Philip Sorgen is not really dead-- it's just that since he received his poetic license he has been dying to use it. Philip has been an actuarial trainee at Metropolitan Life Insurance Company, a Sp4 in the U.S. Army reserve and then for thirty-four rewarding years a mathematics teacher at Great Neck North High School. He plays the piano by ear, composes music (with a pencil) and has tennis elbow, which is a lot less severe than tennis balls. He is the husband of one, a father of two and a grandfather of three. This is the story of his life."--Back cover
Norwegian: A Comprehensive Grammar is a complete reference guide to modern Norwegian (the Bokmål standard). The Grammar is an essential source for the serious student of Norwegian, and for students of comparative linguistics. It is ideal for use in colleges, universities and adult classes of all types. The volume is organised to promote a thorough understanding of Norwegian grammar. It presents the complexities of Norwegian in a concise and readable form. Explanations are full, clear and free of jargon. Throughout, the emphasis is on Norwegian as used by present-day native speakers. An extensive index, numbered paragraphs, cross-references and summary charts provide readers with easy access to the information they require.
Prof. Ambrose has revised and enlarged into one volume his 2006 two-volume English translations of virtually all the vocal works of Johann Sebastian Bach. By preserving the meter and key-word placement of the original, J.S. Bach: The Vocal Texts in English Translation with Commentary is a good guide to the poetics of Bach's music and will help listeners and interpreters perceive more clearly Bach's own "translation" of text into music.
Philip Schaff's The Creeds of Christendom is a massive set, originally published in three volumes and here reproduced across five volumes, cataloging and explaining the many different creeds from the myriad Christian denominations. The differences in belief between Calvinists, Lutherans, and Presbyterians, for example, can often be subtle, so a thorough examination of the particulars as well as an explanation for how those different beliefs result in a different worldview is necessary. Volume Three: Part I covers: . the creeds of the Evangelical Lutheran Church . the creeds of the Evangelical Reformed Churches, including the Heidelberg Catechisms, the Ten Theses of Berne, and the Saxon Visitation Articles . the Thirty-Nine Articles of Religion of the Church of England. This volume contains the Table of Contents for all of Volume Three. Swiss theologian PHILIP SCHAFF (1819-1893) was educated in Germany and eventually came to the United States to teach at the German Reformed Theological Seminary in Pennsylvania. He wrote a number of books and hymnals for children, including History of the Christian Church and The Creeds of the Evangelical Protestant Churches.
Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.
The Membranes of Cells, Third Edition, provides a basic guide to biomembranes, connecting researchers to the numerous fields of biology. The new edition offers a complete update of content based on new understandings in the field. Foundational content for graduate students, researchers, professors, and undergraduate students across the sciences is provided, succinctly covering all of the basic information needed for lipids and membranes. - Connects membrane research to numerous fields of biology - Provides a basic guide to the interdisciplinary studies of membranes - Offers a companion website with recommended readings and dynamic visual representations of the content - Includes four color illustrations to offer the best visual representation of concepts
Few musical works loom as large in Western culture as Richard Wagner's four-part Ring of the Nibelung. In Finding an Ending, two eminent philosophers, Philip Kitcher and Richard Schacht, offer an illuminating look at this greatest of Wagner's achievements, focusing on its far-reaching and subtle exploration of problems of meanings and endings in this life and world. Kitcher and Schacht plunge the reader into the heart of Wagner's Ring, drawing out the philosophical and human significance of the text and the music. They show how different forms of love, freedom, heroism, authority, and judgment are explored and tested as it unfolds. As they journey across its sweeping musical-dramatic landscape, Kitcher and Schacht lead us to the central concern of the Ring--the problem of endowing life with genuine significance that can be enhanced rather than negated by its ending, if the right sort of ending can be found. The drama originates in Wotan's quest for a transformation of the primordial state of things into a world in which life can be lived more meaningfully. The authors trace the evolution of Wotan's efforts, the intricate problems he confronts, and his failures and defeats. But while the problem Wotan poses for himself proves to be insoluble as he conceives of it, they suggest that his very efforts and failures set the stage for the transformation of his problem, and for the only sort of resolution of it that may be humanly possible--to which it is not Siegfried but rather Brünnhilde who shows the way. The Ring's ending, with its passing of the gods above and destruction of the world below, might seem to be devastating; but Kitcher and Schacht see a kind of meaning in and through the ending revealed to us that is profoundly affirmative, and that has perhaps never been so powerfully and so beautifully expressed.
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