The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).
The fight for the future of the city street between pedestrians, street railways, and promoters of the automobile between 1915 and 1930. Before the advent of the automobile, users of city streets were diverse and included children at play and pedestrians at large. By 1930, most streets were primarily a motor thoroughfares where children did not belong and where pedestrians were condemned as “jaywalkers.” In Fighting Traffic, Peter Norton argues that to accommodate automobiles, the American city required not only a physical change but also a social one: before the city could be reconstructed for the sake of motorists, its streets had to be socially reconstructed as places where motorists belonged. It was not an evolution, he writes, but a bloody and sometimes violent revolution. Norton describes how street users struggled to define and redefine what streets were for. He examines developments in the crucial transitional years from the 1910s to the 1930s, uncovering a broad anti-automobile campaign that reviled motorists as “road hogs” or “speed demons” and cars as “juggernauts” or “death cars.” He considers the perspectives of all users—pedestrians, police (who had to become “traffic cops”), street railways, downtown businesses, traffic engineers (who often saw cars as the problem, not the solution), and automobile promoters. He finds that pedestrians and parents campaigned in moral terms, fighting for “justice.” Cities and downtown businesses tried to regulate traffic in the name of “efficiency.” Automotive interest groups, meanwhile, legitimized their claim to the streets by invoking “freedom”—a rhetorical stance of particular power in the United States. Fighting Traffic offers a new look at both the origins of the automotive city in America and how social groups shape technological change.
This book compares and contrasts the motivations, morality, and effectiveness of space exploration when pursued by private entrepreneurs as opposed to government. The authors advocate market-driven, private initiatives take the lead through enhanced competition and significant resources that can be allocated to the exploration and exploitation of outer space. Space travel and colonisation is analysed through the prism of economic freedom and laissez faire capitalism, in a unique and accessible book.
In Peter James' You Are Dead, the last words Jamie Ball hears from his fiancée, Logan Somervile, are in a terrified mobile phone call from her. She has just driven into the underground car park beneath the apartment block where they live in Brighton, and seen a man acting strangely. Then she screams and the phone goes dead. The police are on the scene within minutes, but Logan has vanished, leaving behind her neatly parked car and cell phone. That same afternoon, workmen digging up an old asphalt path in a park in another part of the city, unearth the remains of a young woman in her early twenties, who has probably been dead for 30 years. At first, to Detective Superintendent Roy Grace and his Major Crime Team, these two events seem totally unconnected. But then another young woman in Brighton goes missing and another body from the past surfaces. At the same time a strange man visits an eminent London psychiatrist, claiming to have a piece of information on the missing woman, Logan, that turns out, at first, to be wrong-or so it seems. It is only later Roy Grace makes the chilling realization that this one thing is the key to both the past and the present-and now, beyond any doubt, he knows that Brighton has its first ever serial killer.
In 1862, in the only instance of a Jewish expulsion in America, General Ulysses S. Grant banished Jewish citizens from the region under his military command. Although the order was quickly revoked by President Lincoln, it represented growing anti-Semitism in America. Convinced that assimilation was their best defense, Jews sought to Americanize by shedding distinctive dress, occupations, and religious rituals. American Jews recognized the benefit and urgency of bridging the divide between Reform and Orthodox Judaism to create a stronger alliance to face the challenges ahead. With Grant’s 1868 presidential campaign, they also realized they could no longer remain aloof from partisan politics. As they became a growing influence in American politics, both political parties courted the new Jewish vote. Once in office, Grant took notice of the persecution of Jews in Romania and Russia, and he appointed more Jews to office than any president before him. Indeed, Simon Wolf, a Washington lawyer who became one of Grant’s closest advisers, was part of a new generation of Jewish leaders to emerge in the post–Civil War era—thoroughly Americanized, politically mature, and committed to the modernized Judaism of the Reform movement. In Politics, Faith, and the Making of American Judaism, Peter Adams recounts the history of the American Jewish Community’s assimilation efforts, organization, and political mobilization in the late 19th century, as political and cultural imperatives crafted a new, American brand of Judaism.
From the author of Serial Killers: The Method and Madness of Monsters comes an in-depth examination of sexual serial killers throughout human history, how they evolved, and why we are drawn to their horrifying crimes. Before the term was coined in 1981, there were no "serial killers." There were only "monsters"--killers society first understood as werewolves, vampires, ghouls and witches or, later, Hitchcockian psychos. In Sons of Cain--a book that fills the gap between dry academic studies and sensationalized true crime--investigative historian Peter Vronsky examines our understanding of serial killing from its prehistoric anthropological evolutionary dimensions in the pre-civilization era (c. 15,000 BC) to today. Delving further back into human history and deeper into the human psyche than Serial Killers--Vronsky's 2004 book, which has been called the definitive history of serial murder--he focuses strictly on sexual serial killers: thrill killers who engage in murder, rape, torture, cannibalism and necrophilia, as opposed to for-profit serial killers, including hit men, or "political" serial killers, like terrorists or genocidal murderers. These sexual serial killers differ from all other serial killers in their motives and their foundations. They are uniquely human and--as popular culture has demonstrated--uniquely fascinating.
