An in-depth history of the Big Six, the first six female ambassadors for the United States. “It used to be,” soon-to-be secretary of state Madeleine K. Albright said in 1996, “that the only way a woman could truly make her foreign policy views felt was by marrying a diplomat and then pouring tea on an offending ambassador’s lap.” This world of US diplomacy excluded women for a variety of misguided reasons: they would let their emotions interfere with the task of diplomacy, they were not up to the deadly risks that could arise overseas, and they would be unable to cultivate the social contacts vital to success in the field. The men of the State Department objected but had to admit women, including the first female ambassadors: Ruth Bryan Owen, Florence “Daisy” Harriman, Perle Mesta, Eugenie Anderson, Clare Boothe Luce, and Frances Willis. These were among the most influential women in US foreign relations in their era. Using newly available archival sources, Philip Nash examines the history of the “Big Six” and how they carved out their rightful place in history. After a chapter capturing the male world of American diplomacy in the early twentieth century, the book devotes one chapter to each of the female ambassadors and delves into a number of topics, including their backgrounds and appointments, the issues they faced while on the job, how they were received by host countries, the complications of protocol, and the press coverage they received, which was paradoxically favorable yet deeply sexist. In an epilogue that also provides an overview of the role of women in modern US diplomacy, Nash reveals how these trailblazers helped pave the way for more gender parity in US foreign relations. Praise for Breaking Protocol “Here at last is the long-neglected story of America's pioneering women diplomats. Breaking Protocol reveals the contributions of six trail-blazers who practiced innovative statecraft in order to surmount all kinds of obstacles?including many posed by their own employer, the U.S. State Department. Philip Nash's illuminating study offers an invaluable foundation for our understanding of contemporary foreign policy decision-makers.” —Sylvia Bashevkin, author of Women as Foreign Policy Leaders: National Security and Gender Politics in Superpower America “Diplomacy is the one field of public political life that has been relatively open to women?we need only think of Hillary Clinton, Condoleeza Rice, and Madeleine Albright. In Breaking Protocol, Philip Nash reminds us of the history of their achievements with an enduring and enticing record of the much longer, surprising history of female diplomats and their individual efforts to shape American and international politics.” —Glenda Sluga, University of Sydney
Escaping his ghosts, AIDS widower David Masiello accepts a one-year position at a Western medical clinic in Beijing. Lonely but excited, he sets out to explore the city—both its bustling street life and its clandestine gay subculture. David chronicles his adventures in China as he wrestles with cultural dislocation, loneliness, and sexual and spiritual longing. After a series of both comic and poignant encounters with gay Chinese men, he meets Bosheng, a handsome young artist. Though the attraction is strong, a difficult courtship ensues, during which Bosheng returns to his ancestral village to marry the girl his parents have chosen for him. Eventually, and quite unexpectedly, David and Bosheng reconnect and share an idyllic spring together. As the year ends, David must decide whether to say goodbye or face the uncertainties of a long-distance relationship. Gambone’s novel is peopled with a host of wonderfully memorable characters: Owen, David’s forthright best friend back home; Auntie Chen, the clinic’s office mom, who wants to fix David up with a girlfriend; Stewart, David’s Beijing roommate, a graduate student doing research on Peking opera; Jiantao and Guoyang, two lovers who lecture David on the fleeting quality of American romance; and Tyson, the Australian doctor with a Chinese girlfriend, who hopes to teach David that love doesn’t need any explanations or justifications.
Welcome to Harmony ... In this acclaimed inaugural volume in the Harmony series, master American storyteller Philip Gulley draws us into the charming world of minister Sam Gardner in his first year back in his hometown, capturing the essence of small-town life with humor and wisdom.
Rich in detail but vigorous, authoritative and unsentimental, A History of Modern Wales is a comprehensive and unromanticised examination of Wales as it was and is. It stresses both the long-term continuities in Welsh history, and also the significant regional differences within the principality.
