Beauty can be a gift—or a wicked temptation.So it is for Filippo Lippi, growing up in Renaissance Florence. He has a talent—not only can he see the beauty in everything, he can capture it, paint it. But while beauty can seduce you and art can transport you—it cannot always feed you or protect you.To survive, Pippo Lippi, orphan, street urchin, budding rogue, must first become Fra Filippo Lippi: Carmelite friar, man of God. His life will take him down two paths at once. He will become a gambler, a forger, a seducer of nuns; and at the same time he will be the greatest painter of his time, the teacher of Botticelli and the confidante of the Medicis.So who is he really—lover, believer, father, teacher, artist? Is anything true except the paintings?
One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.
Roland Barthes' Cinema offers the first systematic English-language critical treatment of Barthes' writing on cinema, reassessing the relevance of his work for a new generation of readers and filmgoers.
The plays of Tennessee Williams are some of the greatest triumphs of the American theatre. If Williams is not the most important American playwright, he surely is one of the two or three most celebrated, rivaled only by Eugene O'Neill and Arthur Miller. In a career that spanned almost five decades, he created an extensive canon of more than 70 plays. His contributions to the American theatre are inestimable and revolutionary. The Glass Menagerie (1945) introduced poetic realism to the American stage; A Streetcar Named Desire (1947) explored sexual and psychological issues that had never before been portrayed in American culture; Cat on a Hot Tin Roof (1955) dared to challenge the political and sexual mores of the Eisenhower era; and his plays of the 1970s are among the most innovative works produced on the American stage. But Williams was far more than a gifted and prolific playwright. He created two collections of poetry, two novels, four collections of stories, memoirs, and scores of essays. Because of his towering presence in American drama, Williams has attracted the attention of some of the most insightful scholars and critics of the twentieth century. The 1990s in particular ushered in a renaissance of Williams research, including a definitive biography, a descriptive bibliography, and numerous books and scholarly articles. This reference book synthesizes the vast body of research on Tennessee Williams and offers a performance history of his works. Under the guidance of one of the leading authorities on Williams, expert contributors have written chapters on each of Williams' works or clusters of works. Each chapter includes a discussion of the biographical context of a work or group of writings; a survey of the bibliographic history; an analysis of major critical approaches, which looks at themes, characters, symbols, and plots; a consideration of the major critical problems posed by the work; an overview of chief productions and film and television versions; a concluding interpretation; and a bibliography of secondary sources. The volume concludes with a selected, general bibliography and a comprehensive index.
A compelling, expansive history of the relationship between China and Russia, from the seventeenth century to the present Russia and China, the largest and most populous countries in the world, respectively, have maintained a delicate relationship for four centuries. In addition to a four-thousand-kilometer border, they have periodically shared a common outlook on political and economic affairs. But they are, in essence, profoundly different polities and cultures, and their intermittent alliances have proven difficult and at times even volatile. Philip Snow provides a full account of the relationship between these two global giants. Looking at politics, religion, economics, and culture, Snow uncovers the deep roots of the two nations' alignment. We see the shifts in the balance of power, from the wealth and strength of early Qing China to the Tsarist and Soviet ascendancies, and episodes of intense conflict followed by harmony. He looks too at the experiences and opinions of ordinary people, which often vastly differed from those of their governments, and considers how long the countries' current amicable relationship might endure.
A Student Handbook to the Plays of Tennessee Williams provides the essential guide to Williams' most studied and revived dramas. Authored by a team of leading scholars, it offers students a clear analysis and detailed commentary on four of Williams' plays: The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and Sweet Bird of Youth. A consistent framework of analysis ensures that whether readers are wanting a summary of the play, a commentary on the themes or characters, or a discussion of the work in performance, they can readily find what they need to develop their understanding and aid their appreciation of Williams' artistry. A chronology of the writer's life and work helps to situate all his works in context and the introduction reinforces this by providing a clear overview of Williams' writing, its recurrent themes and concerns and how these are intertwined with his life and times. For each play the author provides a summary of the plot, followed by commentary on: * The context * Themes * Characters * Structure and language * The play in production (both on stage and screen adaptations) Questions for study, and notes on words and phrases in the text are also supplied to aid the reader. The wealth of authoritative and clear commentary on each play, together with further questions that encourage comparison across Williams' work and related plays by other leading writers, ensures that this is the clearest and fullest guide to Williams' greatest plays.
