For fans of Lauren Groff, Maggie O’Farrell, and Emma Donoghue, a devastating novel of love, intrigue, and community in a time of sickness that remade the world Fourteenth-century Europe. The Black Death has killed half the known world, andin an isolated convent, a small group of nuns spends their days in work, austerity, and devotion, chanting the Liturgy of the Hours. But their community is threatened. Rumors of heresy and a scandalous Book of Ursula, based on the teachings of the charismatic former abbess and founder of the order, have prompted the male church hierarchy to launch an investigation. The priest assigned to minister to the nuns, Father Francis, who is wracked by guilt for an unspeakable crime committed during the lawless plague years, was no friend of Ursula and can't be counted on to defend the order. Disrespect and rebellion infect some novices, and the youngest among them pines for the bishop’s chief inquisitor. And Mother John, the convent’s aging spiritual leader, fears she’s losing her mind after experiencing a vision that brings back her own rebellious past. As events unfold over the course of a single day, a blizzard that has swept across Europe will break over the convent, endangering the women there and testing their faith. In this astonishing novel, the author of the award-winning Songs for the Butcher’s Daughter explores the territory between faith and freedom, and how the horrific events of history shape individual lives.
In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.
Discover America’s secrets in this second of two volumes of the young readers’ edition of The Untold History of the United States, from Academy Award–winning director Oliver Stone and Peter Kuznick, adapted by Eric Singer. There is history as we know it. And there is history we should have known. Complete with poignant photos and little-known but vitally important stories, this second of two volumes traces how people around the world responded to the United States’s rise as a superpower from the end of World War II through an increasingly tense Cold War and, eventually, to the brink of nuclear annihilation during the Cuban Missile Crisis. This is not the kind of history taught in schools or normally presented on television or in popular movies. This riveting young readers volume challenges prevailing orthodoxies to reveal uncomfortable realities about the US role in heightening Cold War tensions. It also humanizes the experiences of diverse people, at home and abroad, who yearned for a more just, equal, and compassionate world. This volume will come as a breath of fresh air for students, teachers, and budding young historians hungry for different perspectives—which makes it a crucial counterpoint to today’s history textbooks. Adapted by high school and university educator Eric S. Singer from the bestselling book and companion to the documentary The Untold History of the United States by Academy Award–winning director Oliver Stone and renowned historian Peter Kuznick, this volume gives young readers a powerful and provocative look at the US role in the Cold War. It also provides a blueprint for those concerned with shaping a better and more equitable future for people across the world.
The operas of the German composer Richard Wagner had a revolutionary influence on the course of Western music. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his works. He went on to revolutionise the music form through his concept of the Gesamtkunstwerk (total work of art), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He achieved these ideas most fully in his epic cycle of operas 'Der Ring des Nibelungen', notable for complex textures, rich harmonies and the elaborate use of leitmotifs. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Wagner’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Wagner’s masterworks* Learn about the operas that made Wagner a celebrated composer* Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about* Features a special ‘Complete Compositions’ section, with an index of Wagner’s complete works and links to streaming services* English translations of the librettos for the major operas, including works appearing for the first time in digital print* A wide selection of the composer’s prose works, including fiction, pioneering essays and Wagner’s celebrated autobiography* Includes Wagner’s letters to Franz Liszt — explore the composer’s personal correspondence* Features six biographies on the great composer — explore Wagner's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The MasterworksSymphony in C MajorDas LiebesverbotFaust OvertureRienziDer fliegende HolländerTannhäuserLohengrinDas RhinegoldDie WalküreTristan und IsoldeWesendonck LiederDie Meistersinger von NürnbergSiegfriedSiegfried IdyllGötterdämmerungParsifal Complete CompositionsIndex of Wagner’s Compositions Selected LibrettosDer fliegende HolländerLohengrinDas RhinegoldDie WalküreTristan und IsoldeSiegfriedGötterdämmerungParsifal Selected ProseAutobiographic SketchOn German OperaArt and RevolutionThe Art-Work of the FutureJudaism in MusicA Communication to My FriendsOpera and DramaBeethovenWhat is German?An End in ParisOn ConductingReligion and Art The LettersCorrespondence of Wagner and Liszt The AutobiographyMy Life The BiographiesRichard Wagner: His Life and His Dramas by W. J. HendersonLife of Wagner by Ludwig NohlRichard Wagner, Composer of Operas by John F. RuncimanWagner by Paul RosenfeldWagner as I Knew Him by Ferdinand PraegerRichard Wagner by Rupert Hughes Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
In the Odes, Horace writes of his own work, “I have built a monument more enduring than bronze,”—a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author’s claims are bold and innovative, offering a strong interpretation of the relationship between Roman visual culture and literature that will deepen modern readings of Augustan poets. The Museum of Augustus first provides a comprehensive reconstruction of paintings from the remaining fragments of the cycle of Trojan frescoes that once decorated the Temple of Apollo in Pompeii. It then finds the echoes of these paintings in the Augustan-dated Portico of Philippus, now destroyed, which was itself a renovation of Rome’s de facto temple of the Muses—in other words, a museum, both in displaying art and offering a meeting place for poets. It next examines the responses of the Augustan poets to the decorative program of this monument that was intimately connected with their own literary aspirations. The book concludes by looking at the way Horace in the Odes and Virgil in the Georgics both conceptualized their poetic projects as temples to rival the museum of Augustus.
