There is never a shortage of priest characters on our screens. Even Spencer Tracy, Bing Crosby and Barry Fitzgerald won Oscars for playing priests. Robert de Niro has been ordained four times (including a bishop). Many stars have been eager to play priests, as have numerous supporting actors. The question arises: how have been priests portrayed over the decades? There have been kindly priests with their advice, stern priests who laid down the law, heroic priests on mission, in more recent years, priests who have been abusers. And there have been priests who were part of the scenery, especially at funerals. This is something of a comprehensive look at priests on screen, looking at portrayals from the late 19th century, over the decades, for 120 years. The films considered are mainly English-language but quite there are a number from other cultures. The book offers some Church background and developments, the range of films, a highlighting of a key film representing each decade. It also has separate chapters on Irish priests, Australian priests, exorcism priests and a chapter on films and abuse. There also Appendices on historical films, saint priests and popes. While one could read the book from cover to cover, it is mainly a book for reference. There are some detailed appreciations. There are some shorter considerations. Not everyone can see every film, not for want of trying! There are Indexes for exploring: film titles, directors, and actors who have played priests. Screen Priests is a fascinating historical look at films about Roman Catholic priests from the first until Martin Scorseses 2016 religious and cinematic masterpiece Silence. With the scope spanning decades and the breadth embracing films mostly from the United States, Britain, Ireland, Canada and Australia, the researcher will find a treasure trove and the film aficionado will relish Peter Malones encyclopedia knowledge and sometimes trivia of the world of priests on the silver screen.
American film in the 1970s is analyzed fully in this groundbreaking study, revealing an art form in transition and widening in scope to offer serious critiques of American culture alongside increasingly well-produced entertainment. Simultaneous.
The Origins of Human Society traces the development of human culture from its origins over 2 million years ago to the emergence of literate civilization. In addition to a global coverage of prehistoric life, the book pays specific attention to the origins and dispersal of anatomically-modern humans, the development of symbolic expression, the transition from mobile foraging bands to sedentary households, early agriculture and its consequences, the emergence of social differentiation and hereditary ranking, and the prehistoric roots of ancient states and empires. The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.
Bridging the Gaps: Integrating Archaeology and History in Oaxaca, Mexico does just that: it bridges the gap between archaeology and history of the Precolumbian, Colonial, and Republican eras of the state of Oaxaca, Mexico, a cultural area encompassing several of the longest-enduring literate societies in the world. Fourteen case studies from an interdisciplinary group of archaeologists, anthropologists, ethnohistorians, and art historians consciously compare and contrast changes and continuities in material culture before and after the Spanish conquest, in Prehispanic and Colonial documents, and in oral traditions rooted in the present but reflecting upon the deep past. Contributors consider both indigenous and European perspectives while exposing and addressing the difficulties that arise from the application of this conjunctive approach. Inspired by the late Dr. Bruce E. Byland’s work in the Mixteca, which exemplified the union of archaeological and historical evidence and inspired new generations of scholars, Bridging the Gaps promotes the practice of integrative studies to explore the complex intersections between social organization and political alliances, religion and sacred landscape, ethnic identity and mobility, colonialism and resistance, and territoriality and economic resources.
The Snowdon Mountain Railway is one of the great narrow gauge railways of North Wales, with thousands of visitors travelling to the summit of Mount Snowdon along the line each year. This book covers the history of this historic and interesting line from its beginnings in the 1890s through to the present day. The author Peter Johnson has been writing about narrow gauge railways for many years and has a deep knowledge of the lines in North and Mid Wales. The Snowdon Mountain Railway is an important part of the tourist industry in North Wales and plays a vital part in providing transport in this popular and much visited area. This volume looks at the narrow gauge railway's history and development, taking in the present and future development of this fascinating line's operation.
Field Notes is the record of a territory in full colour: a book of words and artworks that capture a year spent on foot in the Lincolnshire landscape. It is about topography and time. Chalk and flint and marsh. The coming and going of the sea, Neolithic farmers and the razzle-dazzle of weary coastal towns. It is as much about the ghost of a mammoth as it is the scream of a jet fighter, heading east. Each image is a still from a film – a film that is under constant production inside Maxim Peter Griffin’s skull. Griffin’s art is about taking somewhere and looking at it over and over so that with each looking it becomes strange and new. As well as being a testament to the isolated beauty of Lincolnshire itself, Field Notes is an extraordinary account of what it is like to be present in, to fully inhabit, a place.