Through the centuries, Russia has swung sharply between successful expansionism, catastrophic collapse, and spectacular recovery. This illuminating history traces these dramatic cycles of boom and bust from the late Neolithic age to Ivan the Terrible, and from the height of Communism to the truncated Russia of today. Philip Longworth explores the dynamics of Russia's past through time and space, from the nameless adventurers who first penetrated this vast, inhospitable terrain to a cast of dynamic characters that includes Ivan the Terrible, Catherine the Great, and Stalin. His narrative takes in the magnificent, historic cities of Kiev, Moscow, and St. Petersburg; it stretches to Alaska in the east, to the Black Sea and the Ottoman Empire to the south, to the Baltic in the west and to Archangel and the Artic Ocean to the north. Who are the Russians and what is the source of their imperialistic culture? Why was Russia so driven to colonize and conquer? From Kievan Rus'---the first-ever Russian state, which collapsed with the invasion of the Mongols in the thirteenth century---to ruthless Muscovy, the Russian Empire of the eighteenth century and finally the Soviet period, this groundbreaking study analyses the growth and dissolution of each vast empire as it gives way to the next. Refreshing in its insight and drawing on a vast range of scholarship, this book also explicitly addresses the question of what the future holds for Russia and her neighbors, and asks whether her sphere of influence is growing.
The gripping untold story of a terrorist leader whose death would catapult his brother—Lenin—to revolution. In 1886, Alexander Ulyanov, a brilliant biology student, joined a small group of students at St. Petersburg University to plot the assassination of Russia’s tsar. Known as “Second First March” for the date of their action, this group failed disastrously in their mission, and its leaders, Alexander included, were executed. History has largely forgotten Alexander, but for the most important consequence of his execution: his younger brother, Vladimir, went on to lead the October Revolution of 1917 and head the new Soviet government under his revolutionary pseudonym “Lenin.” Probing the Ulyanov family archives, historian Philip Pomper uncovers Alexander’s transformation from ascetic student to terrorist, and the impact his fate had on Lenin. Vividly portraying the psychological dynamics of a family that would change history, Lenin’s Brother is a perspective-changing glimpse into Lenin’s formative years—and his subsequent behavior as a revolutionary.
To date, the world can lay claim to little more than 190 sovereign independent entities recognized as nation-states, while by some estimates there may be up to eight hundred more nation-state projects underway and seven to eight thousand potential projects. Why do a few such endeavors come to fruition while most fail? Standard explanations have pointed to national awakenings, nationalist mobilizations, economic efficiency, military prowess, or intervention by the great powers. Where Nation-States Come From provides a compelling alternative account, one that incorporates an in-depth examination of the Russian Empire, the Soviet Union, and their successor states. Philip Roeder argues that almost all successful nation-state projects have been associated with a particular political institution prior to independence: the segment-state, a jurisdiction defined by both human and territorial boundaries. Independence represents an administrative upgrade of a segment-state. Before independence, segmental institutions shape politics on the periphery of an existing sovereign state. Leaders of segment-states are thus better positioned than other proponents of nation-state endeavors to forge locally hegemonic national identities. Before independence, segmental institutions also shape the politics between the periphery and center of existing states. Leaders of segment-states are hence also more able to challenge the status quo and to induce the leaders of the existing state to concede independence. Roeder clarifies the mechanisms that link such institutions to outcomes, and demonstrates that these relationships have prevailed around the world through most of the age of nationalism.
From humble Glasgow beginnings, Colin Campbell rose to become Scotland’s finest general and a favourite of Queen Victoria. In his fifty-year career he fought through the Peninsula, the Crimea, China and India, and still found time to contain a slave revolt, a Chartist revolution and Ireland’s Tithe War. Through a combination of personal courage, compassionate leadership and genius for military strategy he became an idol for the men who served under him. This undisputed hero, whose memory has grown faint beside celebrated warriors of the Victorian age, was a soldier ahead of his time – the first working-class field marshal, with strong humanitarian leanings and an instinct for harnessing the power of the press. In the first major biography of Campbell since 1880 his career is radically reinterpreted and the life of this very private man is revealed. 'Victoria's Scottish Lion' was shortlisted for The Society for Army Historical Research's 2015 Templar Prize.
This pocket-sized alphabetical guide to phonology provides an introduction to the range of phenomena studied in phonology and the main theoretical frameworks for engaging in phonological analysis. The entries are concise and clear, providing an overview of one of the main area of linguistic analysis.
For many, the Westerns of 1930 to 1955 were a defining part of American culture. Those Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior. By 1955, however, Westerns began to include more controversial themes: cowardly citizens, emotionally deranged characters, graphic violence, marital infidelity, racial prejudice, and rape, among other issues. This work examines the manner in which Westerns reflected the substantial social, economic and political changes that shaped American culture in the latter half of the twentieth century. Part One of this work considers shifting themes as the genre reacted to changes unfolding in the broader social landscape of American culture. Part Two examines the manner in which images of cowboys, outlaws, lawmen, American Indians and women changed in Westerns as the viewers were offered new understanding of the frontier experience.
