This user-friendly, compact text presents the most necessary, useful skills and strategies for successful workplace writing. Based on the successful parent text, SUCCESSFUL WRITING AT WORK, Ninth Edition, SUCCESSFUL WRITING AT WORK, Concise, International Edition, maintains a practical approach, an abundance of realistic situations and problems, real-world examples, and detailed guidelines for drafting, editing, and producing professional documents and graphics. The Concise Third Edition features a contemporary, open, and user-friendly design, including a wide trim size to allow for marginal note-taking.
This user-friendly, compact text presents the most necessary, useful skills and strategies for successful workplace writing. Based on the successful parent text, SUCCESSFUL WRITING AT WORK, Ninth Edition, SUCCESSFUL WRITING AT WORK, Concise Third Edition, maintains a practical approach, an abundance of realistic situations and problems, real-world examples, and detailed guidelines for drafting, editing, and producing professional documents and graphics. The Concise Third Edition features a contemporary, open, and user-friendly design, including a wide trim size to allow for marginal note-taking. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
This user-friendly, compact text presents the most necessary, useful skills and strategies for successful workplace writing. Based on the successful parent text, Successful Writing at Work, 8/e, the Concise Edition maintains a practical approach, an abundance of realistic situations and problems, real-world examples, and detailed guidelines for drafting, editing, and producing professional documents and graphics. The Second Edition features a contemporary, open, and user-friendly design, including a wider trim size to allow for marginal note-taking and many new and up-to-date visuals. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
The poems in Americorona track the history of COVID-19 in the US from late 2019 to early 2021—how the pandemic affects America medically, economically, spiritually, and psychologically. There are three types of poems in seven sections in Americorona. Leading each section are poems about other historical pandemics (cholera, Black Death, polio, Irish Potato Famine, Pharaoh’s plagues, etc.) that foreshadow or parallel the tragic events ushered in by COVID-19. The majority of poems, however, are about COVID-19 tragedies—how the pandemic started, how it impacts children and minorities, how it resulted in hunger and increased discrimination, how it brings out naysayers, how the medical community is dealing with the pandemic. Interspersed among COVID-19 and historical poems are experimental ones on such topics as the “memory of breathing” or the “exhaustion of monotony” during the pandemic.
Reaching Forever is Philip C. Kolin's ninth collection of poems, the sixth to focus entirely on spiritual poetry. Like the poet's most recent book, Benedict's Daughter: Poems (2017), the poems in this new collection are anchored in Scripture. Organized according to major Christian topics--sheep, water, God's names, eschatology--Reaching Forever is ripe with scriptural parables, symbols and imagery, settings, allusions, and speakers ranging from God to biblical characters to contemporary figures. Consistent with the Poiema Series, these poems open the "windows" of faith. But they are not simple catechesis. Rather, they "leap over the sills," to quote D. S. Martin, providing new ways of looking at Holy Writ and applying them to today's world--to see the sacred in the daily. Undeniably the most distinctive feature of Reaching Forever is the large number of poems set in the contemporary world, but contextualized through the Bible. For instance, a poem on the polyandrous Samaritan woman is paired with one about a homeless woman in a large city who also has had many husbands and children. A long litany poem about God's appearances in Scripture is followed by one on catadores (garbage pickers) who hear rumbling below the filth and wonder what God's voice is saying. A short poem on the riches of Cana seques to a spiritual lyric about monks who transform donors' pennies into bread for the poor.
These poems offer a spiritual biography of a remarkable woman of faith, a Benedictine Oblate and spiritual adviser who lived her life according to St. Benedict's Holy Rule ("ora and labora"--pray and work). Juxtaposed with poems on her life, others reflect on Benedictine traditions such as praying the Liturgy of the Hours, taking vows of stability, hospitality, silence, plus engendering respect for the environment and all living things. This collection includes a variety of poetic forms, styles, and voices, even St. Benedict's.
One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.
SUCCESSFUL WRITING AT WORK, 11th Edition, is a comprehensive introduction to workplace writing with real-world examples and problems; an easy-to-read style; and thorough guidelines for planning, drafting, revising, editing, formatting, and producing professional documents in the global workplace. After a discussion of the writing process and collaboration, the author explores basic business communications (including e-communications and social media), letters, resumes, and other job search materials; proceeds to how to conduct research and document sources; and ends with guidance on more advanced tasks such as preparing visuals, websites, instructions, procedures, proposals, short and long reports, and presentations. You will learn how to be an effective problem solver at work, understand and write for a global audience, write clear and effective sentences, paragraphs, and documents, and select the best communication technologies to accomplish your goals. Each student text is packaged with a free Cengage Essential Reference Card to the MLA HANDBOOK, Eighth Edition.