This monumental text-reference places in clear persepctive the importance of nutritional assessments to the ecology and biology of ruminants and other nonruminant herbivorous mammals. Now extensively revised and significantly expanded, it reflects the changes and growth in ruminant nutrition and related ecology since 1982. Among the subjects Peter J. Van Soest covers are nutritional constraints, mineral nutrition, rumen fermentation, microbial ecology, utilization of fibrous carbohydrates, application of ruminant precepts to fermentive digestion in nonruminants, as well as taxonomy, evolution, nonruminant competitors, gastrointestinal anatomies, feeding behavior, and problems fo animal size. He also discusses methods of evaluation, nutritive value, physical struture and chemical composition of feeds, forages, and broses, the effects of lignification, and ecology of plant self-protection, in addition to metabolism of energy, protein, lipids, control of feed intake, mathematical models of animal function, digestive flow, and net energy. Van Soest has introduced a number of changes in this edition, including new illustrations and tables. He places nutritional studies in historical context to show not only the effectiveness of nutritional approaches but also why nutrition is of fundamental importance to issues of world conservation. He has extended precepts of ruminant nutritional ecology to such distant adaptations as the giant panda and streamlined conceptual issues in a clearer logical progression, with emphasis on mechanistic causal interrelationships. Peter J. Van Soest is Professor of Animal Nutrition in the Department of Animal Science and the Division of Nutritional Sciences at the New York State College of Agriculture and Life Sciences, Cornell University.
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
Small-Screen Shakespeare is a guide to all the Shakespeare productions available for viewing on computer or TV. From Beerbohm Tree’s silent scene from King John, to Helen Mirren as Prospera and Simon Russell Beale as Falstaff, Peter Cochran gives an expert opinion on the best and the worst, basing his judgements on a lifetime of viewing, teaching, acting and directing. The book covers films, television productions, plays on YouTube, and DVDs of videoed stage productions, as well as cinematic Shakespearean spin-offs such as Throne of Blood and Joe Macbeth. The book is composed of five sections: one on film directors who have specialised in Shakespeare; one on screen versions of individual plays; one on films remaking Shakespeare’s plots in a different idiom; one on films which contain creative references to Shakespeare; and a final review of two famous stage productions.
No Foreign Bones in China tells a story of China through the eyes of a British colonial family. Through the Opium Wars, the Boxer Rebellion, two world wars, and the rise of Mao, the Shaws were witness to the turbulent birth of modern China. Captain Samuel Lewis Shaw, a merchant seaman, arrived in China in the 1830s. After a long and colourful career, he settled in the port of Foochow, married a Japanese woman, and started a family. The Shaw children grew up in Pagoda Anchorage, the heart of the Chinese tea trade, and expected to spend their lives in this beautiful place. But a few years later, they were forced to leave. In a dramatic display of pro-Chinese nationalism, foreigners were expelled from the country—even to the bones lying in their graves. Told with emotion and insight, No Foreign Bones in China explores cultural history in lavish detail. In re-creating the story of his family, Peter Stursberg reveals history as it was lived and made.
Legendary money manager Peter Lynch explains his own strategies for investing and offers advice for how to pick stocks and mutual funds to assemble a successful investment portfolio. Develop a Winning Investment Strategy—with Expert Advice from “The Nation’s #1 Money Manager.” Peter Lynch’s “invest in what you know” strategy has made him a household name with investors both big and small. An important key to investing, Lynch says, is to remember that stocks are not lottery tickets. There’s a company behind every stock and a reason companies—and their stocks—perform the way they do. In this book, Peter Lynch shows you how you can become an expert in a company and how you can build a profitable investment portfolio, based on your own experience and insights and on straightforward do-it-yourself research. In Beating the Street, Lynch for the first time explains how to devise a mutual fund strategy, shows his step-by-step strategies for picking stock, and describes how the individual investor can improve his or her investment performance to rival that of the experts. There’s no reason the individual investor can’t match wits with the experts, and this book will show you how.
