New Zealand was the last major landmass, other than Antarctica, to be settled by humans. The story of this rugged and dynamic land is beautifully narrated, from its origins in Gondwana some 80 million years ago to the twenty-first century. Philippa Mein Smith highlights the effects of the country's smallness and isolation, from its late settlement by Polynesian voyagers and colonisation by Europeans - and the exchanges that made these people Maori and Pakeha - to the dramatic struggles over land and recent efforts to manage global forces. A Concise History of New Zealand places New Zealand in its global and regional context. It unravels key moments - the signing of the Treaty of Waitangi, the Anzac landing at Gallipoli, the sinking of the Rainbow Warrior - showing their role as nation-building myths and connecting them with the less dramatic forces, economic and social, that have shaped contemporary New Zealand.
In 1483, Edward V (age twelve) and his brother Richard, Duke of York (age nine), disappeared from the Tower of London. History has judged they were murdered on the orders of Richard III. This new book reveals the truth behind the greatest unsolved mystery in English history. Philippa Langley took the world by storm when, against all the odds and after a seven-year investigation, she discovered the grave of King Richard III (1452-1485) in a Leicester car park. A king finally laid to rest, the rediscovery and reburial of Richard III was watched by a global audience of over 366 million. Now, in The Princes in the Tower, Langley reveals the findings of a remarkable new research initiative: "The Missing Princes Project." In the summer of 1483, Edward V (age 12) and his brother Richard Duke of York (age 9), disappeared from the Tower of London. For over five hundred years, history has judged that they were murdered on the orders of their uncle, Richard III. Following years of intensive research in British, American, and European archives, Philippa has uncovered astonishing new archival discoveries that radically change what we know about the fate of the princes in the Tower. Established by Langley in 2016, "The Missing Princes Project" employs the methods of a cold-case police inquiry. Using investigative methodology, it aims to place this most enduring of mysteries under a forensic microscope for the very first time. In The Princes in the Tower, Langley narrates the painstaking investigative work and research of the project. By questioning received wisdom, she and her international team of researchers shed light upon one of history's greatest miscarriages of justice, in turn revealing a surprising and phenomenal untold story.
Fallen Skies takes readers to post-World War I England in a suspenseful story about the marriage of a wealthy war hero and an aspiring singer he barely knows. Can a family's mannered traditions and cool emotions erase the horrors of war from a young couple's past? Lily Valance is determined to forget the horrors of the war by throwing herself into the decadent pleasures of the 1920s and pursuing her career as a music hall singer. When she meets Captain Stephen Winters, a decorated veteran, she's immediately drawn to his wealth and status. And Stephen, burdened by his guilt over surviving the Flanders battlefields where so many soldiers perished, sees the possibility of forgetting his anguish in Lily, but his family does not approve. Lily marries Stephen, only to discover that his family's façade of respectability conceals a terrifying combination of repression, jealousy and violence. When Stephen's terrors merge dangerously close with reality, the truth of what took place in the mud and darkness brings him and all who love him to a terrible reckoning.
Finalist for the 2012 Edgar Award in the Best Critical/Biographical Category presented by the Mystery Writers of America In this extensive and authoritative study of over 300 films, Philippa Gates explores the "woman detective" figure from her pre-cinematic origins in nineteenth century detective fiction through her many incarnations throughout the history of Hollywood cinema. Through the lens of theories of gender, genre, and stardom and engaging with the critical concepts of performativity, masquerade, and feminism, Detecting Women analyzes constructions of the female investigator in the detective genre and focuses on the evolution of her representation from 1929 to today. While a popular assumption is that images of women have become increasingly positive over this period, Gates argues that the most progressive and feminist models of the female detective exist in mainstream film's more peripheral products such as 1930's B-picture and 1970's Blaxploitation films. Offering revisions and new insights into peripheral forms of mainstream film, Gates explores this space that allows a fantasy of resolution of social anxieties about crime and, more interestingly, gender, in the 20th and early 21st centuries. The author's innovative, engaging, and capacious approach to this important figure within feminist film history breaks new ground in the field of gender and film studies.
