What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical “pre-texts” of this tradition. From Rousseau’s invocation of the cot-less Carib to Coleridge’s reception of his Porlockian caller, Romanticisms encounters with the “strange” remind us that the hospitable relation between subject and Other is invariably fraught with problems. Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic hospitality (including those of Rousseau, Kant, Coleridge, and Mary Shelley) are often troubled by the subject’s failure to welcome the Other without also exposing the stranger to some form of hostility or violence. Far from convincing Romantic writers to abandon the figure of hospitality, this failure invites them instead to articulate and theorize a paradoxical imperative governing the subject’s encounters with strangers: if the obligation to welcome the Other is ultimately impossible to fulfill, then it is also impossible to ignore. This paradox is precisely what makes Romantic hospitality an act of responsibility. Romantic Hospitality and the Resistance to Accommodation brings together the wide-ranging interests of hospitality theory, diet studies, and literary ethics within a single investigation of visitation and accommodation in the Romantic period. As re-visionary as it is interdisciplinary, the book demonstrates not only the extent to which we continue to be influenced by Romantic views of the stranger but also, more importantly, what Romanticism has to teach us about our own hospitable obligations within this heritage.
In this book Peter J. Bellis aims to show how Melville's career is shaped by his desire to define and represent the self, to find a secure identity on which to base personal and social relations. Using Typee, Pierre, White-Jacket, Redburn, Billy Budd, and Moby-Dick as models, Bellis isolates three forms of selfhood—the integrity of the physical body, the son's genealogical link to his father, and the coherence of an autobiographical text—that Melville explores throughout his work. He shows how, as Melville texts each of these, his work becomes increasingly self-reflexive and self-critical; his search for an absolute ground for both self and text ends by undermining the very authority it would establish. In this Melville differed markedly from Whitman and Thoreau, who did find or create identities for themselves in their writing. Bellis examines Melville's last novel, The Confidence-Man, to show his method as ultimately deconstructive—culminating, in fact, in the abandonment of Melville's own career as a novelist.
Victorian Fetishism argues that fetishism was central to the development of cultural theory in the nineteenth century. From 1850 to 1900, when theories of social evolution reached their peak, European intellectuals identified all "primitive" cultures with "Primitive Fetishism," a psychological form of self-projection in which people believe everything in the external world—thunderstorms, trees, stones—is alive. Placing themselves at the opposite extreme of cultural evolution, the Victorians defined culture not by describing what culture was but by describing what it was not, and what it was not was fetishism. In analyses of major works by Matthew Arnold, George Eliot, and Edward B. Tylor, Peter Melville Logan demonstrates the paradoxical role of fetishism in Victorian cultural theory, namely, how Victorian writers projected their own assumptions about fetishism onto the realm of historical fact, thereby "fetishizing" fetishism. The book concludes by examining how fetishism became a sexual perversion as well as its place within current cultural theory.
Reading Melville is not only reading. Reading Melville means being already engaged in the abyssal process of reading reading. Reading what reading is and what reading does. With Melville, Prophecies of Leviathan argues that reading, beyond its apparent linearity, is essentially prophetic, not only because Moby Dick, for example, may appear to be full of unexpected prophecies (Ishmael seems to foretell a "Grand Contested Election for the Presidency of the United States" followed by a "bloody battle in Afghanistan") but also, and more deeply, because reading itself is a prophetic experience that Melville captured in a unique way. Reading, according to Melville, might just be the prophecy of the text to come. This apparently tautological view has great consequences for the theory of literature and its relation to politics. As Szendy suggests, the beheading of Melville's "Leviathan" (which, Ishmael says, "is the text") should be read against Hobbes's sovereign body politic. Szendy's reading of Melville urges us to revisit Jacques Derrida's all too famous sentence: "There is no hors-texte." And it also urges us-as the preface to this English edition makes clear-to reflect on the (Christian) categories that we apply to the text: its life, death, and, above all, afterlife or suicide. The infinite finitude of the text: that is what reading is about. In his brilliant and thorough afterword, Gil Anidjar situates Prophecies of Leviathan among Szendy's other works and shows how the seemingly tautological self-prophecy really announces a new "ipsology," a "pluralization of the self" through a "narcissism of the other thing.
This volume is about the type of work that poets perform and why it matters. Challenging the divide between inspired poetic production and other apparently lesser and contingent forms of labor, this book considers the poetry of Walt Whitman the real estate dealer, Herman Melville the customs inspector, and Hart Crane the copywriter.
