Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
The non-fiction book, “Life Under Tyranny” provides historical information about life under a tyrannical government. Newly available released documents from Ukrainian Archives in Odessa, Ukraine, detail the atrocities Soviet leaders Vladimir Lenin and Joseph Stalin perpetrated on ethnic Germans living in Ukraine, covering the years from the Russian Revolution to the beginning of World War II. Goldade, with the assistance of associates in Odessa, Ukraine, has retrieved numerous documents from Ukrainian archives covering this dark era. Peter Goldade’s Life Under Tyranny sheds new light on Soviet confiscation of property, deprivations inflicted, and the kangaroo courts that sentenced untold numbers of people to prison, hard labor, gulags—or execution.
A tour of military service to Europe created the inspiration to research the origins of my ancestors. The book The Goldade Family History Second edition is the result of over thirty years of research. All information contained in the book was obtained directly from archived records and personal interviews. In the search for information, the author made numerous trips to Ukraine, Russia and Germany. The book is the accumulation of the most comprehensive Goldate/Goldade ancestral linkage records. In addition to the ancestral information of family charts and linage, the book also contains a harrowing story of a displaced Goldade family fleeing from the carnage during World war II and their ultimate demise.
For almost three decades, the Grateful Dead was America's most popular touring band. No Simple Highway is the first book to ask the simple question of why—and attempt to answer it. Drawing on new research, interviews, and a fresh supply of material from the Grateful Dead archives, author Peter Richardson vividly recounts the Dead's colorful history, adding new insight into everything from the Acid Tests to the band's formation of their own record label to their massive late career success, while probing the riddle of the Dead's vast and durable appeal. Arguing that the band successfully tapped three powerful utopian ideals—for ecstasy, mobility, and community—it also shows how the Dead's lived experience with these ideals struck deep chords with two generations of American youth and continues today. Routinely caricatured by the mainstream media, the Grateful Dead are often portrayed as grizzled hippy throwbacks with a cult following of burned-out stoners. No Simple Highway corrects that impression, revealing them to be one of the most popular, versatile, and resilient music ensembles in the second half of the twentieth century. The band's history has been well-documented by insiders, but its unique and sustained appeal has yet to be explored fully. At last, this legendary American musical institution is given the serious and entertaining examination it richly deserves.
This book is a practical guide to building computational models of high-level cognitive processes and systems. High-level processes are those central cognitive processes involved in thinking, reasoning, planning, and so on. These processes appear to share representational and processing requirements, and it is for this reason that they are considered together in this text. The book is divided into three parts. Part I considers foundational and background issues. Part II provides a series of case studies spanning a range of cognitive domains. Part III reflects upon issues raised by the case studies. Teachers of cognitive modeling may use material from Part I to structure lectures and practical sessions, with chapters in Part II forming the basis of in-depth student projects. All models discussed in this book are developed within the COGENT environments. COGENT provides a graphical interface in which models may be sketched as "box and arrow" diagrams and is both a useful teaching tool and a productive research tool. As such, this book is designed to be of use to both students of cognitive modeling and active researchers. For students, the book provides essential background material plus an extensive set of example models, exercises and project material. Researchers of both symbolic and connectionist persuasions will find the book of interest for its approach to cognitive modeling, which emphasizes methodological issues. They will also find that the COGENT environment itself has much to offer.
