In 1611 Edmond Richer, the syndic of the Faculty of Theology of Paris, published a short but incisive defence of the conciliarist doctrine under the title De ecclesiastica et politica potestate. He claimed that this doctrine had been almost uninterruptedly followed by the University of the Paris since the time of the Council of Constance in the early 15th century. Within two years, at least six Latin, French or bilingual editions of the treatise saw the light as well as an English and a Dutch translation. The book was condemned at a meeting of the French bishops in March 1612 and its author was dismissed from his position of syndic of the Faculty of Theology a few months later. He withdrew from public life but remained influential. He continued to write in defence of the conciliarist doctrine and the so-called liberties of the Gallican Church until his death in 1631. He vehemently opposed Cardinal Bellarmine's doctrine of the indirect power of popes in temporal matters but never subscribed to the doctrine of the divine power of kings. Most of his books were published posthumously. Philippe Denis retraces Edmond Richer's career and examines his ecclesiological and political thinking. Without taking all the syndic's opinions at face value, this volume commits itself to taking seriously Richer's declared intention, which was to vindicate the teaching of the School of Paris and that of Jean Gerson in particular. Philippe Denis places the heated, sometimes aggressive, debates between Richer and his adversaries in the context of a double progression: that of the doctrine of an absolute monarchy, a form of government which had been developing since the troubles of the League, and that of the Ultramontane ideas, often disputed but supported with growing vigour, in France and elsewhere, in the context of the reception of the Council of Trent. Philippe Denis presents the English translation of his book originally published in French (Editions du Cerf in Paris, 2014).
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
A definitive biography of the great French essayist and thinker One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533–92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau and stoically detaching himself from his violent times? Philippe Desan overturns this long standing myth by showing that Montaigne was constantly connected to and concerned with realizing his political ambitions—and that the literary and philosophical character of the Essays largely depends on them. Desan shows how Montaigne conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. It was only after his political failure that Montaigne took refuge in literature, and even then it was his political experience that enabled him to find the right tone for his genre. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work.
The application of fractals and fractal geometry in soil science has become increasingly important over the last few years. This self-contained and timely book was designed to provide detailed and comprehensive information on the current status of the application of fractal geometry in soil science, and on prospects for its future use. With a detailed and specific introductory chapter, particular attention is paid to comparing and contrasting "fractal" and "fragmentation" concepts. Some uses of fractals, such as to quantify the retention and transport properties of soils, to describe the intricate geometry of pore surfaces and macropore networks, or to elucidate the rooting patterns of various plants, are discussed. Applications of fractals in soil science are both relatively recent and in constant evolution. This book reflects accurately existing trends, by allowing sharp differences among the viewpoints expressed in contributed chapters to be presented to the reader in one self-contained volume.
Montaigne's Essays resemble a patchwork of personal reflections, but they engage with questions that animate the human mind, and tend to a single goal: to live better in the present and to prepare for death. For this reason, Montaigne's thought and writings have been a subject of enduring interest across disciplines. This Handbook brings together essays by prominent scholars that examine Montaigne's literary, philosophical, and political contributions, and assess his legacy and relevance today in a global perspective. It presents Montaigne's Essays not only in their historical context but also as a starting point for discussing issues that concern us today.
Émilie Jolie est une petite fille aux yeux bleus, aux cheveux blonds et aux pommettes roses... Demain, c’est son premier jour d’école. Angoissée en apprenant que son père ne pourra pas l’accompagner, elle confie ses craintes à sa mère. Les mamans ont toujours une solution. Celle d’Émilie lui montre un livre d’images racontant les malheurs de Gilbert, un petit lapin bleu trop gourmand enlevé par une sorcière. La fillette sombre dans le sommeil en pleine lecture. Pendant ce temps, l’histoire continue au pays des lapins bleus. Plus désespérés que jamais, ils écoutent les conseils du grand Oiseau : une personne peut les aider. La fée. Et la fée n’est autre que la personne qui lit le livre. Il faut faire venir Émilie.
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