Dynamically pairing traditional and experimental forms, Philip Metres traces ancient and modern migrations in an investigation of the ever-shifting idea of home. In Fugitive/Refuge, Philip Metres follows the journey of his refugee ancestors—from Lebanon to Mexico to the United States—in a vivid exploration of what it means to long for home. A book-length qasida, the collection draws on both ancient traditions and innovative forms—odes and arabics, sonnets and cut-ups, prayers and documentary voicings, heroic couplets and homophonic translations—in order to confront the perils of our age: forced migration, climate change, and toxic nationalism. Fugitive/Refuge pronounces the urge both to remember the past and to forge new poetic forms and ways of being in language. In one section, Metres meditates on the Arabic greeting—ahlan wa sahlan—and asks how older forms of welcome might offer generous and embodied ways of responding to the challenges of mass migration and digital alienation in postmodern societies. In another, he dialogues with Dante to inform new ways of understanding ancestral and modern migrations and the injustices that have burdened them. Ultimately, Metres uses movement to create a new place—one to home and dream in—for all those who seek shelter.
After reading Primer for Non-Native Speakers, I feel like I've just come back from a trip to Russia. Philip Metres's brilliantly compressed lyrical narratives capture the grandeur and the bleakness of an almost mythological country, where a bronze statue of the great poet Pushkin now gazes out on the golden arches, and the swear of a slammed door is more expressive than a mouthful of words. These are subtle, accomplished, shimmering poems that explore the nuances of being an outsider in a language."--Maura Stanton
Whether Thersites in Homer’s Iliad, Wilfred Owen in “Dulce et Decorum Est,” or Allen Ginsberg in “Wichita Vortex Sutra,” poets have long given solitary voice against the brutality of war. The hasty cancellation of the 2003 White House symposium “Poetry and the American Voice” in the face of protests by Sam Hamill and other invited guests against the coming “shock and awe” campaign in Iraq reminded us that poetry and poets still have the power to challenge the powerful. Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet’s relationship to dissenting political movements and the nation. In his elegant study, Metres examines the ways in which war resistance is registered not only in terms of its content but also at the level of the lyric. He proposes that protest poetry constitutes a subgenre that—by virtue of its preoccupation with politics, history, and trauma—probes the limits of American lyric poetry. Thus, war resistance poetry—and the role of what Shelley calls unacknowledged legislators—is a crucial, though largely unexamined, body of writing that stands at the center of dissident political movements.
Philip Metres stakes a claim for the cultural work that poems can perform—from providing refuge to embodying resistance, from recovering silenced voices to building a more just world, in communities of solitude and solidarity. Gathering a decade of his writing on poetry, he widens our sense of poetry as a way of being in the world, proposing that poems can offer a permeability to marginalized voices and a shelter from the imperial noise and despair that can silence us. The Sound of Listening ranges between expansive surveys of the poetry of 9/11, Arab American poetry, documentary poetry, landscape poetry, installation poetry, and peace poetry; personal explorations of poets such as Adrienne Rich, Khalil Gibran, Lev Rubinstein, and Arseny Tarkovsky; and intimate dialogues with Randa Jarrar, Fady Joudah, and Micah Cavaleri, that illuminate Metres’s practice of listening in his 2015 work, Sand Opera.
A comprehensive and practical guide to surveying for archaeologists, with clear instructions in how to record their field work effectively, archaeological mapping and detailed case studies from the UK, Europe and the US.
