A lone man wanders from swamp to swamp searching for himself, a wolf-girl visits Wales and eats the sheep, a Welsh criminal marries an 'Indian Princess', Lakota men re-enact the Wounded Knee Massacre in Cardiff and, all the while, mountain women practise Appalachian hoodoo, native healing and Welsh witchcraft. These stories are a mixture of true tales, tall tales and folk tales, that tell of the lives of migrants who left Wales and settled in America, of the native and enslaved people who had long been living there, and those curious travellers who returned to find their roots in the old country. They were explorers, miners, dreamers, hobos, tourists, farmers, radicals, showmen, sailors, soldiers, witches, warriors, poets, preachers, prospectors, political dissidents, social reformers, and wayfaring strangers. The Cherokee called them: ' the Moon-Eyed People'.
This book, a selection of folk tales, true tales, tall tales, myths, gossip, legends and memories, celebrates and honours unique Welsh stories. Some are well known, others from forgotten manuscripts or out-of-print volumes, and some are contemporary oral tales. They reflect the diverse tradition of storytelling, and the many meanings of 'chwedlau'. If someone says, 'Chwedl Cymraeg?' they are asking, 'Do you speak Welsh?' and 'Do you tell a tale in Welsh?' Here is the root of storytelling, or 'chwedleua', in Wales. It is part of conversation. This book, one to linger over and to treasure, keeps these ancient tales alive by retelling them for a new audience.
Very seldom does one come across so inspiring a volume. . . . It belongs in every Irish-American library. . . . Anyone with an interest in the Civil War and/or the history of the Irish in America should own a copy of this very fine work.
When this book was first published in 1975 it was at once enthusiastically received by scholars and the general public alike and recognized as a classic of its genre. It represented a notable publication of the early fruits of the Commission's work on the side of its responsibility for the National Monuments Record for Wales. During the years which have since intervened, much fresh information has come to light concerning Welsh houses - not least because of the intense interest awakened by the original publication. This new knowledge has, as far as possible, been incorporated in the new and revised edition, which contains approximately onequarter more material than the first. Although it has not been possible to alter the original text, a number of additional maps and photographs have been included and a new dust-jacket has been designed. The Commissioners would wish warmly to congratulate their Secretary, Mr. Peter Smith, those of his colleagues who were associated with him, and H.M.S.O. on the excellence of this volume. It marks another outstanding landmark in the study of vernacular architecture, not only in Wales but also in the British Isles, and a major achievement on the part of its author. Although this second edition of Houses of the Welsh Countryside retains in their entirety the text, the illustrations, and the layout of the volume first published in 1975, it also includes a substantial amount of new information which has come to light since that date. Some of this new material takes the form of additional figures inserted where appropriate into the existing illustrative pages. Similarly a small number of additional colour plates showing typical houses in characteristic settings has been tipped into the text. There are also additions to the original map lists. It has not been possible for reasons of cost to bring the maps themselves up to date, but as the newly-discovered sites nearly always reinforce the distribution patterns first indicated, this omission is not crucial. The numbers of new discoveries can vary from a mere handful on one list to several hundred on another. All other new material is introduced as part of an additional SECTION IV at the back of the volume. This section comprises: Corrigenda Covering sites which were inadequately or incorrectly described in the first volume, involving in one case a complete reappraisal of the original reference. Addenda I Describing and illustrating a small number of newly surveyed houses of especial interest which could not easily be fitted into the illustrations in the main text. Addenda II Analysing the incidence of date-inscriptions as evidence for building activity. Addenda III Listing and mapping a number of features of domestic architecture not previously so noted. Addenda IV Listing and mapping various features of ecclesiastical architecture which also occur in houses and which therefore have a bearing on the evolution of domestic architecture.
The who, what, where, when, and how of rock-art. This richly illustrated book will guide you to 28 outstanding rock-art sites in seven states, and teach you about art styles and the cultural groups that created them. Includes a resource guide to continue your exploration.
This collection of revealing profiles captures the essence of a galaxy of Welsh world-beaters from across the sporting spectrum: athletics, boxing, cricket, football, golf, horse racing, motor racing, rugby union, rugby league and tennis. Those featured include arguably the best Welsh rugby union player of the twentieth century; the greatest bowler never to play for England; the farmer's boy who became a master golfer; the Cardiff boy from Splott who made such a name for himself in Hull that they named a thoroughfare after him; the 'Gentle Giant' from Swansea still revered in Italy some 50 years after his last match for Juventus; the only post-war Welsh jockey to win the Grand National twice; and the unsung hero from the Rhondda who became the saviour of Manchester United in the weeks after the Munich air disaster. Their stories, based on exclusive interviews and coloured with anecdotes, will inspire future generations to believe that nothing is impossible.
The six sequential essays in this collection provide a narrative of a century and a half of Welsh painting, written with an emphasis on issues of social class and national identity. Through his earlier writing, Peter Lord has contributed to the establishment of an historical tradition of Welsh painting, but because it does not feature in the wider story of Western art history as presently told, the work revealed continues to be perceived as marginal, existing in isolation from ideas and movements in other countries. These essays break new ground by discussing the concerns of Welsh painters not only in domestic terms but also in the context of the ways in which artists in other parts of Europe and in the United States reacted to the common underlying causes of those concerns. The author challenges the idea that the work of Welsh painters is relevant only to the evolution of their own communities and, through confident and detailed analysis, validates their pictures also in terms of the arts of other Western cultures.
At the height of World War II, a forbidden romance blossoms between seventeen-year-old Esther Evans, the daughter of a Welsh shepherd, and Karsten Simmering, a troubled young German POW, who questions what he has been fighting for.
