An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles How did Los Angeles start the 20th century as a dusty frontier town and end up a century later as one of the globe's supercities - with unparalleled cultural, economic, and technological reach? In City at the Edge of Forever, Peter Lunenfeld constructs an urban portrait, layer by layer, from serendipitous affinities, historical anomalies, and uncanny correspondences. In its pages, modernist architecture and lifestyle capitalism come together via a surfer girl named Gidget; Joan Didion's yellow Corvette is the brainchild of a car-crazy Japanese-American kid interned at Manzanar; and the music of the Manson Family segues into the birth of sci-fi fandom. One of the book's innovations is to brand Los Angeles as the alchemical city. Earth became real estate when the Yankees took control in the nineteenth century. Fire fueled the city's early explosive growth as the Southland's oil fields supplied the inexhaustible demands of drivers and their cars. Air defined the area from WWII to the end of the Cold War, with aeronautics and aerospace dominating the region's industries. Water is now the key element, and Southern California's ports are the largest in the western hemisphere. What alchemists identify as the ethereal fifth element, or quintessence, this book positions as the glamour of Hollywood, a spell that sustains the city but also needs to be broken in order to understand Los Angeles now. Lunenfeld weaves together the city's art, architecture, and design, juxtaposes its entertainment and literary histories, and moves from restaurant kitchens to recording studios to ultra-secret research and development labs. In the process, he reimagines Los Angeles as simultaneously an exemplar and cautionary tale for the 21st century.
Whatever kind of high-level language user you are – college or university student, serving language teacher, or advanced school learner – A Student’s Advanced Grammar of English (SAGE) offers you support, information, and further training. SAGE is a reference work as well as a programmed refresher course with exercises on the accompanying website, and a structured teaching aid. It serves as a spot-check in specific cases of uncertainty. But it also answers broader queries and provides comprehensive insights into the major structural areas of English. Its concern is not simply grammar, but above all usage. SAGE is easy to comprehend and non-specialist in method. All grammatical terminology is explained in a simple and straightforward manner. On the other hand, SAGE takes account of current research in language studies. In catering especially for the user with a native German background, SAGE treats many areas of English from a contrastive point of view, highlighting those phenomena which cause typical problems in a German-based learning context. The second edition has been thoroughly revised.
In this comprehensive volume, Peter Longerich documents Goebbels' descent into antisemitism and ideology and ascent through the ranks of the Nazi party, where he became an integral member of Hitler's inner circle and where he shaped a brutal campaign of Nazi propaganda"--
From one of the most prominent biographers of the Nazi period, a new and provocative portrait of the figure behind the century's worst crimes Acclaimed historian Peter Longerich, author of Goebbels and Heinrich Himmler now turns his attention to Adolf Hitler in this new biography. While many previous portraits have speculated about Hitler's formative years, Longerich focuses on his central role as the driving force of Nazism itself. You cannot separate the man from the monstrous movement he came to embody. From his ascendance through the party's ranks to his final hours as Führer in April 1945, Longerich shows just how ruthless Hitler was in his path to power. He emphasizes Hitler's political skills as Germany gained prominence on the world's stage. Hitler's rise to, and ultimate hold on, power was more than merely a matter of charisma; rather, it was due to his ability to control the structure he created. His was an image constructed by his regime - an essential piece self-created of propaganda. This comprehensive biography is the culmination of Longerich's life-long pursuit to understand the man behind the century's worst crimes.
In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen–year ride through the heart of the counterculture—a journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self–imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist–anarchists who had assumed as their task nothing less than the re–creation of the nation's political and social soul, Coyote and his companions soon became power players. In prose both graphic and unsentimental, Coyote reveals the corrosive side of love that was once called "free"; the anxieties and occasional terrors of late–night, drug–fueled visits of biker gangs looking to party; and his own quest for the next high. His road through revolution brought him to adulthood and to his major role as a political strategist: from radical communard to the chairman of the California Arts Council, from a street theater apprentice to a motion–picture star.
