Experience the powerful legacy of Philip Berrigan’s nonviolent resistance to war and empire From the battlefields of World War II to the front lines of peace activism, Philip Berrigan evolved from soldier to scholar, priest to political prisoner. Confronting the fundamental nature of America’s military-focused culture, Berrigan took an unyielding stance against societal evils—war, systemic racism, unchecked materialism, and the baleful presence of nuclear weapons. Imprisoned by his government and ostracized by his Church, Berrigan’s life is a courageous example of nonviolent resistance and liberation in the face of overwhelming odds. A Ministry of Risk is the definitive collection of Philip Berrigan’s writings. Authorized by the Berrigan family and arranged chronologically, these writings depict the transformation of one revolutionary soul while also providing a firsthand account of a nation grappling with its martial obsessions. Threading the vibrant fabric of history with autobiographical insights, introspective theology, and a clarion call to activism, A Ministry of Risk offers both a living manifesto of nonviolent resistance and a journal of spiritual reflection by one of the 20th century’s most prophetic voices.
A Christian who truly walks the radical way of the cross. Phil Berrigan overturns the tables of injustice and summons us to love our enemies and worship the God of peace. Like Thoreau, Ghandi, King, and Dorothy Day, Phil Berrigan exemplifies courage. He is both an inspiration and a challenge to me and countless others. Here is a true hero of our turbulent times." --Martin Sheen "Few nations in history have had a prophet of Phil Berrigan's stature. With iron intransigency he has stood in the breach leading to nuclear omnicide. The state has tried to quash his witness time after time; arrests, lockups, long sentences, all the paraphernalia of intimidation. Why doesn't it work? What enable this jack-in-the-box prophet to pop up, again and again? Find out. Read this book." --Walter Wink, author, Engaging the Powers "How important it is for our children to know this history of courage, risk, and commitment that they won't find in history books." --Grace Paley "I have been waiting for Phil Berrigan's autobiography and it is a pleasure to read. His words have the direct, simple eloquence of his actions. He provokes and inspires, and dares to be critical of himself even as he recounts a life committed to peace, justice, and community." --Howard Zinn "One of the best books I have ever read. I loved its honest probing of the thoughts, feelings, and actions of an unusually sensitive, occasionally wrong-headed, but clearly not self-righteous pioneer in the struggle for a better world. Its acute analyses of the periods in which Phil had lived, from before World War II to the present, are invaluable contributions to real history." --David Dellinger, author, From Yale to Jail "It is difficult to be dispassionate about the Berrigans. No one who knows them can doubt that they are heroic individuals, willing to do what many realize should be done, regardless of the personal cost. . . . There are not too many people of whom this can honestly be said." --Noam Chomsky
In The Time's Discipline. Philip Berrigan and Elizabeth McAlister offer us a chronicle of their community in Baltimore. They show us that for their nonviolent community, resistance to the nuclear arms race is not merely a political endeavor, but most profoundly a spiritual endeavor, rooted in fidelity to the Gospel. Thus the reporting of Jonah House's first fifteen years is formed around the Beatitudes, eight points of blessing at the outset of Matthew's presentation of the Sermon on the Mount. Invariably for Phil & Liz and those who have been part of their work at Jonah house and related endeavors, that spirituality is not abstract, but rooted in community and resistance and thus very much of this world and in service to its highest good. Understanding that we live in a nuclear empire, they present us in these pages, their "experiment in truth" in its midst.
