First major publication on Philip Trusttum ever to be produced. It is comprised of preface by Sir James Wallace, foreword by Peter Ireland and text by Dr Robin Woodward as well as a over 120 colour plates of Philip Trusttum's work.
A compelling and thoughtful memoir about a significant figure on New Zealand's literary - and natural - landscape. 'The stories that I think worth telling are of how, as a young man, I left home on the other side of the world half a century ago and took the chance to become a New Zealander. More, of becoming a New Zealand writer now able to look back over 50 years and relate not only what happened to me, of how I grew up, but also something of how the country has grown and changed. It is about my developing relationship with my country and some of its people.' As Philip Temple explains in his preface, this is about his life and the country he chose to call home. His memoir shows how he made this decision, how he left England at a young age, and how he came to explore and love this country, scaling its mountains and writing its stories. New Zealand has always pulled him back, despite adventures overseas, exploring previously unknown regions of the world, sailing in exciting waters, trailing through Europe, and a long love affair with Berlin. Despite all this, New Zealand became and remains his country. In an honest and remarkably diverse appraisal of his life, he reveals his personal and professional relationships, including his search for his father, the failure of his marriage, difficult times working for the Listener, and his campaigning for MMP. It is also a fascinating account of how he has made a living as a full-time writer. Compelling, thoughtful and moving, this is an important view of the last fifty years.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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