For 40 years, Sean Connery has been among the world's most admired and popular actors. This edition is both an in-depth biography of this international superstar and a complete filmography with 400 photos, rare production stills, movie posters and lobby cards.
Green Cathedrals is a celebration of the sport of baseball, through the lens of its ballparks-the "fields of dreams" of players and fans alike. In all, some 405 ballparks have, over time, hosted a Major League or Negro League game, and each one of them is given its due, from hard statistics about dimensions to nostalgic and current photographs, to anecdotes that will inspire the memories of fans all over the country. From Fenway Park and Gus Greenlee Field (home of the Homestead Grays and Pittsburgh Crawfords), to Ebbets Field, Camden Yards, and the brand-new parks that have opened in the past two years, Green Cathedrals presents a cavalcade of the most beautiful sporting venues in history. Fully revised and updated since its previous edition a decade ago, with more than 130 new ballparks and hundreds of new photographs, Green Cathedrals is an essential reference for baseball aficionados and a perfect gift for baseball fans everywhere.
Philip Coogan tells his remarkable life story with moving honesty, describing his triumph over tragedy. Born with Northern Ireland connections in Manchester, England, his grandfather fell victim to anti-British Army feeling in the South after 1916. Philip lived in Ardboe, Northern Ireland, during World War II. There he suffered from tuberculosis and had a near-death experience. He paints a pleasant picture of growing up in a rural community, which makes what happens next even more disturbing. Moving to County Fermanagh in Northern Ireland in the late 1940s, he joined his father's garage business at an early age. They had subsequent run-ins with the RUC, the Royal Ulster Constabulary, but he went on to become a successful businessman. After marrying, Philip moved to Donaghadee, where he made a name for himself in the motor trade. As Northern Ireland's troubles intensified, repeated attempts were made on his family's lives and he was told he would be run out of town. On December 7, 1971, a loyalist bomb destroyed his business. "Our lives had changed overnight, but I was determined to rebuild my demolished garage. I was frustrated at every turn by the cold shoulders of the planning authorities, and those who vowed to see me 'run out of Donaghadee.' " Help came in the form of the Reverend Ian Paisley. "While reliving the horror of past events, and after several assassins' attempts, my health began to suffer. I began an endless one-man campaign to secure compensation for my personal injuries and business site from the Northern Ireland government." Philip Coogan moved to Southern Ireland in 1973. "I wrote my story of the injustice we had suffered over the last forty-two years.
Collusion with Injustice details with lyricism and moving honesty the story of one family's experience with the Northern Ireland civil war of the 1970s. The story first began when Grandfather Owen Coogan joined the British Army in 1877 at Crinkle, Kings County. After serving twenty years overseas, Grandfather returned home in 1895. He married Bridget McCormack in 1897 at Birr, Kings County. Soon after Bridget's first child is born, Grandfather purchased a farm near Sharavogue, Kings County, now known as County Offaly. In 1921, Grandfather, Bridget, and nine of their eleven children were held at gunpoint by the IRA and their homestead was set on fire. Grandfather's family then migrated to Northern Ireland in Cooneen County Fermanagh, a place made famous by the Cooneen poltergeist. Author Philip Coogan's life changed overnight in December 1971, when a bomb destroyed his thriving garage business in Donaghadee, Northern Ireland. His troubles intensified and Philip survived repeated assassination attempts. Feeling defrauded and conspired against, Philip was not allowed to rebuild his garage by planning authorities. "I received no compensation for my injuries or large building site. My health deteriorated and I suffered severe post-traumatic shock disorder and other illnesses." In January 1973, the family fled over the border to safety and Philip was admitted to a psychiatric hospital. He emerged a broken man, just waiting to see what would happen next.
We travel back in time to Philip's childhood, learning the history of his forbears, including their flight from sectarian conflict in the South in the Springtime of 1921, and the chilling murder later, of their neighbours in the notorious Pearson brother's incident. This extraordinary true story all began on the 7th December 1971, with an explosion, at the garage business of Philip Coogan during the midst of the Northern troubles. It sets in motion a trail of events that leaves Philip and his family struggling to survive in an increasingly hostile environment, the distress and frustration experienced by Philip and family had a pro founding effect on their health. In his young life while at Mullinahoe school Ardboe, he had a yearlong battle with TB, had a near-death experience and a dramatic vision of hell and heaven. On his sick bed, he receives the last rights of extreme unction.
