Many companies and organisations are faced with a portfolio of projects that need to be managed effectively and successfully. This new book by leading practitioners introduces a framework and range of tools to enable the project portfolio to be strategically managed including establishing guidelines, prioritising, aligning projects with strategy, balancing the portfolio and sustaining a change culture through continuous improvement.
SPECIAL BONUS SECTION: On the Cusp includes the first three and a half chapters of the author's new astro-mystery novel, Wall Ride!In this book based on a series of blogs that was written just as Pluto was preparing to enter Capricorn, Philip Brown brings to life our world on the cusp of a momentous transformation. Explore how the lens of astrology can be used to look at science, books, movies, and the world around us. How does astrology relate to modern neuroscience, robotics, and mobile technology? How can astrology help us make sense of a discordant world? Using illustrations from his own life, as well as news and people in the world around us, the author applies both Western and Vedic astrology to take the reader on a trip across the rapidly transforming cultural landscape. The author explores timeless reflections on topical events through astrology, capturing the astrological zeitgeist while still maintaining a focus on the bigger picture. On the Cusp also includes exclusive new forecasts for trends to expect with Uranus in Aries and Neptune in Pisces.As a special added bonus, On The Cusp contains the first twenty pages of the author's new astro-mystery, Wall Ride. One of the main characters is a Tarot card reader and the story includes astrological symbolism as a clue in a baffling death. The narrator of Wall Ride is a fourteen year-old girl skateboarder who stands on the cusp of a life-altering discovery and personal transformation. The book should be available in Spring, 2011.
A valuable exposition of the thesis that the explanatory work of theology possesses formal similarities with that of the physical sciences, the social sciences, and philosophy. Clayton exhibits an impressive command of a broad area of scholarship, and his reflections are balanced and carefully argued. -- Michael J. Buckley, S.J., Jesuit Theological Seminary
Many companies and organisations are faced with a portfolio of projects that need to be managed effectively and successfully. This new book by leading practitioners introduces a framework and range of tools to enable the project portfolio to be strategically managed including establishing guidelines, prioritising, aligning projects with strategy, balancing the portfolio and sustaining a change culture through continuous improvement.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sir Philip Sidney was born on 30th November 1554 at Penshurst Place, Kent. He was educated at Shrewsbury School and Christ Church, Oxford. In 1572, at the age of 18, he was elected to Parliament as a Member for Shrewsbury. Despite his domestic commitments Sidney spent the next several years travelling through Germany, Italy, Poland, the Kingdom of Hungary and Austria. Returning to England in 1575, Sidney met Penelope Devereux who became the inspiration for his beautiful sonnet sequence 'Astrophel and Stella'. Life now became rather more complicated with his quarrel with Edward de Vere, 17th Earl of Oxford. The result was that Sidney challenged de Vere to a duel, which Elizabeth then forbade. Sidney wrote a long letter to the Queen explaining the foolishness of her proposed French marriage. Elizabeth bristled at his presumption, and Sidney, realising his error, retired from court. His artistic pursuits were more peaceful and more significant for his lasting fame. During the years of absence from court, Sidney wrote the first draft of 'The Arcadia' and 'The Defence of Poesy'. Sidney was promoted to General of Horse in 1583, his enthusiasm for the Protestant struggle was now given a free rein when he was appointed governor of Flushing in the Netherlands in 1585. Later that year, he joined Sir John Norris in the Battle of Zutphen, fighting for the Protestant cause against the Spanish. During the battle, he was shot in the thigh. Sir Philip Sidney died of gangrene 26 days later, on 17th October 1586 at Arnhem. He was a mere 31 years of age.
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