Kodály in the Second Grade Classroom provides teachers with a step-by-step road map for developing children's performance, creative movement, and literacy skills in an organic and thoughtful manner. Each chapter contains key questions, discussion points, and ongoing assignments. Scholarly yet practical and accessible, this volume is sure to be an essential guide for music teachers everywhere.
Since the mid-twentieth century, Zoltán Kodály's child-developmental philosophy for teaching music has had significant positive impact on music education around the world, and is now at the core of music teaching in the United States and other English speaking countries. The Kodály Today handbook series is the first comprehensive system to update and apply the Kodály concepts to teaching music in elementary school classrooms. Kodály in the Third Grade Classroom provides teachers with a step-by-step road map for developing children's performance, creative movement, and literacy skills in an organic and thoughtful manner. Through six years of field-testing with music kindergarten teachers in the United States, Great Britain, and Hungary (the home country of Zoltán Kodály), authors Micheál Houlahan and Philip Tacka have developed a methodology specifically for 21st century classrooms. Houlahan and Tacka use the latest research findings in cognition and perception to create a system not only appropriate for the developmental stages of third grade students but also one which integrates vertically between elementary music classes. The methods outlined in this volume encourage greater musical ability and creativity in children by teaching them to sing, move, play instruments, and develop music literacy skills. In addition, Kodály in the Third Grade Classroom promotes critical thinking, problem solving, and collaboration skills. Although the book uses the Kodály philosophy, its methodology has also been tested by teachers certified in Orff and Dalcroze, and has proven an essential guide for teachers no matter what their personal philosophy and specific training might be. Numerous children's songs are incorporated into Kodály in the Third Grade Classroom, as well as over 35 detailed lesson plans that demonstrate how music and literacy curriculum goals are transformed into tangible musical objectives. Scholarly yet practical and accessible, this volume is sure to be an essential guide for kindergarten and early childhood music teachers everywhere.
Named a Best Book of the Year by The Guardian, The Sunday Times, and the Financial Times A completely fresh view of one of the most gifted—and fascinating—writers of our time, the enigmatic author of Brideshead Revisited Graham Greene hailed Evelyn Waugh as “the greatest novelist of my generation,” and in recent years Waugh’s reputation has only grown. Now, half a century after Waugh’s death in 1966, with Evelyn Waugh, Philip Eade has delivered a hugely entertaining biography that is both authoritative and full of new information, some of it sensational. Drawing on extensive unseen primary sources, Eade’s book sheds new light on many of the key phases and themes of Waugh’s life: his difficult relationship with his embarrassingly sentimental father; his formative homosexual affairs at Oxford; his unrequited love for various Bright Young Things; his disastrous first marriage; his momentous conversion to Roman Catholicism; his unconventional yet successful second marriage; his checkered wartime career; and his shattering nervous breakdown. Along the way, we come to understand not only Waugh’s complex relationship with the aristocracy, but also the astonishing power of his wit, and the love, fear, and loathing that he variously inspired in others. Waugh was famously difficult, and Eade brilliantly captures the myriad facets of his character, even as he casts new light on the novels that have dazzled generations of readers.
“A riveting memoir of years of living dangerously” by the journalist and New York Times–bestselling author of A Rumor of War (Kirkus Reviews). As a journalist, Philip Caputo has covered many of the world’s troubles, and in Means of Escape, he reveals in moving and clear-eyed prose how he made himself into a writer, traveler, and observer with the nerve to put himself at the center of conflict. As a young reporter he investigated the Mafia in Chicago, earning acclaim as well as threats against his safety. Later, he rode camels through the desert and enjoyed Bedouin hospitality; was kidnapped and held captive by Islamic extremists; and was targeted and hit by sniper fire in Beirut; with memories of Vietnam never far from the surface. And after it all, he went into Afghanistan. Caputo’s goal has always been to bear witness to the crimes, ambitions, fears, ferocities, and hopes of humanity. With Means of Escape, he has done so. This powerful recounting of his life and adventures is now updated with a foreword that assesses the state of the world and the journalist’s art. “An episodic, impressionistic, and dead-honest narrative that affords memorable as well as consequential insights into a chaotic era’s noteworthy conflicts.” —Kirkus Reviews “This is, make no mistake about it, a startlingly honest and brutal book. . . . The writing is suberb. Highly recommended for all.” —Library Journal “One of the few absolutely essential writers at work today.” —Robert Olen Butler, Pulitzer Prize–winning author of Mr. Spaceman
The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do--stayed popular ... As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the 'talkie' revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung"--Back cover.
A writer of fiction, literary criticism, travel narratives and libretti, E M Forster is best known for his beautifully-structured novels which held a mirror up to the English class system. This fascinating collection of diaries, travel journals and itineraries brings together all unpublished material Forster wrote which can be classed as ‘memoir’.
