Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Philip Gilbert Hamerton (1834-1894) was an English artist and art critic and author, best known for The Intellectual Life. Much of which is still relevant today -- the benefits of solitude, the differences between a life of industry and one of intellectual pursuits, the effects of success and intoxication, the best hours to work, eating habits, etc.
This book contains a fascinating account of the revival of Etching as an artistic form in contemporary France. Including a comprehensive introduction to the topic and going on to cover seminal contributors to this artistic renaissance such as Claude, Callot, Boissieu, Meryon, Lalanne, Jacquemart, this treatise on the topic is a must-read for students of French etching and makes for a wonderful addition to any collection of antiquarian art literature. Elected for republication due to its cultural and historic value, this rare text is proudly republished here complete with its original artwork and a new introductory biography of the author. English-born Philip Gilbert Hamerton (1834 1894) was an artist, critic, and author, best known for his influential works: Painter's Camp in the Highlands (1863) and Contemporary French Painters (1867).
This rare book contains a comprehensive treatise on the elusive subject of Art. Rather than attempting to define the complex concept of Art, this fascinating text attempts instead to lead the mind of the discerning reader in such a direction that they may at least appreciate the full importance of the age-old problem of its definition in the hope that they shall become heartily interested in the subject. Covering topics such as Transcendentalism in art, The Artistic Spirit, and The Law of Progress in Art, this scarce text is a must-have addition to the bookshelf of any connoisseur and collector of Art literature. Philip Gilbert Hamerton (1834 - 1894) was an English author, artist and critic. This book was originally published 1876 and is republished here with a new introductory biography of its author.
About 580 medical laboratory terms pertinent to the disciplines of hematology and blood transfusion serology. Definitions range from short to long. Also includes abbreviations, synonyms, cross references, and tables.
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