With brilliance and considerable daring, Peter Gordon's Rosenzweig and Heidegger broaches the possibility of a shared horizon and a promising dialogue between these two seminal figures—these antipodes—of twentieth-century thought. It will be the bench mark for future work in the field."—Thomas Sheehan, author of Heidegger: The Man and the Thinker "In this brilliant book, Peter Gordon sheds light on Rosenzweig's most important philosophical book, The Star of Redemption, by means of an unexpected (and sure to be controversial) comparison—with the philosophy of Heidegger's Being and Time. The result is a "must read" for anyone with a serious interest in either thinker."—Hilary Putnam, author of The Collapse of the Fact/Value Dichotomy and Other Essays "A major work. Gordon persuasively argues that the true originality of Rosenzweig's achievement, heretofore associated with a distinctively "Jewish" break with his German philosophical milieu, only becomes intelligible from within that very milieu. Focusing on resemblances between Rosenzweig's and Heidegger's projects, Gordon discerns the contours of a post-Nietzschean religious sensibility condensed into the paradox of a "redemption-in-the-world." This book will be valued by readers of both Heidegger and Rosenzweig, and by anyone interested in the intersections of philosophy and religion."—Eric L. Santner, author of On the Psychotheology of Everyday Life: Reflections on Freud and Rosenzweig "A comparative reading of Rosenzweig's Star of Redemption and Heidegger's Being and Time. Peter Eli Gordon has written a work of exemplary erudition, analytical nuance, philosophical acumen and expository grace."—Paul Mendes-Flohr, author of German Jews: A Dual Identity
Aufbau—a German-language weekly, published in New York and circulated nationwide—was an essential platform for the generation of refugees from Hitler and the displaced people and concentration camp survivors who arrived in the United States after the war. The publication served to link thousands of readers looking for friends and loved ones in every part of the world. In its pages Aufbau focused on concerns that strongly impacted this community in the aftermath of World War II: anti-Semitism in the United States and in Europe, the ever-changing immigration and naturalization procedures, debates about the designation of Hitler refugees as enemy aliens, questions about punishment for the Holocaust and other Nazi crimes, the struggle for compensation and restitution, and the fight for a Jewish homeland. The book examines the columns and advertisements that chronicled the social and cultural life of that generation and maintained a detailed account of German-speaking cultures in exile. Peter Schrag is the first to present a definitive account of the influential publication that brought postwar refugees together and into the American mainstream.
A survey of Beckett criticism in English, French and German. Samuel Beckett (1906-1989) is an important figure in 20th century literary history: his plays, such as Waiting for Godot and Endgame, have acquired a world-wide reputation, and his novels have proved important touchstones for the critical debates in contemporary literary theory. Born in Dublin, Beckett spent most of his writing life in France and wrote equally well in French and English; his German was also fluent, allowing him to direct hisown plays in German theatres. Any attempt to deal with Beckett must therefore consider the critical response his works have provoked in all three languages. A Critique of Beckett Criticism is the first attempt in book formto give a comprehensive survey of the history and scope of Beckett criticism in French, English, and German. Three parallel chapters examine the three major strands of Beckett criticism, retracing its development using a historical perspective and pointing out different trends, currents and fashions in opinion. Directions for further research are also suggested. P.J. MURPHY is a lecturer in contemporary British literature at the University College of the Cariboo, British Columbia; WERNER HUBER is a professor of English literature at Chemnitz University of Technology; ROLF BREUER is professor of English literature at the University of Paderborn; KONRAD SCHOELL is professor of French literature at the Pädagogische Hochschule Erfurt.
