Contemporary Architecture and the Digital Design Process introduces the reader to new developments in the computer modelling of design form in contemporary architectural practice through a series of detailed case studies. The book illustrates how evolving design practices use and exploit the potential of new computing technologies in a wide range of areas and application. A central thesis of this book is that technology follows design demand, rather than design adjusting to available new technology. Designers are not merely passive recipients of prescribed computing tools and techniques. Instead, they are increasingly able to express their intuitive design ideas through the rational medium of computing. The book features several contemporary building projects, each of which introduces a range of CAD and computing issues based upon the work of creative architectural and engineering design practices. These include the offices of Frank O. Gehry, Peter Cook and Colin Fournier, Anthony Hunt Associates, Peter Hubner, Szyskowitz-Kowalski, and Faulkner Brown. All these examples show what architects need to know and the skills they need to acquire to use advanced CAD technology.
*Learn how to express your design ideas in CAD *Understand the principles of CAD that are essential to all architects *Turns theory into practice with an international range of contemporary architectural projects
*Learn how to express your design ideas in CAD *Understand the principles of CAD that are essential to all architects *Turns theory into practice with an international range of contemporary architectural projects
Contemporary Architecture and the Digital Design Process introduces the reader to new developments in the computer modelling of design form in contemporary architectural practice through a series of detailed case studies. The book illustrates how evolving design practices use and exploit the potential of new computing technologies in a wide range of areas and application. A central thesis of this book is that technology follows design demand, rather than design adjusting to available new technology. Designers are not merely passive recipients of prescribed computing tools and techniques. Instead, they are increasingly able to express their intuitive design ideas through the rational medium of computing. The book features several contemporary building projects, each of which introduces a range of CAD and computing issues based upon the work of creative architectural and engineering design practices. These include the offices of Frank O. Gehry, Peter Cook and Colin Fournier, Anthony Hunt Associates, Peter Hubner, Szyskowitz-Kowalski, and Faulkner Brown. All these examples show what architects need to know and the skills they need to acquire to use advanced CAD technology.
Space is the first accessible text which provides a comprehensive examination of approaches that have crossed between such diverse fields as philosophy, physics, architecture, sociology, anthropology, and geography. The text examines the influence of geometry, arithmetic, natural philosophy, empiricism, and positivism to the development of spatial thinking, as well as focusing on the contributions of phenomenologists, existentialists, psychologists, Marxists, and post-structuralists to how we occupy, live, structure, and perform spaces and practices of spacing. The book emphasises the multiple and partial construction of spaces through the embodied practices of diverse subjects, highlighting the contributions of feminists, queer theorists, anthropologists, sociologists, and post-colonial scholars to academic debates. In contrast to contemporary studies which draw a clear line between scientific and particularly quantitative approaches to space and spatiality and more ‘lived’ human enactments and performances, this book highlights the continual influence of different mathematical and philosophical understandings of space and spatiality on everyday western spatial imaginations and registers in the twenty-first century. Space is possibly the key concept underpinning research in geography, as well as being of central importance to scholars and practitioners working across the arts, humanities, social sciences, and physical sciences.
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