The book rediscovers two of the main seeds of Western Culture – the Exodus and the Odyssey, which are entwined within the book by both a common link with Egypt and a review of ancient chronology. They were both antecedents to the rise of Christianity, which is at the heart of Western Culture. It was inspired by a desire to understand the spiritual message of the Odyssey, which required both geographical and spiritual interpretations of the poem. Linked to this was a desire to understand the political context of the Trojan story, which required resolving the false hiatus in the archaeology of Troy. This resulted in a new paradigm for understanding ancient chronology, which revealed the stories behind the Exodus and the location of the Garden of Eden. Writing the book has been a long and eventful journey, longer than Odysseus’ 19 years away from home. The book is written in five parts: • Low Chronology - Based on the identification of Menophres with Thutmose III and of the Bubastite Portal’s reference to Shoshenq’s participation in the Battle of Qarqar, the Egyptian Third Intermediate Period is shortened by 120 years, with a pharaoh ruling from Tanis and subordinate kings at Bubastis and Thebes. • The Exodus - Using the Low Chronology and genealogical information and dates provided by the Bible, it is demonstrated that the story of the Exodus is a combination of two events, being the exodus of the Hyksos led by Abraham in 1406 BC following the eruption of Thera, and the exodus of the Atenist (Levite) priests led by Moses in about the first year of Tutankhamun - 1204 BC. The story of Abraham also reveals the location of the Garden of Eden in the heartland of the Levant. • Radiocarbon Dating – The process that created the dendrochronology-based radiocarbon calibration curve is demonstrated to be a flawed non-scientific process that relied upon circular arguments. • The Odyssey – By comparing the life and work of Archilochus to both the Odyssey and the Iliad, it is shown that Archilochus must have been the author of the Odyssey. The allegory within the Odyssey is also discussed to provide both geographical and spiritual interpretations of the poem. • Western Culture - The two main streams of Western Culture (Ancient Greece and Christianity) are shown to have had their foundations in the stories surrounding the Trojan War, the spiritual message of the Odyssey and the influences of Egypt on Greece and Judaism. It is shown how Greek and Jewish religions were fused to create the Gospels and contributed towards modern astrology.
The story of a railway worker's son who became one of the most powerful, outspoken and charismatic figures in European theatre. Sir Peter Hall has been director of the Royal Shakespeare Company, artistic director of Glyndebourne, and director of Britain's National Theatre from 1973 to 1988. He has directed over 150 productions of plays, operas and films, and now runs his own acclaimed theatre company.
The Rig Veda, written in India about 1500BC, praises a holy plant called Soma, which is sacrificed and consumed, granting the drinker an experience of enlightenment and ecstasy. The late Gordon Wasson identified Soma as a "magic mushroom," Amanita muscaria, and he and his followers discovered that such Indo-Europeans as the ancient Greeks, Iranians and Norse had also used a Soma-type plant. In Ploughing the Clouds Peter Lamborn Wilson investigates the probability of a Soma cult in ancient Ireland, tracing clues in Irish (and other Celtic) lore. By comparing Celtic folktales, romances, epics and topographic lore with the Rig Veda, he uncovers the Irish branch of the great Indo-European tradition of psychedelic (or "entheogenic") shamanism, and even reconstructs some of its secret rituals. He uses this comparative material to illuminate the deep meaning of the Soma-function in all cultures: the entheogenic origin of "poetic frenzy," the link between intoxication and inspiration.