With a perfect balance of playfulness, humor, and apology, Philip Brady calls himself a bard. But he explains that, before the title became shrouded in mystery, bards were simply teachers, unknown and poor, who gave literal voice to poems through recitations. Woven throughout these twenty essays is Brady's resistance to the academic expectations and settings of poetic instruction, enabling him to elicit the most authentic and surprising responses from a range of voices. He is motivated by the possibility of poetry expressed in the grittiest of places and takes readers from the rust belts of Ohio, to the far-flung pubs of Ireland, to Zairian classrooms with few books and fidgety lightbulbs. Most of all, he believes that, while bad poetry is a fact of life, good poetry should be studied and learned by heart. Brady doesn't resort to dissecting poems here, though poems-his own and those of many of his masters, from Yeats to Tu Fu-do appear. Instead, the poetic language of his observations seems to fulfill a greater purpose: "Voiced, the poem is transfigured from a printed glyph to sensory language: ephemeral, but with a tensile strength derived from the collective memory that births it. Critics may feel differently, but what matters to a poem is not how many times it is reprinted, but how deeply it penetrates the heart." These essays are meditations grounded in the author's life as a poet, teacher, publisher, musician, traveler, and organizer. In one, readers encounter non-traditional students who attend class after work and whose lives are already shaped by burden. Brady recognizes the tension between reading poetry as an academic exercise and reading it for its power to endow all people with a broader sense of the self that is informed by both the dead and the living. He celebrates the challenges that his students bring to the classroom by forging headlong into discussions that other instructors would cringe at-as when a student declares that he doesn't like reading old poetry but instead likes greeting-card poems. Brady masterfully turns this potentially deflating moment into one that is both validating and deeply inspiring-for student and reader.
Early industrial England witnessed significant interactions between millenarianism and traditions of radical popular politics, including the first English socialisms. This book provides a detailed archive-based study of Southcottianism from 1815 to 1840 that revises many previous assumptions about this popular millenarian movement.
A revolution took place in the City in the 80s and 90s. The cosy club of British merchant banking collapsed in a series of sell-outs, closures and scandals. This left the City dominated by US and European giants. Was this the inevitable result ofglobalization or did mismanagement play a part? This is the first book to look at how and why the British merchant banks and brokers sold out, and where that leaves us. Augar tells this fascinating story with pace and drama, taking us through the Thatcher years, the crash of 1987, Big Bang, and the aggressive invasion of the American banks. He looks at why the British banks failed to keep pace with the Americans, what this says about the way they were run, and what this means for the future.
The Great Virginia Raid is the story of John Brown’s attempt to seize the United States arsenal at Harper’s Ferry, West Virginia, and free the slaves living in the vicinity. Ten of Brown’s men were killed, Brown himself was arrested, put on trial, found guilty, and was executed. The events occupied a pivotal point in the history of the United States when slavery was readily acceptable by the South. Slavery was about to be overthrown, and the study of John Brown’s actions was classic. In this new book about John Brown, much emphasis was placed upon contemporary newspaper accounts and material obtained from various historical societies and museums.
The war memoirs of these two officers with the Royal Welsh Fusiliers have never been out of print since their first publication. Both men won instant and enduring fame with these very different narratives, which made them two of the most influential participants in shaping later attitudes to the war. Graves gave offence in many quarters with his factual inaccuracies and/or slurs on various units of the British Army. Sassoon's nostalgic evocation of his cricketing and fox-hunting background contrast with the detailed narrative of personalities and life in the Battle of the Somme and the Battle of Arras. The thinly disguised names of real fellow officers are unravelled to help illustrate Sassoon's poetry and actions.
