In a society ravaged by warring gangs and a hallucinogenic-drug epidemic, Elliot and Darren, under the sway of the ruthless Spinx, throw parties for rich clients in abandoned apartment buildings—parties that help guests act out their darkest, most sinister fantasies. As the teenage brothers prepare for the latest festivities, some unexpected guests threaten the balance of the world they have created in the midst of this dystopian nightmare. MERCURY FUR is a terrifying, yet tender, look at just how far people will go to protect those they love the most.
Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years" (Time Out) Ridley's film debut The Reflecting Skin caused a sensation at the 1990 Cannes Film Festival and went on to win eleven international awards. Set in the Idaho farmlands of the 1950s, the film follows eight-year-old Seth through a mythical summer where reality is heightened to the level of an hallucinogenic, quasi-fantasy. The Passion of Darkly Noon is a modern fable; echoing the surrealist style of Ridley's dazzling and innovative debut film. A young man roaming the American countryside, the victim of a savage attack on his religious cult, is rescued by Callie, for whom he develops a dangerous obsession. "Provocative, shocking and disturbing, a true original...a masterpiece." (What's On)
This second volume of Ridley's stage plays confirms him as one of the most imaginative, daring and unique voices currently working in theatre. All four plays collected here resonant with Ridley's trademark themes - East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. Vincent River: '... a grieving mother and a traumatized teenager meet as adversaries, rough each other up and eventually bond over a barbaric act of cruelty...Ridley asks questions, lots of them, about how people respond to the loss of innocence in their lives, how they hold onto their sanity in the face of savagery and how they fight to keep the bonds of humanity intact in a mad, mad world.' Variety Mercury Fur: '...depicts a scary, post-apocalyptic London where, in their struggle to survive, a group of youths are reduced to organising parties that cater for the most perverted tastes.' Independent Leaves of Glass: 'There is a different kind of murder going on here: the murder of truth that goes on in all families to a lesser or greater degree. As with nations, a family's history is written by the victors.' Guardian Piranha Heights: 'The extravagance of Ridley's dark vision suggests a dangerously confused society in which individuals seize on random gobbets of semi-digested information and use them to construct their own personal narrative.' The Times
Art's my hobby too.' Hobby?! Sasha was destined to take the art world by storm. At the age of fifteen pop stars wanted his paintings, and a new exhibition was going to make him a rich man. But now he serves in a stationers, and no one's even heard of him... what went wrong? Philip Ridley's darkly comic new play is about art, family, memory, and being haunted by the life we never lived. This edition was published to coincide with the world premiere performance at London's Southwark Playhouse, which was performed live and live-streamed around the world in November 2020.
That's the way it works in this family. Believe what you wanna believe. Twist this. Ignore the other. That's how we survive.' Steven has always tried to be a good person. He works hard. He looks after his family. But, suddenly, everyone starts accusing him of things. His wife accuses him of being unfaithful. His mother accuses him of being coercive. And his brother, Barry, accuses him of...what exactly? Barry won't say. Or can't. Or perhaps... Steven hasn't done anything at all. Following its critically acclaimed premiere at Soho Theatre in 2007, Philip Ridley's gripping narrative of memory, manipulation, and power – now regarded as a modern classic – returns in a new production by long-time collaborators, Lidless Theatre. This edition was published alongside the production at the Park Theatre, London, in May 2023.
We can't all just be hurtling through nothing towards nowhere...can we?' A young couple are moving into their new home. A soldier is being held hostage. Two boys are searching for monsters. All these things are connected by both family and time but what story can be told when family and time are broken? Set over the course of twelve years, Shivered unpicks the story of two families and then re-weaves it into something new and startling. Seven people, one war, a derelict car plant and mysterious lights in the sky come together in the Essex new-town of Draylingstowe, where the view from green hills once offered hope and prosperity for all. An oblique and startlingly anachronistic piece, the timeframe is an emotional, rather than linear sequence, reflecting the characters' broken memories and shattered lives. Depicting a panorama of people and time, connecting links of friendship, family and encounters eddy around each other in a tantalising, surprising and intelligent way. Shivered is a state of the nation play meets a dreamlike memory play.
The Pitchfork Disney heralded the arrival of a unique and disturbing voice in the world of contemporary drama. Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.
