Over a century ago a series of shocking mutilation murders took place in a squalid, overcrowded district of Victorian London. Five women fell victim to a man driven by rage and violent fantasy. The newspapers of the day gave him a chilling nickname, a name that evokes images of gas-lit foggy streets and a top-hatted sinister figure carrying a Gladstone bag. From the outset, the murderer attained almost mythical status merely by virtue of his name and his uncanny ability to avoid detection. The legend of Jack the Ripper was born. Peter Hodgson’s detailed and entertaining overview of Ripper lore in fact, film and fiction analyses the fiend’s awesome legacy. He explores the institutions and the individuals: the Jewish community and their rituals with meat, the scandal-prone royal family, the Victorian police and their simplistic methods of investigation, the streetwalkers and their trade. This book compares the fiction with the reality of those ghastly events, and clearly shows how the real killer has been transformed into a creature of the mind–the ‘other’ Jack the Ripper. Examination of the victims’ mutilations reveals the true nature of ‘Jack’s’ grotesque fantasies. This aspect–coupled with his elementary anatomical knowledge–is used in conjunction with the FBI’s appraisal of the case to construct a unique psychological profile. From the long list of candidates the author reveals his prime suspect for the role of the world’s most infamous serial killer. Book reviews online: PublishedBestsellers website.
A revelatory work that examines the intricate relationship between history and literature, truth and fiction—with some surprising conclusions. Focusing on three literary masterpieces—Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)—Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.
The essays collected here deal with modernist writers who, on the whole, felt 'reluctant' about their modernist status because they believed that it was just as important to look backward as it was to look forward. Indeed, for most of them looking backward was more important because it was only through the past that one could understand one's proper place in the present and in the future. That is why in Huxley's Brave New World it is the rejection of the past in the future - and by implication in the present - that makes its satire so penetrating. Modernism, in other words, means for these writers not a radical break with the past but a continuing search for what still connects them (and us) vitally with it. Peter Firchow, Professor of English at the University of Minnesota, is the author of several books on modern and modernist literary subjects, including books on Huxley, Conrad, and Auden. The publication of some of his hitherto uncollected essays in this volume is intended to honor
An “engaging and provocative” exploration of American history’s heroic figures—from how we define a hero to the monuments we build to honor them (Arthur Schlesinger Jr.). Heroic ideals are fundamental to the enterprise of American liberty and to the fabric of our nation’s culture. Throughout history, men and women such as George Washington, Thomas Edison, Martin Luther King Jr., and Lucretia Mott have brought together our society of dreamers and achievers. In A Call to Heroism, Harvard research associate Peter H. Gibbon surveys the lives, struggles, and accomplishments of these and other great individuals. It also considers the meaning of seven monuments and artworks dedicated to heroes, examining what these memorials say about the America of their time—and what they mean for us today. The result forges an enlightening understanding of what it means to be a hero. With a foreword by Peter J. Gomes “Fascinating and inspiring . . . Gibbon’s book emphasizes the importance of guiding young people to more realistic definitions of hero.” —The Christian Science Monitor “A concise history of the hero in America and a realistic formula for determining who deserves the accolade.” —The Tampa Tribune “This book is a delightful Grand Tour, taking us from war to sports to great literature. You will enjoy it.” —Jay Mathews, The Washington Post “Lively fare for classrooms and board rooms throughout the country.” —Arthur Schlesinger Jr.
How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century.
According to the Nicene Creed, Christ died for us and for our salvation. But while all Christians agree that Christ's death and resurrection has saving significance, there is little unanimity in how and why that is the case. In fact, Christian history islittered with accounts of the redemptive value of Christ's death, and new models and motifs are constantly being proposed, many of which now stand in stark contrast to earlier thought. How then should contemporary articulations of the importance of the death of Christ be judged? At the heart of this book is the contention that Christian reflection on the atonement is faithful inasmuch as it incorporates the intention that Jesus himself had for his death. In a wide-reaching study, the author draws from both classical scholarship and recent work on the historical Jesus to argue that not only did Jesus imbue his death with redemptive meaning but that such meaning should impact expressions of the saving significance of the cross.