Terra preta is the Portuguese name of a type of soil which is thought to have almost miraculous properties. The newspapers are flooded with reports about “black gold,” scientists believe that two of the greatest problems facing the world – climate change and the hunger crisis — can be solved by it. The beauty of it is that everyone can do something about it because since 2005 the secret of producing this black soil has been revealed — and it is a secret that seemed to have been lost forever with the downfall of the once thriving Indian culture of the Amazon basin. The recipe is astonishingly simple as all you need are kitchen or garden wastes, charcoal and earthworms, so it can be produced on every balcony or on the smallest of garden plots. The trio of authors Scheub, Pieplow and Schmidt, set off on a treasure hunt and condensed all the knowledge about the world’s most fertile soil into a convenient guidebook. In addition to a sound instruction manual on producing terra preta and organic charcoal (biochar), the handbook covers fundamental principles from climate farming to closed-loop economy. It makes a passionate plea against synthetic fertilizers and genetic technology and offers indispensable advice to all those who feel strongly about healthy food. Published in Partnership with the David Suzuki Institute.
This book has been nominated for both the Sheridan Morley Prize for biography, and the Theatre Book Prize. A story of a man whose star rose very quickly and very early, and fell slowly and inexorably. A story of a man who knew himself perhaps too well, but not particularly wisely. It is exhilarating, perplexing and tragic. This new biography offers the most rounded portrait of Osborne yet seen. By embedding him in a social and cultural as well as a biographical context, Whitebrook presents Osborne in a way that has not been attempted before. It is the first book to properly explore the importance of his early collaborative work with Anthony Creighton, his lasting friendship with Pamela Lane, and his deep spiritual beliefs. It reveals the autobiographical background to Look Back in Anger and Watch It Come Down and places his literary achievement within a quintessentially English tradition. Seldom has a dramatist so compulsively revealed so much of himself – his flaws, his anxieties, his passion and his hatred – as John Osborne. His was a dazzlingly high-octane performance and in a succession of increasingly ambitious plays written during the 50s and 60s, he was able to unite a profound, intuitive intelligence with a caustically honest depth of feeling. By refusing to submit to caution, he laid bare in some of the most poetic and incendiary language heard in the 20th-century theatre, not only his own struggles and contradictions but those of the era. Almost single-handedly, he made the theatre important again. Catapulted from obscurity to being the icon of his age when he was only twenty-five, Osborne was at the height of his fame equally celebrated and derided as ‘the Angry Young Man’. John Osborne: ‘Anger is not about’ examines his fractious, often chaotic personal life against the social and political background of his times. It provides an invigorating insight into his complex, often anguished personality and a fresh critical assessment of his writing. A vivid account not only of what it was like to be John Osborne, loyal and generous, scathing and brutal, but what it was like to be so restlessly a creative artist in the latter 20th century. Click here to read an exclusive extract in The Independent
The Book of Broadway Musical Debates, Disputes and Disagreements is purposely meant to start arguments and to settle them. Broadway musical fans won’t always agree with the conclusions musical theater judge Peter Filichia reaches, but the best part of any drama is the conflict. Among lovers of musical theater, opinions are never in short supply, and Filichia addresses the most dividing questions and opinions in one book. What will you say when he asks, “What is the greatest opening number of a Broadway musical?” Will your answer be “The Circle of Life” from The Lion King, “Heaven on Their Minds” from Jesus Christ Superstar, or “Beautiful Girls” from Follies? Will you agree with his answer to “Whose Broadway performance in a musical was later best captured on film?” Did you immediately think of Robert Preston in The Music Man or Barbra Streisand in Funny Girl? More questions that will add to the fire include “What song from a musical is the most beloved?” and “What’s the worst song that a Broadway musical ever inflicted on us?” They’re all in The Book of Broadway Musical Debates, Disputes and Disagreements. Let the arguments begin!
Winner of 3 Oscars and the highest grossing film of its time, Jaws was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, and actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in The Jaws Log, which was first published in 1975, generating 17 printings and selling more than 2 million copies. This paperback edition includes an introduction by Carl Gottlieb, an introduction by Peter Benchley, and 36 black and white photos.
