In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli cowrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long-ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound’s ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of Black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions—free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a musical style that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases, it changed the way musicians thought about and played jazz. Free Jazz/Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and realigned that zeitgeist.
La photographie est par essence l'art de l'instant, et Christian Rose réalise ici un exploit, celui de saisir le moment, ténu, de la rencontre entre deux musiciens de jazz. L'histoire du jazz est jalonnée de ces rencontres qui donnèrent à l'improvisation sa mythologie, Armstrong-Bechet, Armstrong-Ella, ParkerDizzy, Duke-Coltrane, Miles-Wilen... Dépendant, plus que toute autre musique, de l'alchimie entre instruments, de la magie du temps, de l'instant, de la rencontre, de la connivence, le jazz offrait un domaine incomparable à l'investigation du photographe. Car cela fait près de quarante ans que Christian Rose arpente les scènes du jazz, des festivals aux clubs, des coulisses aux avant-scènes, avec l'opiniâtreté d'un entomologiste qui ne voudrait rien manquer dans l'observation de son territoire. C'est dire si son témoignage photographique est riche, déroulant une véritable chronique de ces décennies à travers une galerie de portraits des acteurs principaux du jazz et de leurs rencontres.
D'un côté, des motos, des autos, des camions. De l'autre, l'Afrique, sa population, ses villages, ses déserts. Le choc des contraires, en apparence une idée d'avant-garde, en réalité. Une inspiration qui a permis la rencontre de deux mondes et la construction d'une relation privilégiée. Le goût de l'aventure, pour un continent méconnu, a accouché d'une fabuleuse machine à fabriquer de l'émotion. Une expérience humaine hors du commun qu'ont vécue tous les concurrents du plus grand des rallyes-raids en découvrant et en explorant cette terre originelle. Que l'histoire continue...
In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli cowrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long-ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound’s ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of Black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions—free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a musical style that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases, it changed the way musicians thought about and played jazz. Free Jazz/Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and realigned that zeitgeist.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
Fortune Favours a Bieler is the colourful story of Philippe Bieler’s life and his long journey through the eventful twentieth century and beyond. It begins with his escape from war-torn Europe in 1941. Hand in hand with a number of prominent trailblazers, he went on to carve out a career in industry, banking, farming, and even politics. The tale transitions from aluminum in Canada to cranberries in Quebec and vineyards in France. Frequent failures are compensated by good cheer and some impressive successes. Bieler is a descendant of Swiss woodsmen and the son of a senior civil servant at the League of Nations. Born in 1933, he belongs to the silent generation, the cohort following the greatest generation and preceding the baby boomers, known for their thrift, respectfulness, loyalty, and determination. His outspoken mother and well-connected father raised him to be bold enough to grasp the fate he desired, a challenge he took up with vigour. He studied engineering at McGill University in Montreal and returned to his native Switzerland to pursue an MBA. He served as CEO at a number of industrial corporations, but he preferred his many ventures as an entrepreneur – and now, in his latest act, as an author, writing from his sheep farm in Wales. Fortune Favours a Bieler looks back on a century of abundant luck and opportunity for those who would seize it, through the life of one of its fortunate and passionate leading lights.
The Vaillant family and Vaillante brand have made such a name for themselves by stopping at nothing to finish at the top of the podium, on and off the track. And Michel isn't the only one with grand ambitions—his brother Jean-Pierre has big plans, too. After months of planning, he's about to make his dream a reality: taking over Leader, the long-time Vaillante rival. But he's not the only one looking to make a power play, and soon the fate of his own company—and family legacy—will be hanging in the balance.
Holy War, Martyrdom, and Terror examines the ways that Christian theology has shaped centuries of conflict from the Jewish-Roman War of late antiquity through the First Crusade, the French Revolution, and up to the Iraq War. By isolating one factor among the many forces that converge in war—the essential tenets of Christian theology—Philippe Buc locates continuities in major episodes of violence perpetrated over the course of two millennia. Even in secularized or explicitly non-Christian societies, such as the Soviet Union of the Stalinist purges, social and political projects are tied to religious violence, and religious conceptual structures have influenced the ways violence is imagined, inhibited, perceived, and perpetrated. The patterns that emerge from this sweeping history upend commonplace assumptions about historical violence, while contextualizing and explaining some of its peculiarities. Buc addresses the culturally sanctioned logic that might lead a sane person to kill or die on principle, traces the circuitous reasoning that permits contradictory political actions, such as coercing freedom or pardoning war atrocities, and locates religious faith at the backbone of nationalist conflict. He reflects on the contemporary American ideology of war—one that wages violence in the name of abstract notions such as liberty and world peace and that he reveals to be deeply rooted in biblical notions. A work of extraordinary breadth, Holy War, Martyrdom, and Terror connects the ancient past to the troubled present, showing how religious ideals of sacrifice and purification made violence meaningful throughout history.
A definitive biography of the great French essayist and thinker One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533–92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau and stoically detaching himself from his violent times? Philippe Desan overturns this long standing myth by showing that Montaigne was constantly connected to and concerned with realizing his political ambitions—and that the literary and philosophical character of the Essays largely depends on them. Desan shows how Montaigne conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. It was only after his political failure that Montaigne took refuge in literature, and even then it was his political experience that enabled him to find the right tone for his genre. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work.