In the spring of 1929, Martin Heidegger and Ernst Cassirer met for a public conversation in Davos, Switzerland. They were arguably the most important thinkers in Europe, and their exchange touched upon the most urgent questions in the history of philosophy: What is human finitude? What is objectivity? What is culture? What is truth? Over the last eighty years the Davos encounter has acquired an allegorical significance, as if it marked an ultimate and irreparable rupture in twentieth-century Continental thought. Here, in a reconstruction at once historical and philosophical, Peter Gordon reexamines the conversation, its origins and its aftermath, resuscitating an event that has become entombed in its own mythology. Through a close and painstaking analysis, Gordon dissects the exchange itself to reveal that it was at core a philosophical disagreement over what it means to be human. But Gordon also shows how the life and work of these two philosophers remained closely intertwined. Their disagreement can be understood only if we appreciate their common point of departure as thinkers of the German interwar crisis, an era of rebellion that touched all of the major philosophical movements of the dayÑlife-philosophy, philosophical anthropology, neo-Kantianism, phenomenology, and existentialism. As Gordon explains, the Davos debate would continue to both inspire and provoke well after the two men had gone their separate ways. It remains, even today, a touchstone of philosophical memory. This clear, riveting book will be of great interest not only to philosophers and to historians of philosophy but also to anyone interested in the great intellectual ferment of Europe's interwar years.
The scope of A Game of Inches is encyclopedic, with nearly a thousand entries that illuminate the origins of items ranging from catchers' masks to hook slides to intentional walks to cork-center baseballs. But this is much more than just a reference guide. Along the way, award-winning author Peter Morris has a sharp eye for the telling quote and the entertaining anecdote. He explains the context that led each new feature of the game to emerge when it did, and chronicles the often surprising responses to these innovations."--BOOK JACKET.
A historian and trained veteran of the brewing industry, Peter H. Blum divides Detroit brewing history into seven distinct phases: the early Anglo-Saxon ale brewers, the German brewers who arrived after 1848, the rise of brewing dynasties in the 1880s, Prohibition, the return of beer in the era after repeal in 1933, the war years, and the postwar competition. Blum also includes detailed information on the way beer is produced - the craft of brewing and the tradition of master brewers.".
Builds an understanding of grammar with a thorough step-by-step approach.Provides a systematic framework for introducing, practising and recording key vocabulary.There are frequent opportunities for self study to complement core learning andf increase student confidence.Provides students with reading for enjoyment and a wide range of texts.
An essential reference book for sixties music lovers, this encyclopedic overview includes detailed chart statistics and biographical information for eighty songwriters and covers around two thousand songs, some of which are among the greatest ever written.
Why do 'Jaws', 'Field of Dreams', 'The Big Lebowski', and 'The Godfather' remain strikingly popular in this age of fragmented audiences and ever-faster spin cycles? "Hollywood Blockbusters: The Anthropology of Popular Movies" argues that these films continue to captivate audiences because they play upon underlying tensions and problems in American culture, much like the myths that anthropologists study in non-Western contexts. In making this argument, the authors employ and extend anthropological theories about ritual, kinship, gift giving, power, egalitarianism, literacy, metalinguistics, stereotypes, and the mysteries of the Other. The results - original insights into modern film classics, American culture, and anthropological theory - will appeal to students of Film, Media, Anthropology, Sociology, and Cultural Studies.
Vikkan Lantry, a pianist with more talent than ambition, is content with his job at an upscale cocktail lounge until a request from reclusive soprano, Ulrike Vogel, draws him grudgingly back into the world of classical music. Ulrike’s mysterious past, and her friendship with elderly Viennese piano teacher, Dieter Mann, usher Vikkan into an intrigue that begins in the nineteenth century with an unknown song cycle composed by Robert Schumann, and ends in the present-day with a grisly double murder. As Vikkan probes the layers of deceit obscuring a killer’s identity, The Schumann Proof reveals itself to be a study in ambition gone awry. The theme is hardly new, but The Schumann Proof gives it a fresh slant, examining not only the devastating results of too much seeking after personal glory, but the painful consequences of too little.
This book is a second, revised edition of the original 1986 publication. Since then, the issue of contract change has increasingly challenged the business community and legal practitioners. The world-wide recession may well have accelerated the need to secure contractual relationships by reasonable flexibility. Successful foreign investment, a relentless challenge, is subject to many unpredictable errors. Of all these variables, however, successful investment is most dependent on the investor-host country relationship, which is the object of the present study. In particular, the pressure by host countries for contract change and its counterpart: the investor's defence of contract stability. The book is essentially a reference handbook for legal practitioners. It analyzes a variety of increasingly important questions concerning international investment agreements that come under pressure for change by one of the contracting parties: either a transnational corporation or a host country government. The seven case studies and the analytical chapters which follow are based on the author's research and the assistance of corporate and government officials, experts from the United Nations and other organizations, and members of academic research institutes.
This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Günter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.