A Student Handbook to the Plays of Tennessee Williams provides the essential guide to Williams' most studied and revived dramas. Authored by a team of leading scholars, it offers students a clear analysis and detailed commentary on four of Williams' plays: The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and Sweet Bird of Youth. A consistent framework of analysis ensures that whether readers are wanting a summary of the play, a commentary on the themes or characters, or a discussion of the work in performance, they can readily find what they need to develop their understanding and aid their appreciation of Williams' artistry. A chronology of the writer's life and work helps to situate all his works in context and the introduction reinforces this by providing a clear overview of Williams' writing, its recurrent themes and concerns and how these are intertwined with his life and times. For each play the author provides a summary of the plot, followed by commentary on: * The context * Themes * Characters * Structure and language * The play in production (both on stage and screen adaptations) Questions for study, and notes on words and phrases in the text are also supplied to aid the reader. The wealth of authoritative and clear commentary on each play, together with further questions that encourage comparison across Williams' work and related plays by other leading writers, ensures that this is the clearest and fullest guide to Williams' greatest plays.
Philip C. Kolin explores the interrelationship of life and work of one of the most respected African American playwrights. For more than four decades Kennedy’s theater has raised profound issues about race, gender, selfhood, and performativity in American culture. Kolin offers in-depth analyses of her plays, political scripts, and experimental autobiography, People Who Led to My Plays, as well as examines her neglected novel, Deadly Triplets, and examples of her short fiction.
The poems in Americorona track the history of COVID-19 in the US from late 2019 to early 2021—how the pandemic affects America medically, economically, spiritually, and psychologically. There are three types of poems in seven sections in Americorona. Leading each section are poems about other historical pandemics (cholera, Black Death, polio, Irish Potato Famine, Pharaoh’s plagues, etc.) that foreshadow or parallel the tragic events ushered in by COVID-19. The majority of poems, however, are about COVID-19 tragedies—how the pandemic started, how it impacts children and minorities, how it resulted in hunger and increased discrimination, how it brings out naysayers, how the medical community is dealing with the pandemic. Interspersed among COVID-19 and historical poems are experimental ones on such topics as the “memory of breathing” or the “exhaustion of monotony” during the pandemic.
One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.
Reaching Forever is Philip C. Kolin’s ninth collection of poems, the sixth to focus entirely on spiritual poetry. Like the poet’s most recent book, Benedict's Daughter: Poems (2017), the poems in this new collection are anchored in Scripture. Organized according to major Christian topics—sheep, water, God's names, eschatology—Reaching Forever is ripe with scriptural parables, symbols and imagery, settings, allusions, and speakers ranging from God to biblical characters to contemporary figures. Consistent with the Poiema Series, these poems open the “windows” of faith. But they are not simple catechesis. Rather, they “leap over the sills,” to quote D. S. Martin, providing new ways of looking at Holy Writ and applying them to today's world—to see the sacred in the daily. Undeniably the most distinctive feature of Reaching Forever is the large number of poems set in the contemporary world, but contextualized through the Bible. For instance, a poem on the polyandrous Samaritan woman is paired with one about a homeless woman in a large city who also has had many husbands and children. A long litany poem about God's appearances in Scripture is followed by one on catadores (garbage pickers) who hear rumbling below the filth and wonder what God’s voice is saying. A short poem on the riches of Cana seques to a spiritual lyric about monks who transform donors’ pennies into bread for the poor.
These poems offer a spiritual biography of a remarkable woman of faith, a Benedictine Oblate and spiritual adviser who lived her life according to St. Benedict's Holy Rule ("ora and labora"--pray and work). Juxtaposed with poems on her life, others reflect on Benedictine traditions such as praying the Liturgy of the Hours, taking vows of stability, hospitality, silence, plus engendering respect for the environment and all living things. This collection includes a variety of poetic forms, styles, and voices, even St. Benedict's.