A wide-ranging meditation on belonging and citizenship through the story of two squirrel species in Britain. Squirrel Nation is a history of Britain’s two species of squirrel over the past two hundred years: the much-loved, though rare, red squirrel and the less-desirable, though more populous, grey squirrel. A common resident of British gardens and parks, the grey squirrel was introduced from North America in the late nineteenth century and remains something of a foreign interloper. By examining this species’ rapid spread across Britain, Peter Coates explores timely issues of belonging, nationalism, and citizenship in Britain today. Ultimately, though people are swift to draw distinctions between British squirrels and squirrels in Britain, Squirrel Nation shows that Britain’s two squirrel species have much more in common than at first appears.
The British crime fiction writer Peter Cheyney is the creator of the American FBI agent Lemmy Caution and the English detective Slim Callaghan. These characters were constructed as a British response to the hardboiled detectives of American fiction. In later years Cheyney’s style matured with the ‘Dark’ books, drawing wide praise during World War II for bringing more realism to espionage fiction. Although his works have suffered neglect in recent times, the fame of Cheyney’s novels in the post-war period cannot be underestimated, having sold over 5 million copies. This eBook presents Cheyney’s collected works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Cheyney’s life and works * Concise introductions to the major texts * All 29 novels available in the US public domain, with individual contents tables * Features rare novels and story collections * The complete short stories * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * Rare uncollected tales appearing here for the first time in digital publishing * Easily locate the stories you want to read * Ordering of texts into chronological order and genres Please note: due to US copyright restrictions, 12 novels cannot appear in this edition. When new works enter the public domain, they will be added to the collection as a free update. CONTENTS: The Lemmy Caution Novels This Man is Dangerous (1936) Poison Ivy (1937) Dames Don’t Care (1937) Can Ladies Kill? (1938) Don’t Get Me Wrong (1939) You’d be Surprised (1940) Never a Dull Moment (1942) You Can Always Duck (1943) G-Man at the Yard (1946) The Slim Callaghan Stories The Urgent Hangman (1938) Dangerous Curves (1939) You Can’t Keep the Change (1940) It Couldn’t Matter Less (1941) Sorry You’ve Been Troubled (1942) Calling Mr. Callaghan (1953) The Dark Series Dark Duet (1942) The Stars are Dark (1943) The Dark Street (1944) Dark Hero (1946) Dark Bahama (1950) Ladies Won’t Wait (1951) Other Novels The Vengeance of Hop Fi (1928) The Curiosity of Etienne MacGregor (1928) The Gold Kimono (1931) Death Chair (1931) The Deadly Fresco (1932) The Sign on the Roof (1935) Another Little Drink (1940) Night Club (1945) The Short Story Collections You Can’t Hit a Woman (1937) Knave Takes Queen (1939) Mr. Caution — Mr. Callaghan (1941) Making Crime Pay (1944) No Ordinary Cheyney (1948) Velvet Johnnie (1952) The Adventures of Julia (1954) He Walked in Her Sleep (1954) The Mystery Blues (1954) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Train like the World Champions! Over the past few years, a new trend has become ever more prominent in the soccer world: passing often, fast, and including all players in the game. Combining this with their own personal style, we have seen teams reach new heights of success from FC Barcelona to Bayern Munich and Borussia Dortmund and, most recently, the German National Team at the 2014 World Cup in Brazil. But what does it take to learn this ‘art’ of passing? What are the methodological and technical requirements for becoming the new Schweinsteiger, Messi, or Neuer? In this book, the only of its kind, two German League certified coaches have created the ultimate guide to passing. Using the “Hyballa-te Poel-Passing-Puzzle,” they present every type of pass there is in modern soccer, with lots of drills for each type. From the goalkeeper to the center forward, everyone can learn passing with these exercises.
So often times it happens that we live our lives in chains, and we never even know we have the key -Eagles THE KEY is about finding that key, and freeing youself of your chains. It is about the alchemy of changing tension, anxiety, and stress into happiness, health, and prosperity. It is a compact manual for the human spirit, containing wisdom to help you realize your dreams. To discover ones own true nature as a creator is to know the joy of an expanding universe in ones heart. THE KEY is a compilation of nearly a half century of reading, thinking, conversations, reflections and experience, boiled down into a book that is eloquent in its simplicity, clarity, directness, and honesty. It contains essential wisdom that was at times hard won, but in the end, helps one to move toward a happier, healthier, richer life. We need a critical mass of people to reach this place of creativity and positive responsibility if we are to live in a world where creativity is the name of the game, and we are working together on a global scale instead of against each other.