Condemned man Archie Flowerdew is to hang for the murder of rival artist Percy Despart. Convinced of his innocence, Archie's niece, Tammy, persuades Evening Chronicle reporter Colin Crampton to take up the case, but the more Colin investigates, the more it looks like Archie is guilty. But as Colin continues to probe he realises that he is putting his job, and his life, in peril... Join Colin in this Swinging Sixties fun adventure, where the thrills and the laughs continue right to the last page. The third book in the popular Crampton of the Chronicle mystery series.
Destruction, Ethics, and Intergalactic Love: Exploring Y: The Last Man and Saga offers a creative and accessible exploration of the two comic book series, examining themes like nonviolence; issues of gender and war; heroes and moral failures; forgiveness and seeking justice; and the importance of diversity and religious pluralism. Through close interdisciplinary reading and personal narratives, the author delves into the complex worlds of Y and Saga in search of an ethics, meaning, and a path resonant with real-world struggles. Reading these works side by side, the analysis draws parallels and seeks common themes around the four central ideas of seeking and making meaning in a meaningless world; love and parenting through oppression and grief; peacefulness when surrounded by violence; and the perils and hopes of diversity and communion. This timely and thoughtful study will resonate with scholars and students of comic studies, media and cultural studies, philosophy, theology, literature, psychology, and popular culture studies.
The ideas, people, and events that developed art education are described and analyzed so that art educators and educators in general will have a better understanding of what has happened (and is happening) to visual art in the schools. Peter Smith raises the issue of art education's inordinate emphasis on Eurocentric art. He challenges the often expressed notion that the field of education is the cause of art education's problems and proposes that confused conceptions within the art world are just as much a root of the difficulty. No other book in art education history gives such close and analytical attention to the careers of women in the field. The materials on Germanic cultural and historical influences are unequaled as is the scholarly treatment of Viktor Lowenfeld, probably the most influential single figure in 20th-century American art education.
What would happen if the liturgy for the Lord's Supper started with the images in the New Testament rather than the divisions of our past? It would be like going through an open door into a new world. There we would find a new Passover celebration, a new covenant, and remembrance and proclamation of Jesus' death and resurrection--all in the context of the kingdom of God. It would be an evangelical Lord's Supper. This is a high-risk operation, given the reliance by many on transactional sacrifice and the tendency to reduce the Supper to a sacrament of penance for individuals. Ideas rejected by Luther and Calvin now reappear even among Protestants. The goal cannot be reached by subtracting a few things and adding references to eschatology and joy. The good news is that many churches have already taken steps to reform their liturgies. To support that process, here is a clear and consistent evangelical perspective, based on the theology and biblical considerations that have formed our faith and practice.
A study of German culture between the two wars, this book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Includes a new Introduction. 16 illustrations.
This book illustrates how the one-dot theory, which is a dialectical study, is well suited to describing, explaining and inferring contemporary China’s past, present and future. It argues that since October 1949, the field of contemporary China studies has been dominated by modified and abandoned non-dialectical theories and models. It also challenges selected non-dialectical theories and models which were first generated in the West, such as the game theory and rational (choice) theory. With its emphasis on methodology, the book offers a valuable resource for academics, researchers and practitioners alike with an interest in logically, systematically and coherently unraveling Taiwan’s and mainland China’s contemporary politics and international relations.
In this compulsively readable and constantly surprising book, Peter Biskind, the author of the film classics Easy Riders, Raging Bulls and Down and Dirty Pictures, writes the most intimate, revealing, and balanced biography ever of Hollywood legend Warren Beatty. Famously a playboy—he has been linked to costars Natalie Wood, Julie Christie, Diane Keaton, and Madonna, among others—Beatty has also been one of the most ambitious and successful stars in Hollywood. Several Beatty films have passed the test of time, from Bonnie and Clyde to Shampoo, Heaven Can Wait, Reds (for which he won the best director Oscar), Bugsy, and Bulworth. Few filmgoers realize that along with Orson Welles, Beatty is the only person ever nominated for four Academy Awards for a single film—and unlike Welles, Beatty did it twice, with Heaven Can Wait and Reds. Biskind shows how Beatty used star power, commercial success, savvy, and charm to bend Hollywood moguls to his will, establishing an unprecedented level of independence while still working within the studio system. Arguably one of the most successful and creative figures in Hollywood over the last few decades, Beatty exercised unique control over his films, often hiring screenwriters out of his own pocket (and frequently collaborating with them), producing, directing, and acting, becoming an auteur before anyone in Hollywood knew what the word meant. In this fascinating biography, the ultimate Hollywood Star comes to life—complete with excesses and achievements—as never before.