Moonfleece is an intense and thrilling exploration of memory and identity, with themes of contemporary resonance: racism, homophobia, and how those in authority distort both the truth and the past. This play is Philip Ridley's most direct representation yet of his hopes and fears for disadvantaged, diverse communities of today's society, as two groups of teenagers are forced to judge for themselves the prejudices and preconceptions of their parents. This is a vital, relevant and compelling story for the whole country and especially young people from all backgrounds. The plot follows Curtis, who has arranged a secret meeting in a flat of a derelict tower block. Years ago, when he was a child, Curtis lived here before tragedy struck in the form of his elder brother's death. Now Curtis is seeing his brother's ghost. With the aid of Gavin and Tommy, fellow members of the right wing political party of which he is a leading figure, and his ex-girlfriend, Sarah, Curtis aims to find out why this ghost is haunting him. Things, however, do not go as planned and a hitherto secret story has to be revealed. A story that will change Curtis's life forever.
This second volume of Ridley's stage plays confirms him as one of the most imaginative, daring and unique voices currently working in theatre. All four plays collected here resonant with Ridley's trademark themes - East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. Vincent River: '... a grieving mother and a traumatized teenager meet as adversaries, rough each other up and eventually bond over a barbaric act of cruelty...Ridley asks questions, lots of them, about how people respond to the loss of innocence in their lives, how they hold onto their sanity in the face of savagery and how they fight to keep the bonds of humanity intact in a mad, mad world.' Variety Mercury Fur: '...depicts a scary, post-apocalyptic London where, in their struggle to survive, a group of youths are reduced to organising parties that cater for the most perverted tastes.' Independent Leaves of Glass: 'There is a different kind of murder going on here: the murder of truth that goes on in all families to a lesser or greater degree. As with nations, a family's history is written by the victors.' Guardian Piranha Heights: 'The extravagance of Ridley's dark vision suggests a dangerously confused society in which individuals seize on random gobbets of semi-digested information and use them to construct their own personal narrative.' The Times
If you think I'm threatened by you, you're wrong. I'm Travis Flood. I was threatening people before you were born. Back in the sixties, Travis Flood and his gang terrorised Bethnal Green. Now, after an absence of 25 years, Travis returns and meets Rio, whose haunting beauty leads him to confront a story that bears no relation to his own distorted memory. And then there's the Cheerleaders . . . a present-day gang, more vicious and terrifying that anything Travis led in the past. This edition of Ghost from a Perfect Place was published to coincide with the first major revival of the play at the Arcola Theatre, London, in September 2014.
Of course – as you've no doubt guessed – there's a big 'But Then' moment heading this way... It's a sunny, spring day in East London. On a street corner, two teenagers kiss. One of them is Toni. This is her first kiss. It makes her very happy. But someone is watching. Someone who doesn't care about her happiness at all. And they're about to change Toni's life... forever. Philip Ridley's thrilling new play is a startling exploration of identity, memory, love, and the lengths it takes someone to free themselves from the web of their past.
It was a very hot day – dazzling sunshine! – and Mum – she was wiping sweat from her neck. No, not wiping. Dabbing . . . Dab . . . Dab. Mum was a beauty. Not like me. And don't tell me I am because you'll be lying and I won't thank you for it. Not today. Not when this whole thing – us, here - is about me telling the truth. The latest from Philip Ridley is a beautiful, breathtaking new drama about one girl's craving for family and home, and the lengths she will go to achieve them. Dark Vanilla Jungle embarked on a national tour of Great Britain in spring 2014. This edition also features a selection of previously unpublished monologues by Philip Ridley alongside the play.
“The hallmarks of a Ridley classic; a fast-paced modern fairy-tale that burrows into the dark wormholes of the imagination ... reveals how below all that glitters, there's rarely gold.” Exeunt Ollie and Jill want to tell you about their dream home. Some of the things they did to get it, you might find shocking. But they want you to know they did it all for their baby... A wickedly comic satire about a young couple offered a 'too good to be true' way onto the property ladder. Playful, provocative, and viciously sharp, this outrageous black comedy is a meditation on how far we will go to satisfy - and justify - materialistic greed. Radiant Vermin premiered in 2015 at Soho Theatre, London. This Modern Classics edition features a brand new introduction by Aleks Sierz.