. . . absolutely fascinating... It is impossible to open this book at any page without finding something that will interest or entertain you... The rich and famous are certainly well represented in compilation and quite rightly so. Then there are real gems, including those from the most unlikely sources... This book is a little treasure.' -The Bulletin of the Royal College of Pathologists, 128'It's no laughing matter going to the doctor but at least this collection of cracking quotes can make the visit more bearable.' -Northern Echo'If you wish to pepper a presentation or if you enjoy writing... then you will find much in this volume to quote. I haven't counted them in detail, but I estimate there are in excess of 1500 quotations arranged in two ways: by author and by subject. This makes it very easy to locate a particular quotation, and as the title indicates they are all concerned in one way or another with various aspects of medicine... This is an excellent book to have beside you when writing an article or preparing a lecture. The selection is scholarly and the presentation excellent.' -Dr Alan EmeryThe Oxford Dictionary of Medical Quotations presents a wonderfully entertaining and eclectic range of quotations covering all aspects of medicine through the ages. It couples profound statements from famous scientists with witty one-liners from the likes of Woody Allen and Spike Milligan. Packed with hundreds of quotations, it is a book that anyone in the medical profession, or with an interest in health, will find an invaluable source of reference and considerable entertainment.Readership: Doctors in all areas of medicine. General readership
The San Francisco-based artist John DiPaolo (b. 1946) is one of the world's leading, contemporary abstract artists. Over the last forty years, he has pushed the limits of abstraction to make paintings that move and engage viewers rather than cater to the style's most common presuppositions. In so doing, he has imbued a storied, mid-20th century artistic movement with new energy and life, rendering it relevant and fresh in the immediate moment.A native of Brooklyn, New York, DiPaolo moved to San Francisco in 1971 to attend the San Francisco Art Institute and, later, San Francisco State University. Though many Northern California artists such as David Park and Elmer Bischoff had largely abandoned pure abstraction in favor of figuration by the 1960s, a strong contingent was still working in the manner of abstract expressionism. Influenced by artists and teachers such as Sam Tchakalian, Julius Hatovsky, and Jack Jefferson, DiPaolo grew interested in exploring abstraction and materiality as a means of expanding the boundaries of his own art practice. Moving beyond the limiting contours of the visible world, DiPaolo saw how abstraction's raw, elemental architecture could potentially mobilize the type of physical, experiential engagement he sought in his art.Published on the occasion of DiPaolo's seventh solo exhibition with the Dolby Chadwick Gallery, John DiPaolo: A Forty-Year Retrospective takes readers through key events in DiPaolo's life and career. A collection of over seventy images presents a stunning visual record of paintings made between the1970s and 2012. This book serves as an important testament to the formal and critical trajectory of DiPaolo's impressive artistic career.
This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
A subarctic mine on the far eastern shores of Great Bear Lake provided Canadian uranium for the bombs detonated over Japan in August 1945. However, a complete history of Canada's involvement in the Manhattan Project and the development of the atomic bomb has been thwarted by restrictions on classified documents.
This fully revised edition of the Dictionary of Medical Terms" now includes over 12,500 terms from British and international medical practice, explained in clear, simple English. It covers fields such as surgery, general practice, hospitals, clinics, nursing, pharmacy, dentistry and other specialisms, and includes example sentences for each entry, together with grammar notes and parts of speech. As well as technical language it also includes informal terms of the kind used between professionals or professionals and patients. It is a valuable practical reference for interns, nurses or trainees in any medical field and its clear explanations make it ideal for professionals learning English for medicine, for A-level and undergraduate students, and for home reference. "An informative, essential reference text for anyone working in the healthcare community. This paperback is put together in an easy, accessible way and its soft-durable cover makes it resilient, user-friendly and you can always easily find what you want." - Reference Review
A seminal work as melodious and haunting as the era it chronicles. First published in 1968, Weimar Culture is one of the masterworks of Peter Gay's distinguished career. A study of German culture between the two wars, the book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Despite the ephemeral nature of the Weimar democracy, the influence of its culture was profound and far-reaching, ushering in a modern sensibility in the arts that dominated Western culture for most of the twentieth century. Vivid and eminently readable, Weimar Culture is the finest introduction for the casual reader and historian alike.
This textbook guides the reader on how to undertake high-quality literature reviews, from traditional narrative to protocol-driven reviews. The guidance covers a broad range of purposes, disciplines and research paradigms. Whether the literature review is part of a research project, doctoral study, dissertation or a stand-alone study, the book offers approaches, methods, tools, tips and guidelines to produce more effective literature reviews in an efficient manner. The numerous examples are drawn from an array of subject areas, such as economics, healthcare, education, medicine, psychology, software engineering amongst others. This makes it worthwhile for a wide range of studies and for reviews into evidence-based interventions, policies, practices and treatments. There is attention given to presenting, reporting and publishing literature reviews. With the additional clarity brought about by explanatory tables and graphs, this textbook is a ‘must-have’ for all students, researchers, academics and practitioners at any stage of their project or career when engaging with literature. In addition, citizens, policymakers and practitioners will benefit from the guidance with better insight into how literature reviews could and should have been conducted.
