This is the first systematic study to trace the way representations of 'Germanness' in modernist British literature from 1890 to 1950 contributed to the development of English identity. Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith. Accessibly written and convincingly argued, Rau's study will not only be an important book for scholars but will serve as a valuable guide to undergraduates working in modernism, literary history, and European cultural relations.
An analysis of the resurgent cultural fascination with Nazism since 1989. Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how, paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces a critical engagement with actual, violent history.In 5 thematic chapters on Nazi Noir, Men in Uniform, Vile Bodies, The Good German and Meta-Cinematic Farce, Rau provides close analysis of contemporary novels such as Jason Lutes' graphic novel series Berlin, historical crime fiction by Philip Kerr and others, Robert Harris' Fatherland, Ian McEwan's Black Dogs and Justin Cartwright's The Song Before It Is Sung; films such as Bryan Singer's Valkyrie and Quentin Tarantino's Inglorious Bastards; art installations including Mirroring Evil: Nazi Imagery/Recent Art, and Fucking Hell by Jake and Dinos Chapman; and Piotr Uklanski's photo frieze, Untitled (The Nazis).
Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism.
This is the first systematic study to trace the way representations of 'Germanness' in modernist British literature from 1890 to 1950 contributed to the development of English identity. Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith. Accessibly written and convincingly argued, Rau's study will not only be an important book for scholars but will serve as a valuable guide to undergraduates working in modernism, literary history, and European cultural relations.
Retaining the proven didactic concept of the successful "Chemical Biology - Learning through Case Studies", this sequel features 27 new case studies, reflecting the rapid growth in this interdisciplinary topic over the past few years. Edited by two of the world's leading researchers in the field, this textbook introduces students and researchers to the modern approaches in chemical biology, as well as important results, and the techniques and methods applied. Each chapter presents a different biological problem taken from everyday lab work, elucidated by an international team of renowned scientists. With its broad coverage, this is a valuable source of information for students, graduate students, and researchers working on the borderline between chemistry, biology, and biochemistry.
Commended in the Haematology category at the British MedicalAssociation Book Awards 2008 This unique and practical book introduces the reader to theconcept of blood management and explains how to improve patientoutcomes by avoiding undue blood loss, enhancing thepatient’s own blood, effective management of anemia andcoagulopathy. Basics of Blood Management is the first bookdedicated to blood management, a multidisciplinary andmultimodality concept that focuses on patient outcome. A practical and comprehensive text on the new and excitingfield of blood management Takes an international perspective, covering conditionsencountered in developing and industrial countries Covers all areas of organization, methods and tools Gives the reader an understanding of the concept and philosophyof blood management Provides clinical scenarios and exercises that help the readerto adapt information for their location Whether you are an early practising clinician in hematology,transfusion, critical care, anesthesiology, surgery or internalmedicine, a nursing specialist, trainee or other member of themultidisciplinary blood management team, this book will answer allyour questions about blood management as an aid in improvingpatient outcome.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.