First published in 1999, this second edition has been revised and updated, taking into account new information, research and policy debates. The amount of international information has been increased and a chapter on New Zealand has been added. Takes a holistic and multidisciplinary approach to managing occupational health and safety. Includes references, a bibliography and an index. Bohle is professor in the School of Industrial Relations and Organisational Behaviour and Quinlan is professor of industrial relations at the University of NSW. Both authors have published widely on occupational health and safety.
Looking at one of the twentieth century's most notorious musical masterpieces, John Cage's Concert for Piano and Orchestra examines Cage's compositional process, its infamous performance history, and its influence on philosophical ideas of what music actually is.
Public Finance and Public Choice provides a comprehensive analysis of the economics of the public sector, taking a diagrammatic approach to the subject. Particular emphasis is given to the public choice and behavioural economics schools of thought.
Philip Hamburger’s Law and Judicial Duty traces the early history of what is today called "judicial review." The book sheds new light on a host of misunderstood problems, including intent, the status of foreign and international law, the cases and controversies requirement, and the authority of judicial precedent. The book is essential reading for anyone concerned about the proper role of the judiciary.
Patrick Golden is a student at Berkeley during the turbulent and vibrant late 1960s. The product of working-class Jewish and Irish-Catholic parents, he takes a huge step out of his social comfort zone when he makes the move to the storied walls of the Ivy League. Soon he's surrounded by old-moneyed aristocrats as he joins his affluent and socially well-connected college roommate, Charles Comstock, at Harvard in the summer of 1968. At Harvard, Patrick meets Morgan Thackeray, a stunningly beautiful and free-spirited coed from one of Boston's oldest, wealthiest, and stodgiest families. Despite her bigoted father's virulent objections and threats, their romance blooms--until it is torn apart by the dark secret Morgan must keep from Patrick. To protect him, she disappears, leaving his heart in tatters without an explanation or even a good-bye. Forty-one years later, Patrick finds himself back in Boston on sad business--the funeral of his old college roommate, Charles. In a twist he could never have predicted, he reconnects with his long-lost love. After decades of doubt and confusion, he's about to learn her secret--and his life will be dramatically altered by her confession. Vividly describing Harvard, Berkeley, and San Francisco as they were in the late 1960s, No Fortunate Son recreates the sights, sounds, mood, and culture that defined this colorfully tumultuous and politically pivotal era. Barbara Keer, Editor of Chicago Splash Magazine, Splash Magazines Worldwide It isn't often that I find a book I can't put down and feel a loss when I finish because the characters have become my friends. No Fortunate Son is that kind of book.I found the book interesting in several ways: as a first novel, as an example both of a self published book and re-careering. Patrick Golden, the protaganist, has a very different story. "Glancing by chance at the obituary section which until then had been concealed from view, he gasped when a photograph of his friend, Charles Comstock, leaped at him from the page." Patrick lives near San Francisco and Charles died in Boston. And so begins a tale that is filled with intrigue as it weaves it's way through the period of the Viet Nam War, one shocking event following the next and the young people trying to find their lives in the midst of it all. The stories of that time come vividly to life. Thank you.
The impetus to write this book grew out of curiosity and frustration. For a research project in which I was involved, I wanted to select an appropriate index to measure inequality, so I searched for a book that comprehensively reviewed the available indexes, identified their operational similarities and differences, and clarified their theoretical undetpinnings. Discovering that no such book existed, I became increasingly frustrated and curious. It became evident that I would have to undertake my own systematic review of the literature, presumably in my own discipline, in order to identify the alternative measures and choose an appropriate one on the basis of proper theoretical and methodological criteria. This effort led to additional frustrating discoveries. First, I encountered a bewildering abundance of inequality indexeswell over ftfty distinguishable measures. Second, my review of the methodological literature on inequality measurement took me through the issues of literally scores of professional journals in five academic disciplines-economics, geography, political science, sociology, and statistics. Third, although I found some cross-disciplinary referencing of inequality measures, by and large each discipline's inequality measurement remained insulated from that of other disciplines.
