Richard III is accused of murdering his nephews (the 'Princes in the Tower') in order to usurp the throne of England. Since Tudor times he has been painted as the 'black legend', the murderous uncle. However, the truth is much more complicated and interesting. Rather than looking at all the killings Richard III did not commit, this book focuses on the one judicial murder for which we know that he was responsible. On Friday 13 June 1483, William, Lord Hastings was hustled from a meeting of the Royal Council and summarily executed on Tower Green within the confines of the Tower of London. This book sheds light on the mystery of this precipitate and unadvised action by the then Duke of Gloucester and reveals the key role of William Catesby in Richard's ascent to the throne of England. It explains his curious actions during that tumultuous summer of three kings and provides an explanation for the fate of the 'Princes in the Tower.
On 22 August 1485 the forces of the Yorkist king Richard III and his Lancastrian opponent Henry Tudor, Earl of Richmond clashed at Bosworth Field in Leicestershire in one of the decisive battles of English history. Richard was defeated and killed. Henry took the crown as Henry VII, established the Tudor dynasty and set English history on a new course. For the last 500 years this, the most famous battle of the Wars of the Roses, has excited passionate interest and continuing controversy. Peter Hammond, in a vivid and perceptive account of the battle, retells the story of the tangled dynastic and personal rivalries that provoked the conflict, describes the preparations of the two converging armies and offers a gripping analysis of the contest itself. The latest documentary and archaeological evidence is considered, and the author weighs up the merits of conflicting interpretations of the battle and the battlefield. He also pays particular attention to the contrasting characters of Richard III and Henry Tudor, the villain and the victor of the drama, who are reconsidered as individuals and as commanders. This lucid, authoritative and readable new history will be essential reading for anyone who is intrigued by the short, unhappy reign of Richard III and the trial of strength that destroyed him.
In this classic work, Peter Hammond and the late V.B. Lamb survey the life and times of Richard III and examine the contemporary evidence for the events of his reign, tracing the origins of the traditional version of his career as a murderous tyrant and its development since his death. The evident grief of the citizens of York on hearing of the death of Richard III — recording in the Council Minutes that he had been 'piteously slane and murdered to the Grete hevynesse of this citie' — is hardly consistent with the view of the archetypal wicked uncle who murdered his nephews, the Princes in the Tower, and there is an extraordinary discrepancy between this monster and the man as he is revealed by contemporary records.An ideal introduction to one of the greatest mysteries of English history, this new edition is revised by Peter Hammond and includes an introduction and notes.
Originally published in 1929, this book contains an examination of Shakespeare's three-part Henry VI and its 'sequel', Richard III. Alexander addresses a number of questions regarding the integrity of the texts of both plays, whether or not Shakespeare wrote them in collaboration with another author, and possible interpolations from other plays. This book will be of value to anyone with an interest in Shakespeare, particularly his histories.
The operas of the German composer Richard Wagner had a revolutionary influence on the course of Western music. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his works. He went on to revolutionise the music form through his concept of the Gesamtkunstwerk (total work of art), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He achieved these ideas most fully in his epic cycle of operas 'Der Ring des Nibelungen', notable for complex textures, rich harmonies and the elaborate use of leitmotifs. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Wagner’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Wagner’s masterworks* Learn about the operas that made Wagner a celebrated composer* Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about* Features a special ‘Complete Compositions’ section, with an index of Wagner’s complete works and links to streaming services* English translations of the librettos for the major operas, including works appearing for the first time in digital print* A wide selection of the composer’s prose works, including fiction, pioneering essays and Wagner’s celebrated autobiography* Includes Wagner’s letters to Franz Liszt — explore the composer’s personal correspondence* Features six biographies on the great composer — explore Wagner's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The MasterworksSymphony in C MajorDas LiebesverbotFaust OvertureRienziDer fliegende HolländerTannhäuserLohengrinDas RhinegoldDie WalküreTristan und IsoldeWesendonck LiederDie Meistersinger von NürnbergSiegfriedSiegfried IdyllGötterdämmerungParsifal Complete CompositionsIndex of Wagner’s Compositions Selected LibrettosDer fliegende HolländerLohengrinDas RhinegoldDie WalküreTristan und IsoldeSiegfriedGötterdämmerungParsifal Selected ProseAutobiographic SketchOn German OperaArt and RevolutionThe Art-Work of the FutureJudaism in MusicA Communication to My FriendsOpera and DramaBeethovenWhat is German?An End in ParisOn ConductingReligion and Art The LettersCorrespondence of Wagner and Liszt The AutobiographyMy Life The BiographiesRichard Wagner: His Life and His Dramas by W. J. HendersonLife of Wagner by Ludwig NohlRichard Wagner, Composer of Operas by John F. RuncimanWagner by Paul RosenfeldWagner as I Knew Him by Ferdinand PraegerRichard Wagner by Rupert Hughes Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
To coincide with West Australian Opera's performances of Tristan und Isolde in November 2006, Peter Bassett has undertaken a textual translation of and commentary on Wagner's most radical and influential work.