Written by Peter Joyce, who is a current criminology lecturer and a leading researcher, Criminology - The Essentials is designed to give you everything you need to succeed, all in one place. It covers the key areas that students are expected to be confident in, outlining the basics in clear jargon-free English, and then providing added-value features like summaries of key books, and even lists of questions you might be asked in your seminar or exam. The book uses a structure that mirrors many university courses on criminology - starting with definitions of crime, then examining why people commit crime, and how crime can be prevented and detected. Later chapters hone in on the criminal justice system itself, examining the role of the police, the courts and prisons. This book is unique for its comparative approach to criminology, enabling students to understand criminology in the context of the UK, the US and further afield. Teach Yourself titles employ the 'Breakthrough method', which is designed specifically to overcome problems that students face. - Problem: 'I find it difficult to remember what I've read.'; Solution: this book includes end-of-chapter questions and summaries - Problem: 'Most books mention important other sources, but I can never find them in time.'; Solution: this book includes key texts and case studies are summarised, complete with fully referenced quotes ready to use in your essay or exam. - Problem: 'Lots of introductory books turn out to cover totally different topics than my course.'; Solution: this book is written by a current university lecturer who understands what students are expected to know.
Media Criticism in a Digital Age introduces readers to a variety of critical approaches to audio and video discourse on radio, television and the Internet. It is intended for those preparing for electronic media careers as well as for anyone seeking to enhance their media literacy. This book takes the unequivocal view that the material heard and seen over digital media is worthy of serious consideration. Media Criticism in a Digital Age applies key aesthetic, sociological, philosophical, psychological, structural and economic principles to arrive at a comprehensive evaluation of programming and advertising content. It offers a rich blend of insights from both industry and academic authorities. These insights range from the observations of Plato and Aristotle to the research that motivates twenty-first century marketing and advertising. Key features of the book are comprised of: multiple video examples including commercials, cartoons and custom graphics to illustrate core critical concepts; chapters reflecting today’s media world, including coverage of broadband and social media issues; fifty perceptive critiques penned by a variety of widely respected media observers and; a supplementary website for professors that provides suggested exercises to accompany each chapter (www.routledge .com/cw/orlik) Media Criticism in a Digital Age equips emerging media professionals as well as perceptive consumers with the evaluative tools to maximize their media understanding and enjoyment.
At the turn of the century, New York City's Germans constituted a culturally and politically dynamic community, with a population 600,000 strong. Yet fifty years later, traces of its culture had all but disappeared. What happened? The conventional interpretation has been that, in the face of persecution and repression during World War I, German immigrants quickly gave up their own culture and assimilated into American mainstream life. But in Translating America, Peter Conolly-Smith offers a radically different analysis. He argues that German immigrants became German-Americans not out of fear, but instead through their participation in the emerging forms of pop culture. Drawing from German and English newspapers, editorials, comic strips, silent movies, and popular plays, he reveals that German culture did not disappear overnight, but instead merged with new forms of American popular culture before the outbreak of the war. Vaudeville theaters, D.W. Griffith movies, John Philip Sousa tunes, and even baseball games all contributed to German immigrants' willing transformation into Americans. Translating America tackles one of the thorniest questions in American history: How do immigrants assimilate into, and transform, American culture?
Electronic Media Criticism introduces readers to a variety of critical approaches to audio and video discourse on radio, television and the Internet. The book applies key aesthetic, sociological, philosophical, psychological, structural and economic principles to arrive at a comprehensive evaluation of both programming and advertising content. It includes numerous critiques to illustrate the ways in which critical expression can be structured, providing readers with feasible and flexible tools for focused and rational analysis of electronic media product as well as enhanced understanding of the role and essential ingredients of criticism itself. These insights range from the perceptions of Plato and Aristotle to the research that motivates twenty-first century marketing and advertising.
In Infelicities Peter Mason explores the texts, paintings, drawings, photographs, and museum displays in which the exotic has been represented from the early modern period to the present. He describes the unique iconography that Europeans developed to convey the exotic and the means they employed to display it once artifacts were brought to Europe. In both instances, the exotic object is taken out of its original context and given a meaning and significance it never had; this new meaning and significance, Mason argues, are derived from the imposition of European cultural values and the need to recontextualize the object in a European setting.