Are companies, churches, and states genuine agents? How do we explain their behaviour? Can we treat them as accountable for their actions? List and Pettit offer original arguments, grounded in cutting-edge work on social choice, economics, and philosophy, to show there really are group agents, over and above the individual agents who compose them.
Concise, comprehensive and accessible, Exploring British Politics presents an insightful approach to British politics with a special emphasis on developments since the 2010 general election and the formation of Britain’s first coalition government since 1945.Designed to stimulate critical analysis and provoke lively debate, it provides new perspectives on two key themes – the health of British democracy and the transition from traditional models of government to more flexible forms of ‘governance’.
One of the Duke of Wellington's officers once remarked, "We would rather see his long nose in the sight than a reinforcement of ten thousand men." Arthur Wellesley, first duke of Wellington (1769-1852), was one of the greatest military commanders in history and is best known as the successful opponent at Waterloo of arguably the leading general of all time, Napoleon Bonaparte. Although Waterloo is the battle most associated with Wellington, his career was much wider. He gained his first military experience in the Netherlands in 1793-94 in an unsuccessful campaign that taught him, as he said, "how not to do it." From there he went to India, where he conducted a number of successful campaigns and honed his military skills until he became Britain's leading general. With great strategic foresight and as master not only of the battlefield but also of organization and logistics, he helped expel the French from Spain and Portugal during the Peninsular War, which materially weakened Napoleon's strategic position and led to his downfall in 1814. After Napoleon returned from exile in 1815, Wellington was a principal leader of the coalition forces at Waterloo. In subsequent years, Wellington exerted a considerable influence on British politics, serving as prime minister and in later life as a trusted elder statesman. Upon his death, he was widely regarded as the greatest Briton of his generation and undisputedly one of the greatest British soldiers. The Duke of Wellington has been the subject of many biographies over the years but none as comprehensive yet concise as this latest addition to Potomac's Military Profiles series.
This volume, arranged alphabetically by original author, provides basic information about stage and screen productions based upon the novels of 40 women writers before 1900. Each entry includes the novel and its publication date, the published texts or dramatizations based upon the book, and the performances of the piece in live theater and film versions, including the location, dates, and playwright or screenwriter (if there was one). For some of the performances the author includes a brief annotation listing the actors and describing the production.
The seventeenth-century English collaborative authors Francis Beaumont and John Fletcher were not only the most popular playwrights of their day but also literary figures highly esteemed by the great critics of the age, Jonson and Dryden. Concentrating on the passions of the royalty and high nobility in a courtly atmosphere, their dramas are now usually seen as epitomizing a decadent turn in theater at the end of the Jacobean period. Philip Finkelpearl sets out to change this view by revealing the subtle political challenges contained in the plays and by showing that they criticize rather than exemplify false values. The result is a wholly new conception of this pair of dramatists and of the entire question of the relationship between the Crown and the theater in their time. Finkelpearl presents new biographical material revealing that Beaumont and Fletcher had good and sufficient reasons to be critical of the court and the king, and he shows that their most important works--especially The Knight of the Burning Pestle, Philaster, A King and No King, and The Maid's Tragedy have such criticism as a central concern. Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship. The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Stress takes a multitude of forms and, sometimes, is not even recognised as stress at all, but is accepted as the pressures of normal life. This book looks at the different kinds of stress and shows how mindfulness-based interventions can help both identify and deal with it. The aim is not necessarily to get rid of stress, but to use mindfulness to help us respond actively, and with kindness, to our stress. Topics include: · the latest research on mindfulness and stress · habits of stress · practical ways to beat stress · breathing techniques · body posture · walking · finding our joy
Like the works already published, these latest volumes of the Biographical Dictionary deal with theatre people of every ilk, ranging from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons. Also prominent is Susanna Rowson, a novelist, actress, and early female playwright. Although born into a British military family, Rowson often wrote plays that dealt with patriotic American themes and spent much of her career on the American stage. The theatrical jewel of these volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our imagination the fables of mythology, of the heroic and dignified mortals of elder time." She endured much tragedy herself, including a crippling debilitating illness and the deaths of five of her seven children. Siddons played major roles in both comedy and tragedy, not the least of which was a performance as Hamlet.
