This is a hilarious new book by the best-selling author of "Medicine Balls".Dr Phil has been a doctor and whistleblower for twenty one years, and still hasn't been struck off. As "Private Eye's" medical correspondent and presenter of BBC's "Trust Me, I'm a Doctor", he's exposed too many scandals and upset too many surgeons. Now aged 46, with varifocals, a swelling prostate and a black bit on his toe that could be a melanoma, he's paranoid about becoming a patient. What will the bastards do to me?This irreverent and confrontational romp through Dr Phil's alleged career starts off with scary scandals but ends up with some surprisingly useful tips on how to avoid doctors if you can and use them if you can't.Trust Me, I'm (Still) a Doctor is one book you can't afford not to read!
This is the popular best-seller in a revised and updated new edition. The world is full of TV doctors, but only Dr Phil has appeared on "Have I Got News For You" seven times and "Coutdown" nineteen times, a true mark of greatness (whatever Lord Winston says). He is also Private Eye's medical correspondent and possibly the only comic to have appeared at a Public Inquiry. Dr Phil (46, Capricorn) has worked in the NHS for twenty years but only used it twice. He takes no drugs (apart from Australian Shiraz) and has never knowingly been Rolfed. So how does he remain so healthy? And what sort of Doctor is he? Here, at last, are transcripts of his most life-enhancing consultations and comedy, including 89 Minutes to Save the NHS.
This book, This Has All Been Said Before, is myself welcoming the reader to my therapy. I used to suffer from depression and anxiety, now I enjoy every moment of it at least I do on the better days. This condition, this gift that I have come to understand that I have given to myself, has challenged me to have to fully realize and appreciate to my own satisfaction, who we are as I discovered in fact who I am. The meaning of life can be absolute or it can be subjective. Both matter. Life, in every single form matters, simply because in the abscence of life expressing itself, there is nothing. Subjectively the meaning of life is whatever we as an individual attach to it, and it is from this perspective, the singular perspective each and every human provides God, that God has allowed God to completely 'know' God. Just as my depression was the gift I, my soul, has given myself, Phil Hammond, as the means through which I would view and explore creation this time in this space, God has given us to Godself, to do the same, explore creation on God's behalf. Thank you and I trust you will enjoy my explanation of everything.
Media, War and Postmodernity investigates how conflict and international intervention have changed since the end of the Cold War, asking why Western military operations are now conducted as high-tech media spectacles, apparently more important for their propaganda value than for any strategic aims. Discussing the humanitarian interventions of the 1990s and the War on Terror, the book analyzes the rise of a postmodern sensibility in domestic and international politics, and explores how the projection of power abroad is undermined by a lack of cohesion and purpose at home. Drawing together debates from a variety of disciplinary and theoretical perspectives, Philip Hammond argues that contemporary warfare may be understood as 'postmodern' in that it is driven by the collapse of grand narratives in Western societies and constitutes an attempt to recapture a sense of purpose and meaning.
Offers a detailed analysis of news content and tests the contradictory claims about media coverage made in other studies. This title is based on extensive, original research funded by the Arts and Humanities Research Council. It takes a comparative approach, looking at six different conflicts/crises from 1992 to 2003.
It strikes me with great clarity that if you look at the problems in isolation they each seem intractable; but when you grasp that there could be one single solution, then suddenly there is a glimpse of light at the end of the tunnel. The state of New Zealand’s freshwater has become a pressing public issue in recent years. From across the political spectrum, concern is growing about the pollution of New Zealand’s rivers and streams. We all know they need fixing. But how do we do it? In Mountains to Sea, leading ecologist Mike Joy teams up with thinkers from all walks of life to consider how we can solve New Zealand’s freshwater crisis. The book covers a wide range of topics, including food production, public health, economics and Māori narratives of water. Mountains to Sea offers new perspectives on this urgent problem. Contributors Mike Joy; Tina Ngata; Nick Kim; Vanessa Hammond; Alison Dewes; Paul Tapsell, Peter Fraser; Kyleisha Foote; Catherine Knight; Steve Carden; Phil McKenzie; Chris Perley.