This collection includes many favourite Irish fiddle tunes. Some are easy to play, others more challenging. the bowing techniques, ornamentation and other aspects of playing style summarized in the introduction will be familiar to readers of Pete's earlier book, the Complete Irish Fiddle Player, as will source musicians like Julia Clifford, Tommy Peoples, Lucy Farr, John Doherty and Padraig O'Keeffe. Here though, instead of proceeding in 'fiddle method' style from simpler to more complex tunes, regional repertoire and styles are explored. Grouped in sets for performance, the tunes from any one tradition can be of varying levels of difficulty. Less experienced players may find sets 5, 6 and 29, for example, quite approachable, as well as the first reel in set 14 and the second single jig in set 15. All tunes included on companion CD.
Chronicles the air war above Britain from March 1942 to June 1943 and includes in-the-cockpit accounts from German and British pilots Assesses offensive and defensive tactics Incorporates hundreds of rarely seen photos As the Battle of Britain came to a close, the Luftwaffe began arming its single-engine fighters with bombs and using them instead of bombers for many daylight raids against shipping and coastal installations, railways, fuel depots, and other military and civilian objectives. The fighter-bombers also launched unopposed attacks against London and numerous other cities and towns across England. Known as "tip and run" attacks, these raids had a detrimental effect on British morale.
Hollywood, Walter Winchell quipped, is where they shoot too many movies and not enough actors. Always looking for an angle, always, scheming, always the scene of clashing egos, the movie industry is where they place you under contract instead of observation--and if you don't have anything nice to say, write it down. "In 1940, I had my choice between Hitler and Hollywood," French director Ren'e Clair recalled, "and I preferred Hollywood--just a little." In Movie Anecdotes, Peter Hay treats us to a delightful ride through the world that has captivated audiences for almost a century, with stories that are often hilarious, sometimes tragic, and always entertaining. He takes us from the rough-and tumble early days (when one studio paid Pancho Villa $25,000 to launch his attacks only in daylight, after a film crew had set up) to the studio era (when Joan Crawford refused to cross the street on the MGM lot except in a chauffeured limousine) to the shenanigans of today's global industry. Here are stories about all the legends: Charlie Chaplin, Greta Garbo, John Barrymore, Mae West, Lucille Ball, Marilyn Monroe, Errol Flynn, Humphrey Bogart, Bette Davis, Judy Garland, Sophia Loren, John Wayne, and, of course, Ronald Reagan. There are the great directors from D.W. Griffith, Hitchcock, and Eisenstein, to Kurosawa, Bergman, Visconti, Huston, Ford, and Woody Allen. And Hay has selected tales of the writers, the wits, and the grand moguls, including perhaps the largest collection of Goldwynisms--both genuine and apocryphal. Along with the laughter, this volume recreates the conflicts that have torn the movie world, from battles over money and contracts, to discrimination, divorces, and scandals. Colorful, incredible, bitter, funny--the stories about moviemaking are as fantastic as the pictures themselves. Now they have been gathered together in an irresistible bouquet that is certain to delight every movie buff and provide fascinating insights for serious students of film.
Lernpunkt Deutsch provides a challenging and thorough approach to grammar, and encourages vocabulary acquisition, practice and retention. It is a three stage course which is rigorous and motivating.
