Founded over a century ago, the Mennonite Central Committee (MCC) is regarded as one of the most important institutional carriers of Canadian and American Mennonite identity. Generations of Mennonites and others have served with the organization, carrying out development, disaster relief, and peacebuilding work in over fifty countries globally. The Service of Faith offers an ethnography of MCC’s Christian development work in Indonesia, exploring the challenges, conundrums, theologies, and ethical commitments that shape Mennonite service. The success of religious-based development work depends on effectively bridging very different cultural and religious worlds. Braiding together extensive ethnographic and archival research, Philip Fountain analyzes MCC’s practices of cultural translation in the Indonesian context. While the particularities of Mennonite religious values are deeply influential for MCC’s work, in practice its humanitarian project involves collaboration with a range of actors who come from widely varied religious positions. In taking a nuanced, case-specific approach to understanding how faith shapes moral projects, Fountain challenges mainstream claims to secular neutrality and the tendency to dismiss or disapprove of religious motivations in development work. Exploring the diverse ways in which Mennonite convictions permeate MCC’s work in Indonesia, The Service of Faith confronts the question of whether religion has a legitimate place in international development work.
Bring ambience inside the home with advice and suggestions for making tabletop fountains with miniature rock gardens, bonsai plants, and more. 175 full-color photos.
Question - how do you turn Princess Gloriana who can't write for toffee into a best-selling novelist? Easy - enforce the penalty of imprisonment on anyone refusing to buy her book! Naturally THE MAGIC FOUNTAIN is soon top of the bestsellers lists and her royal highness is content. But now she's got the second novel blues and WHO is going to save her from her severe case of writer's block?
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Winner of the National Book Award in 1991 “This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
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