Detecting Men examines the history of the Hollywood detective genre and the ways that detective films have negotiated changing social attitudes toward masculinity, heroism, law enforcement, and justice. Genre film can be a site for the expression and resolution of problematic social issues, but while there have been many studies of such other male genres as war films, gangster films, and Westerns, relatively little attention has been paid to detective films beyond film noir. In this volume, Philippa Gates examines classical films of the thirties and forties as well as recent examples of the genre, including Die Hard, the Lethal Weapon films, The Usual Suspects, Seven, Devil in a Blue Dress, and Murder by Numbers, in order to explore social anxieties about masculinity and crime and Hollywood's conceptions of gender. Up until the early 1990s, Gates argues, the primary focus of the detective genre was the masculinity of the hero. However, from the mid-1990s onward, the genre has shifted to more technical portrayals of crime scene investigation, forensic science, and criminal profiling, offering a reassuring image of law enforcement in the face of violent crime. By investigating the evolution of the detective film, Gates suggests, perhaps we can detect the male.
Revered as the "People's Attorney," Louis D. Brandeis concluded a distinguished career by serving as an associate justice (1916-1939) of the U.S. Supreme Court. Philippa Strum argues that Brandeis-long recognized as a brilliant legal thinker and defender of traditional civil liberties-was also an important political theorist whose thought has become particularly relevant to the present moment in American politics. Brandeis, Strum shows, was appalled by the suffering and waste of human potential brought on by industrialization, poverty, and a government increasingly out of touch with its citizens. In response, he developed a unique vision of a "worker's democracy" based on an economically independent and well-educated citizenry actively engaged in defining its own political destiny. She also demonstrates that, while Brandeis's thinking formed the basis of Woodrow Wilson's "New Freedom," it went well beyond Wilsonian Progressivism in its call for smaller governmental and economic units such as worker-owned businesses and consumer cooperatives. Brandeis's political thought, Strum suggests, is especially relevant to current debates over how large a role government should play in resolving everything from unemployment and homelessness to the crisis in health care. One of the few justices to support Roosevelt's New Deal policies in the 1930s, he nevertheless consistently criticized concentrated power in government (and in corporations). He agreed that the government should provide its citizens with some sort of "safety net," but at the same time should empower people to find private solutions to their needs. A half century later, Brandeis's political thought has much to offer anyone engaged in the current debates pitting individualists against communitarians and rights advocates against social welfare critics.
How did early modern English people write about themselves, and how do we listen to their voices four centuries later? The authors of Early Modern English Lives: Autobiography and Self-Representation 1500-1660 argue that identity is depicted through complex, subtle, and often contradictory social interactions and literary forms. Diaries, letters, daily spiritual reckonings, household journals, travel journals, accounts of warfare, incidental meditations on the nature of time, death and self-reflection, as well as life stories themselves: these are just some of the texts that allow us to address the social and historical conditions that influenced early modern self-writing. The texts explored in Early Modern English Lives do not automatically speak to our familiar patterns of introspection and self-inquiry. Often formal, highly metaphorical and emotionally restrained, they are very different in both tone and purpose from the autobiographies that crowd bookshelves today. Does the lack of emotional description suggest that complex emotions themselves, in all the depth and variety that we now understand (and expect of) them, are a relatively modern phenomenon? This is one of the questions addressed by Early Modern English Lives. The authors bring to our attention the kinds of rhetorical and generic features of early modern self-representation that can help us to appreciate people living four hundred years ago as the complicated, composite figures they were: people whose expression of identity involved an elaborate interplay of roles and discourses, and for whom the notion of privacy itself was a wholly different phenomenon.
Exploring the life of Kathleen Raine, who played an important role in the literary history of 20th-century England, this authorized biography tells how she developed from a small girl who only wanted to be a poet into a world-renowned poet and literary scholar. Starting with Kathleen’s struggle against the constrictions of her suburban childhood, the story of her life then continues with her exciting days at Girton College in the 1920s, where she became friends with many brilliant writers, artists, and scientists. She published Blake and Tradition, marking her as a leading William Blake scholar, and works on Coleridge, Yeats, and Thomas Taylor subsequently followed. Late in life, she founded the journal Temenos with the help of Prince Charles and was honored with the Queen’s Gold Medal for poetry. Using letters, documents, and personal interviews, the extensive research shows how a woman from a modest background used her talents and ambition, in spite of the problems that they may cause, to achieve worldwide distinction in her chosen field. This complete picture of a complex and brilliant individual sympathetically assesses Kathleen Raine's work while throwing a critical light on her private life, which was often at odds with her achievements.
