Richard III is accused of murdering his nephews (the 'Princes in the Tower') in order to usurp the throne of England. Since Tudor times he has been painted as the 'black legend', the murderous uncle. However, the truth is much more complicated and interesting. Rather than looking at all the killings Richard III did not commit, this book focuses on the one judicial murder for which we know that he was responsible. On Friday 13 June 1483, William, Lord Hastings was hustled from a meeting of the Royal Council and summarily executed on Tower Green within the confines of the Tower of London. This book sheds light on the mystery of this precipitate and unadvised action by the then Duke of Gloucester and reveals the key role of William Catesby in Richard's ascent to the throne of England. It explains his curious actions during that tumultuous summer of three kings and provides an explanation for the fate of the 'Princes in the Tower.
On 22 August 1485 the forces of the Yorkist king Richard III and his Lancastrian opponent Henry Tudor, Earl of Richmond clashed at Bosworth Field in Leicestershire in one of the decisive battles of English history. Richard was defeated and killed. Henry took the crown as Henry VII, established the Tudor dynasty and set English history on a new course. For the last 500 years this, the most famous battle of the Wars of the Roses, has excited passionate interest and continuing controversy. Peter Hammond, in a vivid and perceptive account of the battle, retells the story of the tangled dynastic and personal rivalries that provoked the conflict, describes the preparations of the two converging armies and offers a gripping analysis of the contest itself. The latest documentary and archaeological evidence is considered, and the author weighs up the merits of conflicting interpretations of the battle and the battlefield. He also pays particular attention to the contrasting characters of Richard III and Henry Tudor, the villain and the victor of the drama, who are reconsidered as individuals and as commanders. This lucid, authoritative and readable new history will be essential reading for anyone who is intrigued by the short, unhappy reign of Richard III and the trial of strength that destroyed him.
The operas of the German composer Richard Wagner had a revolutionary influence on the course of Western music. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his works. He went on to revolutionise the music form through his concept of the Gesamtkunstwerk (total work of art), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He achieved these ideas most fully in his epic cycle of operas 'Der Ring des Nibelungen', notable for complex textures, rich harmonies and the elaborate use of leitmotifs. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Wagner’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Wagner’s masterworks* Learn about the operas that made Wagner a celebrated composer* Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about* Features a special ‘Complete Compositions’ section, with an index of Wagner’s complete works and links to streaming services* English translations of the librettos for the major operas, including works appearing for the first time in digital print* A wide selection of the composer’s prose works, including fiction, pioneering essays and Wagner’s celebrated autobiography* Includes Wagner’s letters to Franz Liszt — explore the composer’s personal correspondence* Features six biographies on the great composer — explore Wagner's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The MasterworksSymphony in C MajorDas LiebesverbotFaust OvertureRienziDer fliegende HolländerTannhäuserLohengrinDas RhinegoldDie WalküreTristan und IsoldeWesendonck LiederDie Meistersinger von NürnbergSiegfriedSiegfried IdyllGötterdämmerungParsifal Complete CompositionsIndex of Wagner’s Compositions Selected LibrettosDer fliegende HolländerLohengrinDas RhinegoldDie WalküreTristan und IsoldeSiegfriedGötterdämmerungParsifal Selected ProseAutobiographic SketchOn German OperaArt and RevolutionThe Art-Work of the FutureJudaism in MusicA Communication to My FriendsOpera and DramaBeethovenWhat is German?An End in ParisOn ConductingReligion and Art The LettersCorrespondence of Wagner and Liszt The AutobiographyMy Life The BiographiesRichard Wagner: His Life and His Dramas by W. J. HendersonLife of Wagner by Ludwig NohlRichard Wagner, Composer of Operas by John F. RuncimanWagner by Paul RosenfeldWagner as I Knew Him by Ferdinand PraegerRichard Wagner by Rupert Hughes Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Originally published in 1929, this book contains an examination of Shakespeare's three-part Henry VI and its 'sequel', Richard III. Alexander addresses a number of questions regarding the integrity of the texts of both plays, whether or not Shakespeare wrote them in collaboration with another author, and possible interpolations from other plays. This book will be of value to anyone with an interest in Shakespeare, particularly his histories.
To coincide with West Australian Opera's performances of Tristan und Isolde in November 2006, Peter Bassett has undertaken a textual translation of and commentary on Wagner's most radical and influential work.
A revised and expanded, comprehensive guide to the novels of Native American author Louise Erdrich from Love Medicine to The Painted Drum. Includes chronologies, genealogical charts, complete dictionary of characters, map and geographical details about settings, and a glossary of all the Ojibwe words and phrases used in the novels"--Provided by publisher.
The Mongols had a huge impact on medieval Europe and the Islamic world. This book provides a comprehensive survey of contacts between the Catholic West and the Mongol world-empire from the first appearance of Chinggis Khan’s armies in 1221 down to the death of Tamerlane (1405) and the battle of Tannenberg (1410). This book considers the Mongols as allies as well as conquerors; the perception of them in the West; the papal response to the threat (and opportunity) they presented; the fate of the Frankish principalities in the Holy Land in the path of the Mongol onslaught; Western European embassies and missions to the East; and the impact of the Mongols on the expanding world view of the maturing Middle Ages. For courses in crusading history and medieval European history.