“A must have for any film nut.”—Details Peter Bogdanovich, award-winning director, screenwriter, actor and critic, interviews 16 legendary directors over a 15-year period. Their richly illuminating conversations combine to make this a riveting chronicle of Hollywood and picture making. Join him in conversations with: Robert Aldrich • George Cukor • Allan Dwan • Howard Hanks • Alfred Hitchcock • Chuck Jones • Fritz Lang • Joseph H. Lewis • Sidney Lumet • Leo McCarey • Otto Preminger • Don Siegel • Josef von Sternberg • Frank Tashlin • Edgar G. Ulmer • Raoul Walsh NOTE: This edition does not include photographs. Praise for Who the Devil Made It “Illuminating . . . These were (and sometimes are: a few yet breathe) men rooted in history as much as in Hollywood. Their collected memories make the past look fearfully rich beside a present that is poverty-stricken in everything except money.”—The New Yorker “Bogdanovich is one of America’s finest writers on the cinema. . . . Thank goodness [his] Who the Devil Made It has come along to remind us that films and writing about film were, at one time, focused on the work and not strictly on the bottom line.”—The Boston Globe “A treasure trove on the craft of directing.”—Newsday “Monumental . . . The directors’ reminiscences about technique, working methods, sources of ideas, and relationships with actors and studios are thoroughly entertaining.”—Publishers Weekly “A fine achievement that helps illuminate the art and craft of some remarkable directors . . . There are plenty of revealing anecdotes.”—Kirkus Reviews
Birkhäuser's Pocket Dictionary of Biochemistry is the most comprehensive English-German/German-English dictionary on the international market. More than 30.000 entries and subentries with some 50.000 translations and an extent appendix with a specifically compiled list of abbreviations provide users with an unrivaled coverage of biochemistry and related bioscientific areas. The dictionary excels through a harmonious synthesis of biochemical and general bilingual dictionaries, making it the ideal choice for users from both scientific and linguistic fields. Furthermore Birkhäuser's Pocket Dictionary of Biochemistry is marked by a first class linguistic and lexicographic treatment achieving a very high user friendliness and user satisfaction. In the English-German part British terms have been included in addition to American terms, thus making it possible to find entries from either language.
This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
A dame has to have more than beauty and breeding to stop Slim Callaghan doing things his way. Mrs Riverton has plenty of both, but when she begins to interfere in Slim's search for her stepson, things start to hot up. Slim's motto is: 'We get there somehow and who the hell cares'. The problem is that someone does ...
Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte fur Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi
The British crime fiction writer Peter Cheyney is the creator of the American FBI agent Lemmy Caution and the English detective Slim Callaghan. These characters were constructed as a British response to the hardboiled detectives of American fiction. In later years Cheyney’s style matured with the ‘Dark’ books, drawing wide praise during World War II for bringing more realism to espionage fiction. Although his works have suffered neglect in recent times, the fame of Cheyney’s novels in the post-war period cannot be underestimated, having sold over 5 million copies. For the first time in publishing history, this eBook presents Peter Cheyney’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Cheyney’s life and works * Concise introductions to the major texts * All 41 novels, with individual contents tables * The complete Lemmy Caution and Slim Callaghan books * Features rare novels and story collections * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * Rare uncollected tales appearing here for the first time in digital publishing * Easily locate the stories you want to read * Ordering of texts into chronological order and genres CONTENTS: The Lemmy Caution Novels This Man is Dangerous (1936) Poison Ivy (1937) Dames Don’t Care (1937) Can Ladies Kill? (1938) Don’t Get Me Wrong (1939) You’d be Surprised (1940) Your Deal, My Lovely (1941) Never a Dull Moment (1942) You Can Always Duck (1943) I’ll Say She Does! (1945) G-Man at the Yard (1946) The Slim Callaghan Stories The Urgent Hangman (1938) Dangerous Curves (1939) You Can’t Keep the Change (1940) It Couldn’t Matter Less (1941) Sorry You’ve Been Troubled (1942) They Never Say When (1944) Uneasy Terms (1946) Calling Mr. Callaghan (1953) The Dark Series Dark Duet (1942) The Stars are Dark (1943) The Dark Street (1944) Sinister Errand (1945) Dark Hero (1946) Dark Interlude (1947) Dark Wanton (1948) You Can Call It a Day (1949) Dark Bahama (1950) Lady, Behave! (1950) Ladies Won’t Wait (1951) Other Novels The Vengeance of Hop Fi (1928) The Curiosity of Etienne MacGregor (1928) The Gold Kimono (1931) Death Chair (1931) The Deadly Fresco (1932) The Sign on the Roof (1935) Another Little Drink (1940) Night Club (1945) Dance without Music (1947) Try Anything Twice (1948) One of Those Things (1949) The Short Story Collections You Can’t Hit a Woman (1937) Knave Takes Queen (1939) Mr. Caution — Mr. Callaghan (1941) Making Crime Pay (1944) No Ordinary Cheyney (1948) Velvet Johnnie (1952) The Adventures of Julia (1954) He Walked in Her Sleep (1954) The Mystery Blues (1954) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order