Dare to imagine a new birth from deep within Christianity, a fresh stirring of the Spirit. "The walls of Western Christianity are collapsing. In many parts of the West that collapse can only be described as seismic.... There are three main responses or reactions to this collapse. The first is to deny that it is happening. The second is to frantically try to shore up the foundations of the old thing. The third, which I invite us into, is to ask what is trying to be born that requires a radical reorientation of our vision. What is the new thing that is trying to emerge from deep within us and from deep within the collective soul of Christianity?" —from the Introduction In the midst of dramatic changes in Western Christianity, internationally respected spiritual leader, peacemaker and scholar John Philip Newell offers the hope of a fresh stirring of the Spirit among us. He invites us to be part of a new holy birth of sacred living. Speaking directly to the heart of Christians—those within the well-defined bounds of Christian practice and those on the disenchanted edges—as well as to the faithful and seekers of other traditions, he explores eight major features of a new birthing of Christianity: Coming back into relationship with the Earth as sacred Reconnecting with compassion as the ground of true relationship Celebrating the Light that is at the heart of all life Reverencing the wisdom of other religious traditions Rediscovering spiritual practice as the basis for transformation Living the way of nonviolence among nations Looking to the unconscious as the wellspring of new vision Following love as the seed-force of new birth in our lives and world
Cozy but isolated Northern State University has produced many illustrious alumni, but none more famous than the world-renowned singer Virginia Simmons. Born with the gift of voice, Virginia is urged to success by her lifelong friend Lorraine Cullen and delivered to greatness by her accompanist,Matthew Jensen. Bashful and unpretentious to a fault, Matthew guides Virginia through massive stage fright into a bold and dynamic performer. Virginia falls undeniably in love with Matthew, who is completely naive to her feelings toward him. When Matthew falls in love with another woman, Virginia is crushed. Matthew's love, Carrie, asks Virginia to be her maid of honor, and Virginia accepts. However, the night before the wedding, heartbroken Virginia disappears and spends the next twenty years hoping that Matthew and Carrie forgive her. After cancer tragically takes Carrie's life, Matthew finds himself a single parent to his young daughters, Shelly and Claire. He helplessly falls into depression so profound that he unwittingly abandons his children, leaving them to face the obstacles of growing up without their father being an active presence in their lives. As Shelly and Claire enter adulthood, they have come to loathe their father, but the dysfunction of this family comes to the keen attention of the indomitable Lorraine Cullen, who coordinates an evening of intervention, enlisting the help of Virginia and Matthew's close friends from their Northern State days. It is an intense evening of tears, denial, and finally acceptance as Virginia, Matthew, and his daughters finally understand that forgiveness is the greatest gift of all.
Collusion with Injustice details with lyricism and moving honesty the story of one family's experience with the Northern Ireland civil war of the 1970s. The story first began when Grandfather Owen Coogan joined the British Army in 1877 at Crinkle, Kings County. After serving twenty years overseas, Grandfather returned home in 1895. He married Bridget McCormack in 1897 at Birr, Kings County. Soon after Bridget's first child is born, Grandfather purchased a farm near Sharavogue, Kings County, now known as County Offaly. In 1921, Grandfather, Bridget, and nine of their eleven children were held at gunpoint by the IRA and their homestead was set on fire. Grandfather's family then migrated to Northern Ireland in Cooneen County Fermanagh, a place made famous by the Cooneen poltergeist. Author Philip Coogan's life changed overnight in December 1971, when a bomb destroyed his thriving garage business in Donaghadee, Northern Ireland. His troubles intensified and Philip survived repeated assassination attempts. Feeling defrauded and conspired against, Philip was not allowed to rebuild his garage by planning authorities. "I received no compensation for my injuries or large building site. My health deteriorated and I suffered severe post-traumatic shock disorder and other illnesses." In January 1973, the family fled over the border to safety and Philip was admitted to a psychiatric hospital. He emerged a broken man, just waiting to see what would happen next.
It is 2048, and Jennifer Stein is currently in the middle of her second term as President of the United States. With the world watching, President Stein has just promoted a product she hopes will change humanity forever. Intended to help provide propulsion to pending populations worldwide, the newly invented gyro magnetic propulsion vehicle seems to be destined for success. As she departs in Air Force One for her first appointment of the day, President Stein has no idea that in just a few moments, everything is about to change. While in the air, President Stein unsuccessfully attempts to communicate with her staff on the ground. It soon becomes apparent that something has gone very wrong. After ordering the plane to turn around, President Stein arrives at the White House only to discover that the structure is heavily damaged and that several rooms and their contents, including the Oval Office, have vanished. Complicating the horror, her husband has disappeared along with two other dignitaries and several children. Forced to embark on an intense pursuit of the perpetrators, President Stein must find out who launched the mysterious attack before anyone else dies. In this riveting science fiction tale, a sinister attack leads the president, family and special forces on a dangerous journey to the truth as she bravely makes a last ditch effort to prevent Armageddon.