When originally published this was the first book to offer a collective history of all the arts – Art, Drama, Dance, Music, Literature and Film – in the curriculum. It also offers a coherent framework for the teaching of arts which is in line with the best current trends since the Gulbenkian Report of 1982. It insists that the arts, seen together should be an essential part of the national curriculum.
The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.
Albrecht DU+00FCrer was a prolific painter, draughtsman, printmaker, and writer. Now considered by many scholars the greatest of all German artists, he not only executed paintings and drawings of the highest quality but also made a major contribution to the development of printmaking, especially engraving, and to the study of anthropometry. This fully illustrated Grove Art Essentials title explores DU+00FCrer's life and work, delving into his working methods, character, personality, and theoretical writings, with an exploration of the critical reception and posthumous reputation that have made him an enduring fixture of the art historical cannon.
It is argued in most academic literature that the Business Model (BM) is a general model for how any business "runs" or should run its business - "a blueprint of the business". The book argues that no business has just one BM and just one model on which it runs its entire business or intends to run all its business. The research presented in the book points in contrast to other BM frameworks that businesses have more BMs - and have both "as-is" and "to-be" BMs. Further our research shows that the BM framework can and should be used for both "as-is" and "to-be" Models - which we call "The Multi Business Model Approach". Theoretically research indicated already by Markides and Charitou in 2004 and Casadesus-Masanell and Ricart model in 2010 indicated that business have more BM's. Sadly nobody followed up on this in the BM community, which could have made an earlier breakthrough in the understanding of BMs, BMI and strategic BMI. The book address further the concern that BM community and BMI practice mainly focus on the ideation and conceptualization of BMs. "BM canvassing" and just innovating BM building blocks can in many cases be classified as "blind business model innovation". This is not sufficient to run and create a sustainable competitive business today. BM understanding and BMI must address all 7 levels of BMI and all BMs in the business. All BMs are and should be continuously objects to BMI in the aim of maximizing the performance and sustainability of the business. The core business with all its 7 BM levels - BM dimension components, BM dimensions, BM portfolio, Business and Business Model Ecosystem (BMES) and BMI Process should all be objects for BMI. The book addresses and documents this gap in BM research and propose a new generic definition and language of a BM and a Business BMI layers. The book points to the huge unexplored possibilities that BMI offers today and can offer businesses in the future. When thoroughly understanding the 7 levels of BMI and businesses are able to communicate, work and innovate with these together, then a next step in BM and BMI research and practice can hopefully be taken. The book proposed that any BMs are related to seven BM dimensions- value proposition, user and/or customer, value chain functions (internal), competence, network, relations and value formulae. Conceptually, any Business Model Cube can be formed on behalf of these seven generic BM dimensions and these can be used both in a 2D and a 3D version. This is what the forth coming part 2 of the book will elaborate on.
Springer sees in it, not a harsh condemnation of militarism, but a marked ambivalence in the artist's attitude toward war. This new reading of the painting grows out of Springer's assessment of its imagery in relation to patronage, gender relations, and national identity - and particularly to propaganda and satire. Using Kirchner's letters and other documentation, much of it only recently available, Springer reconstructs the years of Kirchner's military service.
The story of how Germans came to embrace the Third Reich.Germany in early 1933 was a country ravaged by years of economic depression and increasingly polarized between the extremes of left and right. Over the spring of that year, Germany was transformed from a republic, albeit a seriously faltering one, into a one-party dictatorship. In Hitler's First Hundred Days, award-winning historian PeterFritzsche examines the pivotal moments during this fateful period in which the Nazis apparently won over the majority of Germans to join them in their project to construct the Third Reich. Fritzsche scrutinizes the events of theperiod - the elections and mass arrests, the bonfires and gunfire, the patriotic rallies and anti-Jewish boycotts - to understand both the terrifying power that the National Socialists came to exert over ordinary Germans and the powerful appeal of the new era that they promised.