Discover Lipari, Vulcano, Salina, Stromboli, Filicudi, Alicudi and Panarea" Everyone has his own Italy: the Rome of Bernini and the Colosseum, the beaches of Rimini or Cattolica, the slimy canals and aristocratic palaces of decaying Venice, or the small towns encountered as if by sheer inspiration: Anagni, Bevagna, Pienza, Palestrina, Monselice. Erice... My Italy is rocky Perugia of the windy winters, magnificent Florence whose streets are paved with sculpture, and something more than a handful of infinitesimal volcanic peaks rising like greeny-brown icebergs from the Tyrrhenian sea north of Sicily. This is not the Sicily one reads of in Pirandello or Verga: the Catania of Capuana or Martoglio; the Syracuse of Vittorini; the Palermo recorded by Lampedusa and discovered again, teeming and afraid, by the saintly Danilo Dolci. It is not the Sicily that Plato knew. Civilization brought Lipari and her sisters some neolithic villages, shipwrecks of course without number, a great citadel, a few nondescript churches and simple houses. Otherwise, the Aeolians are timeless. Their scale is geological rather than historical and the spitting, fiery Stromboli is their symbol. With an unerring sense of the dramatic. Jules Verne chose Stromboli for the climax to his "Journey to the Centre of the Earth." I have kept the dialogue to a minimum, not because talk isn't important to an Aeolian (not one I met would read or write rather than talk) but because straightforward translations miss the range of modulation and intonation on which a Sicilian prides himself and because any reported conversation with Italians necessarily lacks the accompanying vocabulary and gesture and facial contortion. If you haven't listened to a Sicilian argument, I can't do it for you. If you have, you'll never forget it anyway, and will easily imagine whatever I omit. PHILIP WARD Part of the Oleander Classics series, this 1973 title has been reproduced using the highest-quality modern scanning technology in order to keep this and other important works from the Press's 50-year history from going out of print. In this way, the invaluable resources provided by books in the series remain available for general readers, academics and other interested parties.
The marine environment is the largest, most important, and yet most mysterious habitat on our planet. It contains more than 99% of the world's living space; produces half of its oxygen; plays a critical role in regulating its climate; and supports a remarkably diverse and exquisitely adapted array of life forms, from microscopic viruses, bacteria, and plankton to the largest existing animals. As the 21st century progresses human activities, such as overfishing, coastal development, plastic pollution, oil spills, nutrient pollution, the spread of exotic species, and the emission of climate changing greenhouse gases are posing a significant threat to the marine environment and to many of its life forms. In this unique Very Short Introduction, Philip Mladenov provides a comprehensive overview of marine biology, providing a tour of marine life and marine processes that ranges from the polar oceans to tropical coral reefs; and from the intertidal to the hydrothermal vents of the deep sea. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
German troops formed the majority of Wellingtons forces present at the Battle of Waterloo including those of Nassau, Brunswick, Hanover and the Kings German Legion, and they have left a large number of first-hand accounts of their role in the battle.The actions of the King's German Legion an integral part of the British Army and partly officered by British soldiers has been published in English, but to a limited degree: Herbert Siborne published letters written to his father; Ompteda and Wheatley have had their memoirs published; and History of the Kings German Legion included a small number of letters, including the oft-misquoted account of the defence of La Haye Sainte by Major Baring. This forms a tiny proportion of the German material available. Therefore it is not surprising that early British histories of the battle have largely sidelined the achievements of the German troops, and this has been regurgitated by most that have followed. This situation did not change until the 1990s when Peter Hofschroer published his two-volume version of the campaign from the German perspective, which included snippets of German documents published in English for the first time. But even this proved not totally satisfactory, as it did not provide the whole document to allow full interpretation. There is a great need to provide an English version of much of the original German source material to redress the imbalance; this volume is intended to remedy that situation by publishing sixty of these reports and letters fully translated into English for the first time, giving a clearer insight into the significant role these troops played. Gareth Glover is a historian specialising in the Waterloo campaign and the Peninsular War. He left school at eighteen to join the Royal Navy as a Seaman Officer and completed his extensive training course at Dartmouth College. He has published articles in The Waterloo Journal and the Journal of the Royal Artillery, and a novel about Waterloo, Voices of Thunder.Christmas Selection 2010, Napoleon.org website
Recording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration. Using over 50 years’ experience, author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions. While the book contains detailed discussions about performing rooms, control rooms, and mobile studios, concepts of the infrastructures are also discussed, because no studio can perform optimally unless the technical and human requirements are adequately provided for. In this new edition, sound for cinema provides a platform for highlighting many, wider electroacoustic topics in a way that is relatively easy to visualise. The way in which sound and vision interact is an important aspect of many modern multimedia formats. The new edition includes: A new Chapter 22 that will thoroughly reflect recently published SMPTE investigations which will drastically impact standards for cinema sound; The inclusion of new academic research and its practical applications; An entire new illustrated chapter on room construction principles; and The consolidation of ideas which were only emerging when the earlier editions were published.
