A revelatory, fast-paced account of the most exciting, frenzied, and revolutionary decade in art history—1905 to the dawn of World War I in 1914—and the avant-garde artists who indelibly changed our visual landscape Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Drawing on his forty five-year fine art career, author Philip Hook illuminates how this new art came to be—and how truly shocking it was. With Hook’s expert guidance, we witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract art. As Hook barnstorms across Europe—to London, Germany, Moscow, Scandinavia, and everywhere modern art was being made—his vivid accounts breathe new life into the work and times of Picasso, Matisse, Modigliani, Kandinsky, Malevich, Klimt, Schiele, Munch, and nearly two hundred other artists who painted, sculpted, and exhibited alongside them, and whose collective genius was understood and appreciated by few at the time. Hook reconsiders the decade from a series of fresh angles: What was the conventional art against which Modernism sought to rebel? Why were avant-garde artists so self-obsessed? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters at the same time? Modern helps us answer these questions and more—and to see how avant-garde artists marshaled their genius (and oftentimes their madness) to create works of such profound consequence, they still reverberate today—and which, taken together, made for a movement more influential than even the Renaissance.
A SUNDAY TIMES BOOK OF THE YEAR The ten years leading up to the First World War were the most exciting, frenzied and revolutionary in the history of art. They were the crucible of Modernism, when Fauvism, Expressionism, Cubism, Futurism and Abstract Art all burst forth. Simultaneously the Old Master market boomed, and art itself was politically weaponised in advance of approaching war. What was the conventional art against which Modernism was rebelling? Why did avant-garde artists become so obsessed with themselves? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters? Art expert Philip Hook brings to bear a unique perspective on the art of a unique and extreme decade.
“A witty journey through the wonderfully tumultuous world of art dealers and markets—organized in the style of a dictionary, complete with a glossary.” —Interview Two questions are key to experiencing a work of art in a museum or exhibition: 1.) Do I like it? 2.) Who’s it by? You need quite a few more questions if you’re in an auction room or dealer’s gallery, however. You’ll find yourself asking, How much is it worth? How much will it be worth in five or ten years? And finally, what will people think of me if they see it hanging on my wall? Breakfast at Sotheby’s is not only a guide to finding the answers to such questions, but also a glimpse into the rarely discussed financial side of the art world. Based on author Philip Hook’s thirty-five years of experience in the art market, the book explores various shades of artist (including -isms, Gericault, and suicides), subject and style (from abstract art and banality through surrealism and war), “wall-power,” provenance, and market weather. Comic, revealing, piquant, splendid, and occasionally absurd, Breakfast at Sotheby’s is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it. “A breezy, whimsical and often wry compendium, chock-full of hard-won wisdom about what makes someone spend millions of dollars to buy an artwork at auction.” —The New York Times “A winner. Readers will learn more about the modern art market in this simple book than in any college course.” —Kirkus Reviews (starred review
A masterpiece ahead of its time, a prescient rendering of a dark future, and the inspiration for the blockbuster film Blade Runner By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force. Praise for Philip K. Dick “The most consistently brilliant science fiction writer in the world.”—John Brunner “A kind of pulp-fiction Kafka, a prophet.”—The New York Times “[Philip K. Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.”—Rolling Stone
Captures the strange world of twenty-first-century Earth, a devastated planet in which sophisticated androids, banned from the planet, fight back against their potential destroyers, while bounty hunter Rick Deckard sets out to track down the replicants. Reissue. (Tie-in to the Fall 2007 release of the deluxe twenty-fifth anniversary DVD of the Warner Bros. film, directed by Ridley Scott, starring Harrison Ford, Rutger Hauer, Sean Young, and others) (Science Fiction)
Benny Kaminsky and Thunderbolt Dobney lead a rag-tag gang of neighborhood rowdies. Their territory is the New Cut on London's South Bank--a place bristling with swindlers, bookies, pickpockets, and the occasional policeman. And their aim is to solve crimes. When counterfeit coins start showing up in their neighborhood, Thunderbolt fears his own father may be behind the crime. But his friends devise a way to trap the real culprit. Then the gang takes on the case of some stolen silver. They have just two clues--a blob of wax, and an unusually long match. But even this slippery thief is unmasked by the determined kids of the New Cut Gang. Filled with silly sleuthing, improbable disguises, crazy ruses, and merry mayhem, these stories are action-packed romps from one of the best storytellers ever--Philip Pullman.