Fifty-six years after Adolf Hitler's suicide, his legacy lives agonizingly on in myriad forms, from hero-worshipping tourists at Berchtesgaden to reactionary academics. "The Hitler Virus" complements and supplements Daniel Goldhagen's bestselling "Hitler's Willing Executioners". 8 pp of illustrations.
Peter Newmark's third book is an attempt to deepen and extend his views on translation. He goes easy on theories and models and diagrams and offers a few correlative statements to assist translators in finding a variety of options and in making their decisions.
Aufbau—a German-language weekly, published in New York and circulated nationwide—was an essential platform for the generation of refugees from Hitler and the displaced people and concentration camp survivors who arrived in the United States after the war. The publication served to link thousands of readers looking for friends and loved ones in every part of the world. In its pages Aufbau focused on concerns that strongly impacted this community in the aftermath of World War II: anti-Semitism in the United States and in Europe, the ever-changing immigration and naturalization procedures, debates about the designation of Hitler refugees as enemy aliens, questions about punishment for the Holocaust and other Nazi crimes, the struggle for compensation and restitution, and the fight for a Jewish homeland. The book examines the columns and advertisements that chronicled the social and cultural life of that generation and maintained a detailed account of German-speaking cultures in exile. Peter Schrag is the first to present a definitive account of the influential publication that brought postwar refugees together and into the American mainstream.
In a study of Digital Equipment Corporation, the author chronicles the four-decade arc of one of the most important companies of the computer age, revealing how the company rose to prominance and then collapsed.
This is the first major study of a neglected yet extremely significant subject: the London middle classes in the period between 1660 and 1730, a period in which they created a society and economy that can be seen with hindsight to have ushered in the modern world. Using a wealth of material from contemporary sources--including wills, business papers, inventories, marriage contracts, divorce hearings, and the writings of Daniel Defoe and Samuel Pepys--Peter Earle presents a fully rounded picture of the "middling sort of people," getting to the hearts of their lives as men and women struggling for success in the biggest, richest, and most middle-class city in contemporary Europe. He examines in fascinating and convincing detail the business life of Londoners, from apprenticeship through the problems and potential rewards of different occupational groups, going on to look at middle-class family, social, political and material life--from relationships with spouses, children, servants, and neighbors, to food and clothes and furniture, to sickness, death, and burial. Stimulating, scholarly, and constantly illuminating, this book is an important and impressive contribution to English social history.
Introduction -- Market reports -- Reading the ticker tape -- Picturing the market -- Confidence games and inside information -- Conspiracy and the invisible hand of the market -- Epilogue
Four experts on the American presidency examine the three times impeachment has been invoked—against Andrew Johnson, Richard Nixon, and Bill Clinton—and explain what it means today. Impeachment is a double-edged sword. Though it was designed to check tyrants, Thomas Jefferson also called impeachment “the most formidable weapon for the purpose of a dominant faction that was ever contrived.” On the one hand, it nullifies the will of voters, the basic foundation of all representative democracies. On the other, its absence from the Constitution would leave the country vulnerable to despotic leadership. It is rarely used, and with good reason. Only three times has a president’s conduct led to such political disarray as to warrant his potential removal from office, transforming a political crisis into a constitutional one. None has yet succeeded. Andrew Johnson was impeached in 1868 for failing to kowtow to congressional leaders—and, in a large sense, for failing to be Abraham Lincoln—yet survived his Senate trial. Richard Nixon resigned in August 1974 after the House Judiciary Committee approved three articles of impeachment against him for lying, obstructing justice, and employing his executive power for personal and political gain. Bill Clinton had an affair with a White House intern, but in 1999 he faced trial in the Senate less for that prurient act than for lying under oath about it. In the first book to consider these three presidents alone—and the one thing they have in common—Jeffrey A. Engel, Jon Meacham, Timothy Naftali, and Peter Baker explain that the basis and process of impeachment is more political than legal. The Constitution states that the president “shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors,” leaving room for historical precedent and the temperament of the time to weigh heavily on each case. This book reveals the complicated motives behind each impeachment—never entirely limited to the question of a president’s guilt—and the risks to all sides. Each case depended on factors beyond the president’s behavior: his relationship with Congress, the polarization of the moment, and the power and resilience of the office itself. This is a realist view of impeachment that looks to history for clues about its potential use in the future.
