Los Angeles-based artist, Diana Thater presented The best animals, with combined elements filmed and taped at three locations. Thater's evocative use of animals contrasted nature with un-natural conditions and raised issues of nature versus culture. Employing modern technologies -- film, video monitors and video projection -- Thater addressed and challenged traditional precepts of art history and our basic assumptions about perception. Instead of the singular, static object usually presented as "art," she created a work composed of several environments that took different forms at each venue at which they were exhibited.
Erscheint als begleitende Publikation zu einer Einzelausstellung des Künstlers im Museum für Angewandte Kunst, MAK Wien. Autoren: David Espinoza, Elisabeth Schlebrügge / Vorwort: Peter Noever. Der Bildhauer als Fotograf des fernöstlichen subaquatischen Mikrokosmos.
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