Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media? Since its first appearance, Philip Auslander's ground-breaking book has helped to reconfigure a new area of study. Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all. In this new edition, the author thoroughly updates his provocative argument to take into account new digital and media technologies, and cultural, social and legal developments. In tackling some of the last great shibboleths surrounding the high cultural status of the live event, this book will continue to shape discussion and to provoke lively debate on a crucial artistic dilemma: what is live performance and what can it mean to us now?
Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media? Since its first appearance, Philip Auslander's ground-breaking book has helped to reconfigure a new area of study. Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all. In this new edition, the author thoroughly updates his provocative argument to take into account new digital and media technologies, and cultural, social and legal developments. In tackling some of the last great shibboleths surrounding the high cultural status of the live event, this book will continue to shape discussion and to provoke lively debate on a crucial artistic dilemma: what is live performance and what can it mean to us now?
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
From Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s. Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan. From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
Theory for Performance Studies: A Student's Guideis a clear and concise handbook to the key connections between performance studies and critical theory since the 1960s. Philip Auslander looks at the way the concept of performance has been engaged across a number of disciplines. Beginning with four foundational figures – Freud, Marz, Nietzsche and Saussure – Auslander goes on to provide guided introductions to the major theoretical thinkers of the past century, from Althusser to Zizek. Each entry offers biographical, theoretical, and bibliographical information along with a discussion of each figure's relevance to theatre and performance studies and suggestions for future research. Brisk, thoughtful, and engaging, this is an essential first volume for anyone at work in theatre and performance studies today. Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal.
This book examines the diverse facets of popular music in Malta, paying special attention to għana (Malta’s folk song), the wind band tradition, and modern popular music. Ciantar provides intriguing discussions and examples of how popular music on this small Mediterranean island country interacts with other aspects of the island’s life and culture such as language, religion, history, customs, and politics. Through a series of ethnographic vignettes, the book explores the music as it takes place in bars, at festivals, and during village celebrations, and considers how it is talked about in the local press, at group gatherings, and on social media. The ethnography adopted here is that of a native musician and ethnomusicologist and therefore marries the author’s memories with ongoing observations and their evaluation.
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
Creating Safe and Supportive Schools and Fostering Students’ Mental Health provides pre- and in-service educators with the tools they need to prevent, pre-empt, handle, and recover from threats to students’ mental health. School safety and fostering a supportive learning environment have always been issues fundamental to educators. Over the last decade, teachers and administrators have been called on more than ever to cope with bullying, suicide, and violence in their schools. Handling every stage of this diverse set of obstacles can be unwieldy for teachers and administrators alike. Framed with interviews from experts on each of the topics, and including practical and applicable examples, this volume draws together the work of top-tier school psychologists into a text designed to work with existing school structures and curricula to make schools safer. A comprehensive and multi-faceted resource, this book integrates leading research with the well-respected Framework for Safe and Successful Schools to help educators support school safety, crisis management, and students' mental health. Featuring interviews with: Dewey G. Cornell, Frank DeAngelis, Beth Doll, Kevin Dwyer, Katie Eklund, Maurice J. Elias, Michele Gay, Ross W. Greene, Rob Horner, Jane Lazarus, Richard Lieberman, Troy Loker, Melissa A. Louvar-Reeves, Terry Molony, Shamika Patton, Donna Poland, Scott Poland, Eric Rossen, Susan M. Swearer, Ken Trump, and Frank Zenere.
This book explores the artistic routines and inspirations of amateur and professional musicians, fine artists and literary authors experiencing midlife. Based on ethnographic insight, it argues that creativity is driven by the pursuit of a 'mezzanine' in-between state where the anarchy of possibility is an antidote to the realities of middle age.
