Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales. The volume opens with a discussion of current research in narratology, as applied to Roman historians. Narratology is a helpful and insightful tool, but is often inadequate to deal with specifically visual aspects of ancient narrative. In order to illuminate Tacitus' techniques, and to make them speak to modern readers, this book focuses on drawing and illustrating parallels between Tacitus' historiographical methods and modern film effects. Building on these premises, Waddell examines a wide array of Tacitus' visual narrative devices. Tacitean examples are discussed in light of their narrative effect and purpose in the Annales, as well as the ways in which they are similar to contemporary Roman art and modern film techniques, including focalization, alignment, use of the ambiguous gaze, temporal suggestion and quick-cutting. Through this approach the modern scholar gains a deeper understanding of the many ways in which Tacitus' Annales act upon the reader, and how his narrative technique helps to shape, guide, and deeply layer his history.
Each day throughout the world hundreds of people suffer head injuries. Whether they are caused by traffic accidents, or violence, or occur during sports and leisure activities , these injuries can dramatically and tragically alter the victim's ability to cope with life. In many countries,after-care of the victim, once the injury is no longer life-threatening, is often inadequate, and all too often families are left to manage as best as they can. The book is written for families who find themselves in this situation. The authors have had many years of experience working withhead-injured people in both research and rehabilitation roles. The effects of injury are explained in non-technical terms and, where possible, practical ways of overcoming these effects are described. Because they also have many years of experience working with organisations that have been formedto help the families of the head-injured, the authors know the main areas of concern that these families have. Beginning with the injury itself, the stages that the patient will go through are described, and the procedures and techniques that will be used to chart progress are explained. As wellas these direct effects of the injury on the victim, the book also examines the ways that head trauma can affect families and friends. For the person who will eventually recover sufficiently to do so, there are suggestions on managing the return to work or school most effectively. For those whowill never reach this level, there is a section which describes the long-term adjustments that these people and their care-givers need to make. The final section outlines the requirements of a head injury rehabilitation system, and gives some suggestions about the steps that individuals can take toensure that this sort of service is provided in their area. This new edition has been fully updated, to reflect the recent advances in medical science that mean that many more people with head injury survive, and also new trends in health care and rehabilitation.
The life of a young man as he goes to school and becomes a clergyman; centered entirely in the Mid-Atlantic, with a brief reference to Deerfield taken to be Deerfield Academy in MA. Highly social, not political, writing.
This book provides a comprehensive review of the scientific and social security literature, and social security statistics on back pain in various EU and OECD countries. This evidence is then integrated with a modern, biopsychosocial model of pain and disability to provide a factual and theoretical background to the debate on disability and incapacity benefits. Some of the issues raised may be equally relevant to other common social security problems such as musculoskeletal complaints, stress-related disorders and chronic fatigue.
Winner of the Arts Club of Washington Marfield Prize A New York Times Book Review Editors’ Choice Selection This "admiring and absorbing biography" (Deborah Solomon, The New York Times Book Review) charts Sam Wagstaff's incalculable influence on contemporary art, photography, and gay identity. A legendary curator, collector, and patron of the arts, Sam Wagstaff was a "figure who stood at the intersection of gay life and the art world and brought glamour and daring to both" (Andrew Solomon). Now, in Philip Gefter's groundbreaking biography, he emerges as a cultural visionary. Gefter documents the influence of the man who—although known today primarily as the mentor and lover of Robert Mapplethorpe—"almost invented the idea of photography as art" (Edmund White). Wagstaff: Before and After Mapplethorpe braids together Wagstaff's personal transformation from closeted society bachelor to a rebellious curator with a broader portrait of the tumultuous social, cultural, and sexual upheavals of the 1960s, '70s, and '80s, creating a definitive portrait of a man and his era.
Whether they are caused by traffic accidents, incidents of violence, or occur during sports or leisure activities, as many do, head injuries can dramatically and tragically alter the victim's ability to cope with life. They also present unique problems for caregivers and families of patients. Accompanying personality changes and disorders, lingering effects such as headache and dizziness, and the sheer difficulty in predicting the duration of the healing process and its eventual outcome all combine to create special stresses for those involved. This book offers a clear description of the facts of head injury in terms understandable to patients and their families, as well as health care staff. It explains both physical and psychological effects and how they may best be confronted, and possibly overcome. It takes the reader from hospital emergency room thorough the posthospital experience, detailing the stages of recovery and techniques for charting progress. The book also discusses the ways that head trauma can affect families and friends, and, for patients who have recovered sufficiently, there are suggestions on managing the return to normal living. For those with more serious injuries, a section describes the long-term adjustments that victims and their caregivers will need to make. The final section outlines the requirements of a typical head injury rehabilitation system, and suggests ways for individuals to make sure they have an opportunity to participate. The authors have many years of experience working with head injured people and the organizations that have been formed to help them.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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