Ernst Krenek has been described as a “one-man history of twentieth-century music.” His vast compositional output encompasses many of its extremes and expresses many of its contradictions. Few have attempted, however, to contextualize Krenek’s compositional output because our understanding of classical music in the first half of the twentieth century still largely remains focused on the music of a few canonical figures. Responding to renewed interest from performers in Krenek’s work, particularly his operas, Peter Tregear’s Ernst Krenek and the Politics of Musical Style addresses this gap in the scholarly literature and makes an important contribution to our comprehension of the ways in which his music reflected and informed broader social and political debates in Austria and Germany at the time. Focusing on Krenek’s compositional path from the eclectic musical language of Jonny spielt auf to the austere twelve-tone technique of Karl V, Tregear provides an historical and critical context to this most historically significant period of Krenek’s creative life. His study also enriches our understanding of many of Krenek’s contemporaries, such as Alban Berg and Arnold Schoenberg. This book should interest students, scholars and practitioners with an interest in modern opera, and contemporary classical music as well as early-20th-century German history more generally.
The relationship between Nazism and occultism has been an object of fascination and speculation for decades. Peter Staudenmaier’s Between Occultism and Nazism provides a detailed historical examination centered on the anthroposophist movement founded by Rudolf Steiner. Its surprising findings reveal a remarkable level of Nazi support for Waldorf schools, biodynamic farming, and other anthroposophist initiatives, even as Nazi officials attempted to suppress occult tendencies. The book also includes an analysis of anthroposophist involvement in the racial policies of Fascist Italy. Based on extensive archival research, this study offers rich material on controversial questions about the nature of esoteric spirituality and alternative cultural ideals and their political resonance.
The death of Pope John Paul II and consequent election of Pope Benedict XVI has shed light on a political process that the world has not been privy to for almost twenty-six years. People from around the world gathered in St. Peter's Square, wondering who the next Vatican leader would be and how the election process really worked, while everyone from international news correspondents to local priests added their own opinions to the debate. In Heirs of the Fisherman, former Vatican insider John-Peter Pham presents a candid portrait of the modern Vatican, the only account to reveal the striking changes to papal succession procedures made by John Paul II. Blending political and ecclesiastical history, Pham goes beyond a mere description of the complex rituals to offer rare insight into the dramatic shifts inside the College of Cardinals, whose 100 members now hail from 50 nations around the globe. He takes us into the secret conclave, where the electors were kept under lock and key, until they had selected a new pope. He also includes a chapter devoted to the intrigues of the 20th century where the first conclave had an emperor's veto and the last was won by the first non-Italian in four centuries becauase the Italians were bitterly divided. With a new Preface, Afterword, and appendices that include an English translation of the last will and testament of Pope John Paul II, Heirs of the Fisherman is an illuminating history and must-have guide to this vitally important world event. It will continue to be an indispensable reference to observers of future Catholic Church politics.
In his tenth and final adventure, set just after the end of the Second World War, Lemmy Caution is in Paris investigating the theft of secret State Department documents. In the opinion of his chief, however, Lemmy has fallen down on the assignment given to him - to trail two suspected enemy agents, one a Frenchwoman and one an American - and he is ordered to bring them in. The trail leads from Paris to England, and a thrilling conclusion in the Surrey countryside.
The Venetian Origins of the Commedia dell'Arte is a striking new enquiry into the late-Renaissance stirrings of professional secular comedy in Venice, and their connection to the development of what came to be known as the Commedia dell’Arte. The book contends that through a symbiotic collaboration between patrician amateurs and plebeian professionals, innovative forms of comedy developed in the Venice region, fusing ‘high’ and ‘low’ culture in a provocative mix that had a truly mass appeal. Rich with anecdotes, diary entries and literary – often ribald – comic passages, Peter Jordan's central argument has important implications for the study of Venetian art, popular theatre and European cultural history.
