Dependence on computers has had a transformative effect on human society. Cybernetics is now woven into the core functions of virtually every basic institution, including our oldest ones. War is one such institution, and the digital revolution's impact on it has been profound. The American military, which has no peer, is almost completely reliant on high-tech computer systems. Given the Internet's potential for full-spectrum surveillance and information disruption, the marshaling of computer networks represents the next stage of cyberwar. Indeed, it is upon us already. The recent Stuxnet episode, in which Israel fed a malignant computer virus into Iran's nuclear facilities, is one such example. Penetration into US government computer systems by Chinese hackers-presumably sponsored by the Chinese government-is another. Together, they point to a new era in the evolution of human conflict. In Cybersecurity and Cyerbwar: What Everyone Needs to Know, noted experts Peter W. Singer and Allan Friedman lay out how the revolution in military cybernetics occurred and explain where it is headed. They begin with an explanation of what cyberspace is before moving on to discussions of how it can be exploited and why it is so hard to defend. Throughout, they discuss the latest developments in military and security technology. Singer and Friedman close with a discussion of how people and governments can protect themselves. In sum, Cybersecurity and Cyerbwar is the definitive account on the subject for the educated general reader who wants to know more about the nature of war, conflict, and security in the twenty-first century.
Social media has been weaponized, as state hackers and rogue terrorists have seized upon Twitter and Facebook to create chaos and destruction. This urgent report is required reading, from defense experts P.W. Singer and Emerson T. Brooking.
In 1972, the young philosopher Peter Singer published "Famine, Affluence and Morality," which rapidly became one of the most widely discussed essays in applied ethics. Through this article, Singer presents his view that we have the same moral obligations to those far away as we do to those close to us. He argued that choosing not to send life-saving money to starving people on the other side of the earth is the moral equivalent of neglecting to save drowning children because we prefer not to muddy our shoes. If we can help, we must--and any excuse is hypocrisy. Singer's extreme stand on our moral obligations to others became a powerful call to arms and continues to challenge people's attitudes towards extreme poverty. Today, it remains a central touchstone for those who argue we should all help others more than we do. As Bill and Melinda Gates observe in their foreword, in the age of today's global philanthropy, Singer's essay is as relevant now as it ever was. This attractively packaged, concise edition collects the original article, two of Singer's more recent popular writings on our obligations to others around the world, and a new introduction by Singer that discusses his current thinking.
Traces the advent of robotic warfare, revealing its use in the war in Iraq, the latest technological achievements, and the secret Pentagon consultations with top science fiction authors.
Bruce Springsteen called him ‘one of the great, great American songwriters’, Jackson Browne hailed him as ‘the first and foremost proponent of song noir’ and Stephen King once said that if he could write like Zevon, he ‘would be a happy guy’. The list of artists that lined up to appear on his records include Springsteen, Neil Young, Bob Dylan, Dave Gilmour and Emmylou Harris. So how is it that most people, if they have heard of Warren Zevon at all, know him only as ‘that werewolves guy’? This book goes beyond that solitary hit single to examine all aspects of Zevon’s multifaceted, five-decade career, from his beginnings in the slightly psychedelic folk duo lyme and cybelle, through to his commercial breakthrough in the late Seventies with Excitable Boy, his critically acclaimed late Eighties comeback Sentimental Hygiene, his decline into cult obscurity, and his triumphant if heart-breaking final testament The Wind released just prior to his death in 2003. Along the way, the reader will discover one of rock’s consummate balladeers, as well as his cast of characters, which include doomed drug dealers, psychopathic adolescents, outlaws of the Old West, BDSM fetishists, ghostly gunslingers and, yes, lycanthropes unleashed on the streets of London. Peter Gallagher is the author of Marc Bolan, Tyrannosaurus Rex, and T. Rex on track for Sonicbond. He is a regular contributor to Shindig! magazine and his fiction has appeared in Writing Magazine and The London Reader. His is also working on Kiss in the 1970s, also for SonicBond, and he is working on a novel set in the Weimar Republic, which he hopes will see publication sometime before the cows come home. He lives in Glasgow, Scotland.
Discusses how the rapid diffusion of advanced technology throughout the world has the potential to challenge the U.S. technological advantage in defense capabilities. In this paper, the authors urge the United States to refrain from assuming that its current advantages will continue in the absence of sustained attention to both policy and investment choices and urge the nation to redouble its focus on sustaining technological dominance. The authors make recommendations to ensure that the United States maintains its technological dominance for years to come, including congressional legislation requiring DOD to issue annual reports on defense research and development across the enterprise, the creation of a standing DOD next-generation technology task force, and initiation of a multiyear series of war games on how technological advances may alter military competition around the world.