Essays from a master critic on how artistic giants from modernism onward confronted mortality—forging unexpected links between Twain, Woolf, Mahler, Wittgenstein, Beckett, Toni Morrison, and more While much about modernism remains up for debate, there can be no dispute about the connection between modernist art and death. The long modern moment was and is an age of war, genocide, and annihilation. Two world wars killed perhaps as many as 100 million people, through combat, famine, holocaust, and ghastly attacks on civilians. The ongoing COVID-19 pandemic is the fifth global pandemic since 1918, with more than a half-million American deaths and counting. It can hardly come as a surprise, then, that many of the touchstones of modernism reflect on death and devastation. In Philip D. Beidler’s exploration of the modernist canon, he illuminates how these singular voices looked extinction in the eye and tried to reckon with our finitude—and their own. The Great Beyond:Art in the Age of Annihilation catalogs through lively prose an eclectic selection of artists, writers, and thinkers. In 16 essays, Beidler takes nuanced and surprising approaches to well-studied figures—the haunting sculpture by Saint-Gaudens commissioned by Henry Adams for his late wife; Luchino Visconti’s adaptation of Mann’s Death in Venice; and the author’s own long fascination with Beckett’s Waiting for Godot. The threads and recurring motifs that emerge through Beidler’s analysis bridge the different media, genres, and timeframes of the works under consideration. Protomodernists Crane and Twain connect with near-contemporary voices like Sebald and Morrison. Robert MacFarlane’s 21st-century nonfiction about what lies underneath the earth echoes the Furerbunker and the poetry of Gertrud Kolmar. Learned but lively, somber but not grim, The Great Beyond is not a comfortable read, but it is in a way comforting. In tracing how his subjects confronted nothingness, be it personal or global, Beidler draws a brilliant map of how we see the end of the road.
The rise of Prussia and subsequent unification of Germany under Prussia was one of the most important events in modern European history.However, the fact that this unification was brought about as a result of the Prussian military has led to many misconceptions about the nature of Prussia, and consequently of Germany, which persist to this day. This collection sets out to correct them. Beginning in 1830, and finishing with the official dissolution of Prussia by the Allies in 1947, the book takes a broad approach: chapters cover the conservatives and the monarchy, industrialisation, the transformation of the rural and urban environment, the labour movement, the tensions between Catholics and Protestants within the state, and the debate about the links between Prussian militarism and the final tragedy of Nazi Germany. By focusing on the social, religious and political tensions that helped define the course of Prussian history, the book also throws light on the development of modern German history.
`Spencer and Wollman remain succinct and clear in their critical introduction to the most influential nationalism theories. The book is well structured, the arguments clearly presented. Its format makes it a great textbook for all seeking a deeper understanding of nationalism and national identity, while those already familiar with the subject will no doubt enjoy this erudite volume as well′ - Sociology `This book is a valuable source for the interested reader who needs a concise and critical introduction into theories and theorists of nationalism. The extensve bibliography and a good index make it a work which should be on the bookshelf of anyone teaching nationalism′ - Journal of Contemporary European Studies Nationalism provides an indispensable review of the study of nationalism that both introduces and critically positions all the main issues, theories and contemporary debates. Drawing upon and introducing a wide range of literatures from across politics, sociology, history, social anthropology and cultural studies, the authors seek to further challenge fixed notions of national identity, ethnicity and culture to more fully explore and understand the contemporary complexities of citizenship and the genuine potential for a cosmopolitan democracy. The text surveys both classical and contemporary approaches including those from within feminism, postmodernism, postcolonialism and globabalization studies. It will be essential reading for all students and academics seeking a deeper understanding of nationalism and national identity today.
What explains the rapid growth of state power in early modern Europe? While most scholars have pointed to the impact of military or capitalist revolutions, Philip S. Gorski argues instead for the importance of a disciplinary revolution unleashed by the Reformation. By refining and diffusing a variety of disciplinary techniques and strategies, such as communal surveillance, control through incarceration, and bureaucratic office-holding, Calvin and his followers created an infrastructure of religious governance and social control that served as a model for the rest of Europe—and the world.