Peter Dale Scott has written extensively on the Kennedy assassination and other dark corners of the American political scene. His encyclopedic knowledge enables him to connect the dots among the players, the organizations, and the unacknowledged collusions—the deep politics— of our often troubled political system. Deep Politics on Oswald, Mexico, and Cuba, originally published in 1995, narrows the focus of Scott’s earlier Deep Politics and the Death of JFK. Scott delivers the most detailed treatment yet of the mysterious sojourn of Lee Harvey Oswald (or someone using his name) to Mexico City in the fall of 1963. Was this trip a key aspect of the framing of Oswald, was it an approved intelligence operation, or was it perhaps both? It is now known that allegations of Communist conspiracy in the wake of the JFK assassination, emanating mostly from Mexico City, caused Lyndon Johnson to put together a “blue ribbon commission” to investigate what happened in Dallas. Scott explains through meticulous research and analysis exactly why LBJ would want the Warren Commission to rush to a conclusion, and the far-reaching political ramifications of the commission’s public findings. Scott’s analysis suggests the evidence from Mexico City was part of a frame-up, making Deep Politics on Oswald, Mexico, and Cuba an essential piece of research and analysis, shedding new light on the Communist conspiracy allegations behind the JFK assassination.
A reassessment of Freud's central concept of the Oedipus complex, using the interlocking perspectives of biography, intellectual history and Greek tragedy. The study establishes how Freud reached his formulation through his own self-analysis and clinical work.
Comprehensive and fully up to date, the six-volume Plastic Surgery remains the gold standard text in this complex area of surgery. Completely revised to meet the demands of both the trainee and experienced surgeon, Craniofacial, Head and Neck Surgery and Pediatric Plastic Surgery, Volume 3 of Plastic Surgery, 5th Edition, features new, full-color clinical photos, procedural videos, lectures, and authoritative coverage of hot topics in the field. Editor-narrated video presentations offer a step-by-step audio-visual walkthrough of techniques and procedures. - New chapters cover surgical management of facial pain, facial feminization, idiopathic progressive hemifacial atrophy, and cleft palate; coverage throughout includes new, pioneering translational work shaping the future of craniofacial, head and neck, and pediatric plastic surgery. - New digital video preface by Dr. Peter C. Neligan addresses the changes across all six volumes. - New treatment and decision-making algorithms added to chapters where applicable. - New video lectures and editor-narrated slide presentations offer a step-by-step audiovisual walkthrough of techniques and procedures. - Evidence-based advice from an expanded roster of international experts allows you to apply the very latest advances in hand and upper extremity plastic surgery and ensure optimal outcomes. - Purchase this volume individually or own the entire set, with the ability to search across all six volumes online! - An eBook version is included with purchase. The eBook allows you to access all of the text, figures and references, with the ability to search, customize your content, make notes and highlights, and have content read aloud.
CWA Gold Dagger winner Peter Dickinson is back: An Indian doctor joins the English underground to fight racial oppression Dr. P. P. Humayan expects prejudice from the English. Growing up in Bombay, he was raised on stories of the injustices of life in Britain, where racial status is marked on one’s papers and anyone of Celtic descent is born with green skin and forced to live in walled-off ghettos. But when he travels to London to announce that he has solved the genetic mystery of why the Celts are born green, he is shocked by the system’s brutality. Only one English girl is kind to him—and she will soon find herself in mortal peril. When his host family is murdered, Humayan slips underground, joining a small band of rebels who would do anything to see racial equality restored to England. There are powerful men working to maintain the sinister status quo, and bringing them down will be the toughest problem this mathematician has ever faced.
SPSS Explained provides the student with all that they need to undertake statistical analysis using SPSS. It combines a step-by-step approach to each procedure with easy-to-follow screenshots at each stage of the process. A number of other helpful features are provided, including: regular advice boxes with tips specific to each test explanations divided into ‘essential’ and ‘advanced’ sections to suit readers at different levels frequently asked questions at the end of each chapter The third edition of this popular book has been fully updated for IBM SPSS version 27 and also includes: a new chapter on how to undertake mediation and moderation with SPSS updates on changes to SPSS, including updated functionality within ANOVAs and calculations of a priori power analysis Presented in full colour and with a fresh, reader-friendly layout, this fully updated new edition also comes with online support material featuring an array of supplementary resources for students and instructors. Minimal prior knowledge is assumed, so the book is well designed for the novice user, but it will also be a useful reference source for those developing their own expertise in SPSS. It is suitable for all students who need to do statistical analysis using SPSS in various disciplines, including psychology, social science, business studies, nursing, education, health and sport science, communication and media, geography, and biology. The authors have many years of experience in teaching SPSS to students from a wide range of disciplines. Their understanding of SPSS users’ concerns, as well as a knowledge of the type of questions students ask, form the foundation of this book.
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