This is the first collection of critical essays devoted exclusively to Shakespeare's first published work, his long narrative poem Venus and Adonis which established his reputation as the literary darling of London and the heir of Ovid. Particularly important is the book's coverage of the little-known presence of Venus and Adonis on stage.A s
This is the first collection of critical essays devoted exclusively to Shakespeare's first published work, his long narrative poem Venus and Adonis which established his reputation as the literary darling of London and the heir of Ovid. Particularly important is the book's coverage of the little-known presence of Venus and Adonis on stage.A s
The plays of Tennessee Williams are some of the greatest triumphs of the American theatre. If Williams is not the most important American playwright, he surely is one of the two or three most celebrated, rivaled only by Eugene O'Neill and Arthur Miller. In a career that spanned almost five decades, he created an extensive canon of more than 70 plays. His contributions to the American theatre are inestimable and revolutionary. The Glass Menagerie (1945) introduced poetic realism to the American stage; A Streetcar Named Desire (1947) explored sexual and psychological issues that had never before been portrayed in American culture; Cat on a Hot Tin Roof (1955) dared to challenge the political and sexual mores of the Eisenhower era; and his plays of the 1970s are among the most innovative works produced on the American stage. But Williams was far more than a gifted and prolific playwright. He created two collections of poetry, two novels, four collections of stories, memoirs, and scores of essays. Because of his towering presence in American drama, Williams has attracted the attention of some of the most insightful scholars and critics of the twentieth century. The 1990s in particular ushered in a renaissance of Williams research, including a definitive biography, a descriptive bibliography, and numerous books and scholarly articles. This reference book synthesizes the vast body of research on Tennessee Williams and offers a performance history of his works. Under the guidance of one of the leading authorities on Williams, expert contributors have written chapters on each of Williams' works or clusters of works. Each chapter includes a discussion of the biographical context of a work or group of writings; a survey of the bibliographic history; an analysis of major critical approaches, which looks at themes, characters, symbols, and plots; a consideration of the major critical problems posed by the work; an overview of chief productions and film and television versions; a concluding interpretation; and a bibliography of secondary sources. The volume concludes with a selected, general bibliography and a comprehensive index.
First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 — a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture — shedding light on Shakespeare’s views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author’s perspective, supplying a careful and thorough account of the main points of an article.
In the twenty years that preceded the publication of this book in 1988, David Rabe was in the vanguard of playwrights who shaped American theatre. As the first full-length work on Rabe, this book laid the groundwork for later critical and biographical studies. The first part consists of an essay that covers three sections: a short biography, a summary and evaluation of his formative journalism for the New Haven Register, and a detailed and cohesive stage history of his work. The second part presents the most comprehensive and authoritative primary bibliography of Rabe to date, with the third section containing a secondary bibliography — including a section on biographical studies.
In the twenty years that preceded the publication of this book in 1988, David Rabe was in the vanguard of playwrights who shaped American theatre. As the first full-length work on Rabe, this book laid the groundwork for later critical and biographical studies. The first part consists of an essay that covers three sections: a short biography, a summary and evaluation of his formative journalism for the New Haven Register, and a detailed and cohesive stage history of his work. The second part presents the most comprehensive and authoritative primary bibliography of Rabe to date, with the third section containing a secondary bibliography — including a section on biographical studies.
A Student Handbook to the Plays of Tennessee Williams provides the essential guide to Williams' most studied and revived dramas. Authored by a team of leading scholars, it offers students a clear analysis and detailed commentary on four of Williams' plays: The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and Sweet Bird of Youth. A consistent framework of analysis ensures that whether readers are wanting a summary of the play, a commentary on the themes or characters, or a discussion of the work in performance, they can readily find what they need to develop their understanding and aid their appreciation of Williams' artistry. A chronology of the writer's life and work helps to situate all his works in context and the introduction reinforces this by providing a clear overview of Williams' writing, its recurrent themes and concerns and how these are intertwined with his life and times. For each play the author provides a summary of the plot, followed by commentary on: * The context * Themes * Characters * Structure and language * The play in production (both on stage and screen adaptations) Questions for study, and notes on words and phrases in the text are also supplied to aid the reader. The wealth of authoritative and clear commentary on each play, together with further questions that encourage comparison across Williams' work and related plays by other leading writers, ensures that this is the clearest and fullest guide to Williams' greatest plays.
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