THE STORY: As the play begins the protagonists are twelve-year-old sixth graders. One of them, Daniel Rocket, is firmly convinced that he can fly, a belief that causes him to be shunned and ridiculed by his schoolmates--including the girl he adores
This series of e-Books will chiefly be of interest to family historians with Devon ancestry. This first volume gives an account of the research methods used in building up the history of a mostly obscure family previously known mainly from parish registers and muster rolls.
THE STORY: Pam and Richard are hosting their best friends, Wendy and Tom, for their annual dinner get-together. An animal sacrifice kicks off the evening, followed by a little more sex, violence, deception, revelations, wrestling and dancing than p
Political parties have long been recognized as essential institutions of democratic governance. Both the organization of parties, and their relationships with citizens, the state, and each other have evolved since the rise of liberal democracy in the 19th and early 20th centuries. Going into the 21st century, it appears that parties losing popular support, putting both parties, and potentially democracy, in peril. This book traces the evolution of parties from the model of the mass party, through the catch-all party model, to argue that by the late 20th century the principal governing parties and (and their allied smaller parties - collectively the political 'mainstream') were effectively forming a cartel, in which the form of competition might remain, and indeed even appear to intensify, while its substance was increasingly hollowed out. The spoils of office were increasingly shared rather than restricted to the temporary winners; contentious policy questions were kept off the political agenda, and competition shifted from large questions of policy to minor questions of managerial competence. To support this cartel, the internal arrangements of parties changed to privilege the party in public office over the party on the ground. The unintended consequence has been to stimulate the rise of extra-cartel challengers to these cozy arrangements in the form of anti-party-system parties and populist oppositions on the left, but especially on the right. Comparative Politics is a series for researchers, teachers, and students of political science that deals with contemporary government and politics. Global in scope, books in the series are characterised by a stress on comparative analysis and strong methodological rigour. The series is published in association with the European Consortium for Political Research. For more information visit: www.ecprnet.eu. The series is edited by Emilie van Haute, Professor of Political Science, Université libre de Bruxelles; Ferdinand Müller-Rommel, Director of the Center for the Study of Democracy, Leuphana University; and Susan Scarrow, John and Rebecca Moores Professor of Political Science, University of Houston.
This major, revisionist reference work explains for the first time how the Stationers' Company acquired both a charter and a nationwide monopoly of printing. In the most detailed and comprehensive investigation of the London book trade in any period, Peter Blayney systematically documents the story from 1501, when printing first established permanent roots inside the City boundaries, until the Stationers' Company was incorporated by royal charter in 1557. Having exhaustively re-examined original sources and scoured numerous archives unexplored by others in the field, Blayney radically revises accepted beliefs about such matters as the scale of native production versus importation, privileges and patents, and the regulation of printing by the Church, Crown and City. His persistent focus on individuals - most notably the families, rivals and successors of Richard Pynson, John Rastell and Robert Redman - keeps this study firmly grounded in the vivid lives and careers of early Tudor Londoners.
An accessible and entertaining journey through the life, times, and work of the Bard - Enigma. Master of language. The greatest comedian in history? The most famous writer in the world. But isn't he a little bit boring? This is an essential guide for anyone who has previously avoided the Bard, and is the perfect introduction for first time students or seasoned theatre lovers. The book contains a full commentary of all the plays by bestselling and reknowned writer Peter Ackroyd as well as full descriptions of the cast and the drama; not forgetting the best speeches, and the wit and wisdom from across the works. There is also an opportunity to explore the poems and a complete set of sonnets, as well as an investigation of who the dark lady might have been. Contains: The complete sonnets; the greatest speeches; the best lines. Perfect for students struggling through their first play or for theatre lovers anywhere. Entertaining, accessible, Shakespeare without the boring bits.
This book gives close attention to the poetry and plotting of six Shakespeare plays, three tragedies (Coriolanus, Richard III, and King Lear) and three comedies (Midsummer Night's Dream, Twelfth Night, The Merchant of Venice), paying particular attention to biblical imagery and theological themes of the plays.
This study reexamines the recognized "canon" of films based on Shakespeare's plays, and argues that it should be broadened by breaking with two unnecessary standards: the characterization of the director as "auteur" of a play's screen adaptation, and the convention of excluding films with contemporary language or modern or alternative settings or which use the play as a subtext. The emphasis is shifted from the director's contribution to the film's social, cultural and historical contexts. The work of the auteurs is reevaluated within present-day contexts, preserving the established canon while proposing new criteria for inclusion.
The politics of virtue -- Honour and its enemies: women on top - again -- Anti-popery -- Divided we fall: the politics of faction in time of war -- CHAPTER 6 Richard III: political ends, providential means -- The making of a Machiavel -- Monstrous bodies and providential signs -- Signs and prophecies -- The audience as 'high all- seer' -- Ambiguities of 'evil counsel' -- From providence to predestination: the return of legitimacy -- Richard III as a guide to the past, present and future -- CHAPTER 7 Going Roman: Richard III and Titus Andronicus compared
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
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