In this ground-breaking examination of responses to Joseph the Carpenter, Dr. Jacobs offers fresh insight into the historic understanding and perception of this often forgotten figure. Challenging assumptions about the ways Joseph was understood and perceived in the first several centuries of Christianity, Jacobs begins his study with a thorough review of the earliest narrative portrayals of Joseph in the New Testament. Subsequently, he carefully traces the diverse responses to Joseph through the analysis of numerous works of art and narratives. In the process, he documents the presence of two trajectories: one, the most dominant, which affirms the roles of Joseph presented in the nativity accounts and highlights his significance and, another, which diminishes these roles and, consequently, Joseph's significance. While Jacobs's study documents the presence of tensions with respect to understanding and perception of Joseph within this period of Christianity, it also reveals that Joseph had much more importance than has previously been acknowledged.
In this thought-provoking and beautifully illustrated volume, Jacobs invites us to reconsider the significance of Joseph of Nazareth and the role and influence he had in the life of Jesus. Relying on a careful reading of Scripture and recent archaeological studies, he challenges the historic and contemporary assumptions of those who have sought, through their writing and art, to marginalize Joseph and his importance in Christian history and the life of the church. Recognizing that Joseph is often minimized or left out of religious and cultural representations of the holy family, in plays and in Christmas cards, he reminds us that like Mary, Joseph was chosen by God to care, teach, and shape the one who would bring salvation and hope to the world. In the process, Jacobs encourages us to see Joseph as Scripture presents him--as believer, dreamer, prayer, protector, teacher, husband, and father--and as more than just the other person in the picture.
Doris Ulmann (1882-1934) was one of the foremost photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist. Born into a New York Jewish family with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American life. In the last eighteen years of her life, Ulmann created over 10,000 photographs and illustrated five books, including Roll, Jordan, Roll and Handicrafts of the Southern Highlands. Inspired by the paintings of the European old masters and by the photographs of Hill and Adamson and Clarence White, Ulmann produced unique and substantial portrait studies. Working in her Park Avenue studio and traveling throughout the east coast, Appalachia, and the deep South, she carefully studied and photographed the faces of urban intellectuals as well as rural peoples. Her subjects included Albert Einstein, Robert Frost, African American basket weavers from South Carolina, and Kentucky mountain musicians. Relying on newly discovered letters, documents, and photographs—many published here for the first time—Philip Jacobs's richly illustrated biography secures Ulmann's rightful place in the history of American photography.
Doris Ulmann (1882-1934) was one of the foremost photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist. Born into a New York Jewish family with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American life. In the last eighteen years of her life, Ulmann created over 10,000 photographs and illustrated five books, including Roll, Jordan, Roll and Handicrafts of the Southern Highlands. Inspired by the paintings of the European old masters and by the photographs of Hill and Adamson and Clarence White, Ulmann produced unique and substantial portrait studies. Working in her Park Avenue studio and traveling throughout the east coast, Appalachia, and the deep South, she carefully studied and photographed the faces of urban intellectuals as well as rural peoples. Her subjects included Albert Einstein, Robert Frost, African American basket weavers from South Carolina, and Kentucky mountain musicians. Relying on newly discovered letters, documents, and photographs—many published here for the first time—Philip Jacobs's richly illustrated biography secures Ulmann's rightful place in the history of American photography.
In this ground-breaking examination of responses to Joseph the Carpenter, Dr. Jacobs offers fresh insight into the historic understanding and perception of this often forgotten figure. Challenging assumptions about the ways Joseph was understood and perceived in the first several centuries of Christianity, Jacobs begins his study with a thorough review of the earliest narrative portrayals of Joseph in the New Testament. Subsequently, he carefully traces the diverse responses to Joseph through the analysis of numerous works of art and narratives. In the process, he documents the presence of two trajectories: one, the most dominant, which affirms the roles of Joseph presented in the nativity accounts and highlights his significance and, another, which diminishes these roles and, consequently, Joseph's significance. While Jacobs's study documents the presence of tensions with respect to understanding and perception of Joseph within this period of Christianity, it also reveals that Joseph had much more importance than has previously been acknowledged.
A fully revised edition of this pocket-sized paperback atlas, giving comprehensive and detailed coverage of London. The maps of central London are at 7 inches to 1 mile, with the outlying boroughs at the clear scale of 3.5 inches to 1 mile.New for this edition is the 18-page route planner, showing and naming all urban through-routes, which can be used by drivers for getting close to their destination before turning to the full detail of the relevant street map page.The street maps show every named road, street and lane clearly, with major roads picked out in colour. The maps show postcode boundaries, car parks, railway and bus stations, post offices, schools, colleges, hospitals, police and fire stations, places of worship, leisure centres, footpaths and bridleways, camping and caravan sites, golf courses, and many other places of interest.The comprehensive index lists street names and postcodes, plus schools, hospitals, railway stations, shopping centres and other such features picked out in red, while other places of interest are shown in blue.In addition there is an index of hospitals with A&E departments and an index of places of interest. There are two separate maps of central London, one detailing theatres, cinemas and shopping streets, with the second showing bus routes. A third map displays the London Underground and overground rail networks with Travelcard Zones.This atlas is suitable for both drivers and pedestrians. For drivers, route-finding in London is much easier as through-routes are highlighted, giving the user the equivalent of local knowledge of an area. Speed cameras, one-way streets and restricted turns are clearly displayed with the Congestion Charge Zone. For pedestrians, tourist sights and attractions are clearly labelled and public transport systems are featured.
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