Phil Kiver's real life, moment-to-moment journal of his assignment as an Army journalist in Iraq is honest, irreverent?gripping and emotional one moment?a howl the next. Kiver, pictured above, in Iraq, with one of his heroes, Oliver North, doesn?t dress for company. His journals are raw reaction, impression, and introspection. This, folks, is what it feels like to be Phil Kiver in this war in Iraq?missing his wife, lounging at one of Sadam's pools, angry with the brass, witnessing the deaths of children and comrades, nighttime explosions too close for comfort, pasta with the Italians, toasting the fallen with the Ukrainians. It's a delirium of experience with this journalist sorting through the rubble and smoke in search of the story that will one day be history.
Phil Kiver's real life, moment-to-moment journal of his assignment as an Army journalist in Iraq is honest, irreverent?gripping and emotional one moment?a howl the next. Kiver, pictured above, in Iraq, with one of his heroes, Oliver North, doesn?t dress for company. His journals are raw reaction, impression, and introspection. This, folks, is what it feels like to be Phil Kiver in this war in Iraq?missing his wife, lounging at one of Sadam's pools, angry with the brass, witnessing the deaths of children and comrades, nighttime explosions too close for comfort, pasta with the Italians, toasting the fallen with the Ukrainians. It's a delirium of experience with this journalist sorting through the rubble and smoke in search of the story that will one day be history.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
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