Some have claimed that "War is too important to be left to the generals," but P. W. Singer asks "What about the business executives?" Breaking out of the guns-for-hire mold of traditional mercenaries, corporations now sell skills and services that until recently only state militaries possessed. Their products range from trained commando teams to strategic advice from generals. This new "Privatized Military Industry" encompasses hundreds of companies, thousands of employees, and billions of dollars in revenue. Whether as proxies or suppliers, such firms have participated in wars in Africa, Asia, the Balkans, and Latin America. More recently, they have become a key element in U.S. military operations. Private corporations working for profit now sway the course of national and international conflict, but the consequences have been little explored. In this book, Singer provides the first account of the military services industry and its broader implications. Corporate Warriors includes a description of how the business works, as well as portraits of each of the basic types of companies: military providers that offer troops for tactical operations; military consultants that supply expert advice and training; and military support companies that sell logistics, intelligence, and engineering. In an updated edition of P. W. Singer's classic account of the military services industry and its broader implications, the author describes the continuing importance of that industry in the Iraq War. This conflict has amply borne out Singer's argument that the privatization of warfare allows startling new capabilities and efficiencies in the ways that war is carried out. At the same time, however, Singer finds that the introduction of the profit motive onto the battlefield raises troubling questions--for democracy, for ethics, for management, for human rights, and for national security.
Social media has been weaponized, as state hackers and rogue terrorists have seized upon Twitter and Facebook to create chaos and destruction. This urgent report is required reading, from defense experts P.W. Singer and Emerson T. Brooking.
Traces the advent of robotic warfare, revealing its use in the war in Iraq, the latest technological achievements, and the secret Pentagon consultations with top science fiction authors.
Two authorities on trends in warfare join forces to create a taut, convincing novel set in the near future in which a besieged America battles for its very existence
Children at War is the first comprehensive book to examine the growing and global use of children as soldiers. P.W. Singer, an internationally recognized expert in twenty-first-century warfare, explores how a new strategy of war, utilized by armies and warlords alike, has targeted children, seeking to turn them into soldiers and terrorists. Singer writes about how the first American serviceman killed by hostile fire in Afghanistan—a Green Beret—was shot by a fourteen-year-old Afghan boy; how suspected militants detained by U.S. forces in Iraq included more than one hundred children under the age of seventeen; and how hundreds who were taken hostage in Thailand were held captive by the rebel "God's Army," led by twelve-year-old twins. Interweaving the voices of child soldiers throughout the book, Singer looks at the ways these children are recruited, abducted, trained, and finally sent off to fight in war-torn hot spots, from Colombia and the Sudan to Kashmir and Sierra Leone. He writes about children who have been indoctrinated to fight U.S. forces in Iraq and Afghanistan; of Iraqui boys between the ages of ten and fifteen who had been trained in military arms and tactics to become Saddam Hussein's Ashbal Saddam (Lion Cubs); of young refugees from Pakistani madrassahs who were recruited to help bring the Taliban to power in the Afghan civil war. The author, National Security Fellow at the Brookings Institution and director of the Brookings Project on U.S. Policy Towards the Islamic World, explores how this phenomenon has come about, and how social disruptions and failures of development in modern Third World nations have led to greater global conflict and an instability that has spawned a new pool of recruits. He writes about how technology has made today's weapons smaller and lighter and therefore easier for children to carry and handle; how one billion people in the world live in developing countries where civil war is part of everyday life; and how some children—without food, clothing, or family—have volunteered as soldiers as their only way to survive. Finally, Singer makes clear how the U.S. government and the international community must face this new reality of modern warfare, how those who benefit from the recruitment of children as soldiers must be held accountable, how Western militaries must be prepared to face children in battle, and how rehabilitation programs can undo this horrific phenomenon and turn child soldiers back into children.
This book is a study of a crucial period in the life of American jazz and popular music. Pearl Harbor Jazz analyses the changes in the world of the professional musician brought about both by the outbreak of World War II and by long-term changes in the music business, in popular taste and in American society itself. It describes how the infrastructure of American music, the interdependent fields of recording, touring, live engagements, radio and the movies, was experiencing change in the conditions of wartime, and how this impacted upon musical styles, and hence upon the later history of popular music. Successive chapters of the book examine the impact of these changed conditions upon the songwriting and music publishing industries, upon the world of the touring big bands, and upon changing conceptions of the role of jazz and popular music. Not only the economic conditions but also ideas were changing; the book traces a movement among writers and critics which created new definitions of 'jazz' and other terms that had a permanent influence on the way musical styles were thought of for the rest of the century. The book deals in some depth with the work of a number of important artists in these various fields, including, Duke Ellington, Charlie Parker, Johnny Mercer and Frank Sinatra, looks at the growing presence of bebop, the rise of country music, and the contemporary musical scenes in such locations as New York and Los Angeles. The book combines detail of the day-to-day working lives of musicians with challenging views of the long-term development of musical style in jazz and popular music.
Hailed by the Chicago Tribune as an “utterly irresistible heroine,” Darlene O’Hara—the brilliant, hard-living, obsessive, and somewhat self-destructive detective introduced in Peter de Jonge’s acclaimed crime fiction masterwork Shadows Still Remain—returns in Buried on Avenue B. An edgy and suspenseful noir thriller, Buried on Avenue B traverses the gritty landscape of New York’s Lower East Side and the more sordid corners of Sarasota, Florida, as a gruesome and unexpected discovery in a makeshift Alphabet City grave heats up a 17-year-old cold case. James Patterson calls Darlene O’Hara “one of the freshest, hippest detective creations in many a year,” and the New York Times has described Peter de Jonge’s writing as “in the noirish, character-driven vein of Dennis Lehane or Michael Connelly.” For fans of serious crime fiction, Peter de Jonge is a must-read, and Detective Darlene O’Hara is cop to be reckoned with.
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