The authors offer cogent reviews of the literature pertaining to the formation and maintenance of delusions, but the most substantial parts of the monograph expound the empirical inquiries which they and their colleagues have carried out in recent years. Most of the research has been published elsewhere, but such is the relevance of the experiments cited to the whole schema that the monograph has unique value. It is a synthesis which portrays the contribution to date of cognitive science to the biology and psychopathology of delusional thinking, and convincingly demonstrates that this way of looking at things has a considerable future. There are important implications for therapy as well as for hypothesis formulation. The monograph is attractively written, and the authors present their claims with exemplary modesty. The whole tenor of their approach gives weight to the conviction that here we have a story that must be taken seriously. It is a significant book, and I warmly commend it to all those with an interest in the future of psychopathology, and especially to psychiatrists who wish to advance their understanding of mental states and avoid stagnating with outworn dogma." - Robert Cawley, University of London in British Journal of Psychiatry Delusions are a key symptom of psychosis and yet there is no single book which considers delusions from a psychological perspective. In part this is because the syndrome of schizophrenia has captured the attention of many workers, and in part because delusions, as private mental phenomena, are not well suited to purely behavioural or observational methods of enquiry. For the past two decades, however, cognitive psychology has been in its ascendancy and delusions, as beliefs, are particularly amenable to investigation applying cognitive concepts and methods. Within this framework, it is possible to consider continuities between delusional and ordinary beliefs, as well as to seek to identify differences. This book, therefore, uniquely presents a psychological model of delusions, employing the neglected strategy of single symptom research and the tools of cognitive psychology
From Kenneth Branagh’s groundbreaking Henry V to Justin Kurzel’s haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare’s works, Philippa Sheppard’s Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors’ choice to adapt these four-hundred-year-old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture that is often deemed threatened. Authoritative and accessible, Devouring Time’s investigations of filmmakers’ nostalgia for the art of the past shed light on Western concepts of gender, identity, and colonialism.
Practice and Procedures of the Commercial Court is primarily intended as a reference for those who practice in the Court, it also sets those practices and procedures in context, including the Commercial Court’s history. It includes the principles and procedure for obtaining and discharging freezing injunctions and the procedures for The Court’s supervisory jurisdiction over arbitrations as well.
In June 2001, there was a decidedly new look to the graduating class at Virginia Military Institute. For the first time ever, the line of graduates who received their degrees at the "West Point of the South" included women who had spent four years at VMI. For 150 years, VMI had operated as a revered, state-funded institution-an amalgam of Southern history, military tradition, and male bonding rituals-and throughout that long history, no one had ever questioned the fact that only males were admitted. Then in 1989 a female applicant complained of discrimination to the Justice Department, which brought suit the following year to integrate women into VMI. In a book that poses serious questions about equal rights in America, Philippa Strum traces the origins of this landmark case back to VMI's founding, its evolution over fifteen decades, and through competing notions about women's proper place. Unlike most works on women in military institutions, this one also provides a complete legal history—from the initial complaint to final resolution in United States v. Virginia—and shows how the Supreme Court's ruling against VMI reflected changing societal ideas about gender roles. At the heart of the VMI case was the "rat line": a ritualized form of hazing geared toward instilling male solidarity. VMI claimed that its system of toughening individuals for leadership was even more stringent than military service and that the system would be destroyed if the Institute were forced to accommodate women. Strum interviewed lawyers from Justice and VMI, heads of concerned women's groups, and VMI administrators, faculty, and cadets to reconstruct the arguments in this important case. She was granted interviews with both Justice Ginsburg, author of the majority opinion, and Justice Scalia, the lone dissenter on the bench, and meticulously analyzes both viewpoints. She shows how Ginsburg's opinion not only articulated a new constitutional standard for institutions accused of gender discrimination but also represented the culmination of gender equality litigation in the twentieth century. Women in the Barracks is a case study that combines both legal and cultural history, reviewing the long history of male elitism in the military as it explores how new ideas about gender equality have developed in the United States. It is an engrossing story of change versus tradition, clear and accessible for general readers yet highly instructive and valuable for students and scholars. Now as questions continue to loom concerning the role of state funding for single-sex education, Strum's book squarely addresses competing notions of women's place and capabilities in American society.