When a small California town is destroyed in a nuclear attack, two men must work to keep the liberty of the American citizens from being destroyed in the aftermath.
A classical sociologist can be defined as someone whose "works occupied a central position among the sociological ideas and notions of an era." Following this criterion, Michaela Pfadenhauer demonstrates the relevance of Peter L. Berger’s work to the sociology of knowledge. Pfadenhauer shows that Berger is not only a sociologist of religion, but one whose works are characterized by a sociology-of-knowledge perspective. Berger stands out among his fellow social scientists both quantitatively and qualitatively. He has written numerous books, which have been translated into many languages, and a multitude of essays in scholarly journals and popular magazines. For decades, he has played a role in shaping both public debate and social scientific discourse in America and far beyond. As a sociologist of knowledge, Berger has played three roles: he has been a theoretician of modern life, an analyst of modern religiosity, and an empiricist of global economic culture. In all areas, the focus on processes rather than status quo is characteristic of Berger’s thinking. This book provides an in-depth view on the critical thinking of one of the most important sociologists that present times has to offer. It includes four written essays by Berger.
The study of human reproductive ecology represents an important new development in human evolutionary biology. Its focus is on the physiology of human reproduction and evidence of adaptation, and hence the action of natural selection, in that domain. But at the same time the study of human reproductive ecology provides an important perspective on the historical process of human evolution, a lens through which we may view the forces that have shaped us as a species. In the end, all actions of natural selection can be reduced to variation in the reproductive success of individuals.Peter Ellison is one of the pioneers in the fast growing area of reproductive ecology. He has collected for this volume the research of thirty-one of the most active and influential scientists in the field. Thanks to recent noninvasive techniques, these contributors can present direct empirical data on the effect of a broad array of ecological, behavioral, and constitutional variables on the reproductive processes of humans as well as wild primates. Because biological evolution is cumulative, however, organisms in the present must be viewed as products of the selective forces of past environments. The study of adaptation thus often involves inferences about formative ecological relationships that may no longer exist, or not in the same form. Making such inferences depends on carefully weighing a broad range of evidence drawn from studies of contemporary ecological variation, comparative studies of related taxonomies, and paleontological and genetic evidence of evolutionary history. The result of this inquiry sheds light not only on the functional aspects of an organism's contemporary biology but also on its evolutionary history and the selective forces that have shaped it through time.Encompassing a range of viewpoints--controversy along with consensus--this far-ranging collection offers an indispensable guide for courses in biological anthropology, human biology, and primatology, along with
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Expertly arranged Piano Duet by Peter Ilyich Tchaikovsky from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Romantic era. Two copies are required for performance.
The Potsdam Conference (officially known as the "Berlin Conference"), was held from 17 July to 2 August 1945 at Cecilienhof Palace, the home of Crown Prince Wilhelm, in Brandenburg, and saw the leaders of the United Kingdom, the Soviet Union and the United States, gathered together to decide how to demilitarize, denazify, decentralize, and administer Germany, which had agreed to unconditional surrender on 8 May (VE Day). They determined that the remaining German populations in Poland, Czechoslovakia and Hungary - both the ethnic (Sudeten) and the more recent arrivals (as part of the long-term plan for the domination of Eastern Europe) - should to be transferred to Germany, but despite an undertaking that these would be effected in an orderly and humane manner, the expulsions were carried out in a ruthless and often brutal manner. Land was seized with farms and houses expropriated; the occupants placed into camps prior to mass expulsion from the country. Many of these were labor camps already occupied by Jews who had survived the concentration camps, where they were equally unwelcome. Further cleansing was carried out in Romania and Yugoslavia, and by 1950, an estimated 11.5 million German people had been removed from Eastern Europe with up to three million dead. The number of ethnic Germans killed during the ‘cleansing’ period is suggested at 500,000, but in 1958, Statistisches Bundesamt (the Federal Statistical Office of Germany) published a report which gave the figure of 1.6 million relating to expulsion-related population losses in Poland alone. Further investigation may in due course provide a more accurate figure to avoid the accusation of sensationalism.
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