Published to tie in with a BBC2 television series, this book casts a sardonic gaze over the trends and traits which characterized the 1980s, from New Romantics to Sloane Rangers, the Rubik's Cube to the CD player, and Boy George to Margaret Thatcher.
Early 1960s, Yorkshire. Farm labourer George is cast in an amateur staging of the York Mystery Plays. His world is shaken when he falls for metropolitan assistant director John and the two men embark on a clandestine affair. Peter Gill's influential play is not only a finely drawn love story; it is also a touching reflection on the rival forces of family, class, and the origins and ownership of art. The York Realist was premiered by the English Touring Theatre at The Lowry, Salford Quays in November 2001; it moved to the Bristol Old Vic that same year and, in 2002, to the Royal Court Theatre, London. The play was revived by the Donmar Warehouse, London, in February 2018. Winner of the London Critics' Circle Award for Best New Play. 'As a love story, The York Realist is riveting and heart-rendering... Gill is always terrifically perceptive about male tenderness. The personal and political are subtly united in a study of English masculinity, class and culture. Such outstanding work.' Independent on Sunday 'Sensationally fine and poignant.' Evening Standard 'It has the Lawrentian qualities of emotional intelligence, raw honesty and fascination with the intersection of class and sex... It is about the way the English, however hard they try, can never finally escape their origins. But, far from being emotionally conservative, it is adventurous, witty and fresh... The play comes like a rare blast of reality.' Guardian
Duncan Phyfe (1770-1854), known during his lifetime as the "United States Rage," to this day remains America's best-known cabinetmaker. Establishing his reputation as a purveyor of luxury by designing high-quality furniture for New York's moneyed elite, Phyfe would come to count among his clients some of the nation's wealthiest and most storied families. This richly illustrated volume covers the full chronological sweep of the craftsman's distinguished career, from his earliest furniture-- which bears the influence of his 18th-century British predecessors Thomas Sheraton and Thomas Hope--to his late simplified designs in the Grecian Plain. More than sixty works by Phyfe and his workshop are highlighted, including rarely seen pieces from private collections and several newly discovered documented works. Additionally, essays by leading scholars bring to light new information on Phyfe's life, his workshop production, and his roster of illustrious patrons. What unfolds is the story of Phyfe's remarkable transformation from a young immigrant craftsman to an accomplished master cabinetmaker and an American icon."--Publisher's website.
The idea of authenticity - deliciously vague and as ubiquitous as Starbucks - has hit the spot in almost every sector of 21st-century life. But can we trust the authentic image of Nigel 'man-of-the-people' Farage, Sarah 'hockey mom' Palin or Gwyneth 'inner life' Paltrow? Are punk bands, distressed denim and rustic furniture really as spontaneous as people seem to think? Is bare-brick Shoreditch just one big authenticity scam? From motivational speakers to PR consultants, music entrepreneurs to devoted foodies, bearded hipsters to earnest YouTubers - and, yes, politicians too - 'authentic' has become the buzzword of our age. But, as Peter York has discovered, its meaning has changed and become corrupted: every advertising agency, micro-connoisseur and charlatan going has re-tooled the language of authenticity for our changing market and it is now practically impossible for us to differentiate between authentic and 'authentic'. Drawing on witty anecdotes and analysing various spheres of everyday life, Peter has set out to uncover the truth behind authenticity - the ultimate con of our generation.
Arranged thematically, the photographs showcased here are but a sampling from about 22,000 images produced by the Byron Company's New York City commercial studio over a 50-year period. And for 40 of those years, Mrs. Joseph Byron oversaw the photo-printing work for what is usually thought of as a father-and-son enterprise. The Museum of the City of New York acquired the negatives and prints when the firm closed in 1942. Three earlier books on the Byron Collection failed to show the breadth of the collection, which was recently revealed during an archiving project funded by the National Endowment for the Humanities. With their large-format cameras, the Byrons went beyond the sheltered world of the upper classes in their elegant houses and ocean liners. Also included are documentary images of Lower East Side tenements, recently arrived steerage passengers, and the African American neighborhood west of Columbus Circle. The reproduction quality here is excellent, and the interpretive captions lend meaning to these definitive views of early 20th-century New York City. Highly recommended for photography, architecture, and urban studies collections. Kathleen Collins, Bank of America Archives, San Francisco"--Library Journal
By contributing a few hundred dollars to a charity like UNICEF, a prosperous person can ensure that fewer poor children die, and that more will live reasonably long, worthwhile lives. Even when knowing this, however, most people send nothing, and almost all of the rest send little. What is the moral status of this behavior? To such common cases of letting die, our untutored response is that, while it is not very good, neither is the conduct wrong. What is the source of this lenient assessment? In this contentious new book, one of our leading philosophers argues that our intuitions about ethical cases are generated not by basic moral values, but by certain distracting psychological dispositions that all too often prevent us from reacting in accord with our commitments. Through a detailed look at how these tendencies operate, Unger shows that, on the good morality that we already accept, the fatally unhelpful behavior is monstrously wrong. By uncovering the eminently sensible ethics that we've already embraced fully, and by confronting us with empirical facts and with easily followed instructions for lessening serious suffering appropriately and effectively, Unger's book points the way to a compassionate new moral philosophy.
Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.
Although his brief but productive career as a cabinetmaker in New York lasted a mere sixteen years, the French-born maitre ebeniste Charles-Honore Lannuier (1779-1819) was a leading figure in the development of a distinctive and highly refined style of furniture in the Late Federal period. A contemporary of the renowned master Duncan Phyfe, Lannuier, like him, made fashionable gilded card tables, marble-topped pier tables, bedsteads, and seating furniture for wealthy clients numbering among the mercantile and social elite of New York, Philadelphia, Baltimore, Richmond, and Savannah. This volume, which complements the exhibition "Honore Lannuier, Parisian Cabinetmaker in Federal New York" held at The Metropolitan Museum of Art, New York, in spring 1998, represents the most complete study of Lannuier's life and work published to date.
(Easy Fake Book). Easy arrangements of 100 favorites for kids, including: Addams Family Theme * Alphabet Song * Any Dream Will Do * The Bear Went over the Mountain * Beauty and the Beast * Bob the Builder "Intro Theme Song" * The Candy Man * Do-Re-Mi * Edelweiss * Elmo's Song * Hakuna Matata * The Hokey Pokey * If You're Happy and You Know It * John Jacob Jingleheimer Schmidt * Let's Go Fly a Kite * Linus and Lucy * My Favorite Things * On Top of Spaghetti * She'll Be Comin' 'Round the Mountain * Sing * A Spoonful of Sugar * Supercalifragilisticexpialidocious * Take Me Out to the Ball Game * This Land Is Your Land * Tomorrow * Won't You Be My Neighbor? (It's a Beautiful Day in the Neighborhood) * Yellow Submarine * You Are My Sunshine * and more. A must-have for parents and music classrooms!
If our homes are an extension of our personalities then the interiors in Dictators' Homes provide evidence to substantiate the theory that these men and women were the world's most terrifying rulers. Featuring rare, jaw-dropping photographs of interiors that are now mostly (thankfully) destroyed, Peter York places each lair in its historical context leaving no tiger pelt unturned. From Saddam Hussein's private artwork and General Noriega's Christmas tree to the alarming tube and knob contraption in Ceausescu's en-suite bathroom no design detail is unexamined. The worlds' most famous Dictators are here. From Mussolini and Mobutu via Idi Amin, Lenin and Tito this book ensures that Dictators' crimes against good taste will no longer go unpunished.
There's a war on against the BBC. It is under threat as never before. And if we lose it, we won't get it back. The BBC is our most important cultural institution, our best-value entertainment provider, and the global face of Britain. It's our most trusted news source in a world of divisive disinformation. But it is facing relentless attacks by powerful commercial and political enemies, including deep funding cuts - much deeper than most people realise - with imminent further cuts threatened. This book busts the myths about the BBC and shows us how we can save it, before it's too late.
This bold and original work of philosophy presents an exciting new picture of concrete reality. Peter Unger provocatively breaks with what he terms the conservatism of present-day philosophy, and returns to central themes from Descartes, Locke, Berkeley, Hume and Russell. Wiping the slate clean, Unger works, from the ground up, to formulate a new metaphysic capable of accommodating our distinctly human perspective. He proposes a world with inherently powerful particulars of two basic sorts: one mental but not physical, the other physical but not mental. Whether of one sort or the other, each individual possesses powers for determining his or her own course, as well as powers for interaction with other individuals. It is only a purely mental particular--an immaterial soul, like yourself--that is ever fit for real choosing, or for conscious experiencing. Rigorously reasoning that the only satisfactory metaphysic is one that situates the physical alongside the non-physical, Unger carefully explains the genesis of, and continual interaction of, the two sides of our deeply dualistic world. Written in an accessible and entertaining style, while advancing philosophical scholarship, All the Power in the World takes readers on a philosophical journey into the nature of reality. In this riveting intellectual adventure, Unger reveals the need for an entirely novel approach to the nature of physical reality--and shows how this approach can lead to wholly unexpected possibilities, including disembodied human existence for billions of years. All the Power in the World returns philosophy to its most ambitious roots in its fearless attempt to answer profoundly difficult human questions about ourselves and our world.