This book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander. It discusses historically artists who made major contributions within each of the printmaking techniques, giving great detail on contemporary South African art. It is also a handbook on artists working in various mediums and gives full explanations of each work chosen for the exhibition at the 1998 South African National Arts Festival, lists 785 known printmakers born after 1900, and illustrates the work of 89 important artists. It is an essential guide to this important aspect of South African art.
EU Anti-Discrimination Law provides a detailed and critical analysis of the corpus of European Union law prohibiting discrimination on the grounds of sex, racial or ethnic origin, religion or belief, disability, age, and sexual orientation. It takes into account the changes brought about by the Treaty of Lisbon and contains a thorough examination of the relevant case law of the Court of Justice of the EU. The book examines the background to the legislation and explains the essential characteristics and doctrines of EU law and their relevancy to the topic of anti-discrimination. It also analyses the increasingly significant general principles of EU law, the Charter of Fundamental Rights, and the relevant law flowing from the European Convention on Human Rights. The key concepts contained in anti-discrimination law are subjected to close scrutiny. The substantive provisions of the law on equal pay and the workplace and non-workplace provisions of the governing Directives are similarly examined, as are the numerous exceptions permitted to them. The complex rules governing the rights of pregnant women and those who have recently given birth are dealt with comprehensively and in a separate chapter. Equality in social security schemes is also discussed. The book concludes with an assessment of the practical utility of the existing law and the current proposals for its reform.
How to be a Nurse or Midwife Leader is an indispensable guide for all nurses and midwives who wish to develop and improve their practice as leaders. Written in collaboration with the NHS Leadership Academy, this practical book draws on the real experience of over 10,000 nurses and midwives to bring leadership dilemmas to life in specific situations. Key learning features include: How to develop your self-awareness How to develop your personal impact and presence How to survive and thrive How to get your message across How to get the best out of others How to work with and lead other professionals and patients How to have courageous conversations How to balance conflicting demands and needs Containing exercises and reflective questions to help apply theory to leadership practice, How to be a Nurse or Midwife Leader is an ideal companion for all nurses and midwives, whether you are newly qualified, or stepping into a team leader role.
First published in 2005, this story tells how in the years before the French Revolution, London is an unsettled, dangerous place: the scene of an exquisite, thrilling tale of revelation and revenge. One freezing May morning, two veiled women step off the boat from Holland. A French lady, calling her Mrs Fox, and her maid: they are on the run. Fearing for her life, Mrs Fox must make her way in a strange new city . . . but both her past and present crackle with danger. Immoral and beautiful, Mrs Fox has always used men to support and amuse her. Trusting on her wits to keep ahead of the hangman, she manipulates others to survive: gullible Lord Danceacre; sweet Violet Denyss; and degenerate predator, Earl Much. Yet in the Earl, Mrs Fox has met an adversary whose sadistic viciousness is a match for her own attempts to destroy him. Games are played with ever higher stakes, until someone must pay the penalty - but will it be the innocent or the damned? Through a dark, quick world of liars and lechers, where infidelity and intellect cross swords with desire or death, Mrs Fox hurtles towards a horrible climax. Here is London, 1784 . . . Welcome to a factory of cunning.
When I'm walking with her the whole time I'm imagining I'm with someone else. Who do you imagine? You, sometimes. After university, Emma moves back with her parents in Hertfordshire and gets a job at her old school, assisting in the Drama department. Before long, she's spending every day in the studio with Matt, her boss. Matt decides to teach Emma everything he knows, and Emma feels her life starting to change. Philippa Lawford's Cold Water is a play about wanting things so much you can't do anything about them. This edition was published to coincide with the world premiere at London's Park Theatre in May 2024.
