The United States and many western European nations have grown by immigration. What sort of reception have immigrants been given by Christians? Are Christians today aware of the need of people suffering from war or persecution to immigrate to safe places? In earlier times immigrants were generally “like us.” Now many immigrants are often Muslims, who not only dress distinctively, but practice a different religious creed as well. Many fear that terrorists will enter our country under the guise of immigrants. Christians, however, belong to another kingdom, the kingdom of Jesus the Messiah. A Christian response to the needs of refugees and immigrants should reflect their commitment to Christ more than their fears or political allegiances. Through stories of immigrants in the past and present, this book aims to show that not only is it safe to accept them, but our commitment to Christ compels us to help those less fortunate than ourselves.
The marches of John Philip Sousa (1854-1932) remain staples of the band repertoire, but our knowledge of Sousa¿s music rests largely on modern editions designed for school (rather than professional) bands, or on reprintings of the original editions, which because of their small size and rushed publication contain countless inconsistencies and omissions. This volume contains full band scores for six Sousa marches, each prepared from the first printing of the band parts and informed by Sousa¿s holograph and the original performance materials. The six marches¿The Washington Post (1889), The Liberty Bell (1893), El Capitan (1896), The Stars and Stripes Forever (1896), Sabre and Spurs (1918), and George Washington Bicentennial (1930)¿span Sousa¿s career, from his tenure as leader of the United States Marine Band (1880-92) to his years conducting his own, commercial ensemble (1892-1932). Also included in the volume is an essay reexamining Sousa¿s biography, source materials, performance practice, and place in American culture.
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