What happens when you're in a hole? What happens when that hole's inside you? What do you do you fill it with to make yourself feel whole? Last year, 3 teenagers emailed the 20 Stories High Theatre Company to ask them if they could make a play about their friend Holly. This is how it unravelled... 3 teenagers: ...So that’s our story and we really want to tell it... and we want to act in it as well, and play ourselves... cos actors wouldn’t really be as convincing as us... 20 Stories High: It’s a very moving story... but we’re really busy at the moment and also, to be honest, you’re not really actors. 3 teenagers: But we really want to tell our story... it says on your website that “Everybody has a story to tell... and their own way of telling it...” 20 Stories High: ...well, come back in a year, when we’re less busy, and let’s talk... One Year Later... We made the play with them... WHOLE Winner of the Writers' Guild Award for Theatre Play for Young People 2013.
One night, an off-duty police officer and a woman carrying a cat box meet on Beachy Head. Two disparate souls collide, and learn what it truly means to be touched by the magic of hope. Philip Osment's final play, Can I Help You? is a magical realist examination of the role race and gender have to play in mental health and suicide.
Looking for relief from boredom and a chance to get off the wing, seven young fathers in prison sign-up for an education programme. They try to use the workshops to settle scores and to rise up the prison pecking order. But they're confronted with more than they'd bargained for, as they face up to their relationships with their children and their own fathers. Self-deceptions, vulnerabilities, and failed hopes and dreams are revealed, unleashing anger and violence that the workshop leaders struggle to contain. Researched in Rochester Prison with a young fathers group, the pilot project was devised at the National Youth Theatre in 2008 and was presented as Fathers Inside at Cookham Wood Young Offenders Institute and at the Soho Theatre to critical acclaim.
Hearing Things explores the dilemmas of psychiatry from the points of view of patients, relatives and staff. Based on experiences of psychiatrists and patients, the 'healthy' and the 'ill', the play examines how and if people heal and recover inside institutions. As part of the research process, staff and patients at Homerton University Hospital and the Maudsley Hospital in south London took part in drama programmes creating characters and improvising scenes , with clinicians and those receiving treatment swapping roles. Using a unique collaborative process between patients, psychiatrists and mental health staff, Playing ON Theatre Company drew together the stories of those receiving and providing mental health care culminating in performances at the hospitals and in theatre spaces. At the Maudsley, as a result of taking part, two patient's progress was so great that doctors allowed their early discharge. The script of Hearing Things was informed by these workshop programmes and by the participants.
A dramatist of exceptional and distinctive promise" (Daily Telegraph) The early 1950s. Two brothers and a sister are marooned on a remote farm after their father's death. They are thrown into a state of panic when one of them makes a bid for freedom. Long-suppressed jealousies and resentments begin to seethe and fester. Thirty years later an unexpected visitor brings their feud to a climax. Flesh and Blood completes Philip Osment's trilogy of Devon plays, following the highly acclaimed The Dearly Beloved (winner, 1993 Writers Guild Award) and What I Did in the Holidays (nominee 1995 Writers Guild Award).
Osment's trilogy of 'Devon Plays' draw on his background growing up on a farm in North Devon and were produced in the mid-1990s by Cambridge Theatre Company (Method and Madness). The Dearly Beloved (1993): 'Local boy made good comes back to visit his mother in a small West Country town where his presence brings home to his friends who stayed put the various ways in which their lives have failed ... you can't but be reminded of Chekhov at times.' Independent What I Did in the Holidays (1995): 'Osment's wonderfully dense and detailed study of fraught life in rurally non-swinging Britain. The play charts a painfully funny path through the casual everyday cruelties inflicted by the thoughtless young and selfish old. Osment's play is a delight.' Evening Standard Flesh and Blood (1996): 'Brilliant at evoking the nostalgia of Devon country life in a strange, recidivist family ... and in the elision between outdoor lust and indoor stuffiness.' Observer
Osment's trilogy of 'Devon Plays' draw on his background growing up on a farm in North Devon and were produced in the mid-1990s by Cambridge Theatre Company (Method and Madness). The Dearly Beloved (1993): 'Local boy made good comes back to visit his mother in a small West Country town where his presence brings home to his friends who stayed put the various ways in which their lives have failed ... you can't but be reminded of Chekhov at times.' Independent What I Did in the Holidays (1995): 'Osment's wonderfully dense and detailed study of fraught life in rurally non-swinging Britain. The play charts a painfully funny path through the casual everyday cruelties inflicted by the thoughtless young and selfish old. Osment's play is a delight.' Evening Standard Flesh and Blood (1996): 'Brilliant at evoking the nostalgia of Devon country life in a strange, recidivist family ... and in the elision between outdoor lust and indoor stuffiness.' Observer
Meet Ugly, he's no ordinary duck. In fact he might not even be a duck at all! An embarrassment to his brothers and sisters, Ugly eats snails, speaks funny and looks even funnier. Fed up with being the butt of all the pond jokes, he strikes out on his own... Set on Hampstead Heath, Philip Osment's modern reimagining of Hans Christian Andersen's tale The Ugly Duckling is a wild adventure for anyone who wants to stand out from the crowd. Duck is suitable for audiences aged 7 and upwards, and was first performed at the Unicorn Theatre in December 2007.
Award-winning playwright Philip Osment's sad, touching and sometimes comic story of five friends who journey into the Irish countryside to scatter the ashes of Henry, who has died of AIDS"--About the play.