A Christian who truly walks the radical way of the cross. Phil Berrigan overturns the tables of injustice and summons us to love our enemies and worship the God of peace. Like Thoreau, Ghandi, King, and Dorothy Day, Phil Berrigan exemplifies courage. He is both an inspiration and a challenge to me and countless others. Here is a true hero of our turbulent times."" --Martin Sheen ""Few nations in history have had a prophet of Phil Berrigan's stature. With iron intransigency he has stood in the breach leading to nuclear omnicide. The state has tried to quash his witness time after time; arrests, lockups, long sentences, all the paraphernalia of intimidation. Why doesn't it work? What enable this jack-in-the-box prophet to pop up, again and again? Find out. Read this book."" --Walter Wink, author, Engaging the Powers ""How important it is for our children to know this history of courage, risk, and commitment that they won't find in history books."" --Grace Paley ""I have been waiting for Phil Berrigan's autobiography and it is a pleasure to read. His words have the direct, simple eloquence of his actions. He provokes and inspires, and dares to be critical of himself even as he recounts a life committed to peace, justice, and community."" --Howard Zinn ""One of the best books I have ever read. I loved its honest probing of the thoughts, feelings, and actions of an unusually sensitive, occasionally wrong-headed, but clearly not self-righteous pioneer in the struggle for a better world. Its acute analyses of the periods in which Phil had lived, from before World War II to the present, are invaluable contributions to real history."" --David Dellinger, author, From Yale to Jail ""It is difficult to be dispassionate about the Berrigans. No one who knows them can doubt that they are heroic individuals, willing to do what many realize should be done, regardless of the personal cost. . . . There are not too many people of whom this can honestly be said."" --Noam Chomsky Philip Berrigan was a World War II veteran, a Catholic priest and a pacifist. He was also a writer and a visionary who inspired people to ""speak truth to power."" Fred A. Wilcox is an honors graduate of the University of Iowa Writer's Workshop. He is the author of Waiting for an Army to Die: The Tragedy of Agent Orange.
Experience the powerful legacy of Philip Berrigan’s nonviolent resistance to war and empire From the battlefields of World War II to the front lines of peace activism, Philip Berrigan evolved from soldier to scholar, priest to political prisoner. Confronting the fundamental nature of America’s military-focused culture, Berrigan took an unyielding stance against societal evils—war, systemic racism, unchecked materialism, and the baleful presence of nuclear weapons. Imprisoned by his government and ostracized by his Church, Berrigan’s life is a courageous example of nonviolent resistance and liberation in the face of overwhelming odds. A Ministry of Risk is the definitive collection of Philip Berrigan’s writings. Authorized by the Berrigan family and arranged chronologically, these writings depict the transformation of one revolutionary soul while also providing a firsthand account of a nation grappling with its martial obsessions. Threading the vibrant fabric of history with autobiographical insights, introspective theology, and a clarion call to activism, A Ministry of Risk offers both a living manifesto of nonviolent resistance and a journal of spiritual reflection by one of the 20th century’s most prophetic voices.
Whether Thersites in Homer’s Iliad, Wilfred Owen in “Dulce et Decorum Est,” or Allen Ginsberg in “Wichita Vortex Sutra,” poets have long given solitary voice against the brutality of war. The hasty cancellation of the 2003 White House symposium “Poetry and the American Voice” in the face of protests by Sam Hamill and other invited guests against the coming “shock and awe” campaign in Iraq reminded us that poetry and poets still have the power to challenge the powerful. Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet’s relationship to dissenting political movements and the nation. In his elegant study, Metres examines the ways in which war resistance is registered not only in terms of its content but also at the level of the lyric. He proposes that protest poetry constitutes a subgenre that—by virtue of its preoccupation with politics, history, and trauma—probes the limits of American lyric poetry. Thus, war resistance poetry—and the role of what Shelley calls unacknowledged legislators—is a crucial, though largely unexamined, body of writing that stands at the center of dissident political movements.
In The Time's Discipline. Philip Berrigan and Elizabeth McAlister offer us a chronicle of their community in Baltimore. They show us that for their nonviolent community, resistance to the nuclear arms race is not merely a political endeavor, but most profoundly a spiritual endeavor, rooted in fidelity to the Gospel. Thus the reporting of Jonah House's first fifteen years is formed around the Beatitudes, eight points of blessing at the outset of Matthew's presentation of the Sermon on the Mount. Invariably for Phil & Liz and those who have been part of their work at Jonah house and related endeavors, that spirituality is not abstract, but rooted in community and resistance and thus very much of this world and in service to its highest good. Understanding that we live in a nuclear empire, they present us in these pages, their "experiment in truth" in its midst.