Shakespeare's Political Imagination argues that to better understand Shakespeare's plays it is essential to look at the historicism of setting: how the places and societies depicted in the plays were understood in the period when they were written. This book offers us new readings of neglected critical moments in key plays, such as Malcolm's final speech in Macbeth and the Duke's inaction in The Merchant of Venice, by investigating early modern views about each setting and demonstrating how the plays navigate between those contemporary perspectives. Divided into three parts, this book explores Shakespeare's historicist use of medieval Britain and Scotland in King John and Macbeth; ancient Rome in Julius Caesar and Coriolanus; and Renaissance Europe through Venice and Vienna in The Merchant of Venice, Othello and Measure for Measure. Philip Goldfarb Styrt argues that settings are a powerful component in Shakespeare's worlds that not only function as physical locations, but are a mechanism through which he communicates the political and social orders of the plays. Reading the plays in light of these social and political contexts reveals Shakespeare's dramatic method: how he used competing cultural narratives about other cultures to situate the action of his plays. These fresh insights encourage us to move away from overly localized or universalized readings of the plays and re-discover hidden moments and meanings that have long been obscured.
Émile Durkheim’s major works are among the founding texts of the discipline of sociology, but his importance lies also in his immense legacy and subsequent influence upon others. In this book, Philip Smith examines not only Durkheim’s original ideas, but also reveals how he inspired more than a century of theoretical innovations, identifying the key paths, bridges, and dead ends – as well as the tensions and resolutions – in what has been a remarkably complex intellectual history. Beginning with an overview of the key elements of Durkheim’s mature masterpieces, Smith also examines his lesser known essays, commentaries and lectures. He goes on to analyse his immediate influence on the Année Sociologique group, before tracing the international impact of Durkheim upon modern anthropology, sociology, and social and cultural theory. Smith shows that many leading social thinkers, from Marcel Mauss to Mary Douglas and Randall Collins, have been carriers for the multiple pathways mapped out in Durkheim’s original thought. This book will be essential reading for any student or scholar seeking to understand this fundamental impact on areas ranging from social theory and anthropology to religious studies and beyond.
This book explores how memories and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare, offering a new approach to the cultural history of the Tudor era, whilst shedding fresh light on the sources and preoccupations of Shakespeare's play.
A portrait of Bernie Gunther in his twenties: He's young, but he's seen four bloody years of trench warfare. And he's not stupid. So when he receives a promotion and a ticket out of Vice squad, he knows he's not really leaving behind the criminal gangs, the perverse sex clubs, and the laundry list of human corruption. It's 1928 and Berlin is a city on the edge of chaos, where nothing is truly verboten. But soon a new wave of shockingly violent murders sweeps up society's most vulnerable, prostitutes and wounded ex-soldiers begging on the streets. As Bernie Gunther sets out to make sense of multiple murders with different MOs in a city that knows no limits, he must face the fact that his own police HQ is not immune. The Nazi party has begun to inflitrate the Alex, Berlin's central office, just as the shakey Weimar government makes a last, desperate attempt to control a nation edging toward to the Third Reich. It seems like the only escape for most Berliners is the theater and Bernie's no exception. As he gets deeper into the city's sordid underground network, he seeks comfort with a make-up artist who is every bit a match for his quick wit and increasingly sardonic view of the world. But even this space can't remain untouched, not with this pervasive feeling that everything is for sale in Berlin if you're man enough to kill for it"--
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