This is the thrilling account of the last remaining Battle of Britain ace fighter pilot, Tom Ginger Neil. Neil was one of an elite band, nicknamed The Few by Winston Churchill, he flew Hurricanes during 141 combat missions in that battle and went on to command the first Spitfire XII squadron during 1942/43 as the RAF went on the offensive in north-west Europe.In this, the only full account of Neil's life to be published in collaboration with his family, we learn how he became a poster boy for the war effort and how he credits his sixth sense for keeping him alive during the Second World War.There was, however, one terrifyingly close brush with death, when in 1940 he had a mid-air collision with another Hurricane. With the rear section of his aircraft gone, the plane was out of control and hurtling to the ground, yet somehow he managed to bail out and miraculously survived with only a minor leg injury.As well as RAF service during the Siege of Malta, Wing Commander Neil, who is now in his late nineties, also served with the Americans during the D-Day landings.During his career, Neil was awarded two Distinguished Flying Crosses for the destruction of at least fourteen enemy aircraft, and was a successful test pilot after the war before commanding a jet fighter-reconnaissance squadron in Egypt's troubled Canal Zone during the 1950s for which he was awarded the Air Force Cross.With contributions from the man himself, this book also looks at his life after the RAF and his career as a successful author. For military buffs and novices alike, it is a must-read account of a true war hero.
William Hickling Prescott (1796-1859) was one of those rare historians who effectively melded history and literature in an elegant, compelling writing style that appealed to the casual reader, while still meeting the strict criteria of the scholar. Prescott was the first American historian to achieve international recognition with his critically acclaimed History of the Reign of Ferdinand and Isabella. Plagued by poor vision and chronic health issues, he was determined to make his mark as a historian. His follow-up work, The History of the Conquest of Mexico, is considered his masterpiece. Prescott went on to write A History of the Conquest of Peru, History of the Reign of Philip II and a 200-page addendum to William Robertson's History of the Reign of the Emperor Charles V. Drawing on correspondence and journal entries, this book traces the life of one of America's most celebrated historians.
“Our most provocative scholar of American power” reveals the forces behind the assassination of JFK—and their continuing influence over our world (David Talbot, Salon). On November 22, 1963, President John F. Kennedy was gunned down in Dallas by Lee Harvey Oswald. Shortly after, Oswald himself was killed. These events led many to believe there was a far greater plan at work, with a secret cabal of powerful men manipulating the public and shaping US policies both at home and abroad for their own interests. But no one could imagine how right they were. Beneath the orderly façade of the American government, there lies a complex network, only partly structural, linking Wall Street influence, corrupt bureaucracy, and the military-industrial complex. Here lies the true power of the American empire. This behind-the-scenes web is unelected, unaccountable, and immune to popular resistance. Peter Dale Scott calls this entity the deep state, and he has made it his life’s work to write the history of those who manipulate our government from the shadows. Since the aftermath of World War II, the deep state’s power has grown unchecked, and nowhere has it been more apparent than that day at Dealey Plaza. In this landmark volume, Scott traces how culpable elements in the CIA and FBI helped prepare for the assassination, and how the deep state continues to influence our politics today. As timely and important as ever in the current chaotic political climate, Dallas ’63 is a reality-shattering, frightening exposé not of those who govern us—but of those who govern those who govern us.
An indispensable guide for parents from a leading expert on children's film For years Peter M. Nichols has been offering vital advice and information for parents about current movies in his regular "Taking the Children" column. But parents need the same kind of guidance when renting or buying videos and DVDs for their family. They may know that movies such as Toy Story and Chicken Run are good choices for their children, but Nichols helps parents go beyond the obvious choices to more unconventional movies like The African Queen and Some Like It Hot. From the classics of animation to a host of great comedies and dramas, Nichols provides a knowing and illuminating guide to one hundred great cinematic works. Each brief original essay not only explains why the children will enjoy the film but also allows Nichols to offer timely bits of film history and to discuss certain films in a larger cultural context. Nichols's knowledge and understanding of films is broad and deep, and many of his choices-especially of films that we might not have thought of as "children's films"-will surprise and delight readers.
Twas Honest old Noah first planted the Vine And mended his morals by drinking its Wine. —from a drinking song by Benjamin Franklin There were, Peter Thompson notes, some one hundred and fifty synonyms for inebriation in common use in colonial Philadelphia and, on the eve of the Revolution, just as many licensed drinking establishments. Clearly, eighteenth-century Philadelphians were drawn to the tavern. In addition to the obvious lure of the liquor, taverns offered overnight accommodations, meals, and stabling for visitors. They also served as places to gossip, gamble, find work, make trades, and gather news. In Rum Punch and Revolution, Thompson shows how the public houses provided a setting in which Philadelphians from all walks of life revealed their characters and ideas as nowhere else. He takes the reader into the cramped confines of the colonial bar room, describing the friendships, misunderstandings and conflicts which were generated among the city's drinkers and investigates the profitability of running a tavern in a city which, until independence, set maximum prices on the cost of drinks and services in its public houses. Taverngoing, Thompson writes, fostered a sense of citizenship that influenced political debate in colonial Philadelphia and became an issue in the city's revolution. Opinionated and profoundly undeferential, taverngoers did more than drink; they forced their political leaders to consider whether and how public opinion could be represented in the counsels of a newly independent nation.