Look - they're fading. Those liars. Dissolving . . . It's the end of their world . . . The birth of a new one . . . Our one . . . Our world.' It's Mother's Day and mother is dead. Now her two sons gather in her home to argue about the truth of their childhood. But a storm is approaching . . . with a violent new truth all of its own. Piranha Heights is non-stop, filthily poetic and a searing insight into the disenchantment of young people today. This edition, featuring a revised script, published to coincide with play's revival at the Old Red Lion, London, in November 2014. Praise for Leaves of Glass: 'Like a shard of glass plunged straight to the heart . . . superb.' Guardian
It's Cougar's birthday. He's having a party. And the gift he'd kill for is youth... In a strange room in East London the party preparations are under way. Everything has been planned to the last detail. Surely nothing can go wrong? After all, there's the specially made birthday cake, the specially written cards, the specially chosen guest of honour... and a very, very sharp knife. Philip Ridley's edgy and provocative drama caused a sensation when it premiered at Hampstead Theatre in 1992, winning the Evening Standard Award for Most Promising Newcomer to the Stage and the Meyer Whitworth Prize. It is now regarded as a contemporary classic. 'A bit like a ride on a ghost train... you find yourself shuddering with shock and laughing uproariously... horror has rarely been so much fun' Daily Telegraph 'Scorchingly nasty... fingers an age and its icons with terrifying accuracy' Guardian
Brokenville is written for a cast of 7. A group of survivors gather round a sleeping child to piece together its story and theirs. The Pilgrimage is for a cast of 13, plus chorus. It concerns two warring tribes, the shepherds and the goatherds.
This volume contains Ridley's first three plays, which heralded the arrival of a unique and disturbing voice in the world of contemporary drama. They are seminal works in the development of the 'in yer face' theatre that emerged in Britain during the mid-1990s.The three plays here all manifest Ridley's vivid and visionary imagination and the dark beauty of his outlook. They resonate with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. The Fastest Clock in the Universe is a multi-award-winning play which caused a sensation when it premiered at Hampstead Theatre in 1992. An edgy and provocative drama, it is now regarded as a contemporary classic. Ghost from a Perfect Place is a scorchingly nasty blend of comedy, spectacle and terror where a monster from the past meets the monsters of the present. The volume contains the definitive version of the plays, plus an extended and updated introduction and three monologues (Bloodshot, Angry and Voosh), published here for the first time.
It's at times like this I'm inspired by The Stupendous Santini. He toured the mid-West during the 1930s, entertaining farmers affected by the Dust Bowl. No one would have remembered him were in not for the fact that during his most famous trick – sword swallowing – he accidentally punctured a lung and died on the spot. He became a legend. Donny has committed an act that shocked everyone. Tabloids called him The Most Hated Boy Alive. But Donny doesn't want forgiveness. All Donny wants is . . . his own television show. Written by internationally acclaimed writer Philip Ridley, Tonight With Donny Stixx is the companion piece to Ridley's 2013 Fringe First-winner Dark Vanilla Jungle, and received its premiere at the Soho Theatre, London, on 27 July 2015 before premiering at the Edinburgh Festival Fringe.
The making of Thatcherism examines the Conservative Party’s period in opposition between 1974 and 1979, focusing on the development of key policy on issues from the economy, to immigration, to Scottish Devolution. Offering a detailed analysis of Conservative Party policy during this period, from the point at which it had last been in government to the point at which it subsequently regained power, this book helps us to understand the significance of the Conservative victory in 1979: What exactly did more than 13 million Britons vote for in May of that year? This period is typically viewed as one of dramatic change within the Conservative party; however, Begley argues that policy changes were more modest and complex than has been previously considered. Focusing on the short-term political context, Begley argues that though the roots of Thatcherism were beginning to emerge in the party, Thatcherism does not appear to have been inevitable in policy terms by 1979. Providing an overview of the intellectual, economic, and social contexts, Philip Begley examines the range of factors driving the Conservative Party’s development of policy.