No one wants to live in poverty. Few people would want others to do so. Yet, millions of people worldwide live in poverty. According to the World Bank, over 700 million people lived on less than US $2 a day in 2013. Why is that? What has been done about it in the past? And what is being done about it now? In this Very Short Introduction Philip N. Jefferson explores how the answers to these questions lie in the social, political, economic, educational, and technological processes that impact all of us throughout our lives. The degree of vulnerability is all that differentiates us. He shows how a person's level of vulnerability to adverse changes in their life is very much dependent on the circumstances of their birth, including where their family lived, the schools they attended, whether it was peacetime or wartime, whether they had access to clean water, and whether they are male or female. Arguing that whilst poverty is ancient and enduring, the conversation about it is always new and evolving, Jefferson looks at the history of poverty, and the practical and analytical efforts we have made to eradicate it, and the prospects for further poverty alleviation in the future. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The term 'world music' encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures, and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before. The politics of which world music are a part - globalization, cosmopolitanism, and nationalism - play an increasingly direct role in societies throughout the world, but are at the same time also becoming increasingly controversial. In this new edition of his Very Short Introduction, Philip Bohlman considers questions of meaning and technology in world music, and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
What is Nanotechnology and how will it affect us? Nanobots, nanoprobes, nanoswarms, nanogenes the list goes on. Nanotechnology is a staple of science fiction and has a rather chequered history when it comes to public perception: will swarms of sentient nanomachines ultimately take over the world or will nanotech give us nothing more than improved sun creams? As this Very Short Introduction shows, the science underpinning nanotechnology is equally as fascinating as the best nano-inspired sci-fi. In this book, Philip Moriarty introduces the key scientific themes and concepts underpinning the field, including interatomic and intermolecular forces, single atom imaging, quantum confinement, self-assembly, molecular machinery, and nanomagnetism. Moriarty includes results from ground-breaking scientific studies, such as scanning probe microscope images of atomic and molecular “landscapes”, providing visceral and intuitive insights into the nanoscopic world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Very Short Introductions: Brilliant, Sharp, Inspiring Violence is part and parcel of human history and of human nature. It is one of our most distinctive traits, the one thing that all cultures and societies, across time, share in common. It has defined not only the ways in which individuals relate to each other, but also how collective entities and states have interacted with each other over the millennia. All societies are violent and all individuals have the capacity for violence. However, not all societies and not all individuals are equally violent, and nor does violence exist with the same intensity across cultures. This Very Short Introduction examines the more visible, physical acts of violence - interpersonal, gendered, collective, religious, sexual, criminal, and political - in the modern world. It explores how violence in the pre-modern world was different from the modern world, and what is significant about those differences. It also discusses what violence is by examining understandings of the ideas, values, and cultural practices embedded in an act of violence, and considering acts of violence as the outcome of a process dependent on the cultural context in which they take place. Along the way Dwyer considers some core questions, asking whether violence is always 'bad', and if there are any limits to human violence? Why is it that what was once considered acceptable - wife beating, duelling, slavery - at some point becomes unacceptable in some societies and cultures, and yet continues in others? And finally, are we becoming more or less violent? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Some films are remembered long after they are released; others are soon forgotten, but do they deserve oblivion? Are factors other than quality involved? This book exhumes some of the films released in Britain over the last seventy years from Daybreak (1948) to 16 Years of Alcohol (2003), and considers the reasons for their neglect. As well as exploring the contributions of those involved in making the films, the book examines such issues as marketing and the response of critics and audiences. Films are grouped loosely into categories such as “B” films and television films. Some works were little seen when they were first released and have stayed that way; others were popular in their day, but have slipped into obscurity. In some cases, social change has overtaken them, making the attitudes or subjects they depict seem dated. Even being released as a DVD does not guarantee that a title will be rehabilitated. In addition, how significant is the American market? This book should appeal to lovers of British film, as well as to film studies students and everybody curious about the vagaries of success and failure in the arts.
This is an authoritative account of the a major, but neglected aspect of the Irish cultural renaissance- prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gum. The frequency and production of new plays, both original and translated, have never been approached since. This book investigates all of these works as well as journalism and manuscript material and discusses them in a lively and often humorous manner. -- Publisher description
This book charts, with lyricism and moving honesty, the remarkable triumph over tragedy of one ordinary man, and his young family during the Northern Ireland Troubles.
Notes from the Dream House is a 'best of' selection of reviews by the celebrated Observer film critic Philip French. Spanning half the history of cinema, his reviews cover a great variety of films, from westerns and gangsters to art movies and musicals – the hits and the misses, the good, the bad and the ugly. French takes on films as disparate as The Gospel According to St Matthew and Ted, The Remains of the Day and Caligula. His reviews are personal, witty, and sharply perceptive. Time and again he reveals not only an encyclopaedic knowledge of cinema but also an erudition, an enthusiasm, and a boundless curiosity. Taken together, they form an illuminating commen¬tary on modern culture; but above all they are a distillation of one man's lifelong love of cinema, a worthy memorial to one of the most respected and beloved of modern critics.
When a serial killer begins preying on priests in New York City, the Church and the Vatican need to have the killer silenced, for he is their worst nightmare come true--the living embodiment of a terrible, dark secret. Original.
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