Engagingly written by one of the world’s leading scholars in this field, this comprehensively revised edition tells the story of Christian spirituality from its origins in the New Testament right up to the present day. Charts the main figures, ideas, images and historical periods, showing how and why spirituality has changed and developed over the centuries Includes new chapters on the nature and meaning of spirituality, and on spirituality in the 21st century; and an account of the development and main features of devotional spirituality Provides new coverage of Christian spirituality’s relationship to other faiths throughout history, and their influence and impact on Christian beliefs and practices Features expanded sections on mysticism, its relationship to spirituality, the key mystical figures, and the development of ideas of ‘the mystical’ Explores the interplay between culture, geography, and spirituality, taking a global perspective by tracing spiritual developments across continents
This collection of essays, chosen by the Philip Hamburger from his 60 years of writing for The New Yorker, chronicles not only the people of US political life (Judge Learned Hand, Fiorello La Guardia, Dean Acheson, FDR, Eisenhower, Reagan, Clinton), but also the places and events, with special emphasis on presidential inaugurations (the author has attended, he thinks, 14). Here is one man's view, both funny and serious, of the glorious diversity of American politics--and of the better angels of our nature.
The book acts as a guide to the images of terrorism that we see daily in the mass media. The author believes that our perceptions of terrorism are formed by the interaction of bureaucratic agencies, academics and private experts. These images and stereotypes that we are offered do not necessarily reflect objective reality.
Philip Whalen (1923-2002) is a key figure in both the Beat and San Francisco Renaissance movements of the New American Poetry. Whalen authored twenty collections of verse, more than twenty broadsides, two novels, a huge assemblage of autobiographical literary journals, nine or ten experimental prose works, and dozens of critical essays, lectures, commentaries, introductions, prefaces, and interviews. But he came to regard his literary journals as his most important prose legacy. A professed Buddhist for most of his adult life, Whalen was ordained a Zen Buddhist monk in 1972 in what is arguably still the most influential Zen Buddhist training temple complex in North America. In some ways Whalen begs a comparison with Thomas Merton, the twentieth century's most significant Christian monk-poet. But where Merton contained himself within the conservative guidelines of Trappist-Christian orthodoxy, Whalen was a closeted homosexual (or bisexual) who inscribed an insider's account of his monastic community with an acid tongue and a keen sense of humor. His pen spared no one in the religious hierarchy he trained under. Whalen's literary work represents a significant turn in American letters, as he and his closest colleagues immersed themselves in East Asian literature and religion, reinvigorating strikingly new linguistic and aesthetic paths for North American writers and artists. However, until now Whalen's forty-plus years of journals-sixty small eight-by-six-inch notebooks-have been largely inaccessible, archived in the rare book and manuscript library at the University of California, Berkeley, undigitized and unavailable online. Thus, the publication of a critical scholarly edition of Whalen's journals and notebooks constitutes an important literary event and an invaluable resource for scholars, teachers, poets, and lay readers who follow twentieth-century North American poetry. In his complex and idiosyncratic poetics, Whalen adopts a unique mind-and-language-centered approach to the creation of a poem. Some of his finest works are "live action" scenes where he fuses moments of bald mental perception with the linguistic intricacies of his inner consciousness (i.e., the words, phrases, and observations that his mind forms, or that other people spill into his mind in the same block of time). The significance of Whalen's journals is manifold, Brian Unger argues, and goes beyond their mere availability. Unger argues that of all the San Francisco Renaissance and Beat poets of the postwar period, Whalen's roots in modernism are among the strongest. He was a voracious reader, as his journals show, and a keen student of earlier literatures. Furthermore, the journals conclusively overturn many misleading arguments about Whalen's personal life as related in the 2015 Whalen biography Crowded by Beauty by David Schneider. The publication of the journals would provide for the first time, and in Whalen's own words, an objective and self-substantiated account of his life with biographical information that has never before been generally available. The Whalen journals make clear as never before the primary psychological forces driving his personal life, his interior life as a poet and a religious monk, and they shed important light on the intriguing complexity of his philosophical and phenomenological poetics"--
Protect the consumer. Stop the schemes and ripoffs. Make the law work for the little guy. All easier said than done.... Memoirs and case studies on fraud and consumer protection from a lawyer who helped start New York City's first consumer watchdog agency. Schrag came into office expecting to initiate a new system, which would at last defend the powerless consumer. Instead, he discovered how both petty criminals and big corporations are able to use the law, the courts, and the general feeling favoring the status quo to delay and blunt any attacks made upon them. The book tells the fascinating and amusing story of how Schrag's young lawyers and investigators became disillusioned by observing the gap between the promise of the legal system and its actual performance -- and how, in reaction, they invented unprecedented methods of consumer protection, some of which cause Schrag himself to question their ethical propriety. Enjoyable as the stories are, their purpose is to raise serious and basic questions about our legal process and its ability to secure consumer justice, or even "law and order." This book is a unique demonstration of a rare ability to report true crime as it occurs in everyday life. It is a witty and perceptive analysis of the actual working of our government and our courts.
