book is on the technical characteristics of the ships. Detailed and labelled drawings based on the official plans are provided by John Jordan, and each individual class of ship is illustrated by photographs from the extensive personal collection of Philippe Caresse. The technical section is followed by a history in two parts, covering the Great War (1914–18) and the postwar years, during which the surviving ships saw extensive deployment as “station” cruisers overseas and as training ships. This is the most comprehensive account published in English or in French, and is destined be the standard reference for many years to come. “Brilliant, absolutely brilliant.” —War History Online
A definitive biography of the great French essayist and thinker One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533–92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau and stoically detaching himself from his violent times? Philippe Desan overturns this long standing myth by showing that Montaigne was constantly connected to and concerned with realizing his political ambitions—and that the literary and philosophical character of the Essays largely depends on them. Desan shows how Montaigne conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. It was only after his political failure that Montaigne took refuge in literature, and even then it was his political experience that enabled him to find the right tone for his genre. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work.
This volume is a thorough introduction to contemporary research in elasticity, and may be used as a working textbook at the graduate level for courses in pure or applied mathematics or in continuum mechanics. It provides a thorough description (with emphasis on the nonlinear aspects) of the two competing mathematical models of three-dimensional elasticity, together with a mathematical analysis of these models. The book is as self-contained as possible.
‘Illuminated by finely turned phrases and vivid insights’ - Richard Williams, Guardian Sports Books of the Year. Thierry Henry – gifted, charismatic and a genuinely world-class footballer – has passed into Arsenal legend as the hero of a team that finally ended Manchester United’s dominance. But as he approached the autumn of his career, Thierry’s crown began to slip – from the infamous ‘Hand of Gaul’ incident to a dismal World Cup 2010 campaign. Suddenly, a player who Arsene Wenger once dubbed ‘the greatest striker ever’, a man who had spent his career at the very top of the game, began to learn how lonely such a position could be. Drawing from numerous interviews and impeccable sources, as well as his own observations over the course of Henry’s entire career, award-winning author Philippe Auclair has produced the most complete portrait of the Arsenal hero ever to be written. Clear-eyed, lyrical and passionately argued, Thierry Henry: Lonely at the Top is as raw, shocking and thought-provoking as it is celebratory of Henry’s outstanding flair and talent.
The “Hyperboloidal Foliation Method” introduced in this monograph is based on a (3 + 1) foliation of Minkowski spacetime by hyperboloidal hypersurfaces. This method allows the authors to establish global-in-time existence results for systems of nonlinear wave equations posed on a curved spacetime. It also allows to encompass the wave equation and the Klein-Gordon equation in a unified framework and, consequently, to establish a well-posedness theory for a broad class of systems of nonlinear wave-Klein-Gordon equations. This book requires certain natural (null) conditions on nonlinear interactions, which are much less restrictive that the ones assumed in the existing literature. This theory applies to systems arising in mathematical physics involving a massive scalar field, such as the Dirac-Klein-Gordon systems.
An “absolutely magnificent” book (The New Republic)—the fruit of almost two decades of study—that traces the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature. Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Ariès identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Ariès shows why death has become such an unendurable truth in our own century—how it has been nearly banished from our daily lives—and points out what may be done to “re-tame” this secret terror. The richness of Ariès's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. As he sorts out the tangled mysteries of our accumulated terrors and beliefs, we come to understand the history—indeed the pathology—of our intellectual and psychological tensions in the face of death.
Montaigne's Essays resemble a patchwork of personal reflections, but they engage with questions that animate the human mind, and tend to a single goal: to live better in the present and to prepare for death. For this reason, Montaigne's thought and writings have been a subject of enduring interest across disciplines. This Handbook brings together essays by prominent scholars that examine Montaigne's literary, philosophical, and political contributions, and assess his legacy and relevance today in a global perspective. It presents Montaigne's Essays not only in their historical context but also as a starting point for discussing issues that concern us today.
curvilinear coordinates. This treatment includes in particular a direct proof of the three-dimensional Korn inequality in curvilinear coordinates. The fourth and last chapter, which heavily relies on Chapter 2, begins by a detailed description of the nonlinear and linear equations proposed by W.T. Koiter for modeling thin elastic shells. These equations are “two-dimensional”, in the sense that they are expressed in terms of two curvilinear coordinates used for de?ning the middle surface of the shell. The existence, uniqueness, and regularity of solutions to the linear Koiter equations is then established, thanks this time to a fundamental “Korn inequality on a surface” and to an “in?nit- imal rigid displacement lemma on a surface”. This chapter also includes a brief introduction to other two-dimensional shell equations. Interestingly, notions that pertain to di?erential geometry per se,suchas covariant derivatives of tensor ?elds, are also introduced in Chapters 3 and 4, where they appear most naturally in the derivation of the basic boundary value problems of three-dimensional elasticity and shell theory. Occasionally, portions of the material covered here are adapted from - cerpts from my book “Mathematical Elasticity, Volume III: Theory of Shells”, published in 2000by North-Holland, Amsterdam; in this respect, I am indebted to Arjen Sevenster for his kind permission to rely on such excerpts. Oth- wise, the bulk of this work was substantially supported by two grants from the Research Grants Council of Hong Kong Special Administrative Region, China [Project No. 9040869, CityU 100803 and Project No. 9040966, CityU 100604].
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