Anna May Wong, born in Los Angeles in 1905 to a Chinese family that did not support her ambition, is the only Asian-American actress to have achieved stardom during Hollywood's Golden Age. Staying single to avoid endangering her career, she became the darling of the intelligentsia, inspiring poems, songs, and crowds of admirers in the British Isles, Europe, and China. She leaves a legacy of some 60 film appearances, numerous stage and television shows, and several radio spots. This book covers Anna May Wong's entire career and personal life. Detailed filmographic entries, with critical commentary as well as cast and technical credits, synopses, and newspaper and magazine reviews, are followed by Wong's stage work and radio and television appearances.
Mr. and Mrs Kelechi suffered reproach of abject poverty and prolonged childlessness in marriage. At old age, contrary to nature and against the anticipation of the globe, they bring into the world their ambassadors - a set of twins: Amechi, a boy and Ogechi, a girl. Ogechi as expected is given in marriage to a hunter at a very tender age as female children are believed to be of little or no importance. Before long, Amechi becomes an orphan having lost his aged parents. He thereafter comes face to face with many challenges
Fame, fortune, and beautiful models, Howard Chandler Christy had them all. Christy was the most famous American painter of the Jazz Age, a time when an elite brotherhood of New York artists dominated the publishing world. Christy had eclipsed all of them with his ''Christy Girl, '' an idealized woman who redefined beauty, influenced fashion, and inspired generations of women. The Magic of Youth is the first book in An Affair with Beauty: The Mystique of Howard Chandler Christy, a biographical trilogy of the artist's epic life as told primarily through the eyes of his second wife, Nancy, a former Cosmopolitan model once considered to be one of the most beautiful women in America. As she reflects on her life, Nancy tells of first meeting Christy in 1912 and becoming his top model.
An omnibus collection featuring some of the finest works of a master of weird fiction One of the preeminent writers of weird fiction, Robert Aickman is celebrated for his unsettling and often ambiguous "strange stories," but he once wrote that “those, if any, who wish to know more about me, should plunge beneath the frivolous surface of The Late Breakfasters,” his only novel, originally published in 1964. In The Late Breakfasters, young Griselda de Reptonville is invited by Mrs. Hatch to a house party at her country estate, Beams (which, incidentally, is haunted). There, amidst an array of eccentric characters and bizarre happenings, she will meet the love of her life, Louise. But when their short-lived relationship is cruelly cut short, Griselda must embark on a quest to recapture the happiness she has lost. Never before published in the United States and long unobtainable, Aickman's odd and whimsical novel is joined in this omnibus volume by six of his finest weird tales (two of them making their first-ever American appearance): “My Poor Friend”, “The Visiting Star”, “Larger Than Oneself”, “A Roman Question”, “Mark Ingestre: The Customer's Tale”, and “Rosamund's Bower”, as well as a new introduction by Philip Challinor.
Mrs. Oscar Hammerstein, so the story goes, once overheard someone praise "Ol' Man River" as a "great Kern song." "I beg your pardon," she said, "But Jerome Kern did not write 'Ol' Man River.' Mr. Kern wrote dum dum dum da; my husband wrote ol' man river." It's easy to understand her frustration. While the years between World Wars I and II have long been hailed as the "golden age" of American popular song, it is the composers, not the lyricists, who always usually get top billing. "I love a Gershwin tune" too often means just that-the tune-even though George Gershwin wrote many unlovable tunes before he began working with his brother Ira in 1924. Few people realize that their favorite "Arlen" songs each had a different lyricist-Ted Koehler for "Stormy Weather," Yip Harburg for "Over the Rainbow," Johnny Mercer for "That Old Black Magic." Only Broadway or Hollywood buffs know which "Kern" songs get their wry touch from Dorothy Fields, who would flippantly rhyme "fellow" with "Jello," and which of Kern's sonorous melodies got even lusher from Otto Harbach, who preferred solemn rhymes like "truth" and "forsooth." Jazz critics sometimes pride themselves on ignoring the lyrics to Waller and Ellington "instrumentals," blithely consigning Andy Razaf or Don George to oblivion"--
This book is exclusively devoted to demonic possession and exorcism in early modern England. It offers modernized versions of the most significant early modern texts on nine cases of demonic possession from the period 1570 to 1650, the key period in English history for demonic possession. The nine stories were all written by eyewitnesses or were derived from eyewitness reports. They involve matters of life and death, sin and sanctity, guilt and innocence, of crimes which could not be committed and punishments which could not be deserved. The nine critical introductions which accompany the stories address the different strategic intentions of those who wrote them. The modernized texts and critical introductions are placed within the context of a wide-ranging general Introduction to demonic possession in England across the period 1550 to 1700.
Contracts are vital to the construction delivery process; they direct and govern every move. This book strips the legal mystique and jargon from contracts and exposes their basic logic.
From its origins as a leading proponent of the 'Sydney School of Architecture' in the 1960s, COX Architects & Planners, known more commonly as COX, has grown to become one of Australia's largest and most successful practices with hundreds of projects and
An intimate portrait of poet Judith Wright and philosopher Jack McKinney, which vividly recreates their intertwined lives. Wright's daughter Meredith and Patricia Clark have edited the letters, interspersing them with poems, a selection of family album photos, and fascimiles of some of the handwritten and transcript letters.
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