This highly original study historicizes the novel in just the way I think it needs to be historicized--as the inaugural event in the history of mass culture."--Nancy Armstrong, coauthor of "The Imaginary Puritan
In Whitman, Melville, Crane, and the Labors of American Poetry, Peter Riley confronts our enduring and problematic investment in poetic vocation—a myth, he argues, that continues to inform how all our multifarious labors are understood, valued, and exploited. The book seeks to challenge a dominant cultural logic that frames contingent, non-vocational labor as a necessary sacrifice that frustrates the righteous progress towards realizing that seemingly purest of callings: Poet. Incorporating the often overlooked or excluded workaday ephemera of three canonical US Romantic poets—Walt Whitman, Herman Melville, and Hart Crane—this volume offers new archival insights that call for a re-examination of celebrated literary careers and disputes their status as renowned or tragic icons of creative vocation. The poetry of Whitman the real estate dealer, Melville the customs inspector, and Crane the copywriter, Riley contends, does not constitute the formal inscription of an antagonistic or discreet poetic labor struggling against quotidian work towards the fulfilment of exceptional individual callings. Instead, the distracted forms of their poetry are always already intermingled with a variety of apparently lesser labors. Ousting poetic production from its default sanctuary of privileged exemption or transcendent repose, the volume refigures the work of the poet as a living sensuous activity that transgresses labor's various divisions and hierarchies. It consequently recasts the poet as a figure who actually unfastens the 'right of passage' vocational logic that does so much to secure and reproduce the current neoliberal paradigm.
First published in 1990, this book presents an original and comprehensive overview of Australian economic thought. The authors stress, by way of introduction, the many important innovative contributions Australian economists have made to thought worldwide. As the argument develops, the work of major figures is discussed in detail in addition to the role of different journals and economic societies.
Spurred by the accelerating destruction of remnant natural lands, one man had the vision and tenacity to transform a loose band of ecologists into The Nature Conservancy and launch the entire natural areas movement.
John McEwen, thirty-seven years a politician, twenty-three days a Prime Minister and always a farmer, was an extraordinary mix of a man. His staff revered him and his adversaries feared him. There was no one, friend or foe, who did not respect him. Orphaned at seven and raised in poverty, this self-educated soldier-settler overcame difficult beginnings to dominate the Australian political arena for twenty years. The success of the Liberal-Country Party coalition throughout the fifties and sixties is largely attributed to McEwen's strength and influence. Towering and formidable in both stature and personality, Black Jack's turbulent political career was never without controversy. His succession to the Prime Ministership in 1967, after the disappearance of Holt, followed one of the most notorious episodes of Australian political history when McEwen refused to serve under McMahon. Black Jack's commitment to developing Australian trade won him international respect and his influence on Australian economic and trade policy is enduring.
Ralph Waldo Emerson maintained a lifelong interest in science. His journals, from the earliest to the last, document this interest--an interest reflected in his lectures, essays, letters, and poems. Emerging from Emerson's statements on science is a coherent attitude that can be defined as his scientific thinking. The purpose of Emerson and Science is to analyze this thinking and to indicate the relationship it bears to his total thought. An analysis of Emerson's scientific thinking reveals that science, especially Goethean science, affords the means to explore and present what the book elaborates as Emerson's monistic worldview. The pervasive influence of Goethe's science on the epistemological bases underlying that view is presented at length. In addition to illuminating Emerson's epistemological position, the context of science divulges how Emerson's interest in science kept him from the extremes of Swedenborg's mysticism and from falling prey--unlike many of his contemporaries--to the pseudo-sciences of the day, including phrenology, mesmerism, palmistry, astrology, and so forth. Emerson's interest in science also played an important role in his rejection of conventional religion and helped qualify his idealism, making him sympathetic to the claims of materialism. His focus on science kept him from accepting either of the main streams of the scientific thought of his age and led him to what the book defines as Emerson's "scientific mysticism," or "spiritual science." Peter Obuchowski, a professor emeritus of English language and literature, shows how the context of Emerson's approach to science provides a new focus for considering a number of the key issues that have become the hallmarks of Emersonian criticism--issues such as Emerson's optimism in relation both to his spiritually oriented worldview and to his faith in scientific progress, as well as his attitude to evil and his so-called philosophical naïveté.
First published in 1996, this volume asked the question: who – and what – was Christopher Marlowe? Dramatist, poet, atheist and possible spy, he was a man in contrast with his time. The authors here gather to explore Marlowe on the four hundredth anniversary of his death. They include significant interdisciplinary elements and focus on dramaturgy, textual criticism and biography. It is hoped that the diversity of approaches can further debates on both Marlowe and Renaissance culture.
This book reveals the strain of a moment in American cultural history that led several remarkable writers -- Emerson, Warner, and Melville -- to render loss in innovative ways. These three key writers rejected Calvinist and sentimental models of bereavement, creating instead the compensations of a mature American literature.