This is the first part of a planned four-volume series focusing on a hitherto largely neglected aspect of the Great War on the Western Front - the war underground. The subject has fascinated visitors to the battlefields from the very beginning of battlefield pilgrimages in the years immediately after the Armistice, and locations such as Hill 60 and the Grange Subway at Vimy have always been popular stops on such tours. Three other volumes will follow, covering the Somme, Ypres and French Flanders. Each book in the series has a short description of the formation and development of Tunnelling Companies in the BEF and a glossary of technical terms.This volume looks mainly at the central Artois, the environs of the whole line of the Vimy Ridge to the River Scarpe and Arras. It does not aim to be a complete treatment of the intensive mining operations along this front. It concentrates on mining, in the area of Vimy Ridge, in Arras itself and at the use of ancient underground quarries, taking Roeux as a good example. There are extensive descriptions of mining on and around Vimy Ridge, including photography and explanations of systems that have been accessed recently but are closed to the public, such as the Goodman Subway. The narrative draws on French and German archival material and personal descriptions. The text is illustrated with numerous diagrams and maps, in particular from the British and German records, and there is an exhaustive guide to the Grange Subway. Other sites open to the public, in particular the Wellington Cave, are also explained and put into context."BBC History - Archaeologists are beginning the most detailed ever study of a Western Front battlefield, an untouched site where 28 British tunnellers lie entombed after dying during brutal underground warfare. For WWI historians, it's the "holy grail".
‘This is the smoking gun of all your research.’ Professor Richard E. Holmes (18 February 2001). Birds of Prey is a microhistory of the Nazi occupation of Białowieźa Forest, Poland’s national park. The narrative stretches from Göring’s palatial lifestyle to the common soldier on the ground killing Jews, partisans, and civilians. Based entirely on previously unpublished sources, the book is the synthesis of six areas of research: Hitler’s Luftwaffe, the hunt and environmental history, military geography, Colonialism and Nazi Lebensraum, the Holocaust, and the war in the East. By weaving together a narrative about Hermann Göring, his inner circle, and ordinary soldiers, the book reveals the Nazi ambition to draw together East Prussia, the Bialystok region, and Ukraine into a common eastern frontier of the Greater German state, revealing how the Luftwaffe, the German hunt, and the state forestry were institutional perpetrators of Lebensraum and genocide. Up until now the Luftwaffe had not been identified in specific acts of genocide or placed at large scale killings of Jews, civilians, and partisans. This gap in the historical record had been facilitated by the destruction of the Luftwaffe’s records in 1945. Through a forensic and painstaking process of piecing together scraps of evidence over two decades, and utilizing Geographical Information System software, Philip W. Blood managed to decipher previously obscure reports and expose patterns of Nazi atrocities.
Loudspeakers: For Music Recording and Reproduction, Second Edition is a comprehensive guide, offering the tools and understanding needed to cut out the guesswork from loudspeaker choice and set-up. Philip Newell and Keith Holland, with the assistance of Sergio Castro and Julius Newell, combine their years of experience in the design, application, and use of loudspeakers to cover a range of topics from drivers, cabinets, and crossovers, to amplifiers, cables, and surround sound. Whether using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post-production facility, home, or musician’s studio, or if you simply aspire to improve your music-production system this book will help you make the right decisions. This new edition provides significant updates on the topics of digital control, calibration, and cinema loudspeaker systems.