The fully revised and expanded edition of the premier guidebook toInterpreting the Rorschach For the last three decades, Dr. John Exner's Comprehensive Systemhas been the leading approach worldwide to administering andinterpreting the Rorschach Inkblot Test. Comprised of threevolumes, The Rorschach(r): A Comprehensive System is theauthoritative reference for the administration, scoring, andinterpretation of the Rorschach. This Third Edition of Volume Two:Advanced Interpretation, with new and updated information and casestudies, provides an essential companion to the basic foundationsand principles outlined in Volume One: Basic Foundations andPrinciples of Interpretation. New to this edition: * All-new case studies describing accurate use of the Rorschach inthe assessment of children, adolescents, and adults in a variety ofclinical and forensic settings * New research developments * New additions to Exner's Comprehensive System * Expanded reference data, including nonpatient data * Expanded coverage of the cluster approach to organizing data forinterpretation The leading guide to the study and implementation of the Rorschachfor more than three decades, this latest volume from John Exner andPhilip Erdberg is must-reading for any serious scholar or user ofthe Rorschach.
Details the early life and career of Patti Smith, the poet and songwriter whose 1975 album Horses was a landmark. Looks closely at the album, her performances from the early 70s, and her evolution as an artist.
If you are looking to expand your opera career to Germany, Austria, and Switzerland... If you want to work as a full-time singer (Fest) in one or more opera houses... If you are curious about what life is like as a singer in a German-speaking Fest ensemble... If you want to become fluent in German...What The FACH?! 2nd Edition (http: //www.what-the-fach.com) gives you a detailed, first-hand look into life as an English-speaking opera singer in the German theater system. Written by a full-time opera singer working in Europe, this invaluable resource is a 'must have' for every singer wanting to break into the German-speaking opera world.The bestselling guide is back for its Second Edition with detailed information covering virtually everything you can think of, including everything you never thought to think of but still need to know!There are countless English-speaking singers already working in the German-speaking world, and with What The FACH?! 2nd Edition, you can have the knowledge they already possess in hand.READ WHAT OPERA PROFESSIONALS ARE SAYING.....".a comprehensive resource for decoding the mysteries of professional singing in Europe..."-- HUGH RUSSELL, Canadian baritone..".without a doubt the best reference of its kind. ...What the FACH?! answers the obvious and not-so obvious questions - in a concise and very funny way - that one comes across while working in Central Europe's 'Fest' opera system..."-- KATE ALDRICH, American mezzo-soprano"Any singer planning an audition trip to Germany should READ THIS BOOK FIRST! It will answer multiple questions, help in travel planning, seve them money AND prevent many headaches!"-- KIRSTEN GUNLOGSON, American mezzo-soprano"Not only is this book a MUST HAVE for any singer who has considered going to Europe, it is also a wildly entertaining read!"-- COREY MCKERN, American baritone"What the FACH?! is a witty, common sense approach to one of the most challenging endeavors for a developing artist in today's operatic world. A nearly encyclopedic amount of information presented in a format that will keep you informed, inquisitive and amused."-- PATRICK CARFIZZI, American bass-baritone"What a valuable service for novice and well-traveled artists alike!"-- GARNETT BRUCE, American stage directorWhat you get with What the FACH?! 2nd EDITION...A 252 page survival guide detailing the most specific information to date for opera singers, conductors, stage directors, and pianists/accompanists, wanting to tour the German-speaking worldAn 18-page German/English Phrasebook and Dictionary specifically designed for opera singers, coaches, conductors, and stage directorsOver 350 active hyperlinks to crucial Websites and documents, such as residence and work permit applications; tax documents; and much, much moreIn-depth interviews with working professionals. These interviews include singers, conductors, pianists, directors, opera administration, and a lengthy discussion with NYIOP Founder and CEO David Blackburn.A 7-page comprehensive glossary - prepared by a medical doctor - of any and all prescription and non-prescription medications that you might need. Generic names and specific brand names for individual countries are all includedPersonal, first-hand accounts and experiences to help you prepare for, and understand, what you will encounter
Television existed for a long time before it became commonplace in American homes. Even as cars, jazz, film, and radio heralded the modern age, television haunted the modern imagination. During the 1920s and 1930s, U.S. television was a topic of conversation and speculation. Was it technically feasible? Could it be commercially viable? What would it look like? How might it serve the public interest? And what was its place in the modern future? These questions were not just asked by the American public, but also posed by the people intimately involved in television’s creation. Their answers may have been self-serving, but they were also statements of aspiration. Idealistic imaginations of the medium and its impact on social relations became a de facto plan for moving beyond film and radio into a new era. In Television in the Age of Radio, Philip W. Sewell offers a unique account of how television came to be—not just from technical innovations or institutional struggles, but from cultural concerns that were central to the rise of industrial modernity. This book provides sustained investigations of the values of early television amateurs and enthusiasts, the fervors and worries about competing technologies, and the ambitions for programming that together helped mold the medium. Sewell presents a major revision of the history of television, telling us about the nature of new media and how hopes for the future pull together diverse perspectives that shape technologies, industries, and audiences.