Terrific! With a dynamically deft touch, Philip Gefter chronicles how a uniquely volatile mix of timing, talent, pressure, and passion turned a landscape-altering play into a cinematic detonation. Savor this juicy bit of time travel, because we'll never see the likes of these people and these circumstances again' Steven Soderbergh From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences. Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema. Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto screens and permanent place in the canon of cinematic marriages. He explores how two couples - one fictional, one all too real - brought to light our most deeply held myths about relationships, sex, family, and, against all odds, love.
Crockett Johnson (born David Johnson Leisk, 1906-1975) and Ruth Krauss (1901-1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style--whimsical writing, clear and minimalist drawing, and a child's point-of-view--is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak (Where the Wild Things Are) is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.
This book explores how the media was used by the armed forces during the India-Burma campaigns of WWII to project the most positive image to domestic and international audiences of a war that often seemed neglected or misunderstood. Discussing how soldiers were, for the first time, able to access newspapers and radio broadcasts relating stories of the campaigns they were actively fighting in, Managing the Media in the India-Burma War reveals not only the impact that the media had in maintaining troop morale, but how the military recognised that the media could be a valuable arm of warfare. Revealing how troops responded to reports of their operations, Philip Woods demonstrates the role of the media in creating the 'Forgotten Army' syndrome, which came about in the last two years of the Burma campaign. Focusing on the British Media, but with examples from the United States and India, including Indian war correspondents, it discusses India's role in the Second World War in relation to social, economic and political developments at the time. Honing in on India and Burma at a turning point in their road to independence, this book offers a fresh angle on a well-known military conflict, unpicks the various constraints and influences on the media in wartime, and links the campaign to India's crucial role in WWII.
Why did the youthful optimism and openness of the sixties give way to Ronald Reagan and the spirit of conservative reaction--a spirit that remains ascendant today? Drawing on a wide array of sources--including tabloid journalism, popular fiction, movies, and television shows--Philip Jenkins argues that a remarkable confluence of panics, scares, and a few genuine threats created a climate of fear that led to the conservative reaction. He identifies 1975 to 1986 as the watershed years. During this time, he says, there was a sharp increase in perceived threats to our security at home and abroad. At home, America seemed to be threatened by monstrous criminals--serial killers, child abusers, Satanic cults, and predatory drug dealers, to name just a few. On the international scene, we were confronted by the Soviet Union and its evil empire, by OPEC with its stranglehold on global oil, by the Ayatollahs who made hostages of our diplomats in Iran. Increasingly, these dangers began to be described in terms of moral evil. Rejecting the radicalism of the '60s, which many saw as the source of the crisis, Americans adopted a more pessimistic interpretation of human behavior, which harked back to much older themes in American culture. This simpler but darker vision ultimately brought us Ronald Reagan and the ascendancy of the political Right, which more than two decades later shows no sign of loosening its grip. Writing in his usual crisp and witty prose, Jenkins offers a truly original and persuasive account of a period that continues to fascinate the American public. It is bound to captivate anyone who lived through this period, as well as all those who want to understand the forces that transformed--and continue to define--the American political landscape.
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Reading and the Reader offers a defence of reading serious literature, where reading offers a place for inner contemplation, emotion, imagination, and thought-experiment through the energising booster-rocket of literature. It is argued that literature creates a holding-ground in which a dense sense of experience is registered. Such a place is vital to human well-being in the following respects: in sustaining the ability to use and not just suffer one's experience; to be able to think one's thoughts, even those that are customarily unadmitted or felt as anomalous or unworthy; to find room for a realm of speculation in between religions and secularization, in between literature and life. Reading and the Reader, one of the first volumes in the Literary Agenda series, exists to defend the value of reading, to narrow the gaps between the way writers and readers think, to bring literary thinking into the ordinary thinking of the world - especially at a time when the arts and humanities are under some threat. Literature is useful in terms of deep human needs. It offers a form of time-travel - across ages, countries, different minds - that provides alternatives to any conventional worldview.
