The Fiction of Imperialism attempts to promote dialogue between international relations and postcolonialism. It addresses the value of fiction to an inderstanding of the imperial relationship between the West and Asia and Africa. A wide range of fiction and crisicism is examined as it pertains to colonialism, the North/South engagement and contemporary Third World politics. The book begins by contrasting the treatment of cross-cultural relations in political studies and literary texts. It then examines the personal as a metaphor for the political in fiction depicting the imperial connection between Britain and India. This is paired with an analysis of African literary texts, which takes as its theme the relationship between culture and politics. The concluding chapters approach literature from the outside, considering its apparent silence on economics and realpolitik and assessing the utility of postcolonial reconceptualisations
The definitive firsthand account of the groundbreaking research of Philip Zimbardo—the basis for the award-winning film The Stanford Prison Experiment Renowned social psychologist and creator of the Stanford Prison Experiment Philip Zimbardo explores the mechanisms that make good people do bad things, how moral people can be seduced into acting immorally, and what this says about the line separating good from evil. The Lucifer Effect explains how—and the myriad reasons why—we are all susceptible to the lure of “the dark side.” Drawing on examples from history as well as his own trailblazing research, Zimbardo details how situational forces and group dynamics can work in concert to make monsters out of decent men and women. Here, for the first time and in detail, Zimbardo tells the full story of the Stanford Prison Experiment, the landmark study in which a group of college-student volunteers was randomly divided into “guards” and “inmates” and then placed in a mock prison environment. Within a week the study was abandoned, as ordinary college students were transformed into either brutal, sadistic guards or emotionally broken prisoners. By illuminating the psychological causes behind such disturbing metamorphoses, Zimbardo enables us to better understand a variety of harrowing phenomena, from corporate malfeasance to organized genocide to how once upstanding American soldiers came to abuse and torture Iraqi detainees in Abu Ghraib. He replaces the long-held notion of the “bad apple” with that of the “bad barrel”—the idea that the social setting and the system contaminate the individual, rather than the other way around. This is a book that dares to hold a mirror up to mankind, showing us that we might not be who we think we are. While forcing us to reexamine what we are capable of doing when caught up in the crucible of behavioral dynamics, though, Zimbardo also offers hope. We are capable of resisting evil, he argues, and can even teach ourselves to act heroically. Like Hannah Arendt’s Eichmann in Jerusalem and Steven Pinker’s The Blank Slate, The Lucifer Effect is a shocking, engrossing study that will change the way we view human behavior. Praise for The Lucifer Effect “The Lucifer Effect will change forever the way you think about why we behave the way we do—and, in particular, about the human potential for evil. This is a disturbing book, but one that has never been more necessary.”—Malcolm Gladwell “An important book . . . All politicians and social commentators . . . should read this.”—The Times (London) “Powerful . . . an extraordinarily valuable addition to the literature of the psychology of violence or ‘evil.’”—The American Prospect “Penetrating . . . Combining a dense but readable and often engrossing exposition of social psychology research with an impassioned moral seriousness, Zimbardo challenges readers to look beyond glib denunciations of evil-doers and ponder our collective responsibility for the world’s ills.”—Publishers Weekly “A sprawling discussion . . . Zimbardo couples a thorough narrative of the Stanford Prison Experiment with an analysis of the social dynamics of the Abu Ghraib prison in Iraq.”—Booklist “Zimbardo bottled evil in a laboratory. The lessons he learned show us our dark nature but also fill us with hope if we heed their counsel. The Lucifer Effect reads like a novel.”—Anthony Pratkanis, Ph.D., professor emeritus of psychology, University of California
A lavishly written, vividly imagined, and wholly compelling work of fiction...I was spellbound. Often, in fact, I was in awe."—Tim O'Brien After years of indie-label exile, folk singer Cyrus Harper returns to Apogee, Missouri, to tend to his mother. But the musical and haunted world of his past is morphing into just another strip of middle America, corrupted with pawn shops, meth labs, Clear Channel radio, and-if Cyrus's brother has his way-a golfer's paradise. As news of a murderess in the woods confounds the memories of his sister gone missing long ago, this prodigal son is drawn deeper into the cave- riddled realm of stalwarts and misfits he knew in his youth. What he discovers there will change everything. A phantasmagoric tale of American music set during the crucible of its changing industry, Miss Me When I'm Gone plumbs our storied melodies for their essential purpose-to mine the soul for the longing, the passion, the love and rage that drive us.