Offering the first comprehensive analysis of readmission agreements, this book examines the intersection of immigration and human rights law and the complex interplay between evolving international, regional and national norms. Expanding the current academic and policy discourse on readmission agreements through detailed consideration of the negotiation processes carried out by the European Community, it renders a nuanced review of the underlying strategic objectives and regional effects of these treaties. The book makes a robust challenge to prevailing perspectives in legal scholarship and policy on readmission and refugee protection. The self-contained focus on EC readmission agreements throws light on broader questions of EU migration policy and reveals a detailed and insightful picture of a specific field of EU policy and action.
The stories gathered in these pages lay bare the power of the arts to unsettle and rework deeply ingrained religious beliefs and practices. This book grounds its narrative in the accounts of 82 Evangelicals who underwent a sea-change of religious identity through the intervention of the arts. "There never would have been an undoing of my conservative Evangelical worldview" confides one young man, "without my encounter with the transcendent work of Mark Rothko on that rainy afternoon in London's Tate Modern." "The characters in The Brothers Karamazov began to feel like family to me," reports another individual, "and the doubts of Ivan Karamazov slowly saturated my soul." As their stories unfold, the subjects of the study describe the arts as sources of, by turns, "defamiliarization," "comfort in uncertainty," "a stand-in for faith" and a "surrogate transcendence." Drawing on memoirs, interviews, and field notes, Philip Salim Franics explores the complex interrelationship of religion and art in the modern West, and offers an important new resource for on-going debates about the role of the arts in education and social life.
This text provides an ethnography of a Chinese middle school based on fieldwork conducted in 1988 to 1989. It provides a way of looking at classroom and societal interactions in terms of the interplay among criticism, face and shame.
Postmodern social theory has provided significant insights into our understanding of society and its components. Key thinkers including Foucault, Baudrillard and Lyotard have challenged existing ideas about power and rationality in society. This book analyses planning from a postmodern perspective and explores alternative conceptions based on a combination of postmodern thinking and other fields of social theory. In doing so, it exposes some of the limits of postmodern social theory while providing an alternative conception of planning in the twenty-first century. This title will appeal to anyone interested in how we think and act in relation to cities, urban planning and governance.
Concerns about rights in the United States have a long history, but the articulation of global human rights in the twentieth century was something altogether different. Global human rights offered individuals unprecedented guarantees beyond the nation for the protection of political, economic, social and cultural freedoms. The World Reimagined explores how these revolutionary developments first became believable to Americans in the 1940s and the 1970s through everyday vernaculars as they emerged in political and legal thought, photography, film, novels, memoirs and soundscapes. Together, they offered fundamentally novel ways for Americans to understand what it means to feel free, culminating in today's ubiquitous moral language of human rights. Set against a sweeping transnational canvas, the book presents a new history of how Americans thought and acted in the twentieth-century world.
This innovative textbook provides a solid foundation in both signal processing and systems modeling using a building block approach. The authors show how to construct signals from fundamental building blocks, and demonstrate a range of powerful design and simulation techniques in Matlab, recognizing that signal data are usually received in discrete samples, regardless of whether the underlying system is discrete or continuous in nature.Containing many worked examples, homework exercises, and a range of Matlab laboratory exercises, this is an ideal textbook for undergraduate students of engineering, and related disciplines.