Single girl, 33, redhead and smouldering, love life that's crashed and burned. Seeks new flame to rekindle her fire. Fun, friendship and—who knows—more maybe? In Peter James' Want You Dead, thirty-year old Red Cameron meets handsome, charming and rich thirty-five year old Bryce Laurent through an online dating agency, and is instantly attracted to him. But as their love blossoms, the truth about his past begins to emerge, and with it his dark side. Everything he has told Red about himself turns out to be a tissue of lies, and her infatuation with him gradually turns to terror. Within a year, and under police protection, she evicts him from her flat and her life. But far from being over, her nightmare is only just beginning. For Bryce is obsessed and besotted with her. He intends to destroy, by fire, everything and everyone she has ever known and loved—and then her, too. It's up to Detective Superintendent Roy Grace to stop him before it's too late...
Like a pizza delivery driver who travels everywhere by moped, or a volcanologist who keeps turning the central heating up, I'm a film critic who loves going to the cinema.' - Peter Bradshaw. Peter Bradshaw is the film reviewer for intelligent, curious cinemagoers; he has worked at the Guardian for twenty years. The Films That Made Me collates his finest reviews from the last two decades, which carry with them his deep experience, knowledge and understanding of film. Introducing each section with a brief introductory article in his light, humorous tone, and ranging from The Cat in the Hat and the Twilight Saga to Synecdoche: New York, Bradshaw shares the films that he loved, the films that he hated, the films that made him laugh, cry, swoon and scared. Bradshaw's reviews range from the insightful and introspective to the savage and funny. The Films That Made Me is a must read for all film fanatics.
In these intimate diaries, Hall chronicles the eight frenzied years between 1972 and 1980 when he conducted the historic move of the National Theatre from the Old Vic to the South Bank, and then triumphantly consolidated its position as the leading showcase for theatre in Britain. With remarkable candour Hall describes his relationship with Lord Olivier; with actors Paul Scofield, Ralph Richardson, Alec Guinness, John Gielgud, Albert Finney and Peggy Ashcroft; with playwrights Harold Pinter, John Osborne, Samuel Beckett, David Hare, Peter Shaffer and Howard Brenton; and with directors John Schlesinger, John Dexter, Bill Bryden, Christopher Morahan and Jonathan Miller. In his startlingly frank, incisive style, he creates sometimes affectionate, sometimes acid portraits of his friends and enemies, of great actors in rehearsal. In his foreword, Hall casts a critical eye over the state of British theatre today and, through a discussion of politics and the arts in the eighties and nineties, contemplates its future.
A vivid novel full of suspense, magic and mystery. In the nineteenth century a sinister publication transformed a disfigured prostitute into a beautiful and wealthy socialite. Now in the form of a glossy magazine it is performing miracles for a lawyer down on his luck.
In The Developing Christian, Peter Feldmeier wrestles with the interconnections between normal human development and spiritual growth. Beginning with the basic principles of Christian spirituality, he goes on to investigate human maturing through the stages of life, with each stage's typical challenges and opportunities. Particular attention is given to moral and ego development. In this context of human maturation, he investigates spiritual progress, particularly as it relates to prayer, work, and primary relationships. Touchstone voices from the theological tradition including St. John of the Cross, Teilhard de Chardin, and James Fowler. These are augmented with an array of wisdom figures from contemplative, prophetic, and pastoral expressions of holiness."--BOOK JACKET.
Why do 'Jaws', 'Field of Dreams', 'The Big Lebowski', and 'The Godfather' remain strikingly popular in this age of fragmented audiences and ever-faster spin cycles? "Hollywood Blockbusters: The Anthropology of Popular Movies" argues that these films continue to captivate audiences because they play upon underlying tensions and problems in American culture, much like the myths that anthropologists study in non-Western contexts. In making this argument, the authors employ and extend anthropological theories about ritual, kinship, gift giving, power, egalitarianism, literacy, metalinguistics, stereotypes, and the mysteries of the Other. The results - original insights into modern film classics, American culture, and anthropological theory - will appeal to students of Film, Media, Anthropology, Sociology, and Cultural Studies.
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