It is the late 1960s. Rebellion and "doing your own thing" is in. But while the majority of Australians flock to the beaches, one young man heads inland to find his patch of dirt and follow his dream. On the banks of Moonan Brook, surrounded by inhospitable and barely accessible bushland, a local on his horse stumbles across this twenty-three-year old with his inappropriate vehicle, a dog named Doggo, and a girlfriend sitting under a tree reading a book. He listens as the pale young city-slicker with a mannered accent tells him he wants to go bush. What drives him over the next fifty years to build and maintain a bush hut in challenging terrain will captivate the imagination as the dreamt-of patch materialises, a hut is built and grows, and the forest "tamed". Henry Lawson or Henry Thoreau? Along the way we catch glimpses of his fellow travellers who come and go over the years, each contributing in their own way to the fulfilment of one man's unwavering vision. Romances form and fade, friendships will span generations and continents. And through it all threads the forest: its plants, its creatures, its quiet power. Until finally, time dictates a letting go .…
The Sustainable Tall Building: A Design Primer is an accessible and highly illustrated guide, which primes those involved in the design and research of tall buildings to dramatically improve their performance. Using a mixture of original research and analysis, best-practice design thinking and a detailed look at exemplar case studies, author Philip Oldfield takes the reader through the architectural ideas, engineering strategies and cutting-edge technologies that are available to the tall building design team. The book takes a global perspective, examining high-rise design in different climates, cultures and contexts. It considers common functions such as high-rise housing and offices, to more radical designs such as vertical farming and vertical cemeteries. Innovation is provided by examining not only the environmental performance of tall buildings but also their social sustainability, guiding the reader through strategies to create successful communities at height. The book starts by critically appraising the sustainability of tall building architecture past and present, before demonstrating innovative ways for future tall buildings to be designed. These include themes such as climatically responsive architecture, siting a tall building in the city, zero-carbon towers, skygardens and community spaces at height, sustainable structural systems and novel façades. In doing so, the book provides essential reading for architects, engineers, consultants, developers, researchers and students engaged with sustainable design and high-rise architecture.
This book provides a study of the transformation of the Latin American oil system from one in which the international oil companies dominated to one which is dominated by the main state oil companies, and an account of how some of the more important of the state companies have operated. This comprehensive guide to the evolution of the Latin American oil system combines in one volume a synthesis of material from secondary sources and original research and thus provides an invaluable reference for all concerned with the history and economy of Latin America and with the development and functioning of the international oil industry.
“An essential addition to the bookshelf of any practitioner who has to consider information rights, however often. The book is the best kind of practitioner text: practical and clear, but also scholarly, thoughtful and analytical.” (Sarah Hannett KC, Judicial Review) Retaining the position it has held since first publication, this is the 6th edition of the leading practitioner text on all aspects of information law. The latest edition includes a substantially enlarged set of chapters on appeals, enforcement, and remedies, as well as covering over 250 new judgments and decisions published since the last edition. Information Rights has been cited by the Supreme Court, Court of Appeal and the Tribunals, and is used by practitioners, judges and all those who practise in the field, including journalists. The new edition maintains its style of succinct statements of principle, supported by case law, legislative provisions, and statutory guidance. The work is divided into 2 volumes. Volume 1 is a 1,500-page commentary, with a comprehensive coverage of the data protection regime, freedom of information and environmental information law, as well as other rights of access to official information such as local government legislation and the Public Records Act. There is detailed coverage of appeal and regulatory procedures. Volume 2 comprises extensive annotated statutory material, including the DPA 2018, the UK GDPR, FOIA, Tribunal rules and statutory guidance. Contributors: James Findlay KC, Olivia Davies, John Fitzsimons, Richard Hanstock and Dr Christina Lienen (all of Cornerstone Barristers); Antony White KC, Sarah Hannett KC, Sara Mansoori KC and Aidan Wills (all of Matrix Chambers); Aidan Eardley KC and Clara Hamer (both of 5RB); Rupert Bowers KC and Martin Westgate KC (both of Doughty Street Chambers); Henry King KC and Bankim Thanki KC (both of Fountain Court Chambers); James Maurici KC and Jacqueline Lean (both of Landmark Chambers); Gemma White KC (Blackstone Chambers); Oliver Sanders KC (1 Crown Office Row); Saima Hanif KC (3VB); Jennifer Thelen (39 Essex Chambers); and Simon McKay (McKay Law).
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