This open access book presents a thorough look at tortuosity and microstructure effects in porous materials. The book delivers a comprehensive review of the subject, summarizing all key results in the field with respect to the underlying theories, empirical data available in the literature, modern methodologies and calculation approaches, and quantitative relationships between microscopic and macroscopic properties. It thoroughly discusses up to 20 different types of tortuosity and introduces a new classification scheme and nomenclature based on direct geometric tortuosities, indirect physics-based tortuosities, and mixed tortuosities (geometric and physics-based). The book also covers recent progress in 3D imaging and image modeling for studying novel aspects of tortuosity and associated transport properties in materials, while providing a comprehensive list of available software packages for practitioners in the community. This book is a must-read for researchers and students in materials science and engineering interested in a deeper understanding of microstructure–property relationships in porous materials. For energy materials in particular, such as lithium-ion batteries, tortuosity is a key microstructural parameter that can greatly impact long-term material performance. Thus, the information laid out in this book will also greatly benefit researchers interested in computational modeling and design of next-generation materials, especially those for sustainability and energy applications.
“A chilling description of the ordeals that captured men and women were put through by the Third Reich regime and their Italian allies.” —Daily Mail Seventy years ago, the Nuremberg Trials were in full swing in Germany. In the dock were the leaders of the Nazi regime and most eventually received their just desserts. But what happened to the other war criminals? In June 1946, Lord Russell of Liverpool became Deputy Judge Advocate and legal adviser to the Commander in Chief for the British Army of the Rhine in respect of all trials held by British Military Courts of German war criminals. He later wrote: “At the outbreak of the Second World War, the treatment of prisoners was governed by the Geneva Prisoner of War Convention of 1929, the Preamble of which stated that the aim of the signatories was to alleviate the conditions of prisoners of war. “During the war, however, the provisions of the Convention were repeatedly disregarded by Germany. Prisoners were subjected to brutality and ill-treatment, employed on prohibited and dangerous work, handed over to the SD for ‘special treatment’ in pursuance of Hitler’s Commando Order, lynched in the streets by German civilians, sent to concentration camps, shot on recapture after escaping, and even massacred after they had laid down their arms and surrendered.” Tens of thousands of Allied prisoners of war died at the hands of the Nazis and their Italian allies. This book is for them lest we forget. “A sobering and harrowing book, detailing many forgotten crimes committed against POWs who should have been offered the protection of the Geneva Convention, but tragically were not.” —Recollections of WWII
Patients as Art explores the capacity of art to provide a unique perspective on the history of humankind. Featuring over 160 full-color works of art, this book offers a pictorial review of medical history stretching from Paleolithic times to the present, reflecting the ideals and sensibilities of the times in which they were created, and communicating formal, spiritual, and scientific values. Dr. Mackowiak reveals what these works have to say about the status of the "art of medicine" in the past and its relationship to the medicine of today.
Wild Strawberries (1958) is probably Ingmar Bergman's most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman's powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.
The History of Us is a beautiful exploration of love and obsession, based on the stories of a group of friends growing up in Norfolk and told in reflection focused on the incredibly close but conversely fractious relationship of the two central characters. Told in three parts, The History of Us, explores the relationships between the two and a close friend, bonded by love, but also by a single tragic moment in their shared lives. As the book unfolds, we hear many whispers, which shift our understanding of that tragic day, and ultimately, of course, our perceptions of the characters, and theirs of each other. Although we are offered a kind of resolution in the final pages, there remains a sense of ambivalence and unease that disturbs.
