Do something creative every day! In A Year of Creativity, learn how to throw the perfect creative party with your friends—with organizing tips, 25 project ideas, and even recipes for snacks. A "craft date" is a fun get-together with a handful of creative friends in which you surprise each other with craft and DIY projects using cool materials, inspire each other, and make beautiful things together. At each date, a group of participants share a self-made project to be re-created by the other attendees. Materials are individualized for each participant and given as a unique personal gift along with the instructions for the project. A craft date is different than a workshop since you get to choose the lovely people that you invite, and as the organizer, you get to participate in all the projects. Invitees can put their own spin on the project by using their favorite colors, materials, or techniques. This way you end up with a range of different interpretations and results, leading to new inspiration and ideas. A Year of Creativity is a book for everyone with a basic knowledge of crocheting, knitting, and sewing. It does not teach you how to crochet or explain how a sewing machine works. There are plenty of other books for that. What it does do is inspire crafting enthusiasts to make something together, learn from each other, and have fun doing it. You'll find within: An introduction to craft dates and how they work Tips on planning your craft date events Plenty of project ideas (short, long, and cooperative) Plus recipes for party dishes that keep the creative juices flowing You will share ideas, discover new inspiration, and find new friends while creating uniquely beautiful aprons, knit garlands, infinity scarves, haberdashery bags, cards, pencil cases, and more. Have you had a great craft date or are you working on a neat project and want to show it off? There’s a place for this in the craft dates community. On Instagram, for example, you can tag your photos with, or search for the hashtag #craftdates. You can have a look at each other’s work, drum up inspiration for your own dates, invite your Insta-friends, or organize a "blind date" with creative people from your town or city that you don’t know yet. A whole world will open up. A very creative world is waiting for you in A Year of Creativity.
Do something creative every day! In A Year of Creativity, learn how to throw the perfect creative party with your friends—with organizing tips, 25 project ideas, and even recipes for snacks. Can’t meet in person? Organize a virtual party to connect with others as you work on the same craft project. Then share your unique results with creative people all over the world. A "craft date" is a fun get-together with a handful of creative friends in which you surprise each other with craft and DIY projects using cool materials, inspire each other, and make beautiful things together. At each date, a group of participants share a self-made project to be re-created by the other attendees. Materials are individualized for each participant and given as a unique personal gift along with the instructions for the project. A craft date is different than a workshop since you get to choose the lovely people that you invite, and as the organizer, you get to participate in all the projects. Invitees can put their own spin on the project by using their favorite colors, materials, or techniques. This way you end up with a range of different interpretations and results, leading to new inspiration and ideas. A Year of Creativity is a book for everyone with a basic knowledge of crocheting, knitting, and sewing. It does not teach you how to crochet or explain how a sewing machine works. There are plenty of other books for that. What it does do is inspire crafting enthusiasts to make something together, learn from each other, and have fun doing it. You'll find within: An introduction to craft dates and how they work Tips on planning your craft date events Plenty of project ideas (short, long, and cooperative) Plus recipes for party dishes that keep the creative juices flowing You will share ideas, discover new inspiration, and find new friends while creating uniquely beautiful aprons, knit garlands, infinity scarves, haberdashery bags, cards, pencil cases, and more. Have you had a great craft date or are you working on a neat project and want to show it off? There’s a place for this in the craft dates community. On Instagram, for example, you can tag your photos with, or search for the hashtag #craftdates. You can have a look at each other’s work, drum up inspiration for your own dates, invite your Insta-friends, or organize a "blind date" with creative people from your town or city that you don’t know yet. A whole world will open up. A very creative world is waiting for you in A Year of Creativity.
Award-winning fitness professional and consultant shares a practical, accessible program to help women replace destructive perfectionistic mindsets with concrete strategies and life-changing tips. Tired. Stressed. Overwhelmed. Just one more email, one more meeting with the kid's teacher, oh and lose that last five pounds. Today, women are striving for perfection more than ever -- and feeling like failures for not meeting unattainable goals. Health and wellness expert Petra Kolber knows this intimately; as a dancer and fitness professional, she's experienced the ultimately dissatisfying quest for perfection. Her Perfection Detox program helps women to overcome the unhealthy, unproductive demands we place on ourselves -- and others. Based on her popular workshops, Kolber's strategies help women to recognize and constructively root out the perfectionistic impulse to be critical of self or others and to harness the power of our own internal resources, willpower, and habits. With simple steps and strategies such as adjusting your internal monologue, cleaning up your vocabulary to include more positive language, becoming a passionist rather than a perfectionist, and more, The Perfection Detox is an essential guide to a healthy, full, authentic life.
This book combines theoretical and experimental aspects of the establishment of dependency. It provides an account of dependency relations by focusing on the representation and interpretation of referentially dependent elements, particularly regular reflexives, logophors, and pronouns. First, the establishment of dependency is discussed within a model of syntaxdiscourse correspondences that predicts an economy-based dependency hierarchy contingent on the level of representation at which the dependency is formed as well as the internal structure of the dependent element and its antecedent. Secondly, the model's predictions are substantiated by a series of experimental studies (conducted in English and Dutch) providing evidence from three sources of online sentence comprehension: reaction time studies, Broca's aphasia patient studies, and event-related brain potential studies. The findings show that dependencies are established at distinct levels of linguistic encoding (i.e. syntax or discourse) determined by the presence or absence of coargumenthood and the representation of the dependency-forming elements.
This book asserts that language is a signaling system rather than a code, based in part on such research as the finding that 5-year-old English and Dutch children use pronouns correctly in their own utterances, but often fail to interpret these forms correctly when used by someone else. Emphasizing the unique and sometimes competing demands of listener and speaker, the author examines resulting asymmetries between production and comprehension. The text offers examples of the interpretation of word order and pronouns by listeners, and word order freezing and referential choice by speakers. It is explored why the usual symmetry breaks down in children but also sometimes in adults. Gathering contemporary insights from theoretical linguistic research, psycholinguistic studies and computational modeling, Asymmetries between Language Production and Comprehension presents a unified explanation of this phenomenon. “Through a lucid, comprehensive review of acquisition studies on reference-related phenomena, Petra Hendriks builds a striking case for the pervasiveness of asymmetries in comprehension/production. In her view, listeners systematically misunderstand what they hear, and speakers systematically fail to prevent such misunderstandings. She argues that linguistic theory should take stock of current psycholinguistic and developmental evidence on optionality and ambiguity, and recognize language as a signaling system. The arguments are compelling yet controversial: grammar does not specify a one-to-one correspondence between form and meaning; and the demands of the mapping task differ for listeners and speakers. Her proposal is formalized within optimality theory, but researchers working outside this framework will still find it of great interest. In the language-as-code vs. language-as-signal debate, Hendriks puts the ball firmly in the other court.” Ana Pérez-Leroux, University of Toronto, Canada
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