A master of short story, novel, and nonfiction prose, Ernest Hemingway has been the subject of countless books, articles, and biographies. The Nobel–prize winning author and his work continue to interest academics, whose studies of his personal life are frequently intertwined with examinations of his writing. In Fifty Years of Hemingway Criticism, noted scholar Peter L. Hays has assembled a career-spanning collection of essays that explore the many facets of Hemingway—his life, his contemporaries, and his creative output. Although Hays has published on other writers, Hemingway has been his main research interest, and this selection constitutes five decades of criticism. Arranged by subject matter, these essays focus on the novels The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea, as well as the short stories “The Undefeated,” “The Killers,” “Soldier’s Home,” and “A Clean Well-Lighted Place.” Other chapters explore Hemingway’s relationship with F. Scott Fitzgerald; teaching Hemingway in the classroom; and comparing Hemingway’s work to writers such as Eugene O’Neill, Ford Madox Ford, and William Faulkner. When first published, some of these essays offered original views and insights that have since become standard interpretations, making them invaluable to readers. Easily accessible by both general readers and academic scholars, Fifty Years of Hemingway Criticism is an essential collection on one of America’s greatest writers.
Fans of Mindhunter and true crime podcasts will devour these chilling stories of serial killers from the American "Golden Age" (1950-2000). With books like Serial Killers, Female Serial Killers and Sons of Cain, Peter Vronsky has established himself as the foremost expert on the history of serial killers. In this first definitive history of the "Golden Age" of American serial murder, when the number and body count of serial killers exploded, Vronsky tells the stories of the most unusual and prominent serial killings from the 1950s to the early twenty-first century. From Ted Bundy to the Golden State Killer, our fascination with these classic serial killers seems to grow by the day. American Serial Killers gives true crime junkies what they crave, with both perennial favorites (Ed Kemper, Jeffrey Dahmer) and lesser-known cases (Melvin Rees, Harvey Glatman).
Digital Signal Processing: Concepts and Applications, second edition covers the basic principles and operation of DSP devices. Its aim is to give the student the essentials of this mathematical subject in a form that can be easily understood and assimilated. The text concentrates on discrete systems, starting from digital filters and discrete Fourier transforms. These are then extended into adaptive filters and spectrum analysers with the minimum of mathematical derivation, concentrating on demonstrating the performance which is achievable from these processors in communications and radar system applications. This new edition has been updated to include learning outcomes and summaries and provide more examples. The text has been completely redesigned and is presented in a clear and easy-to-read style. Key features: - Self assessment questions within the text, with answers provided - Numerous practical worked examples on processor design and performance simulation - MATLAB® code for animated simulations available to students via World Wide Web access This textbook is appropriate for undergraduate and MSc courses in signals and systems and signal processing, and for professional engineers who wish to have a simple, easy-to-read reference book on DSP techniques.
Through readings of Ishiguro's repurposing of key elements of realism and modernism; his interest in childhood imagination and sketching; interrogation of aesthetics and ethics; his fascination with architecture and the absent home; and his expressionist use of 'imaginary' space and place, Kazuo Ishiguro's Gestural Poetics examines the manner in which Ishiguro's fictions approach, but never quite reveal, the ineffable, inexpressible essence of his narrators' emotionally fraught worlds. Reformulating Martin Heidegger's suggestion that the 'essence of world can only be indicated' as 'the essence of world can only be gestured towards,' Sloane argues that while Ishiguro's novels and short stories are profoundly sensitive to the limitations of literary form, their narrators are, to varying degrees, equally keenly attuned to the failures of language itself. In order to communicate something of the emotional worlds of characters adrift in various uncertainties, while also commenting on the expressive possibilities of fiction and the mimetic arts more widely, Ishiguro appropriates a range of metaphors which enable both author and character to gesture towards the undisclosable essences of fiction and being.
13.4.3 Production Knowledge and Techniques: Process Innovations -- 13.4.4 Production Institutions: Education -- 14 Summary and Implications -- 14.1 The Core Problems -- 14.2 Innovation Evolvement -- 14.3 Anglo-American Patterns and Transfers -- 14.4 New Divides -- 14.5 Renaissance or Retardation? -- 15 References -- 16 Author Index -- 17 Subject Index
A vast number of neural cell surface glycoproteins belonging to the immunoglobulin superfamily have been isolated over the past two decades. In functional studies, many of them have been shown to confer adhesive properties to cells and to play an important role in developmental processes such as cell migration and axon outgrowth. Recent observations implicate Ig superfamily adhesion molecules in the regulation of activity-dependent synaptic plasticity, in regeneration after neural trauma, as well as in the pathogenesis of malformations in the developing nervous systems. This book summarizes the molecular features and some of the cellular functions of this important class of cell surface molecules. It includes detailed information on the molecular structure of the immunoglobulin fold, the common domain of these proteins, the molecular interactions between various neural Ig superfamily members and their role in signal transduction, as well as the role of Ig superfamily adhesion molecules in axon guidance during both vertebrate and invertebrate neurogenesis. Recent observations on a role for these molecules in activity-dependent synaptic plasticity and in the regeneration of injured axons in the peripheral and central nervous system are described. A discussion on the connection between Ig superfamily adhesion molecules and medical genetics is also provided.