The Most Important Knowledge and Findings The central ideas behind the books on brain psychology and linguistic brain therapy are aimed at helping psychologists, psychiatrists, therapists, health workers, family members, and clients gain knowledge and methods to reduce or eliminate mental disorders. This leads to a better life for clients and more secure, satisfied therapists. Therapists and psychologists who achieve good results can confidently continue their treatment as before, while gaining a scientific understanding of the mental changes in their clients as they improve from the treatment. Therapists who are not as successful can now acquire scientifically grounded knowledge on how to achieve better outcomes. Family members will gain knowledge about mental disorders, enabling them to more effectively help their children. Those suffering from mental disorders can acquire knowledge and techniques that can alleviate their condition and create a life with less mental pain. These goals are achievable because the books on brain psychology and linguistic brain therapy contain scientific knowledge about the mental constructs that anchor and trigger mental distress or well-being. They also provide insights into how to protect against mental pain and manage it in the best possible way." The Significance of Research Early in my therapeutic practice, several clients achieved amazing results that psychology could not explain. This led to the initiation of an extensive research project. The research was met with skepticism, as many believed it was impossible to investigate what After 9 years of analyzing mental processes in clients, I discovered how mental disorders are mentally constructed and the mental changes clients experience when they improve from treatment. One conclusion was that all mental disorders can be cured using words, though it may take time. These findings represented a solution to challenges that psychology and psychiatry had been trying to solve for over 150 years. Significant Discoveries: I found that mental disorders are mentally constructed more simply than previously believed by researchers, psychologists, and psychiatrists. It is possible to investigate mental processes leading to mental distress and the experience of mental distress solely through words. Mental well-being and mental disorders are constructed of the same mental or mental-biological material, and in the same manner, allowing the same methods to be used to treat mental disorders such as anxiety, depression, and schizophrenia, as well as to develop mental well-being and skills." "I Now Know for Sure I am now certain that knowledge of brain psychology and linguistic therapy can lead those with mental distress to take more control over their emotions and mental problems. Additionally, psychologists and health workers can treat clients with greater scientific certainty and predictability, achieving faster and better results. The most reliable evidence of this includes success stories from clients, comments from international scientific journals, and observations from colleagues who have observed my work with students' mental distress over many years. After 30 years of research and treating more than 1000 clients, I am convinced that linguistic brain therapy not only helps individuals but also enables those who have studied the books to help others, whether as clients, parents, leaders, trainers, or other psychologists. For more information, visit the website: www.brainpsychology.pro." "Simple, but not Easy The book 'Linguistic Brain Therapy' explains how to treat clients in a way that helps them become mentally stronger, feel better about themselves, and more effectively take control of their lives. "The Books Offer the Necessary Knowledge The book on the Psychology of the Brain provides the essential knowledge needed to understand what happens mentally during the development of mental disorders. 'Linguistic Brain Therapy', based on Brain Psychology knowledge, guides therapists, consultants, leaders, parents, and health workers on how to treat clients and assist both themselves and others. For more information, you can read my doctoral dissertation on mental distress and mental change, available at the University Library in Oslo. Are These Claims True? The books on brain psychology and linguistic brain therapy are the strongest evidence supporting the claims mentioned above. Practical evidence like success stories from clients, and research findings will be shared on my websites in the future: www.brainpsychology.pro If you are facing mental challenges, whether as a scientist, someone experiencing mental distress, an athlete, as a health worker or in any other role where you feel you are not coping well, you may explore brain psychology and linguistic therapy for help. These books can provide you and others with a better life for many years. The books focus on positive emotions , on mental resources, and how the clients can cope better with mental disorders, and on how to treat light mental disorders and more heavy mental ailments.
A story of jumping into the charm of adulthood by a teenager whobelieves the rules will support him should he step out of bounds. IfAmerican Graffiti had the seriousness of Rebel Without A Cause.
Examines Naval co-operation between Britain and Russia and the often underappreciated prowess of the Russian navy.Naval co-operation between Britain and Russia continued throughout the eighteenth century, with Britain providing huge assistance to the growth of Russia's navy, and Russia making an essential but often overlooked contribution to Britain's maritime power in the period. From 1698 when Tsar Peter the Great served briefly as a trainee shipwright at Deptford dockyard Russia recruited British, often Scottish, shipwrights, engineers, naval officers and naval surgeons who both helped build up the Russian navy and who were also key advisers to the Russian navy at sea. At the same time, naval stores from Russia, especially after Britain lost the American colonies, were vital for the maintenance of Britain's fleet. Moreover, as this book argues, Russian naval power was much more formidable than is often realised, with the Russian navy active alongside the British fleet in the North Sea and winning decisive battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.ve battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.ve battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.ve battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.
Jim Crace is one of the most imaginative of contemporary novelists. The author of nine novels, he has received great public and intellectual acclaim across the UK, Europe, Australia and the United States. He was awarded the National Book Critics’ Circle Fiction prize (USA) for Being Dead in 2000. Philip Tew's study is the first extended critical examination of Crace's oeuvre and is based on extensive interviews with the novelist, including discussions of his work from his first worldwide bestseller Continent (1986) up to The Pesthouse (2007). Designed especially both for undergraduates of contemporary fiction, and for those who simply enjoy reading the author, Jim Crace is an excellent addition to the Contemporary British Novelists series. Tew's treatment of themes, contexts and narrative strategies illuminates the literary and critical contexts within which Crace operates, situating him as one of the most adventurous and challenging of Britain’s twenty-first century authors.