This is an engrossing account of Greek Americans their history, strengths, conflicts, aspirations, and contributions. Blending sociological insight with historical detail, Peter C. and Charles C. Moskos trace the Greek-American experience from the wave of mass immigration in the early 1900s to today. This is the story of immigrants, most of whom worked hard to secure middle-class status. It is also the story of their children and grandchildren, many of whom maintain an attachment to Greek ethnic identity even as they have become one of America's most successful ethnic groups.As the authors rightly note, the true measure of Greek-Americans is the immigrants themselves who came to America without knowing the language and without education. They raised solid families in the new country and shouldered responsibilities for those in the old. They laid the basis for an enduring Greek-American community.Included in this completely revised edition is an introduction by Michael Dukakis and chapters relating to the early struggles of Greeks in America, the Greek Orthodox Church, success in America, and the survival and expansion of Greek identity despite intermarriage. This work will be of value to scholars of ethnic studies, those interested in Greek culture and communities, and sociologists and historians.
This is the first systematic and extensive book on exotic options. The book covers essentially all popular exotic options currently trading in the Over-the-Counter (OTC) market, from digitals, quantos, spread options, lookback options, Asian options, vanilla barrier options, to various types of exotic barrier options and other options. Each type of exotic options is largely written in a separate chapter, beginning with the basic concepts of the products and then moving on to how to price them in closed-form solutions. Many pricing formulae and analyses which have not previously appeared in the literature are included and illustrated with detailed examples. It will be of great interest to traders, marketers, analysts, risk managers, professors, graduate students, and anyone who is interested in what is going on in the rapidly changing financial market.
This is a detailed investigation into the nature of Nebuchadnezzar's animalising affliction in Daniel 4 and the degree to which he is depicted as actually becoming an animal. PeterAtkins examines two predominant lines of interpretation: either Nebuchadnezzar undergoes a physical metamorphosis of some kind into an animal form; or diverse other readings that specifically preclude or deny an animal transformation of the king. By providing an extensive study of these interpretative opinions, alongside innovative assessments of ancient Mesopotamian divine-human-animal boundaries, Atkins ultimately demonstrates how neither of these traditional interpretations best reflect the narrative events. While there have been numerous metamorphic interpretations of Daniel 4, these are largely reliant upon later developments within the textual tradition and are not present in the earliest edition of Nebuchadnezzar's animalising affliction. Atkins' study displays that when Daniel 4 is read in the context of Mesopotamian texts, which appear to conceive of the human-animal boundary as being indicated primarily in relation to possession or lack of the divine characteristic of wisdom, the affliction represents a far more significant categorical change from human to animal than has hitherto been identified.
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
THE NATIONAL BESTSELLING BOOK THAT EVERY INVESTOR SHOULD OWN Peter Lynch is America's number-one money manager. His mantra: Average investors can become experts in their own field and can pick winning stocks as effectively as Wall Street professionals by doing just a little research. Now, in a new introduction written specifically for this edition of One Up on Wall Street, Lynch gives his take on the incredible rise of Internet stocks, as well as a list of twenty winning companies of high-tech '90s. That many of these winners are low-tech supports his thesis that amateur investors can continue to reap exceptional rewards from mundane, easy-to-understand companies they encounter in their daily lives. Investment opportunities abound for the layperson, Lynch says. By simply observing business developments and taking notice of your immediate world -- from the mall to the workplace -- you can discover potentially successful companies before professional analysts do. This jump on the experts is what produces "tenbaggers," the stocks that appreciate tenfold or more and turn an average stock portfolio into a star performer. The former star manager of Fidelity's multibillion-dollar Magellan Fund, Lynch reveals how he achieved his spectacular record. Writing with John Rothchild, Lynch offers easy-to-follow directions for sorting out the long shots from the no shots by reviewing a company's financial statements and by identifying which numbers really count. He explains how to stalk tenbaggers and lays out the guidelines for investing in cyclical, turnaround, and fast-growing companies. Lynch promises that if you ignore the ups and downs of the market and the endless speculation about interest rates, in the long term (anywhere from five to fifteen years) your portfolio will reward you. This advice has proved to be timeless and has made One Up on Wall Street a number-one bestseller. And now this classic is as valuable in the new millennium as ever.
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