Romanticism - and Byron" is a book in two parts. In the first part, Dr Cochran examines "Romanticism" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-"romantic" context of his contemporaries. He shows how Byron's antithetical nature created problems when he was forced into compromising situations with friends who were close to parts of his mind, yet irreconcilable with one another. This "mobility", argues Cochran, was often an embarrassment for Byron's social life, but of great benefit to his creativity. This part of the book features chapters on Shelley, Scott, Blake, Keats, Coleridge and Wordsworth, and is notable for the amount of original archive documentation with which Cochran illustrates his theme.
This two-part book on collections of paintings in Madrid is part of the series Documents for the History of Collecting, Spanish Inventories 1, which presents volumes of art historical information based on archival records. One hundred forty inventories of noble and middle-class collections of art in Madrid are accompanied by two essays describing the taste and cultural atmosphere of Madrid in the seventeenth and eighteenth centuries.
Developed from an early oral storytelling tradition dating back to the dawn of European culture, this is one of the oldest and most vibrant of Europe's mythologies. From all six Celtic cultures - Irish, Scots, Welsh, Cornish, Manx and Breton - Peter Berresford Ellishas included popular myths and legends, as well as bringing to light exciting new tales which have been lying in manuscript form, untranslated and unknown to the modern general reader. The author brings not only his extensive knowledge of source material but also his acclaimed skills of storytelling to produce an original, enthralling and definitive collection of Celtic myths and legends - tales of gods and goddesses, heroes and heroines, magical weapons, fabulous beasts, and entities from the ancient Celtic world.
From the beloved author of Comeback Love and Wherever There Is Light, comes “a sweeping tale full of humor and heartbreak” (Karin Tanabe, author of The Diplomat’s Daughter) about the life-changing journey of a young man who travels from New Jersey to Khrushchev’s Russia and the beaches of Southern France to discover long-hidden secrets about his heritage. In 1950s New Jersey, teacher Michael Daniels—or Misha Danielov to his doting Russian-Jewish grandmother—is at loose ends, until he becomes the host of a nightly underground radio show. Not only does the show become a local hit because of his running satires of USSR leader Nikita Khrushchev, but half a world away, it picks up listeners in a small Soviet city. There, with rock and roll leaking in through bootlegged airwaves, Yulianna Kosoy—a war orphan in her mid-twenties—is sneaking American goods into the country with her boss, Der Schmuggler. But just as Michael’s radio show is taking off, his grandmother is murdered. Why would anyone commit such an atrocity against such a warm, affable woman? She had always been secretive about her past and, as Michael discovers, guarded a shadowy ancestral history. In order to solve the mystery of who killed her, Michael sets out for Europe to learn where he—and his grandmother—really came from. “Both heartbreaking and mesmerizing, Nothing Is Forgotten is the sort of book you won’t soon forget…Cold War Europe, lingering Nazi secrets, and the tragic history faced by millions of families not only bring this tale to life but will keep you turning the pages” (Lisa Wingate, New York Times bestselling author) and will appeal to fans of novels by Anita Diamant and Kristin Hannah.
The most popular story in all of India and a classic of world literature is summarised in 728 verses in the great epic Mahabharata. Intended for independent study or classroom use for students of various levels who have had a basic introduction to Sanskrit, this fully annotated edition of the Ramopakhyana supplies all the information required for complete comprehension. It contains the Devanagari text, Roman transliteration, sandhi analysis, Sanskrit prose equivalents to the verses, syntactic and cultural notes, and the English translation, and word-by-word grammatical analysis.
The Powers of Genre describes a method for interpreting oral literature that depends upon and facilitates dialogue between insiders and outsiders to a tradition. Seitel illustrates this method with lively examples from Haya proverbs, folktales, and heroic verse. He then focuses on a single epic ballad to demonstrate, among other things, why stanzas need not rhyme, and how significance needs time in oral poetry and narrative. Making a controversial claim that an heroic age, similar to that of Ancient Greece, existed in Sub-Saharan Africa, this work will intrigue anyone who works in oral literature and narrative.