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
A skyscraper one mile high, a dome covering most of downtown Manhattan, a triumphal arch in the form of an elephant: some of the most exciting buildings in the history of architecture are the ones that never got built. These are the projects in which architects took materials to the limits, explored challenging new ideas, defied conventions, and pointed the way towards the future. Some of them are architectural masterpieces, some simply delightful flights of fancy. It was not usually poor design that stymied them – politics, inadequate funding, or a client who chose a ‘safe’ option rather than a daring vision were all things that could stop a project leaving the drawing board. These unbuilt buildings include the grand projects that acted as architectural calling cards, experimental designs that stretch technology, visions for the future of the city, and articles of architectural faith. Structures likeBuckminster Fuller’s dome over New York or Frank Lloyd Wright’s mile-high tower can seem impossibly daring. But they also point to buildings that came decades later, to the Eden Project and the Shard. Some of those unbuilt wonders are buildings of great beauty and individual form like Etienne-Louis Boullée’s enormous spherical monument to Isaac Newton; some, such as the city plans of Le Corbusier, seem to want to teach us how to live; some, like El Lissitsky’s ‘horizontal skyscrapers’ and Gaudí’s curvaceous New York hotel, turn architectural convention upside-down; some, such as Archigram’s Walking City and Plug-in City, are bizarre and inspiring by turns. All are captured in this magnificently illustrated book.
Modernity and War explores and assesses the development of war in the modern period. The book examines the contradiction between the optimistic view of social progress in the West and the actual involvement of Western states in mass violence. The author explains the violence of the modern form of war by analysing cultural trends in Western states and their connections to racism, nationalism and narcissism. The text also explains how the practice of air warfare distances Western citizens from the consequences of contemporary military violence.
Squarely in the crosshairs of the Church's heresy hunters, can Pastor Sam survive? It's a madcap year in Harmony, Indiana, as Sam Gardner struggles through his fourth year as pastor of the Harmony Friends Meeting. Join the thousands of readers who have fallen in love with the charming small town that hosts what BookPage calls "the biggest collection of crusty, lovable characters since James Herriot settled in Yorkshire.
Systemic and political hostility against the 'left', real and contrived, has been a key, yet under-recognized aspect of the history of the modern world for the past two hundred years. By the 1820s, the new, exploitative and destabilizing character of capitalist industrial production and its accompanying market liberalizations began creating necessities among the working classes and their allies for the new, self-protective politics of 'socialism'. But it is evident that, for the new economic system to sustain itself, such oppositional politics that it necessitated had to be undermined, if not destroyed, by whatever means necessary. Through the imperialism of the later 19th century, and with significant variations, this complex and often highly destructive dialectical syndrome expanded worldwide. Liberals, conservatives, extreme nationalists, fascists, racists, and others have all repeatedly come aggressively and violently into play against 'socialist' oppositions. In this book, Philip Minehan traces the patterns of such hostility and presents numerous crucial examples of it: from Britain, France, Germany and the United States; the British in India; European fascism, the United States and Britain as they operated in China and Indochina; from Kenya, Algeria and Iran; and from Central and South America during the Cold War. In the final chapters, Minehan addresses the post-Cold War, US-led triumphalist wars in the Middle East, the ensuing refugee crises, neo-fascism, and anti-environmentalist politics, to show the ways that the syndrome within which anti-leftist antagonism emerges, in its neoliberal phase since the 1970s, remains as self-destructive and dangerous as ever
Essays, speeches, and journal entries from one of our most admired and best-loved poets that illuminate how he came to understand himself as a poet, the events and people that he wrote about, and the older poets who influenced him. In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet.
African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today
Beginning from an outline of classical views in philosophy of science, this text attempts to understand the notions of scientific progress, scientific objectivity, and the growth of knowledge.
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