Amateur astronomers have to start somewhere. Most begin by buying a modest astronomical telescope and getting to know the night sky. After a while, many want to move on to the next stage, but this can be problematic. The magazines advertise a mass of commercially-made equipment – some of it very expensive – which can represent a major financial outlay. The trick is to choose the right equipment, and then use it to its fullest extent. Observing Skills: The Science and Art of using Astronomical Telescopes provides the required information. First, it explains how to get the best from entry-level equipment (that upgrade may not even be needed for a year or two!). Second, it explains how to select equipment that is at the ‘next level’, and describes how use more advanced telescopes and accessories. The book is organized according to observational targets, and although it concentrates mainly on visual observing, it concludes with a section on imaging and the equipment currently available – from regular digital cameras, through webcams, to specialized chilled-chip CCD cameras. Observing Skills: The Science and Art of using Astronomical Telescopes is the perfect follow-up to Moore and Watson: Astronomy with a Budget Telescope and Tonkin: AstroFAQs . It neatly fills the gap between these introductory books and the more advanced books in Springer’s Practical Astronomy list.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Although astronomical CCD cameras can be very costly, digital cameras – the kind you use on holiday – on the other hand, are relatively inexpensive. Moreover, their technology – especially thermal noise, sensitivity (ISO number) and resolution – has progressed to a point where such cameras are more than capable of photographing the brighter astronomical objects. Now Tony Buick has teamed up with fellow author and astro imager Phil Pugh, to produce a completely revised, updated, and extended second edition to How to Photograph the Moon and Planets with your Digital Camera, first published in 2006. The revisions take into account changing (and improving) camera technology, and some items which are now available commercially but which previously had to be home-made. The section of solar observing has been expanded to include observing by H-alpha light, and among the many additional sections are photographing the constellations, aurorae, and basic post-imaging processing.
This book explores sea-level change on timescales from hours to centuries, its processes and its measurement techniques, for graduate students, researchers and policy-makers.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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