This comprehensive and practical reference is the perfect resource for the medical specialist treating persons with spinal cord injuries. The book provides detail about all aspects of spinal cord injury and disease. The initial seven chapters present the history, anatomy, imaging, epidemiology, and general acute management of spinal cord injury. The next eleven chapters deal with medical aspects of spinal cord damage, such as pulmonary management and the neurogenic bladder. Chapters on rehabilitation are followed by nine chapters dealing with diseases that cause non-traumatic spinal cord injury. A comprehensive imaging chapter is included with 30 figures which provide the reader with an excellent resource to understand the complex issues of imaging the spine and spinal cord.
Blainie's Carpet Barn is a riveting account of the love between an aging father and his son. Peter Gorham revels in the life his father has lived, not just as a carpet salesman, but as a friend to everyone he encountered. Blaine was a man of true and unfailing faith, a lover of literature, a lover of life. When, after nearly a century on this earth, Blaine's health begins to fail, Peter unwittingly transforms from student to teacher, friend to advocate, child to parent. This book will undoubtedly change your view on the elderly, the health care system, and the process of aging itself. It is a poignant, honest, and intensely moving story which not only highlights compassionate caregivers, but reminds us of the unexpected blessings to be found at any stage of life. Above all, Blainie's Carpet Barn testifies to the healing power of love.
The Kennedys may well be the most photographed, written about, talked about, admired, hated, and controversial family in American history. But for all the words and pictures, the real story was not told until Peter Collier and David Horowitz spent years researching archives and interviewing both family members and hundreds of people close to the Kennedys. An immediate classic, The Kennedys combines intimate knowledge with a perspective free of obligations to family loyalties and myths, bringing the story of four generations of ''America's family'' fully into view. Collier and Horowitz capture the strain of ambition; the dynastic ebb and flow; the invention of a mythic identity; the corrosive underside of the dream of Camelot - developed over four generations - that led one young Kennedy to say, ''We broke the rules and in turn we were broken by them.'' The Kennedys; An American Drama is a fascinating and brilliantly comprehensive history that brings together, for the first time, all the complex strains of the story of the Kennedys' rise and fall. The authors have added new material showing the effect of the death of John F. Kennedy Jr., and the other family tragedies of the last few years, on the Kennedys and their mythic role in American life.
INTERNATIONAL BESTSELLER • Far more than a history of the Silk Roads, this book is truly a revelatory new history of the world, promising to destabilize notions of where we come from and where we are headed next. "A rare book that makes you question your assumptions about the world.” —The Wall Street Journal From the Middle East and its political instability to China and its economic rise, the vast region stretching eastward from the Balkans across the steppe and South Asia has been thrust into the global spotlight in recent years. Frankopan teaches us that to understand what is at stake for the cities and nations built on these intricate trade routes, we must first understand their astounding pasts. Frankopan realigns our understanding of the world, pointing us eastward. It was on the Silk Roads that East and West first encountered each other through trade and conquest, leading to the spread of ideas, cultures and religions. From the rise and fall of empires to the spread of Buddhism and the advent of Christianity and Islam, right up to the great wars of the twentieth century—this book shows how the fate of the West has always been inextricably linked to the East. Also available: The New Silk Roads, a timely exploration of the dramatic and profound changes our world is undergoing right now—as seen from the perspective of the rising powers of the East.
Originally published in 1986, the 1970s and 80s saw the emergence of the ‘the new working class’ or ‘new middle class’. This book is an authoritative study of the ‘white collar workers’ relationship with their unions and analysis of their newly designated class. The authors drew extensively on original fieldwork and verbatim accounts from technical workers and foremen in industry. White Collar Workers examines the particular circumstances of different groups of workers and their functions in relation to capital and labour. It analyses changes in the composition of union membership and the effect of these changes on the structure and policy of unions.
This book examines what makes someone an evil person and how evil people are different from merely bad people. Rather than focusing on the "problem of evil" that occupies philosophers of religion, Barry looks instead to moral psychology—the intersection of ethics and psychology. He provides both a philosophical account of what evil people are like and considers the implications of that account for social, legal, and criminal institutions. He also engages in traditional philosophical reasoning strongly informed by psychological research, especially abnormal and social psychology. In response to the popularity of phrases like "the axis of evil" and the ease with which politicians and others describe their opponents as "evil," Barry sets out to make clear just what it is to be an evil person.
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