Tourism Destination Quality: Attributes and Dimensions critically compares dimensions of tourism destination quality established in the TDQ study with dimensions of product quality, service quality, place quality and destination service/product quality.
Tourism, with its wide-ranging impact, needs to be managed effectively – but how? This book advocates taking a business approach to tourism that encourages greater collaboration between stakeholders in the practical assessment of tourism options. The approach places key business management functions and stakeholders at the forefront of tourism initiatives. The business management functions of planning, organising, leadership and control are the filters through which tourism opportunities are viewed, while the stakeholder groups of customers, residents, industry and government set the agenda for appropriate tourism development. Tourist destinations must engage in realistic assessments of their abilities to meet the needs and expectations of tourism stakeholders and then act on these assessments so their goals and objectives can be achieved. A new model for bridging stakeholder gaps is presented as a template for how communities can understand and make the most of their tourism resources. The Bridging Tourism Gaps Model is a practical tool to help destinations focus on the important factors in developing and maintaining tourism as a beneficial and vital part of their communities. This book builds on the success of Tourism: A Community Approach and the subsequent tourism planning experiences of both authors to advance strategic planning in tourism.
This study examines the historical context of aboriginal (Indian, Métis, Inuit) socio-economic development in Canada, depicts current trends and future developments, offers models for the formulation of successful development strategies and looks at longterm prospects, and serves as a text for those studying the field for the purpose of professional training.
This book analyses community-based approaches to developing and regenerating tourism destinations in the developing world, addressing this central issue in sustainable tourism practices. It reviews a variety of systems useful for analysing and understanding management issues to offer new insight into the skills and resources that are needed for implementation, ongoing monitoring and review of community-based tourism. Adopting a multidisciplinary approach, this book explores alternatives to the dominant interpretation which argues against tourism as a benefit for community development. International case studies throughout the book illustrate and vouch for tourism as a transformative force while clarifying the need to manage expectations in sustainable tourism for community development, rejuvenation and regeneration. Emphasis is placed on accruing relevant decision-support material, and creating services, products and management approaches that will endure and adapt as change necessitates. This will be of great interest to upper-level students, researchers and academics in the fields of tourism impacts, sustainability, ethics and development as well as the broader field of geography.
This book is a record of two outstanding exhibitions of works of the same sculptor in two different countries. The photographs and text are designed to communicate the impact of 23 major sculptures by the Austrian Karl Prantl (b. 1923) in their respective public spaces, and over the course of changing seasons. Prantl's enigmatic and uncluttered stone sculptures are seen here outdoors, in the wide-open spaces of the Yorkshire Sculpture Park in England, and in more enclosed grounds located in Austria. These deeply striking works convey a meditative resonance, and are important additions to the oeuvre of one of Europe's leading post-war sculptors.
Assessing the breadth of present-day photo-portraiture in over 170 color plates, this volume unfolds the relationship between photographer and sitter across the gamut of idioms. Tina Barney, Clegg & Guttmann, Anton Corbijn, Rineke Dijkstra, Bernhard Fuchs, Nan Goldin, Greg Gorman, Peter Hujar, Sally Mann, Robert Mapplethorpe, Hellen von Meene, Helmut Newton, Thomas Ruff, Beat Streuli and Wolfgang Tillmans are among the major contemporary fine-art photographers represented here.
The Hidden Image is both a stunning anthology of the male nude and a revealing history of how male sexuality has been portrayed photographically from the earliest daguerreotype self portrait of Hippolyte Bayard to the formalized fantasies of Robert Mapplethorpe. The 142 photographs include many previously unpublished portraits from both public and private collections in Europe and the United States. They include works by the historical luminaries Edward Weston, May Ray, Imogene Cunningham, and Cecil Beaton and the modern innovators David Hockney, Judy Dater, Dino Pedriali, and Joel Peter Witkin. Because it is not limited to one photographer or even one genre of photography, The Hidden Image is a record of the changing iconography of the male nude and of the repression, the sublimation, and the taboos surrounding the depiction of the body. Some of the images, such as those by Weston and Cunningham, are romantic, misty shots of Adonis like figures lounging in painterly landscapes; others, like those of Eadweard Muybridge and Etienne Jules Marey, are multiframe studies of locomotion. Still others are formal poses that treat the male body in abstract sculptural terms. Some of the contemporary photographs depict erotic fantasies; others such as those of Joel Peter Witkin confront us head on with our deepest primal terrors. Peter Weiermair studied art history at the Universities of Innsbruck and Vienna, was curator of the Innsbruck Art Institute, and has been director of the German Photography Museum in Frankfurt since 1980. He has written widely on the history of photography, and has published monographs on Wilhelm von Gloeden, Robert Mapplethorpe, Peter Hujar, George Platt Lynes, and Herbert Tobias. He serves on the executive committee of the European Society for the History of Photography.
This book is a record of two outstanding exhibitions of works of the same sculptor in two different countries. The photographs and text are designed to communicate the impact of 23 major sculptures by the Austrian Karl Prantl (b. 1923) in their respective public spaces, and over the course of changing seasons. Prantl's enigmatic and uncluttered stone sculptures are seen here outdoors, in the wide-open spaces of the Yorkshire Sculpture Park in England, and in more enclosed grounds located in Austria. These deeply striking works convey a meditative resonance, and are important additions to the oeuvre of one of Europe's leading post-war sculptors.
Fascinating photos of exciting women"-"Stern" "A charming look behind the curtain"-"Art Magazin" Xenia Hausner presents photographs as works in progress in this report on her artistic process. Photographs have previously been an interim step and means to an end for her, providing the subject matter and model for later paintings. Now the photographs themselves have become a constitutive element of her work; the "photo models" have been emancipated through her hand, so to speak, and compromise the starting point for further ventures. The original materials and their extensions are a kind of intimate diary of the mutual exploration of reality and the artistic experience.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.