The Bieler family's vast collection of wartime letters and photographs tell intimate, firsthand stories of five young brothers and their parents. In Onward, Dear Boys, Philippe Bieler skilfully weaves together his own voice with those of his grandparents, his father, and his uncles into a story of war, immigration, and family life. Settling in the province of Quebec, then divided into French-speaking Catholics and English-speaking Anglicans, was a struggle for these devout, francophone Calvinists, but with the unexpected declaration of war in 1914 came an even greater challenge. In 1915 three of the five Bieler boys volunteered with the Princess Patricia Regiment, and in 1916 the fourth son followed. The eldest, Jean, became an assistant to Colonel Birkett, commander of the McGill-financed Canadian Hospital in Boulogne, and the second-eldest, Etienne, was promoted to lieutenant of an artillery brigade. The other two were privates who fought in battles including Sanctuary Wood, the Somme, Vimy, and Passchendaele, and in 1917, the fourth son, Philippe, died at the front. Upon their return to civilian life, the surviving brothers became leaders in government, science, and the arts : the eldest as Deputy Finance Director of the League of Nations, the second as a colleague of Sir Ernest Rutherford in the research of the atom, and the third as President of the Federation of Canadian Artists. The youngest, Jacques, who was too young to go to war, was an instigator of the CCF party, a precursor to the NDP. Enlivened by a wealth of family archival material, Onward, Dear Boys is a poignant story of the experiences of war and its impact on a family of new Canadians during the first decades of the twentieth century.
Spain is a country that every year, by its culture, its history, its gastronomy, its geography, its opportunities, its rhythm of life "Spanish style" attracts millions of visitors from all over the world! However, Spain is also a country rich in anecdotes, stories and references that you should know whether you are preparing for an exam, a trip or simply want to learn more about Spanish civilization. Discover now, a unique work, mixing anecdotes and academic references.
The sub-Antarctic islands are remote and isolated environments with original flora and fauna composed of a few species that are highly adapted to cold oceanic conditions. Their peculiar naturalness makes these ecosystems intrinsically fragile. This book focuses on terrestrial ecosystems and, in particular, on invertebrates - earthworms, mollusks, spiders and insects - that inhabit the French sub-Antarctic islands of the South Indian Ocean. All native and introduced species are presented in the form of individual fact sheets, which include the main identification criteria, geographical distribution and principal ecological traits. Numerous summary tables, distribution maps of introduced species, and a discussion on the originality and vulnerability of this fauna are also included. The Terrestrial Macroinvertebrates of the Sub-Antarctic Iles Kerguelen and Ile de la Possession is based on an expansive literature base, as well as on observations and photographs taken as part of a research program funded by the French Polar Institute Paul-Emile Victor (IPEV). The book also gives an important part to the history of the discoveries of the different species, as well as current conservation issues.
This book provides assistance in preparing for and conducting screening or diagnostic ultrasound examinations of the fetal brain in all stages of pregnancy. Readers are provided with: abundantly illustrated descriptions of studies conducted on normal brain structures using all conventional and 3D/4D ultrasound techniques; a detailed description of the main structures of the brain; photographs of fetal pathology specimens that may be used to compare the results of imaging techniques with the anatomical reality; and practical advice and technical tips. The second part of this book presents a clear and informative overview of fetal brain pathologies, combining a wealth of detailed images and precise descriptions.
Le présent ouvrage est le fruit d’une réflexion qui a nourri un séminaire de l’équipe des hispanistes (GRIAS) du Centre d’Etudes sur les Littératures Etrangères et Comparées, EA 3069, et d’un colloque international (Espagne,
This book addresses the application of Raman spectroscopic techniques to a range of diverse problems which arise in the study, conservation and restoration of artefacts and sites closely related to our cultural heritage as well as in authentication. These themes are naturally wider than what at first might be considered as artworks and archaeological artefacts and the topics include pigments, paintings, ceramics, glass, sculpture and patination / corrosion, textiles, industrial archaeology, the degradation and preservation of biomaterials, mummies and human skeletal remains. An interesting feature is the inclusion of modern case studies which describe specific problems and approaches to the Raman spectral analysis of items important to our cultural heritage. The text is prefaced with an introduction to the important parameters used in nondestructive Raman measurements and also highlights some future applications based upon novel miniaturised instrumentation for in-field studies and potential screening work which will identify specimens which would repay further studies in the laboratory. An attempt is made to give a snapshot of the state-of-the-art evolution since the beginning of the technique (1970s) and to point out potential further development. The book is co-edited by three international experts with many years' experience in the application of Raman spectroscopy to artworks, archaeological artefacts and in the investigation of materials and sites for cultural heritage preservation and each editor has undertaken to write individual chapters and different topics personally. The adopted approach is designed to convey the sort of information which has become available from the adoption of analytical Raman spectroscopy to different problems in the field of cultural heritage preservation through the spectral interrogation of artefacts and how the interpretation of the spectral data can assist museum curators, archaeologists and cultural heritage historians in the preservation and conservation of ancient materials and sites : a particular advantage in this respect is the ability of Raman spectroscopy to determine –generally in a strictly noninvasive procedure - at the laboratory or on-site with mobile instruments, the presence of both organic and inorganic components in a particular specimen together nondestructively without any chemical and mechanical pretreatment being undertaken, which is an essential requirement for rare and valuable samples . An important aside from this work is the means of spectral identification of ongoing biodeterioration and biological colonisation in specimens in storage and the effects of environmental deterioration such as humidity and temperature upon their integrity.
Montaigne's Essays resemble a patchwork of personal reflections, but they engage with questions that animate the human mind, and tend to a single goal: to live better in the present and to prepare for death. For this reason, Montaigne's thought and writings have been a subject of enduring interest across disciplines. This Handbook brings together essays by prominent scholars that examine Montaigne's literary, philosophical, and political contributions, and assess his legacy and relevance today in a global perspective. It presents Montaigne's Essays not only in their historical context but also as a starting point for discussing issues that concern us today.
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