Philip Metres stakes a claim for the cultural work that poems can perform—from providing refuge to embodying resistance, from recovering silenced voices to building a more just world, in communities of solitude and solidarity. Gathering a decade of his writing on poetry, he widens our sense of poetry as a way of being in the world, proposing that poems can offer a permeability to marginalized voices and a shelter from the imperial noise and despair that can silence us. The Sound of Listening ranges between expansive surveys of the poetry of 9/11, Arab American poetry, documentary poetry, landscape poetry, installation poetry, and peace poetry; personal explorations of poets such as Adrienne Rich, Khalil Gibran, Lev Rubinstein, and Arseny Tarkovsky; and intimate dialogues with Randa Jarrar, Fady Joudah, and Micah Cavaleri, that illuminate Metres’s practice of listening in his 2015 work, Sand Opera.
Philip D. Beidler, who served as an armored cavalry platoon leader in Vietnam, sees less and less of the hard-won perspective of the common soldier in what America has made of that war. Each passing year, he says, dulls our sense of immediacy about Vietnam’s costs, opening wider the temptation to make it something more necessary, neatly contained, and justifiable than it should ever become. Here Beidler draws on deeply personal memories to reflect on the war’s lingering aftereffects and the shallow, evasive ways we deal with them. Beidler brings back the war he knew in chapters on its vocabulary, music, literature, and film. His catalog of soldier slang reveals how finely a tour of Vietnam could hone one’s sense of absurdity. His survey of the war’s pop hits looks for meaning in the soundtrack many veterans still hear in their heads. Beidler also explains how “Viet Pulp” literature about snipers, tunnel rats, and other hard-core types has pushed aside masterpieces like Duong Thu Huong’sNovel without a Name. Likewise we learn why the movieThe Deer Hunterdoesn’t “get it” about Vietnam but whyPlatoonandWe Were Soldierssometimes nearly do. As Beidler takes measure of his own wartime politics and morals, he ponders the divergent careers of such figures as William Calley, the army lieutenant whose name is synonymous with the civilian massacre at My Lai, and an old friend, poet John Balaban, a conscientious objector who performed alternative duty in Vietnam as a schoolteacher and hospital worker. Beidler also looks at Vietnam alongside other conflicts—including the war on international terrorism. He once hoped, he says, that Vietnam had fractured our sense of providential destiny and geopolitical invincibility but now realizes, with dismay, that those myths are still with us. “Americans have always wanted their apocalypses,” writes Beidler, “and they have always wanted them now.”
This book is Brasfield's personal chronicle of his life before imprisonment, the circumstances leading up to his conviction, and how he has survived behind steel bars. It is a true story of a man confronting his demons and coming to terms with himself and his fate.
Dr. Asante uncovers the truth about racism in this revealing and compelling book. He explains where racist ideology has come from, and the reasons why some people are racist, by exploring the contributions from both Christianity and the theory of Evolution. Learn how the Bible was deliberately misinterpreted and abused in order to justify slavery, segregation, colonialism, and apartheid. Better understand what legacy these institutions have left on people. Discover how Darwin's theory of evolution led to the construction of the concept of different "races" and the resultant development of racial superiority and inferiority, based solely on skin coloration. This is a well-written and well-researched book that truly dissects the distressing and often uncomfortable subject of racism. It tugs at the heart strings of humanity and cries out for unity. Some will find the book controversial and uncomfortable, while others will find it liberating and supportive. It will challenge your very conscience and offer a revealing look into the development of racism.
What is faith? In what ways might faith be a virtue, a component of a life well lived? How might faith be corrupted and become a vice? In Why Faith Is a Virtue, Philip D. Smith builds on the work of Alasdair MacIntyre and Robert Adams to argue that faith contributes to human excellence. To make the argument, Smith sorts through conflicting possible "faiths" and shows how some of them are not virtues at all. Nevertheless, he argues that faith, properly understood, contributes to crucial human practices: scientific research, social reform, and parenting. He explains how and why faith is a virtue.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.