This important book challenges the idea that religious fundamentalism can adequately be understood as a paranoid, xenophobic faith. It demonstrates instead how it draws upon a long tradition of evangelical and millenialist scripture in its engagement with issues at the spiritual and ethical core of postmodernity in the United States. The author examines the varieties of fundamentalism as they appear in prophecy, sermon, film and fiction. In its wide-ranging consideration of the rhetoric of the New World Order, the literature of prophecy, Cold War films, television evangelism, cross-border texts, and post-nationalist writing, Fundamentalism in America provides a vital and compelling account of the present state of religious and nationality identity in the United States.
For 40 years, Sean Connery has been among the world's most admired and popular actors. This edition is both an in-depth biography of this international superstar and a complete filmography with 400 photos, rare production stills, movie posters and lobby cards.
The Poems of Philip Freneau" refers to a collection of poems by Philip Freneau (1752–1832), an American poet often recognized as the "Poet of the American Revolution." Freneau was an influential figure in early American literature and played a significant role in shaping the literary landscape during the Revolutionary War and the early years of the United States. Key aspects of "The Poems of Philip Freneau" might include: Revolutionary Themes: Freneau's poetry often revolves around themes related to the American Revolution, expressing patriotic sentiments, advocating for liberty, and commenting on the political events of his time. Nature Poetry: Freneau was also known for his nature poetry, celebrating the American landscape and exploring the beauty of the natural world. His works contributed to the development of an American literary identity. Political Commentary: Freneau's poetry goes beyond patriotism and nature, as he engaged in political commentary, critiquing the government and social issues of his day. His writings reflected the intellectual ferment of the post-Revolutionary period. Influence on American Literature: Philip Freneau is considered one of the earliest American poets to achieve recognition. His poetry had an impact on subsequent generations of American writers and contributed to the development of a distinct American literary tradition. Versatility: Freneau's collection might showcase his versatility as a poet, encompassing various themes and styles from patriotic odes to reflective and contemplative verses.
One of the lasting legacies of World War 2 was the proliferation of what today are known as Special Forces. At the time many soldiers, often of high rank regarded these units as nothing short of ill-disciplined cowboys or worse! However desperate times called for desperate measures and there were those in high places who were prepared to take risks. As specially recruited units such as the LRDG, SAS and SBS earned their spurs and scored significant victories, at high cost both to the enemy and themselves, so faith in the concept grew
Standard Operating Procedure is an utterly original collaboration by the writer Philip Gourevitch (We Wish to Inform You that Tomorrow We Will Be Killed With Our Families) and the film-maker Errol Morris (The Thin Blue Line, The Fog of War). They have produced the first full reckoning of what actually happened at Abu Ghraib. Standard Operating Procedure reveals the stories of the American soldiers who took and appeared in the haunting digital snapshots from Abu Ghraib prison that shocked the world – and simultaneously illuminates and alters forever our understanding of those images and the events they depict. Drawing on more than two hundred hours of Errol Morris’s startlingly frank and intimate interviews with Americans who served at Abu Ghraib and with some of their Iraqi prisoners, as well as on his own research, Philip Gourevitch has written a relentlessly surprising account of Iraq’s occupation from the inside-out – rendering vivid portraits of guards and prisoners ensnared in an appalling breakdown of command authority and moral order. Gourevitch and Morris have crafted a nonfiction morality play that stands to endure as essential reading long after the current war in Iraq passes from the headlines. By taking us deep into the voices and characters of the men and women who lived the horror of Abu Ghraib, the authors force us, whatever our politics, to re-examine the pat explanations in which we have been offered – or sought – refuge, and to see afresh this watershed episode. Instead of a ‘few bad apples’, we are confronted with disturbingly ordinary young American men and women who have been dropped into something out of Dante’s Inferno. This is a book that makes you think, and makes you see – an essential contribution from two of our finest nonfiction artists working at the peak of their powers.