A play combining fanstasy and realism about two children coping with their mother's depression and learning how to overcome their own fears. The Palace of Fear was developed in primary schools and toured Leicester schools in 2004.
The Wish Collector by Oladipo Agbolauje A magical epic whirling from a playground in Britain to a village in Sierra Leone The Acme Thunderer by Lin Coghlan A funny, moving family drama of pigeons and siblings, set amid the Blitz. Of the Terrifying Events on the Hamelin Estate by Philip Osment A high-spirited contemporary satire bringing the Pied Piper legend up-to-date. Three 30 minute plays by leading playwrights for children to act, commissioned by the Unicorn, one of the world’s foremost companies creating theatre with young people. Premiered as end of year performances by primary classes, the scripts are ideal school productions or for younger youth theatre groups. They are designed to be directed by teachers or youth leaders with no previous drama training. The book includes advice and ideas to support preparation, rehearsal and production.
M4 (teenage, 40s) F5 (30s, 40s, 70). Simple interior and exterior settings When Alaric, a successful London television producer, returns to his sleepy rural home town, his arrival heralds suffering and domestic turmoil in this sensitive, compelling depiction of a variety of family relationships. The play was critically acclaimed at Hampstead Theatre in 1993. '... exceptionally poignant, and there is no mistaking the overall richness of this play. Osment's penetrating observation of character and heartening generosity of spirit mark him out as a dramatist of exceptional and distinctive promise.' Daily Telegraph
Looking for relief from boredom and a chance to get off the wing, seven young fathers in prison sign-up for an education programme. They try to use the workshops to settle scores and to rise up the prison pecking order. But they're confronted with more than they'd bargained for, as they face up to their relationships with their children and their own fathers. Self-deceptions, vulnerabilities, and failed hopes and dreams are revealed, unleashing anger and violence that the workshop leaders struggle to contain. Researched in Rochester Prison with a young fathers group, the pilot project was devised at the National Youth Theatre in 2008 and was presented as Fathers Inside at Cookham Wood Young Offenders Institute and at the Soho Theatre to critical acclaim.
The Wish Collector by Oladipo Agbolauje A magical epic whirling from a playground in Britain to a village in Sierra Leone The Acme Thunderer by Lin Coghlan A funny, moving family drama of pigeons and siblings, set amid the Blitz. Of the Terrifying Events on the Hamelin Estate by Philip Osment A high-spirited contemporary satire bringing the Pied Piper legend up-to-date. Three 30 minute plays by leading playwrights for children to act, commissioned by the Unicorn, one of the world’s foremost companies creating theatre with young people. Premiered as end of year performances by primary classes, the scripts are ideal school productions or for younger youth theatre groups. They are designed to be directed by teachers or youth leaders with no previous drama training. The book includes advice and ideas to support preparation, rehearsal and production.
What happens when you're in a hole? What happens when that hole's inside you? What do you do you fill it with to make yourself feel whole? Last year, 3 teenagers emailed the 20 Stories High Theatre Company to ask them if they could make a play about their friend Holly. This is how it unravelled... 3 teenagers: ...So that’s our story and we really want to tell it... and we want to act in it as well, and play ourselves... cos actors wouldn’t really be as convincing as us... 20 Stories High: It’s a very moving story... but we’re really busy at the moment and also, to be honest, you’re not really actors. 3 teenagers: But we really want to tell our story... it says on your website that “Everybody has a story to tell... and their own way of telling it...” 20 Stories High: ...well, come back in a year, when we’re less busy, and let’s talk... One Year Later... We made the play with them... WHOLE Winner of the Writers' Guild Award for Theatre Play for Young People 2013.
One night, an off-duty police officer and a woman carrying a cat box meet on Beachy Head. Two disparate souls collide, and learn what it truly means to be touched by the magic of hope. Philip Osment's final play, Can I Help You? is a magical realist examination of the role race and gender have to play in mental health and suicide.
Monologues are an essential part of every actor's toolkit. Actors need them for drama school entry, training, showcases and when auditioning for roles in the industry. Edited by Dee Cannon, author of the bestselling In-Depth Acting, this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. The monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries, and comes in a brand new format, with a notes page next to each speech, acting as an actor's workbook as well as a monologue resource.
Hearing Things explores the dilemmas of psychiatry from the points of view of patients, relatives and staff. Based on experiences of psychiatrists and patients, the 'healthy' and the 'ill', the play examines how and if people heal and recover inside institutions. As part of the research process, staff and patients at Homerton University Hospital and the Maudsley Hospital in south London took part in drama programmes creating characters and improvising scenes , with clinicians and those receiving treatment swapping roles. Using a unique collaborative process between patients, psychiatrists and mental health staff, Playing ON Theatre Company drew together the stories of those receiving and providing mental health care culminating in performances at the hospitals and in theatre spaces. At the Maudsley, as a result of taking part, two patient's progress was so great that doctors allowed their early discharge. The script of Hearing Things was informed by these workshop programmes and by the participants.
A dramatist of exceptional and distinctive promise" (Daily Telegraph) The early 1950s. Two brothers and a sister are marooned on a remote farm after their father's death. They are thrown into a state of panic when one of them makes a bid for freedom. Long-suppressed jealousies and resentments begin to seethe and fester. Thirty years later an unexpected visitor brings their feud to a climax. Flesh and Blood completes Philip Osment's trilogy of Devon plays, following the highly acclaimed The Dearly Beloved (winner, 1993 Writers Guild Award) and What I Did in the Holidays (nominee 1995 Writers Guild Award).
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