Cedar Grove is situated in the Peckman River Valley between the First and Second Watchung Mountains. Located only fifteen miles west of New York City, the area remained a farming community until well into the twentieth century. While generally focusing on the town in the early 1900s, Cedar Grove also chronicles significant events and personalities through the end of the millennium. Best known for being the home of the Meadowbrook and its nationwide radio broadcasts, Cedar Grove is also the birthplace of other historical events. The crossword puzzle, a source of pleasure for tens of millions, was invented by Cedar Grove resident Arthur Wynne in 1913. Wynne's first puzzle is included for those who would like to solve it. Allen B. Du Mont, an electronics pioneer, conducted research on cathode ray tubes in the garage of his Cedar Grove home during the early 1930s and later created a television network bearing his name.Although the Meadowbrook is remembered by many, few realize that during World War II enemy propaganda attempted to demoralize our fighting forces by falsely proclaiming that the famous roadhouse had burned down. Such was its importance to America's youth in those years.
An unputdownable thriller' Gregory Dowling 'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail 'Gwynne Jones's talent for evoking place and atmosphere is clear as ever' Literary Review _______________ It's the night of 12 November 2019. The worst flooding in 50 years hits the city of Venice. 85% of La Serenissima is underwater. Gale force winds roar across the lagoon and along the narrow streets. And the body of Dr Jennifer Whiteread- a young British art historian, specialising in the depiction of angels in Venetian painting - is found floating in a flooded antique bookshop on the Street of the Assassins. As the local police struggle to restore order to a city on its knees, Nathan Sutherland - under pressure from the British Ambassador and distraught relatives - sets out into the dark and rain-swept streets in an attempt to discover the truth behind Whiteread's death. The trail leads to the "Markham Foundation", a recent and welcome addition to the list of charities working to preserve the ancient city. Charming, handsome and very, very rich, Giles Markham is a well-known and popular figure in the highest Venetian social circles, and has the ear of both the Mayor and the Patriarch. But a man with powerful friends may also have powerful enemies. And Nathan is about to learn that, in Venice at least, angels come in many forms - merciful, fallen and vengeful... _______________ Praise for Philip Gwynne Jones 'Superb - always gripping, beautifully constructed and vivid' Stephen Glover 'Clever and great fun' The Times 'Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself' L.S. Hilton, bestselling author of Maestra 'The Venetian setting is vividly described... good, fluid writing makes for easy reading' Literary Review 'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go. If you like intrigue, and a clever plot, you'll love this book' Amazon reviewer, 5***** 'The lively, colourful narrative scuds along as briskly as a water taxi...you'll enjoy the ride' Italia Magazine
Travel with Philip past words into imagery and imagination - surreal and metaphysical. Imagine the great poets, composers and painters creating inside your thoughts where there are no edges and a center is unconceivable. Every artist working their genius on a swirling palette of lush options, each giant filling in moments with grand expression and evocative exploration - never symmetric but illusionist and provoking. Penetrate your mind, leave convention and enter the realm of inclusion of all that could be imaginable. These poems have the power of conveyance all that is needed is for you to start reading and stepping into your dreams or nightmares.
The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art Spiegelman’s comics all identify deeply-rooted madness in post-Enlightenment society. Spiegelman maintains, in other words, that the Holocaust was not an aberration, but an inevitable consequence of modernisation. In service of this argument, Smith offers a reading of Spiegelman’s comics, with a particular focus on his three main collections: Breakdowns (1977 and 2008), Maus (1980 and 1991), and In the Shadow of No Towers (2004). He draws upon a taxonomy of terms from comic book scholarship, attempts to theorize madness (including literary portrayals of trauma), and critical works on Holocaust literature.
Pandoron has found that people mock him, patronize him, and refuse to take him seriously because he believes violence to be the root of all evils. No one, not even his parents, believe that his pacifism is useful, or in fact anything more than annoying. Then Pandoron is incriminated and forced to meet a woman named Agatha. Imperious and manipulative, Agatha pulls Pandoron into a cold-blooded plot of kidnapping and magic. And as Pandoron is trying to understand who - or what - Agatha really is, he sees that true value has always resided in his ability to stand out. A fourteen year-old boy, Pandoron Chivander begins to see life in everything - mirrors, books, even typewriters. But most importantly, statues.
Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolize the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted "Germinal! Germinal!"While it is a dramatic novel of working life and everyday relationships, Germinal is also a complex novel of ideas, given fresh vigor and power in this new translation. It is also the thirteenth book in the Rougon-Macquart cycle, which celebrates its centenary in October 1993 with a new film.
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