By the author of the acclaimed In Search of Welshness, this book takes an in-depth look at the state of our nation, at Welsh national identity and at what exactly it is that leads to so many Welsh exiles feeling they need to rediscover their roots and eventually return home. It poses questions that Wales's politicians and leaders need to grapple with.
Short stories from the author of A Lie Someone Told You About Yourself—“a writer to behold with real pleasure” (Gish Jen). In tales that travel from Coventry to Kuala Lumpur, from the past to the present, and from hilarity to tragedy, American bandits herd ostriches in Patagonia, British soldiers confront Zulus in Natal, and John Wayne leads the way for local revolutionaries in Southeast Asia. These are stories in which small lives are affected by consequential events. In “A Union,” a prolonged strike at a Welsh slate quarry plays mystifying tricks of time on a couple expecting a baby. In “The Silver Screen,” ragtag rebels join a communist revolution with all the flair of the Keystone Kops. In the heartbreaking title story, a rural community in North Wales copes with the accidental death of a child and learns the reaches of guilt. With its deep vein of humanism and pointed humor, this collection was a winner of the John Llewellyn Rhys and PEN/Macmillan Awards, and includes two entries that were selected for The Best American Short Stories. “A quiet clarity and an all-encompassing empathy that is without borders.” —Elle “Astounding . . . Peter Ho Davies has left a unique, definitive footprint in the soil of contemporary short fiction.” —The Washington Post
From 1971-86 Peter Lord worked primarily as a sculptor but has since worked mainly as an art historian. He is currently a research fellow at the University of Wales, Centre for Advanced Welsh and Celtic Studies and has produced three volumes under the collective title of The Visual Culture of Wales. This book describes the early days of the Royal Cambrian Academy.
A survey in 1776 recorded almost 2,000 parish workhouses operating in England, while the number in Wales was just nineteen. The New Poor Law of 1834 proved equally unattractive in much of Wales – some parts of the country resisted providing a workhouse until the 1870s, with Rhayader in Radnorshire being the last area in the whole of England and Wales to do so. Our image of these institutions has often been coloured by the work of authors such as Charles Dickens, but what was the reality? Where exactly were these workhouses located – and what happened to them? People are often surprised to discover that a familiar building was once a workhouse. Revealing locations steeped in social history, Workhouses of Wales and the Welsh Borders is a comprehensive and copiously illustrated guide to the workhouses that were set up across Wales and the border counties of Cheshire, Shropshire, Herefordshire and Gloucestershire. It provides an insight into the contemporary attitudes towards such institutions as well as their construction and administration, what life was like for the inmates, and where to find their records today.
Llywelyn ap Gruffudd's life and death confronts us with a puzzling contradiction - he was the only Welsh leader to be officially recognised by the English as Prince of Wales, yet, within a year of his death, Wales lay crushed beneath the iron heel of the rapacious English. Llywelyn narrates the brutal history of his attempt to free Wales from English hegemony. It is a tale full of battles and beseiged castles; patriotism and treachery; triumphs and defeats; all leading to ultimate disaster and despair.
How the experience of war impacted on the town, from the initial enthusiasm for sorting out the German Kaiser in time for Christmas 1914, to the gradual realization of the enormity of human sacrifice the families of Washington were committed to as the war stretched out over the next four years. A record of the growing disillusion of the people, their tragedies and hardships and a determination to see it through. The Great War affected everyone. At home there were wounded soldiers in military hospitals, refugees from Belgium and later on German prisoners of war. There were food and fuel shortages and disruption to schooling. The role of women changed dramatically and they undertook a variety of work undreamed of in peacetime. Meanwhile, men serving in the armed forces were scattered far and wide. Extracts from contemporary letters reveal their heroism and give insights into what it was like under battle conditions.
The Grimms called them The Quiet Folk, in Māori they are Patupaiarehe, in Wales Y Tylwyth Teg : hidden people who live unseen, speak their own languages and move around like migrants, shrouded from our eyes – like those who lived in the utopian world of Plant Rhys Ddwfn off the west Welsh coast, where this book begins. In mythology, lost lands are coral castles beneath the sea, ancient forests where spirits live, and mountain swamps where trolls lurk. Strip away the mythology, and they become valleys and villages flooded to provide drinking water to neighbouring kingdoms, campsites where travellers are told they can't travel, and reservations where the rights of first nations people are ignored. The folk tales in this book tell of these lost lands and hidden people, remembered through migrations, dreams and memories.
Peter Welsh was an historian of pre-industrial technology, a museum curator and director. This is how he introduces this paper: This history of woodworking hand tools from the 17th to the 20th century is one of a very gradual evolution of tools through generations of craftsmen. As a result, the sources of changes in design are almost impossible to ascertain. Published sources, moreover, have been concerned primarily with the object shaped by the tool rather than the tool itself. The resulting scarcity of information is somewhat compensated for by collections in museums and restorations. In this paper, the author spans three centuries in discussing the specialization, configuration, and change of woodworking tools in the United States.
Woodworking Tools 1600-1900 By Peter C. Welsh Brand New Copy The History of Building This history of woodworking hand tools from the 17th to the 20th century is one of a very gradual evolution of tools through generations of craftsmen. As a result, the sources of changes in design are almost impossible to ascertain. Published sources, moreover, have been concerned primarily with the object shaped by the tool rather than the tool itself. The resulting scarcity of information is somewhat compensated for by collections in museums and restorations. In this paper, the author spans three centuries in discussing the specialization, configuration, and change of woodworking tools in the United States. The Author: Peter C. Welsh is curator, Growth of the United States, in the Smithsonian Institution's Museum of History and Technology.
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