′Filling an enormous gap in the geographic literature, here is a terrific book that shows us how to think about and practice human geographic research′ - Professor Jennifer Wolch, University of Southern California `Practising Human Geography lucidly, comprehensively, and sometimes passionately shows why methodology matters, and why it is often so hard. To choose a method is to choose the kind of geographical values one wants to uphold. You need to get it right.These authors do′ - Trevor Barnes, University of British Columbia `Practising Human Geography is a godsend for students. Written in an accessible and engaging style, the book demystifies the study of geographical methodology, offering a wealth of practical advice from the authors′ own research experience. This is not a manual of approved geographical techniques. It is a reflexive, critical and highly personal account, combining historical depth with up-to-the-minute examples of research in practice. Practising Human Geography is a comprehensive and theoretically informed introduction to the practices of fieldwork, data collection, interpretation and writing, enabling students to make sense of their own data and to develop a critical perspective on the existing literature. The book makes complicated ideas approachable through the effective use of case studies and a firm grasp of contemporary debates′ - Peter Jackson, Professor of Human Geography, University of Sheffield Practising Human Geography is a critical introduction to key issues in the practice of human geography, informed by the question ′how do geographers do research?′ In examining those methods and practices that are essential to doing geography, the text presents a theoretically-informed discussion of the construction and interpretation of geographical data - including: the use of core research methodologies; using official and non-official sources; and the interpretative role of the researcher. Framed by an overview of how ideas of practising human geography have changed, the twelve chapters offer a comprehensive and integrated overview of research methodologies. The text is illustrated throughout with text boxes, case studies, and definitions of key terms. Practising Human Geography will introduce geographers - from undergraduate to faculty - to the core issues that inform research design and practice.
One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.
This volume examines the enduring nature of religious nationalism in modern Europe. Through a series of in-depth case studies covering Ireland, England, Poland, and Greece; the author argues that religious frontiers, or geographic lines of division between different and unique religions, are central to the formation of religiously-based national identities. Typically, as states develop economically and politically, religion plays a lesser role in both individual lives and national identity. However, at religious frontiers, religion becomes useful for differentiating and mobilizing groups of people. This is particularly true when the religious frontier also represents a threat or conflict. Although religion may not be the root of conflict in these instances, the conflict takes on religious tones because of its ability to unite an otherwise diverse population. Religion takes precedence over language, culture, or other national building-blocks because the "other" can best be distinguished in religious terms. The in-depth case studies allow for a deep historical understanding of the processes which converge to create a modern religious nation. Greatly expanding our current understanding of the conditions in which religious nationalism develops, this important book has implications for our understanding of religion and politics, secularization, European politics and foreign policy.
Whether touted for its burgeoning economy, affordable housing, and pleasant living style, or criticized for being less like a city than a sprawling suburb, Phoenix, by all environmental logic, should not exist. Yet despite its extremely hot and dry climate and its remoteness, Phoenix has grown into a massive metropolitan area. This exhaustive study examines the history of how Phoenix came into being and how it has sustained itself, from its origins in the 1860s to its present status as the nation’s fifth largest city. From the beginning, Phoenix sought to grow, and although growth has remained central to the city’s history, its importance, meaning, and value have changed substantially over the years. The initial vision of Phoenix as an American Eden gave way to the Cold War Era vision of a High Tech Suburbia, which in turn gave way to rising concerns in the late twentieth century about the environmental, social, and political costs of growth. To understand how such unusual growth occurred in such an improbable location, Philip VanderMeer explores five major themes: the natural environment, urban infrastructure, economic development, social and cultural values, and public leadership. Through investigating Phoenix’s struggle to become a major American metropolis, his study also offers a unique view of what it means to be a desert city.
The contributions investigate indicators of change and the interaction with FDI from East Asia against the background of changes in the regional economy since the mid 1980s. They discuss in particular how the North tackled long-term decline and the long-term implications for the region.
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