A fresh, modern prose retelling captures the vigorous and bawdy spirit of Chaucer’s classic Renowned critic, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents the work in a prose vernacular that makes it accessible to modern readers while preserving the spirit of the original. A mirror for medieval society, Chaucer’s Canterbury Tales concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ranging from comedy to tragedy, pious sermon to ribald farce, heroic adventure to passionate romance, the tales serve not only as a summation of the sensibility of the Middle Ages but as a representation of the drama of the human condition. Ackroyd’s contemporary prose emphasizes the humanity of these characters—as well as explicitly rendering the naughty good humor of the writer whose comedy influenced Fielding and Dickens—yet still masterfully evokes the euphonies and harmonies of Chaucer’s verse. This retelling is sure to delight modern readers and bring a new appreciation to those already familiar with the classic tales.
Empowered writing explores the inherent powers of Chinese talismans, petitions, registers, and holy scriptures, presenting a systematic study of their exxorcistic and apotropaic properties. Using a vast arsenal of original sources, the book traces the unfolding and transformation of empowered writing from the Warring States period through the Six Dynasties, closely examining the different kinds of writing, their uses, and interpretation as well as relating uniquely Daoist features to imperial and Buddhist usages. The book is pathbreaking in its endeavor and stunning in its depth of analyis.
This collection of revealing profiles captures the essence of a galaxy of Welsh world-beaters from across the sporting spectrum: athletics, boxing, cricket, football, golf, horse racing, motor racing, rugby union, rugby league and tennis. Those featured include arguably the best Welsh rugby union player of the twentieth century; the greatest bowler never to play for England; the farmer's boy who became a master golfer; the Cardiff boy from Splott who made such a name for himself in Hull that they named a thoroughfare after him; the 'Gentle Giant' from Swansea still revered in Italy some 50 years after his last match for Juventus; the only post-war Welsh jockey to win the Grand National twice; and the unsung hero from the Rhondda who became the saviour of Manchester United in the weeks after the Munich air disaster. Their stories, based on exclusive interviews and coloured with anecdotes, will inspire future generations to believe that nothing is impossible.
This volume presents a series of penetrating analyses of particular poems and problems of literary history illustrating the many sides of medieval poetry and the interactions of learned, popular and courtly traditions. The first and longest essay, 'Waltharius-Gaiferos', aims to characterize the diverse treatments of one of the major European heroic themes - in modes that include lay and epic, saga and ballad, and range from pre-Carolingian times to the Renaissance. There follow three interrelated essays on the medieval transformations of Ovid, and a larger group devoted to close reading of medieval lyrics. After discussing some brilliant Latin compositions, of the 9th-12th centuries, both sacred and profane, and the work of two of the most captivating 'goliard' poets, Peter Dronke looks at the earliest formations of love-lyric in two vernaculars, Spanish and English. Finally, he explores the unique symbiosis of Latin and vernacular imagery in two key moments of Dante's Divine Comedy. Ce volume contient une série d’analyses perspicaces de poèmes spécifiques et de certains problèmes de l’histoire littéraire illustrant les multiples facettes de la poésie médiévale et l’interaction des traditions érudites, populaires et courtoises. Le premier essai, "Waltharius-Gaïferos", tente de décrire les divers traitements de l’un des principaux thèmes héroïques européens selon des modes qui incluent: le lai et l’épique, la saga et la ballade et qui s’étendent sur une période allant de l’époque pré-carolingienne à la Renaissance. Suivent trois articles corrélatifs sur les adaptations médiévales des textes d’Ovide, ainsi qu’un groupe d’études voue à la lecture détaillée de la poésie lyrique médiévale. Après avoir considéré l’oeuvre de deux des plus passionnants poètes "goliards" et un certain nombre de remarquables compositions latines, sacrées et profanes, datant du 9e-12e siècles, Peter Dronke se tourne vers les pre
The parables that Jesus Christ used to convey his lessons are rich in their implications. They serve as ongoing standards against which to set our thoughts, actions, and decisions. Together they ask us to acknowledge Jesus and His teachings as the only “door” (John 10: 1) to the fold, the ultimate judge of our beliefs, thoughts, and actions. Meditations on the Parables of Christ seeks to interpret the parables according to their theological significance while also applying them to individual lives and practices. Mercy and forgiveness constitute the constant themes of the parables. The parables emphasize the unfathomable mercy to our God, which reaches out to the penitent. They invite us to respond positively to God, embrace what He offers us, and be mindful of His will and of our eternal destinies in all our decisions, thoughts, actions, and words. This study examines the parables of Jesus Christ, exploring and interpreting their meaning and considering their application in our daily lives.
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