This curious book, first published in 1853, offers "sketches and anecdotes illustrative of life on the wild borders of the Pacific and of the savage tribes" that did business with the Hudson's Bay Company. Canadian explorer PETER SKENE OGDEN (1794-1854), a Hudson's Bay Company trader, had a unique perspective on the peoples and the work, and this firsthand account is a valuable artifact of the settling of the North American West by Europeans. In his own inimitable and colorful style, Ogden introduces us to the native peoples of what the Europeans named British Columbia and Washington Territory, through tales including: [ "An Indian Festival" [ "The Burning of the Dead" [ "The Unfortunate Daughter" [ "The Shewappe Murder" [ "The Suicide's Cross" [ "The Death of our Favourite Donkey" [ and others. Anyone interested in the history of the western U.S. and Canada will find this a fascinating book.
Newman chronicles the Hudson's Bay Company's rapid expansion from 1770 to 1870 across most of Canada and the Northwestern United States, as it became the world's largest commercial empire.
Newman chronicles the Hudson's Bay Company's rapid expansion from 1770 to 1870 across most of Canada and the Northwestern United States, as it became the world's largest commercial empire.
Artist-explorer John Mix Stanley (1814–1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution—where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley’s extant art, reproduced in full color, offers an opportunity—and ample reason—to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture. Originally from New York State, Stanley journeyed west in 1842 to paint Indian life. During the U.S.-Mexican War, he joined a frontier military expedition and traveled from Santa Fe to California, producing sketches and paintings of the campaign along the way—work that helped secure his fame in the following decades. He was also appointed chief artist for Isaac Stevens’s survey of the 48th parallel for a proposed transcontinental railroad. The essays in this volume, by noted scholars of American art, document and reflect on Stanley’s life and work from every angle. The authors consider the artist’s experience on government expeditions; his solo tours among the Oregon settlers and western and Plains Indians; and his career in Washington and search for government patronage, as well as his individual works. With contributions by Emily C. Burns, Scott Manning Stevens, Lisa Strong, Melissa Speidel, Jacquelyn Sparks, and Emily C. Wilson, the essays in this volume convey the full scope of John Mix Stanley’s artistic accomplishment and document the unfolding of that uniquely American vision throughout the artist’s colorful life. Together they restore Stanley to his rightful place in the panorama of nineteenth-century American life and art.
In 1996 on the banks of the Columbia River a 9,300-year old skeleton was found that would become the impetus for the first legal assault on the Native American Graves Protection and Repatriation Act (NAGPRA). The Kennewick Man, as it came to be called, put to test whether the American Indian tribes of the area were culturally affiliated with the skeleton as they claim and their oral traditions affirm, or whether the skeleton was affiliated with a people who are no longer present. At the same time, another 9,000-year old skeleton was found in the storage facility of the Nevada State Museum, where it had gone unnoticed for the past 50 years. Like the Kennewick Man, the Spirit Cave Mummy also brought to fore the question of cultural affiliation between contemporary American Indian tribes of the western Great Basin and those people who resided in the area during the Late Pleistocene and Early Holocene. Cultural anthropologist Peter N. Jones tackles these contentious questions in this landmark study, Respect for the Ancestors. For the first time in a single work, the question of cultural affiliation between the present-day American Indians of the American West and the people of the distant past is examined using multiple lines of evidence. Out of this comprehensive study, a picture of continuous cultural evolution and adaptation between the peoples of the ancient past and those of the present-day emerges from the evidence. Further, important implications for the field of anthropology are discussed as a result of this benchmark study. Anyone working in the American West today will benefit from this book.
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