Metropolitan Museum of Art curators William M. Ivins and A. Hyatt Mayor assembled one of the world's greatest collections of prints, from Renaissance masterpieces to popular and ephemeral works. Celebrating the power of prints not only as aesthetic objects but also as rich sociohistorical documents and peerless tools of communication, Ivins and Mayor expanded our appreciation of prints as the most democratic art form: functional, cost-effective works that disseminate information and bring pleasure to a wide audience. Their populist approach—collecting across the full spectrum of the medium, from the exquisite to the everyday, and writing about prints in accessible language—delivered prints from the province of scholars and collectors to the general public and transformed notions of how art reaches the masses. The first comprehensive exploration of the lives, careers, theories, and influence of Ivins and Mayor, this book also showcases more than 125 exceptional prints that represent the breadth and depth of their acquisitions, including works by Mantegna, Düaut;rer, Callot, Rembrandt, Goya, Whistler, Toulouse-Lautrec, and Cassatt. Included in this volume are biographical essays elucidating the two curators' achievements and catalogue entries that quote Ivins's and Mayor's pithy remarks about the featured artworks. The Power of Prints is a fitting tribute to the groundbreaking work of two scholars who revolutionized the study of a vast area of art history.
Cardiff East 'As scene melts into scene, one's appetite for knowing more and more about these people is constantly whetted, even for the ones one would avoid in real life. Each and every [character] rings true and resonates further... A play which is never less than gripping.' Mail on Sunday Certain Young Men 'The play is marked by a fast turnover of scenes, lots of brusque, vivid, wryly funny dialogue... articulate, arresting and as freshly performed as anything in town.' The Times The York Realist: Winner of the London Critics' Circle Award for Best New Play 'As a love story, The York Realist is riveting and heart-rending, performed with fine-tuned naturalism that's quiet and unhurried. Gill is always terrifically perceptive about male tenderness. Overall, the personal and political are subtly united in a study of English masculinity, class and culture. Such outstanding work.' Independent on Sunday Original Sin 'Hauntingly powerful.' Guardian
While well-known for his book-length work, philosopher Peter Unger's articles have been less widely accessible. These two volumes of Unger's Philosophical Papers include articles spanning more than 35 years of Unger's long and fruitful career. Dividing the articles thematically, this first volume collects work in epistemology and ethics, among other topics, while the second volume focuses on metaphysics. Unger's work has advanced the full spectrum of topics at the heart of philosophy, including epistemology, metaphysics, philosophy of language and philosophy of mind, and ethics. Unger advances radical positions, going against the so-called "commonsense philosophy" that has dominated the analytic tradition since its beginnings early in the twentieth century. In epistemology, his articles advance the view that nobody ever knows anything and, beyond that, argue that nobody has any reason to believe anything--and even beyond that, they argue that nobody has any reason to do anything, or even want anything. In metaphysics, his work argues that people do not really exist--and neither do puddles, plants, poodles, and planets. But, as Unger has often changed his favored positions, from one decade to the next, his work also advances the opposite, "commonsense" positions: that there are in fact plenty of people, puddles, plants and planets and, quite beyond that, we know it all to be true. On most major philosophical questions, both of these sides of Unger's significant work are well represented in this major two volume collection. Unger's vivid writing style, intellectual vitality, and fearlessness in the face of our largest philosophical questions, make these volumes of great interest not only to the philosophical community but to others who might otherwise find contemporary philosophy dry and technical.
The real story behind the best-known—and least-understood—battle in British history. If ever there was a year of destiny for the British Isles, 1066 must have a strong claim. King Harold faced invasion not just from William and the Normans across the English Channel, but from King Harald Hardrada of Norway. Before he fought the Normans at Hastings in October, he had fought at York and neighboring Stamford Bridge in September. It was a year of dramatic changes of fortune, heroic marches, assaults by land and sea. This concise history, with maps included, tells the full story.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.