In The Prosthetic Imagination, leading critic Peter Boxall argues that we are now entering an artificial age, in which our given bodies enter into new conjunctions with our prosthetic extensions. This new age requires us to reimagine our relation to our bodies, and to our environments, and Boxall suggests that the novel as a form can guide us in this imaginative task. Across a dazzling range of prose fictions, from Thomas More's Utopia to Margaret Atwood's Oryx and Crake, Boxall shows how the novel has played a central role in forging the bodies in which we extend ourselves into the world. But if the novel has helped to give our world a human shape, it also contains forms of life that elude our existing human architectures: new amalgams of the living and the non-living that are the hidden province of the novel imagination. These latent conjunctions, Boxall argues, are preserved in the novel form, and offer us images of embodied being that can help us orient ourselves to our new prosthetic condition.
Management theory is vague about the experience of leading. Success, power, achievement are discussed but less focus is given to negative experiences leaders faced such as loneliness or disappointment. This book addresses difficult-to-explore aspects of leadership through well-known works of literature drawing lessons from fictional leaders.
American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.
“In a raw and unflinching account that details his harrowing journey as whistleblower in the Fast and Furious federal scandal, Forcelli shows the public and personal cost of standing up for justice.” —Jonathan Green, author of Sex Money Murder: A Story of Crack, Blood, and Betrayal Pete Forcelli was a highly respected federal agent in New York City, where he made an impact on violent crime by successfully targeting some of the city’s most violent street gangs by using federal racketeering and continuing criminal enterprise statutes in conjunction with federal prosecutors. In early 2007, he was promoted to a supervisory position in Phoenix and quickly discovered that federal prosecutors were not charging criminals for violating federal firearms laws, even in instances where they knew guns were being trafficked to ultra-violent drug cartels and then used in crimes that were shocking to the conscience. When those very same prosecutors spoke about possibly indicting John Dodson, a special agent who blew the whistle on Operation Fast and Furious, Forcelli stepped forward and contacted Congress. Forcelli became a whistleblower himself, detailing how federal prosecutors in Arizona not only failed to prosecute gun traffickers, but allowed a man who was making hundreds of hand grenades for the Sinaloa Cartel to continue his operations unabated for years. At that moment, those prosecutors and officials from the Department of Justice came after him, leading to a nearly four-year battle for Forcelli to clear his name. This book provides his insider’s account of the scandal that stands as one of the worst stains on federal law enforcement.
Lourie completed his trip. It took him three weeks and marked the first time anyone has traveled from the source of the Hudson to the mouth in a single vessel. The Hudson proved to be a very changeable river. It includes seven locks and nine power dams. The northern half is a true river with strong current, but the lower half is tidal, a sunken river from the days of glaciers. In its first 165 miles, it drops more than 4,000 feet to Albany. The second half falls no more than a foot. Lourie's account of his trip is a fresh look at one of America's great and complex waterways, one of the few, in fact, that still contains its historical and biological species of fish. It is also the longest inland estuary in the world. Henry Hudson called it the "great river of the mountains." Nowadays, too often the Hudson is stereotyped as a ruined, polluted industrial river. Its glorious past is compared to its present neglect. In River of Mountains, Peter Lourie combines the Hudson's rich history and descriptions of some of the region's most impressive landscape with the residents of its mill towns, the loggers, commercial fishermen, and barge pilots-all of whom are proof that the river is still a thriving, vital waterway. So, come with Peter Lourie on his trip, come explore with him from a canoe one of this country's great rivers, join him in his wonderful adventure.
THE NATIONAL BESTSELLING BOOK THAT EVERY INVESTOR SHOULD OWN Peter Lynch is America's number-one money manager. His mantra: Average investors can become experts in their own field and can pick winning stocks as effectively as Wall Street professionals by doing just a little research. Now, in a new introduction written specifically for this edition of One Up on Wall Street, Lynch gives his take on the incredible rise of Internet stocks, as well as a list of twenty winning companies of high-tech '90s. That many of these winners are low-tech supports his thesis that amateur investors can continue to reap exceptional rewards from mundane, easy-to-understand companies they encounter in their daily lives. Investment opportunities abound for the layperson, Lynch says. By simply observing business developments and taking notice of your immediate world -- from the mall to the workplace -- you can discover potentially successful companies before professional analysts do. This jump on the experts is what produces "tenbaggers," the stocks that appreciate tenfold or more and turn an average stock portfolio into a star performer. The former star manager of Fidelity's multibillion-dollar Magellan Fund, Lynch reveals how he achieved his spectacular record. Writing with John Rothchild, Lynch offers easy-to-follow directions for sorting out the long shots from the no shots by reviewing a company's financial statements and by identifying which numbers really count. He explains how to stalk tenbaggers and lays out the guidelines for investing in cyclical, turnaround, and fast-growing companies. Lynch promises that if you ignore the ups and downs of the market and the endless speculation about interest rates, in the long term (anywhere from five to fifteen years) your portfolio will reward you. This advice has proved to be timeless and has made One Up on Wall Street a number-one bestseller. And now this classic is as valuable in the new millennium as ever.
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