A crime binds a man and woman together in this “entertaining” novel ranging from Victorian England to Australia by a New York Times–bestselling author (Publishers Weekly). Young Angelet is fascinated by the haunting rumors surrounding the Pool of St. Branok—superstitious tales of its cursed, bottomless waters. The innocent Cornish girl shares the ghostly story with Benedict Lansdon, the handsome, illegitimate grandson of a family friend, and promises to show him the spot. But tragedy strikes when they meet at the pool, and Angelet and Ben become complicit in a crime that could send Ben to the gallows. Ben returns to Australia, but the pair feels bound by their terrible secret. After a whirlwind season in London, Angelet marries Gervaise Mandeville, a charming rogue with a weakness for gambling. As the casualties from the Crimean War mount, Gervaise decides to try his luck in the Australian gold rush. Angelet travels across the world with him, only to once again be ensnared in a fatal act of violence. Alone in the outback, Angelet faces her own day of reckoning from a long-ago crime—and gets a second chance at love.
Foot stands out among contemporary ethical theorists because of her conviction that virtues and vices are more central ethical notions than rights, duties, justice, or consequences - the primary focus of most other contemporary theorists. This volume brings together a dozen essays published between 1957 and 1977, and includes two new ones as well. In the first, Foot argues explicitly for an ethic of virtue, and in the next five discusses abortion, euthanasia, free will/determination, and the ethics of Hume and Nietzsche. The final eight essays chart her growing disenchantment with emotivism and prescriptivism and their account of moral arguments. All the essays embody to some extent her commitment to an ethics of virtue.... Foot's style is straightforward and readable, her arguments subtle, ingenious, and some of them important.' Choice 'All in all, this collection of essays provides much to whet the moral philosopher's appetite.' International Philosophical Quarterly
Poets have written about wars throughout the 20th century - questioning, protesting and, sometimes, celebrating the nature and purpose of conflict. Attracting an enthusiastic popular readership, war poetry has often been seen as a way of remembering and re-imagining wars. Today, war poems are not only part of our memorial culture, on epitaphs and in Remembrance Day services, but have inspired books and films and become studied widely around the world. This Guide examines the genesis and development of the important genre of war poetry in the twentieth century, focusing in particular on the role of the two world wars in the literary and cultural construction of a 'war poetry' category. Philippa Lyon draws upon a range of key historical and contemporary critical responses, from poetic memoir and journalism to sophisticated academic criticism, to demonstrate the rich diversity of expectations and evaluations elicited by the developing genre.
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929–2014), one of South Africa’s foremost artists. A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release. Clarke left his job as a dockworker in Simon’s Town to devote himself to art. The wisdom of this decision is reflected in a remarkable career, which extended over some six decades and was acknowledged in the awards of the Order of Ikhamanga (silver) in 2005 and a Lifetime Achievement Award in 2010. Listening to distant thunder: The art of Peter Clarke recounts an artist’s life in the context of the social history of South Africa from the 1940s onwards. His images reflect the social disruption of the Cape Flats, and the trauma of his community’s forced removal from Simon’s Town to the bleak apartheid township of Ocean View. Yet Clarke’s images have avoided bitterness, and his work is a perceptive scrutiny and celebration of life in all its aspects. Illustrated with over 200 reproductions and photographs, this book was researched and written by well-known South African art historians Philippa Hobbs and Elizabeth Rankin, in close collaboration with the artist over almost seven years.
Presentation is clear and instructive: students will learn to recognize that many of the reactions in organic chemistry are closely related and not independent facts needing unrelated memorization. The book emphasizes that derivation of a mechanism is not a theoretical procedure, but a means of applying knowledge of other similar reactions and reaction conditions to the new reaction. - Brief summaries of required basic knowledge of organic structure, bonding, stereochemistry, resonance, tautomerism, and molecular orbital theory - Definitions of essential terms - Typing and classification of reactions - Hints (rules) for deriving the most likely mechanism for any reaction
The surge of interest in psychological therapies in GP settings makes this book timely and important for the development of this field in the 21st century. As well as the suggested syllabus for training counsellors and psychotherapists (agreed by the Counselling and Psychotherapy Forum for Primary Care), the book deals with much wider issues. Chapters deal with practitioner issues - both student and professional - management issues, and the provision of supervision and mentoring for the new counsellor as well as planning Continuous Professional Development. Chapters dealing with the history of the remarkable rise in these services help set the context of the rapid development of primary care counselling. The term 'primary care counselling' denotes the context of primary care within which psychological therapies take place and encompasses practitioners from a wide variety of therapeutic traditions. The emphasis throughout is on thorough going preparation of the new counsellor/therapist to meet the proper counselling standards required in primary care practice. It will be of value to students, course providers, counselling practice managers, supervisors as well as those who commission services and general practice doctors.