In the early years of the 20th century, control over Tibet was contested by three major empires: those of China, Russia and Britain. The imperial powers and those who came in their wake - missionaries, scholars, traders and soldiers - employed local staff to assist in their dealings with the Tibetans, and these employees were in the vanguard of Tibet's encounter with the outside world. Yet they have been largely forgotten by history and most of the knowledge and understandings that they gained have been lost. It was left to a Dutchman, Johan van Manen, and hence an outside observer of the British imperial system, to preserve the impressions of three who served on the periphery of the imperial system. The three autobiographies that make up this book, crowded with ethnographical, sociological and historico-religious data, offer a unique insight into the world of the intermediary class. In addition to being interesting and entertaining, they are an important contribution to our understanding of the history of Tibet and its opening up to cultures beyond its own.
To coincide with West Australian Opera's performances of Tristan und Isolde in November 2006, Peter Bassett has undertaken a textual translation of and commentary on Wagner's most radical and influential work.
Originally published in 1929, this book contains an examination of Shakespeare's three-part Henry VI and its 'sequel', Richard III. Alexander addresses a number of questions regarding the integrity of the texts of both plays, whether or not Shakespeare wrote them in collaboration with another author, and possible interpolations from other plays. This book will be of value to anyone with an interest in Shakespeare, particularly his histories.
Richard III is accused of murdering his nephews (the 'Princes in the Tower') in order to usurp the throne of England. Since Tudor times he has been painted as the 'black legend', the murderous uncle. However, the truth is much more complicated and interesting. Rather than looking at all the killings Richard III did not commit, this book focuses on the one judicial murder for which we know that he was responsible. On Friday 13 June 1483, William, Lord Hastings was hustled from a meeting of the Royal Council and summarily executed on Tower Green within the confines of the Tower of London. This book sheds light on the mystery of this precipitate and unadvised action by the then Duke of Gloucester and reveals the key role of William Catesby in Richard's ascent to the throne of England. It explains his curious actions during that tumultuous summer of three kings and provides an explanation for the fate of the 'Princes in the Tower.
In this classic work, Peter Hammond and the late V.B. Lamb survey the life and times of Richard III and examine the contemporary evidence for the events of his reign, tracing the origins of the traditional version of his career as a murderous tyrant and its development since his death. The evident grief of the citizens of York on hearing of the death of Richard III — recording in the Council Minutes that he had been 'piteously slane and murdered to the Grete hevynesse of this citie' — is hardly consistent with the view of the archetypal wicked uncle who murdered his nephews, the Princes in the Tower, and there is an extraordinary discrepancy between this monster and the man as he is revealed by contemporary records. An ideal introduction to one of the greatest mysteries of English history, this new edition is revised by Peter Hammond and includes an introduction and notes.
Join a cast of characters, with different perspectives, thinking through some of the biggest questions in life, as they discuss atheist Richard Dawkins's book Outgrowing God: A Beginner's Guide. Written in the form of a dialogue between members of a student book club, Outgrowing God? A Beginner's Guide to Richard Dawkins and the God Debate encourages critical thinking about Professor Dawkins's arguments concerning God, Jesus, and the Bible.
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