Twice voted Top British Female Singer by readers of Melody Maker, name-checked in a Kate Bush song, photographed by David Bailey, she is the only guest vocalist ever to appear on a Led Zeppelin album, and was described by Zeppelin’s Robert Plant as ‘my favourite singer out of all the British girls that ever were’.
This satirical adventure from Philip K. Dick deals with issues of power, class, and politics, set in a world ruled by big-brained elites. But one man went to space to find help, and now he is returning with it--a giant, indestructible alien blob.
With his unique blend of intuition, quiet wisdom and a small drop of cunning, Irish matchmaker Willie Daly reveals the secret to finding true love, and shares the story of a life spent bringing people together in love and marriage. The path to love can be heart-warming, hilarious, sometimes hair-raising—and Willie is the perfect guide. For those still looking for romance, he also has some hard-earned, practical advice. Rich with characters, humor, drama and—of course—Guinness, Willie Daly regales us with some of his funniest and most touching matchmaking stories.
Clare Boothe Luce: American Renaissance Woman is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century. Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.” Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history.
A fascinating glimpse of Elizabethan life and politics is provided by the first full edition of Sir Philip Sidney's correspondence. This young phenomenon-author, statesman, courtier, poet, and soldier-exchanged letters with some of the age's most influential figures. Includes general and textual introductions, biographical sketches, and notes." -- Blackwells.
Pain is not something that most of us would count as a blessing; however, renowned surgeon Dr. Paul Brand and award-winning writer Philip Yancey shed fresh light on the purpose of our pain. Wouldn't it be nice to never experience pain or never have to take drugs to deal with pain? Many people think so, but they're missing one key piece of information: Pain is the body's built-in warning system that something is wrong and needs to be fixed. Follow world-renowned physician and surgeon Dr. Paul Brand around the world as he shares his humble beginnings as the son of medical missionaries in India to his medical training in London during the Blitz to his groundbreaking medical research with leprosy patients in the United States and India. His work with leprosy patients is what convinced him that pain truly is one of God's great gifts to us. In these pages he shares what he's learned about pain, its purpose in our lives, the impact it has on our daily lives and overall health, and how we can better respond to it. Perfect for those in the medical field or those looking for a firsthand look into the mystery of pain, this book will give you a new perspective on the gift that none of us want and none of us can do without. You'll never look at pain the same way again. Spanish edition also available. Note: The book includes some frank descriptions of medical procedures, illnesses, and diseases
Criminal Justice: An Introduction is a complete introductory text for the most basic and widely-studied course in this subject area. Each chapter begins with behavioral objectives and a list of key terms. A variety of strategies are designed into the text to hold the attention of reader: key terms in bold lettering, side margin notes (containing interesting facts and challenging questions), boxed justice events and international perspectives, and over 80 photographs, tables and figures. Each chapter ends with applications that enable the student to apply the material to real life situations. This text competes with larger books by offering a complete but succinct and less expensive introduction to criminal justice, which will be more manageable for community colleges and colleges with shorter terms. The instructor's manual will assist educators with special projects and test questions and answers. The accompanying disk challenges students with interactive exercises. An excellent entry-level textbook for undergraduate criminal justice students. Written by an instructor of criminal justice and security for over 20 years. Includes an instructor's manual and a disk with interactive exercises for students.
Maritimers take great pride in watching other Maritimers do well on the national and global stage. This book tells the inspiring stories of 12 athletes drawn from a variety of backgrounds and sports. Men and women, black and white, Acadian and Mi'kmaq, able-bodied and non able-bodied. The common thread: young people who grow up in the Maritimes, with backgrounds that every reader will recognize, can and do chalk up impressive achievements. And they stay true to their roots in doing so. As CBC broadcaster Bruce Rainnie writes in the book's preface, "In every character-defining way, [the featured athletes are exactly the same today as before any money or acclaim entered their lives. No wonder we punch so far above our weight. No wonder so many of our stories are 'unlikely but possible.' And no wonder we relish in hearing these stories told, as Philip Croucher does so tastefully in this book. Quiet confidence, humility, and a rock-solid base. What a mix. What an unbeatable mix. What a Maritime mix.
Lady Diana Cooper was in her prime widely regarded as the most beautiful woman in England and the idol of her generation. She was witty, outrageous, generous and loyal. Famous as a member of the aristocratic and intellectual group 'The Cotorie', she later edited the magazine Femina before starting a career as an actress on the stage and then in films during the 1920s. Her husband, Duff Cooper, was parliament in 1924 and Diana continued as a society hostess until his retirement in 1947. Diana wrote three volumes of memoirs in the 1950s which are also published by Faber Finds, and she died in 1986 aged 93. Philip Ziegler's biography is a compulsive read, telling the story of a remarkable woman and her passionate life. 'For nine decades a symbol of all that is dashing and daring, a synonym for courage and wit and inspired friendship.' Sunday Telegraph 'Combines total honesty with total affection... A portrait which you can laugh over, cry over and think over as well.' Punch 'No wonder Evelyn Waugh loved her.' Scotsman
This is one young officer's war story about training and inspiration in the Burmese jungle behind enemy lines. Beaten up and water tortured, yet only giving his captors false information, Stibbe was moved around Burma until he was eventually imprisoned in Rangoon jail. Now stricken with Parkinson's disease, probably as a result of his prison diet, Stibbe with his eldest son, also a soldier, has revised his book and this edition published to coincide with the 50th anniversary of Wingate's second triumphant Chindit expedition.
Volumes three and four of this monumental work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this distinguished series, the accompanying illustrations include at least one picture of each subject for whom a portrait exists.
In his final work, the great and beloved Native American scholar Vine Deloria Jr. takes us into the realm of the spiritual and reveals through eyewitness accounts the immense power of medicine men. The World We Used To Live In, a fascinating collection of anecdotes from tribes across the country, explores everything from healing miracles and scared rituals to Navajos who could move the sun. In this compelling work, which draws upon a lifetime of scholarship, Deloria shows us how ancient powers fit into our modern understanding of science and the cosmos, and how future generations may draw strength from the old ways.
The inspiring true story of the bond between a feisty octogenarian and the man in charge of building an enormous shopping mall around her home. Edith Macefield achieved folk hero status in 2006 when she turned down $1 million to sell her home to make way for a commercial development in the Ballard neighborhood of Seattle. It didn't matter that her tiny house was surrounded by rubble and graffiti. It was home. Barry Martin respected that, and when he took the job as construction supervisor for the shopping mall that was being erected around Edith's little house, he determined to make things as easy as he could for Edith. He gave her his cell number and told her to call if she needed anything. And she did. The day Edith asked Barry to drive her to a hair appointment, an unlikely friendship was sparked, one that changed them both forever. As Barry helps Edith through the last days of her life, she helps him deal with the effects of the Alzheimer's that is diminishing his beloved father. She learns to laugh and let go. He learns about compassion and grace--and the comparable joys of Walker's shortbread cookies"--
When men get stuck in their relationships, jobs, and unwanted behaviors, they generally have no idea what to do. Most men silently struggle alone or numb themselves with excess alcohol, anger, work, or play. Be the Lion! takes men down a path of learning how to connect with other men through 10 time-tested guidelines. These “real men” strategies offer freedom from isolation, secrets, and judgment, which rob men of living their best lives. Hearing the stories of men’s lives who have been transformed by being in community with other men is inspirational and offers a game-changing paradigm for men today.
When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance. More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work. The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.
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