#1 New York Times bestselling author of Tidelands—the “searing portrait of a woman that resonates across the ages” (People)—returns with an evocative historical novel tracking the rise of the Tidelands family in London, Venice, and New England. Midsummer Eve 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy nobleman seeking the lover he deserted twenty-one years earlier. Now James Avery has everything to offer: a fortune, a title, and the favor of the newly restored King Charles II. He believes that the warehouse’s poor owner Alinor has the one thing he cannot buy—his son and heir. The second visitor is a beautiful widow from Venice in deepest mourning. She claims Alinor as her mother-in-law and tells her of the death of Rob—Alinor’s son—drowned in the dark tides of the Venice lagoon. Meanwhile, Alinor’s brother Ned, in faraway New England, is making a life for himself between in the narrowing space between the jarring worlds of the English newcomers and the American Indians as they move towards inevitable war. Alinor writes to him that she knows—without doubt—that her son is alive and the widow is an imposter. But how can she prove it? Set in the poverty and glamour of Restoration London, in the golden streets of Venice, and on the tensely contested frontier of early America, this is a novel of greed and desire: for love, for wealth, for a child, and for home.
The United Nations, whose specialized agencies were the subject of an Appendix to the 1958 edition of Oppenheim's International Law: Peace, has expanded beyond all recognition since its founding in 1945.This volume represents a study that is entirely new, but prepared in the way that has become so familiar over succeeding editions of Oppenheim. An authoritative and comprehensive study of the United Nations' legal practice, this volume covers the formal structures of the UN as it has expanded over the years, and all that this complex organization does. All substantive issues are addressed in separate sections, including among others, the responsibilities of the UN, financing, immunities, human rights, preventing armed conflicts and peacekeeping, and judicial matters. In examining the evolving structures and ever expanding work of the United Nations, this volume follows the long-held tradition of Oppenheim by presenting facts uncoloured by personal opinion, in a succinct text that also offers in the footnotes a wealth of information and ideas to be explored. It is book that, while making all necessary reference to the Charter, the Statute of the International Court of Justice, and other legal instruments, tells of the realities of the legal issues as they arise in the day to day practice of the United Nations. Missions to the UN, Ministries of Foreign Affairs, practitioners of international law, academics, and students will all find this book to be vital in their understanding of the workings of the legal practice of the UN. Research for this publication was made possible by The Balzan Prize, which was awarded to Rosalyn Higgins in 2007 by the International Balzan Foundation.
The Digital Ecosystem will take you on a journey to develop your own sustainable digital strategy – one that is right for your school and yours alone, acknowledging that every school is different, just like every child. Covering all elements in order to blend your school's core values and ethos with the reality of today's digital world, this book will take you through building your digital governance, tightening up on your safeguarding in our changing digital world and supporting you to have the confidence to build on and develop your digital pedagogy and systems. With insights from schools globally into all areas of the digital ecosystem, the book intends to inspire and allow you to develop your own digital vision.
This book provides recent entrants to academic jobs in the humanities and social sciences with a guide to success in their chosen career. It covers how to get a job, time management, relations with colleagues, effective teaching, PhD supervision and examining, getting published and career development.
(Applause Books). This collection of 75 solo speeches and performance pieces for actors has been selected from the finest material being written today for theatre in America and England. Solo! presents dramatic monologues on the cutting edge. All selections include acting notes along with the quick and easy guide to the art of auditioning.
Highly readable account of a sensational subject. Sheds new light on a rarely examined side of Henry III's life. Meticulously researched. Rich genealogical detail helps readers find their way around Henry's court. Must-have book for Tudor fans.
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