Why do some democracies reflect their citizens' foreign policy preferences better than others? What roles do the media, political parties, and the electoral system play in a democracy's decision to join or avoid a war? War and Democratic Constraint shows that the key to how a government determines foreign policy rests on the transmission and availability of information. Citizens successfully hold their democratic governments accountable and a distinctive foreign policy emerges when two vital institutions—a diverse and independent political opposition and a robust media—are present to make timely information accessible. Matthew Baum and Philip Potter demonstrate that there must first be a politically potent opposition that can blow the whistle when a leader missteps. This counteracts leaders' incentives to obscure and misrepresent. Second, healthy media institutions must be in place and widely accessible in order to relay information from whistle-blowers to the public. Baum and Potter explore this communication mechanism during three different phases of international conflicts: when states initiate wars, when they respond to challenges from other states, or when they join preexisting groups of actors engaged in conflicts. Examining recent wars, including those in Afghanistan and Iraq, War and Democratic Constraint links domestic politics and mass media to international relations in a brand-new way.
Terrific! With a dynamically deft touch, Philip Gefter chronicles how a uniquely volatile mix of timing, talent, pressure, and passion turned a landscape-altering play into a cinematic detonation. Savor this juicy bit of time travel, because we'll never see the likes of these people and these circumstances again' Steven Soderbergh From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences. Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema. Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto screens and permanent place in the canon of cinematic marriages. He explores how two couples - one fictional, one all too real - brought to light our most deeply held myths about relationships, sex, family, and, against all odds, love.
This is a definitive, deeply researched biography of Russian physiologist Ivan Pavlov (1849-1936) and is the first scholarly biography to be published in any language. The book is Todes's magnum opus, which he has been working on for some twenty years. Todes makes use of a wealth of archival material to portray Pavlov's personality, life, times, and scientific work. Combining personal documents with a close reading of scientific texts, Todes fundamentally reinterprets Pavlov's famous research on conditional reflexes. Contrary to legend, Pavlov was not a behaviorist (a misimpression captured in the false iconic image of his "training a dog to salivate to the sound of a bell"); rather, he sought to explain not simply external behaviors, but the emotional and intellectual life of animals and humans. This iconic "objectivist" was actually a profoundly anthropomorphic thinker whose science was suffused with his own experiences, values, and subjective interpretations. This book is also a traditional "life and times" biography that weaves Pavlov into some 100 years of Russian history-particularly that of its intelligentsia--from the emancipation of the serfs to Stalin's time. Pavlov was born to a family of priests in provincial Ryazan before the serfs were emancipated, made his home and professional success in the glittering capital of St. Petersburg in late imperial Russia, suffered the cataclysmic destruction of his world during the Bolshevik seizure of power and civil war of 1917- 1921, rebuilt his life in his 70s as a "prosperous dissident" during the Leninist 1920s, and flourished professionally as never before in 1929-1936 during the industrialization, revolution, and terror of Stalin. Todes's story of this powerful personality and extraordinary man is based upon interviews with surviving coworkers and family members (along with never-before-analyzed taped interviews from the 1960s and 1970s), examination of hundreds of scientific works
16th century Italy, deep in the Tuscan countryside a long-held feud between two aristocratic families ends in tragedy leaving only one young girl alive. Having barely escaped with her life, she vows to survive at all costs . Years later, amidst the winding streets and majestic facades of Florence, two murders are not all they seem. As Onorio Celavini, commander of the Medici police force, investigates he is horrified to find a personal connection to the crimes, and a conspiracy lurking beyond. The secrets of his past threaten to spill out and Celavini is forced to revisit the traumatic memories hidden deep within him to lay the ghosts of history to rest. Poignant, brutal and compelling The Phoenix of Florence is a richly told and cleverly crafted tale of a struggle for identity and a battle for justice in an Italy besieged by war.
16th century Italy, deep in the Tuscan countryside a long-held feud between two aristocratic families ends in tragedy leaving only one young girl alive. Having barely escaped with her life, she vows to survive at all costs . Years later, amidst the winding streets and majestic facades of Florence, two murders are not all they seem. As Onorio Celavini, commander of the Medici police force, investigates he is horrified to find a personal connection to the crimes, and a conspiracy lurking beyond. The secrets of his past threaten to spill out and Celavini is forced to revisit the traumatic memories hidden deep within him to lay the ghosts of history to rest. Poignant, brutal and compelling The Phoenix of Florence is a richly told and cleverly crafted tale of a struggle for identity and a battle for justice in an Italy besieged by war.
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