German troops formed the majority of Wellingtons forces present at the Battle of Waterloo including those of Nassau, Brunswick, Hanover and the Kings German Legion, and they have left a large number of first-hand accounts of their role in the battle.The actions of the King's German Legion an integral part of the British Army and partly officered by British soldiers has been published in English, but to a limited degree: Herbert Siborne published letters written to his father; Ompteda and Wheatley have had their memoirs published; and History of the Kings German Legion included a small number of letters, including the oft-misquoted account of the defence of La Haye Sainte by Major Baring. This forms a tiny proportion of the German material available. Therefore it is not surprising that early British histories of the battle have largely sidelined the achievements of the German troops, and this has been regurgitated by most that have followed. This situation did not change until the 1990s when Peter Hofschroer published his two-volume version of the campaign from the German perspective, which included snippets of German documents published in English for the first time. But even this proved not totally satisfactory, as it did not provide the whole document to allow full interpretation. There is a great need to provide an English version of much of the original German source material to redress the imbalance; this volume is intended to remedy that situation by publishing sixty of these reports and letters fully translated into English for the first time, giving a clearer insight into the significant role these troops played. Gareth Glover is a historian specialising in the Waterloo campaign and the Peninsular War. He left school at eighteen to join the Royal Navy as a Seaman Officer and completed his extensive training course at Dartmouth College. He has published articles in The Waterloo Journal and the Journal of the Royal Artillery, and a novel about Waterloo, Voices of Thunder.Christmas Selection 2010, Napoleon.org website
In this study of the encounter between Vietnam and the United States from 1919 to 1950, Mark Bradley fundamentally reconceptualizes the origins of the Cold War in Vietnam and the place of postcolonial Vietnam in the history of the twentieth century. Among the first Americans granted a visa to undertake research in Vietnam since the war, Bradley draws on newly available Vietnamese-language primary sources and interviews as well as archival materials from France, Great Britain, and the United States. Bradley uses these sources to reveal an imagined America that occupied a central place in Vietnamese political discourse, symbolizing the qualities that revolutionaries believed were critical for reshaping their society. American policymakers, he argues, articulated their own imagined Vietnam, a deprecating vision informed by the conviction that the country should be remade in America's image. Contrary to other historians, who focus on the Soviet-American rivalry and ignore the policies and perceptions of Vietnamese actors, Bradley contends that the global discourse and practices of colonialism, race, modernism, and postcolonial state-making were profoundly implicated in--and ultimately transcended--the dynamics of the Cold War in shaping Vietnamese-American relations.
Intermediate-level survey covers remainder theory, convergence theorems, and uniform and best approximation. Other topics include least square approximation, Hilbert space, orthogonal polynomials, theory of closure and completeness, and more. 1963 edition.
Mysterious and evocative, tantalising and erotic, this unique novel explores the qualities of love and obsession. Marienbad, the central European spa resort, is immortalised in the romantic imagination for its legendary doomed love affairs - Goethe and Ulrike von Levetzow, Chopin and Marie Wodzinska, Edward VII and Mizzi Pistl, Franz Kafka and Felice Bauer. In a Marienbad winter, within its ambience of history and allusion, theatre and illusion, a modern pair of lovers look for the cure that eluded all their famous precursors. Echoing the déjà vu of Alain Resnais' classic movie Last Year at Marienbad, they track the pristine forest snows in pursuit of answers to questions that all lovers have sought throughout history. 'White Shadows is enormously satisfying; a beautiful mood piece perfectly evoking the aimless existence of those who seek but never seem to be satisfied, in a town with ever-present reminders that death and decay lie in wait for the seekers.' - Otago Daily Times
This series is the first modern edition of the main body of Mercersburg theology. It includes all the important works, large and small, of John W. Nevin, Philip Schaff, and lesser Mercersburg figures, covering the significant doctrines and issues of the movement. Each volume includes critical or explanatory notes, relevant introductions, and bibliographies of modern works. With few exceptions, the early texts are reproduced in unabridged form. Since the original Mercersburg materials are now extremely scarce, and almost impossible to assemble in their entirety, the Lancaster Series forms an invaluable resource for historians of American Christianity and, in particular, for serious students of theology. It will commend itself to all those who wish to understand the nineteenth-century background of contemporary Protestantism. Both of the Mercersburg theologians, Schaff and Nevin, looked forward to a new age of the church - an age which would call into unity and catholicity all the divisions of the body of Christ.
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