Your pen testing career begins here, with a solid foundation in essential skills and concepts Penetration Testing Essentials provides a starting place for professionals and beginners looking to learn more about penetration testing for cybersecurity. Certification eligibility requires work experience—but before you get that experience, you need a basic understanding of the technical and behavioral ways attackers compromise security, and the tools and techniques you'll use to discover the weak spots before others do. You'll learn information gathering techniques, scanning and enumeration, how to target wireless networks, and much more as you build your pen tester skill set. You'll learn how to break in, look around, get out, and cover your tracks, all without ever being noticed. Pen testers are tremendously important to data security, so they need to be sharp and well-versed in technique, but they also need to work smarter than the average hacker. This book set you on the right path, with expert instruction from a veteran IT security expert with multiple security certifications. IT Security certifications have stringent requirements and demand a complex body of knowledge. This book lays the groundwork for any IT professional hoping to move into a cybersecurity career by developing a robust pen tester skill set. Learn the fundamentals of security and cryptography Master breaking, entering, and maintaining access to a system Escape and evade detection while covering your tracks Build your pen testing lab and the essential toolbox Start developing the tools and mindset you need to become experienced in pen testing today.
Philip Hamburger’s Law and Judicial Duty traces the early history of what is today called "judicial review." The book sheds new light on a host of misunderstood problems, including intent, the status of foreign and international law, the cases and controversies requirement, and the authority of judicial precedent. The book is essential reading for anyone concerned about the proper role of the judiciary.
Charles Darwin presented the first scientific explanation of design through evolution by natural selection, where the environment furnishes individual organisms with adaptations that help them to survive and reproduce. This accessible book makes the case that natural selection can also do the exact opposite, favouring traits that directly harm an organism's ability to survive and reproduce. Such maladaptations contradict the received understanding of what natural selection 'does', but become explicable with an understanding of the genetics and ecology of evolution by natural selection. Drawing upon wide-ranging examples from across the diversity of life, the evidence for maladaptations is critically appraised to establish its possibility, reality and importance to the design of living things. A theory of maladaptation is developed, as a corrective for a long-standing error in evolutionary biology. Examples of maladaptation are evaluated to identify the challenges and successes in applying the concept to organismal traits. The deeper causes and consequences of maladaptation are discussed to understand its far-reaching impact on the evolution of life on Earth - and beyond. Overall, the book persuasively argues that maladaptation is a paragon of the changes to evolutionary theory that are needed to understand the population biology of natural selection. Maladaptation is written to be suitable for students taking courses in evolution, ecology and genetics, as well as professional researchers in these fields. Its accessible style will also appeal to a broader interdisciplinary audience, including any inquisitive reader with a general interest in science and the natural world.
Not so long ago, in certain cities on the shores of the eastern Mediterranean, Muslims, Christians, and Jews lived and flourished side by side. What can the histories of these cities tell us? Levant is a book of cities. It describes three former centers of great wealth, pleasure, and freedom—Smyrna, Alexandria, and Beirut—cities of the Levant region along the eastern coast of the Mediterranean. In these key ports at the crossroads of East and West, against all expectations, cosmopolitanism and nationalism flourished simultaneously. People freely switched identities and languages, released from the prisons of religion and nationality. Muslims, Christians, and Jews lived and worshipped as neighbors.Distinguished historian Philip Mansel is the first to recount the colorful, contradictory histories of Smyrna, Alexandria, and Beirut in the modern age. He begins in the early days of the French alliance with the Ottoman Empire in the sixteenth century and continues through the cities' mid-twentieth-century fates: Smyrna burned; Alexandria Egyptianized; Beirut lacerated by civil war.Mansel looks back to discern what these remarkable Levantine cities were like, how they differed from other cities, why they shone forth as cultural beacons. He also embarks on a quest: to discover whether, as often claimed, these cities were truly cosmopolitan, possessing the elixir of coexistence between Muslims, Christians, and Jews for which the world yearns. Or, below the glittering surface, were they volcanoes waiting to erupt, as the catastrophes of the twentieth century suggest? In the pages of the past, Mansel finds important messages for the fractured world of today.
**Please note this is an unedited paperback reprint of the hardback, originally published in 2003** The British system of universal development control celebrated its 50th anniversary in 1997. Remarkably, the system has survived more or less intact but the experience of the 1980s has left large questions unanswered about the relevance and effectiveness of the system. This book traces the history of the development control system in Britain from early modern times to the present day.
Bailey's new neighbourhood was ultra - mega - boring concrete until Scribbleboy covered it with eye - scorching colours. Ziggy, Ma Glamrock, Levi and Tiffany Spangle show Bailey how to create the best shape of all: a circle of friends.
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