This is not your father's Artist Biography. There are no essays waxing on about the work and meaning. This is a living collection of photos and notes that cover nearly 20 years documenting the life and projects of Artist Phil Hansen (still alive). For what it lacks in depth (coming in the next edition) it makes up in scale. There are over 700 pages of photos, notes and artworks from the personal archives of the Artist. This book also includes a previously unpublished book of mazes and portions of this book act as a flip book. The artist also encourages you to email him if you wonder about something you see or don't see -- your note might prompt an expansion in the next edition.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
If the death of Phil May is a loss that the world of art may not soon retrieve, to his wide circle of friends it is an irreparable hurt. He had a nature made to love; so great a charm of gentleness and unaffected modesty went with his splendid gifts. The hard times of early life, that helped him in his art, as they helped another Filippo, to "learn the look of things," left their trace, too, in the almost reckless generosity he showed for the needs of others. Less careful for himself, he suffered as a man must suffer who has a heart too quickly responsive to the claims of good fellowship always to distinguish in others between friendship and mere camaraderie. Among his colleagues at the Table he inspired a personal affection not less frank and sincere than their admiration, never even faintly tinged with envy, for the genius from which they caught a reflected pride. Their only jealousy was of the happy possessor of the latest of those delightfully spontaneous sketches which he used to make on the backs of the Punch Dinner menus. These gifts are treasured still more dearly now, along with many unrecorded memories that linger about his vacant place.
“Industry expert Phil Hardy has outdone himself with the splendid, piecing Download!” – Record Collector Download! chronicles of the making of the new record industry, from the boom years of the CD revolution of the late 1980s to the crisis of the present day, with particular stress on the last decade. Following the actions and reactions of the major international record companies as they ploughed their way through the digital revolution, bewildered by the fleet-of-foot digital innovators who were far more responsive to the changing marketing conditions. Download! delves even further into the structural change that has, almost surreptitiously, taken place, within the music business. A change that has left the captains of the record industry as unable to act as they were unwilling to act.
The Labour Party, Housing and Urban Transformation explores how the urban transformation of Britain between 1945 and 1970 was understood politically by the Labour Party. Placing the Labour Party at the centre of the discussion, the book covers the most extensive period of state-led urban change in British history, from the end of the Second World War to the decline of high modernism in the late 1960s. Taking a particular focus on housing to explore the implementation of modernist ideas to drive a far-ranging process of urban transformation in Britain, it challenges conventional understandings of Labour's urban legacy and puts political ideas at the heart of twentieth-century change. Utilising a breadth and range of material, including two distinct sets of archival sources, published secondary material, national legislation and Housing Acts, and various case studies, Child moves seamlessly between the national picture and its local impacts. It also draws from sources which had a crucial influence on political thinking throughout the mid-twentieth century to understand how urban transformation represented for Labour a political vision of the future. A timely contribution both to urban history and to the history of post-war Britain, it challenges existing interpretations of modernism, connects urban change to the political ideas that drove it, and allows us to comprehend the state of urban Britain today.
“A fantastical, thought-provoking page turner” (Robert Foster, bestselling author of The Lunar Code). In 1928, when Demetri Davos discovers a mysterious crystal ball that can grant him anything he asks, he soon learns that power always comes with a price. After two selfish requests result in the death of innocent people, he resolves never to use the orb again. But when the Nazis begin their march across France, the desperate half-Jewish Demetri is forced into a life-or-death decision—and has to break his vow to make his escape. Years later in Chicago, he is rich and happily married—but a vengeful nemesis, who knows of the ball’s power, now wants what he’s owed—and will stop at nothing to get it. With his family in peril, Demetri is forced to pay for his past, and for wishes granted, time after time . . . after time . . . Spanning from Europe to America and across decades, In His Hands traces one good man’s struggle to combat his own inadequacies and resist overwhelming temptation in a deadly moral tug-of-war.
A Scent of Water is a message of hope for the Christian school movement, a movement that is currently lacks vision, struggles with enrollment declines and battles budget limitations. This message derives from scriptural truth and the findings of empirical research and recommends a means for restoring a vision for the ministry. The local Christian school must become the site for transforming the movement into one that focuses upon student learning and a clear delineation of student goals. The authors examine schools as social and cultural systems that must be understood. A Scent of Water describes the type of leadership that must characterize the movement and proposes an active, vibrant and collaborative role for classroom teachers, working with building principals who see themselves as capacity builders, building strength and knowledge within the teaching staff to bring a scent of water that will revitalize and transform the movement.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.